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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260408T230631
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260408T230631
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260408T230631
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260408T230631
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260408T230631
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260408T230631
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260408T230631
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260408T230631
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260408T230631
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260408T230631
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260408T230631
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260408T230631
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260408T230631
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260408T230631
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260408T230631
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260408T230631
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121022
DTEND;VALUE=DATE:20220101
DTSTAMP:20260408T230631
CREATED:20210527T152347Z
LAST-MODIFIED:20210527T152507Z
UID:81363-1350864000-1640995199@artinamericaguide.com
SUMMARY:LEO VILLAREAL: COSMOS
DESCRIPTION:An homage to the late Cornell astronomy professor Carl Sagan\, Cosmos is a site-specific installation by New York–based artist Leo Villareal (born 1967)\, a pioneer in the use of light-emitting diodes (LEDs) and computer-driven imagery. His signature pieces explore complex movement and dazzling patterns created by points of light using his own computer software. \n \nVillareal – Cosmos – Johnson Museum – Cornell final from Walter Patrick Smith\, AIA LEED A on Vimeo. \nPlanning for Cosmos began in November 2010\, when Villareal—along with the project architect\, Walter Smith\, and donors Lisa and Richard Baker—worked with Johnson Museum staff to determine the optimal location for the installation. The ceiling of the Sherry and Joel Mallin Sculpture Court was chosen for its high visibility not only on campus but also from the city of Ithaca. After studying the Museum’s architectural plans and considering structural and aesthetic aspects of the installation\, the artist’s team returned to Cornell in April 2012 to install a nine-foot-square mock-up. Installation of the final piece took several weeks\, with twelve thousand energy-efficient LEDs on a gridded framework attached to the ceiling of the sculpture court. A zero gravity bench was designed by the artist for viewers to fully immerse themselves in the viewing experience and to foster a more communal involvement with his installation. Villareal gave a public lecture to mark the opening of the installation. \nVillareal’s works reinterpret fundamental components of such twentieth-century art movements as pop\, minimalism\, conceptual\, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty-first century. Among his most notable site-specific works are the illumination of the exterior of the Brooklyn Academy of Music (2006)\, Multiverse in the Concourse walkway between the East and West Buildings at the National Gallery of Art (2008)\, and Sky at the Tampa Museum of Art (2009). His largest installation to date is The Bay Lights\, illuminating the West Span of the San Francisco Bay Bridge for its 75th anniversary in 2013. \nAndrea Inselmann\nCurator of Modern and Contemporary Art \n\nImage:\nLeo Villareal\nCosmos\, 2012\nWhite LED Lights\, custom software\, and electrical hardware; site-specific installation.\nAcquired through the generosity of Richard Baker\, Class of 1988\, and Lisa Baker.\n2012.056\nPhoto: James Ewing \n\n  Save  
URL:https://artinamericaguide.com/event/leo-villareal-cosmos/
LOCATION:Herbert F. Johnson Museum of Art\, Cornell University\, 114 Central Avenue\, Cornell University\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
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GEO:42.4507153;-76.4862114
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Herbert F. Johnson Museum of Art Cornell University 114 Central Avenue Cornell University Ithaca NY 14853 United States;X-APPLE-RADIUS=500;X-TITLE=114 Central Avenue\, Cornell University:geo:-76.4862114,42.4507153
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190501
DTEND;VALUE=DATE:20200302
DTSTAMP:20260408T230631
CREATED:20200221T151638Z
LAST-MODIFIED:20200221T162417Z
UID:65494-1556668800-1583107199@artinamericaguide.com
SUMMARY:Harold Ancart | Subliminal Standard
DESCRIPTION:Brooklyn-based artist Harold Ancart (b. 1980\, Brussels\, Belgium) has created this painted concrete sculpture as an homage to the accidental abstract compositions that appear on New York City’s ubiquitous freestanding handball walls. The artist sees the mismatched repainting and partial repairs that mask graffiti and other wear on these courts as “subliminal\,” inadvertent masterpieces. He relishes their fortuitous connection to the canon of abstract art. \nHandball is an urban sport that was popularized by immigrants in the early 20th century\, but Subliminal Standard is not a typical handball court. It is Ancart’s most ambitious artwork to date – a newly-built structure with nuanced and compelling painted surfaces inspired by his fascination with seemingly quotidian found forms and patterns. Here\, the artist’s distinctive painting style extends beyond the frame of the canvas and outside the museum’s walls to interact with its setting in subtle ways. Ancart invites us to immerse ourselves in this extraordinary environment and to become part of its composition as we engage with our surroundings\, each other\, and art in a new way. In the game of handball\, all you need is a ball and a wall to play. Subliminal Standard proposes that we only need our imagination to perceive the unseen beauty that surrounds us every day. \nSubliminal Standard is curated by Associate Curator Daniel S. Palmer \n\nImage:\nHarold Ancart\nSubliminal Standard\nCadman Park Plaza\nPublic Art Fund\, 2019 \n\n  Save  
URL:https://artinamericaguide.com/event/harold-ancart-subliminal-standard/
LOCATION:Cadman Park Plaza\, Cadman Park Plaza E\, Brooklyn\, NY\, 11201
CATEGORIES:Exhibition
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ORGANIZER;CN="Public Art Fund":MAILTO:info@publicartfund.org
GEO:40.6976723;-73.9906433
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cadman Park Plaza Cadman Park Plaza E Brooklyn NY 11201;X-APPLE-RADIUS=500;X-TITLE=Cadman Park Plaza E:geo:-73.9906433,40.6976723
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190711T100000
DTEND;TZID=America/Halifax:20200105T170000
DTSTAMP:20260408T230631
CREATED:20190708T103257Z
LAST-MODIFIED:20190926T162359Z
UID:57963-1562839200-1578243600@artinamericaguide.com
SUMMARY:Hamilton and Burr: Who Wrote Their Stories?
DESCRIPTION:July 11\, 2019–January 5\, 2020\, Center Gallery\n\n\nThe hit Broadway musical Hamilton sparked renewed interest in the Founding Father and his relationship with Aaron Burr\, whom he infamously dueled with on July 11\, 1804. Opening on the 215th anniversary of the duel\, our exhibit picks up where Lin-Manuel Miranda’s musical left off and examines how Alexander Hamilton’s and Burr’s legacies were shaped by other Founding Fathers\, a wife\, a daughter\, historical documents\, and yes\, even an enormously successful\, modern-day musical. \nThe continuously interwoven fates and legacies of these two seemingly divisive figures\, provides an exciting opportunity to explore what stories get written\, which get remembered\, and why. \nOur story begins in the immediate aftermath of the shots in Weehawken\, New Jersey\, with original correspondence between Burr and Dr. David Hosack regarding Hamilton’s condition. An up-close look at Dr. Hosack\, Rev. Benjamin Moore\, and the events following the duel will begin to complicate our perceptions of Burr. \nThe exhibit then dives into the printed material and imagery surrounding these two figures to consider the ways in which Burr’s daughter\, Theodosia Burr Alston\, and Hamilton’s widow\, Elizabeth Schuyler Hamilton\, helped shape the print culture to craft legacies of both men. \nSetting the scene is an 18th-century velvet coat\, similar to the one that inspired Miranda’s vision for the musical—which serves as a reminder that historical narratives can always be re-explored\, reconsidered\, and rewritten. \nPhoto Credit: Courtesy of Winterthur \n\n  Save  
URL:https://artinamericaguide.com/event/hamilton-and-burr-who-wrote-their-stories/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190718T170000
DTEND;TZID=America/Halifax:20200119T170000
DTSTAMP:20260408T230631
CREATED:20190626T130416Z
LAST-MODIFIED:20190626T130416Z
UID:57728-1563469200-1579453200@artinamericaguide.com
SUMMARY:Beta Space: Pae White
DESCRIPTION:The work of internationally renowned artist Pae White transcends nearly all traditional boundaries—between art and design\, craft and fine art\, architecture and installation\, theory and practice. Her probing curiosity with the world manifests in her transformation of ordinary objects and phenomena—chandeliers\, clocks\, popcorn\, tapestries\, birdsongs\, fog\, smoke—into exhilarating experiences that defy logic yet remain oddly familiar. Always kinaesthetic—as much a bodily as visual experience that plays with the senses—her work is as alluring as it is ambiguous\, suggesting that things may not be as they may seem. The handmade nature of her work\, combined with sophisticated technologies and inventive processes\, allow for a high degree of improvisation. \nIn celebration of SJMA’s 50th anniversary\, White presents a compendium of new works and recent installations for the sixth iteration of the Museum’s exhibition series “Beta Space.” White’s peripatetic practice across various media and disciplines captures the spirit of this series: her work brims with artistic risk-taking and experimentation\, reflecting the wildly creative and innovative ethos of Silicon Valley. \nBeta Space: Pae White features newly made artworks that further White’s interest in shifting our associations and perceptions of everyday objects\, materials\, and phenomena. In addition\, the exhibition features two monumental installations that upend traditional ideas regarding architecture\, museum display practices\, fine art\, and craft. foreverago (2017) is the artist’s largest tapestry to date\, at 127 feet long. Shown in the United States for the first time\, it will meander through the gallery\, creating a sinuous wall-like structure that presents both the front and back of the weaving. Revolutionizing the genre of tapestry for the 21st century\, White relied on the help of skilled artisans while employing advanced digital imaging techniques to weave together colorful cotton\, cashmere\, and metallic threads\, and used custom software that randomizes distribution patterns to produce her seemingly chaotic scene. Part of the artist’s ongoing series “Bugz + Drugs\,” foreveragoexplodes with a cacophony of insects—ladybugs\, dragonflies\, grasshoppers\, and crickets—descending on plants known for their psychoactive\, calming effects: mushrooms\, poppies\, and cannabis. Renderings of antique Japanese kimono fabric samples and Byzantine icons further enhances an already rich and visually abundant composition. \nIn her intuitive approach to materials and images\, White maintains a critical eye on popular manifestations and wildly kitsch derivatives of high modernist ideals. In AGAMEMNOMICS (2013)\, she presents a massive assemblage of chess pieces of her own device. While scouring the design collections of the MAK Museum of Applied Arts in Vienna\, the artist encountered a trove of forgotten toys made by an unknown Viennese designer in the 1920s. From this group she fashioned a chess set and sent images of nine objects to artisans and fabricators in China\, Ethiopia\, Germany\, Lithuania\, and Mexico\, as well as to artists working in the Los Angeles area. Each workshop rendered interpretations of these objects in materials of their own specialty: glass\, wood\, clay\, porcelain\, plastic\, and rubber. Leaving her project to chance and spontaneity\, White rescued these toys from the confines of the design archive and cast them back into realms of the imagination and play. \n\n\n\n\n\n\n\nSponsored by the Richard A. Karp Charitable Foundation\, Doris and Alan Burgess\, Theres and Dennis Rohan\, Tad Freese and Brook Hartzell\, and Mary Mocas and Marv Tseu. Additional support provided by Hildy Shandell Beville and Ross Harwood Beville\, and from 1301PE\, Los Angeles.  \nSupported\, in part\, by a Cultural Affairs grant from the City of San José.\n\n\n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/beta-space-pae-white/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190803
DTEND;VALUE=DATE:20200106
DTSTAMP:20260408T230631
CREATED:20190919T160343Z
LAST-MODIFIED:20191120T213519Z
UID:59816-1564790400-1578268799@artinamericaguide.com
SUMMARY:Light & Shadow: Alyson Shotz and Kumi Yamashita
DESCRIPTION:Light & Shadow: Alyson Shotz and Kumi Yamashita features the work of two sculptors who create work of ethereal beauty. Alyson Shotz strings silvered glass beads on steel thread and hangs her nets and skeins in floor-to-ceiling installations. A critic remarked that her work “approaches invisibility.” In it\, the solid materials of most sculptures are replaced by air and light. Kumi Yamashita presents ordinary objects that cast extraordinary shadows. Under raking light\, a wall with a seemingly random scattering of wooden numbers yields a child’s monumental profile. A carved exclamation point casts a shadow of a question mark. A chair casts a shadow of a seated woman. Remove the light\, and the art disappears. \nBoth artists create sculptures through labor-intensive handwork and trial and error experimentation. They are each concerned with expanding bits of matter into large installations\, the space-occupying potential of virtually weightless materials\, and the variability and mystery of experience. In Light and Shadow\, the Wichita Art Museum is delighted to present Shotz and Yamashita’s awe-inspiring environments to Wichita and the region. \nThe exhibition is guest curated by Vicki Halper\, former curator of the Seattle Art Museum. Halper also curated Australian Glass Art\, American Links\, and Cameo Glass in Context: Charlotte Potter and April Surgent. \n  \nImage: Kumi Yamashita\, 0 to 9\, 2011. Carved wood\, single light source\, and shadow\, 72 x 72 x 4 inches. Collection of the artist \n  Save  
URL:https://artinamericaguide.com/event/light-shadow-alyson-shotz-and-kumi-yamashita/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190813T000000
DTEND;TZID=America/Halifax:20200313T000000
DTSTAMP:20260408T230631
CREATED:20200226T170058Z
LAST-MODIFIED:20200304T202036Z
UID:65652-1565654400-1584057600@artinamericaguide.com
SUMMARY:Other People’s Parties
DESCRIPTION:In today’s hyperconnected social world\, images of others have become a ubiquitous part of everyday life\, but what is it about other people’s parties that intrigues us so much? Is it idle curiosity or something more? This exhibition\, featuring photography from artists such as Henri Cartier-Bresson\, Larry Fink\, Danny Lyon\, Mary Ellen Mark\, and Andy Warhol\, calls attention to the highs and lows of our most social occasions\, investigating the human impulse to capture party moments through photography and our desire to live vicariously through images of others. \n  \n\n\n\nAndy Warhol\, Andy\, Meeting at the Stoplight\, Cicero\, Illinois\, 1965\, 14 x 11 in. (To be matted: 20 x 16 in.)\n\n\n\n  \n  Save  
URL:https://artinamericaguide.com/event/other-peoples-parties/
LOCATION:David Filderman Gallery at Hofstra University\, 112 Hofstra University\, Hempstead\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/02/2008_2_119HIRES.jpg
GEO:40.7133721;-73.6015642
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=David Filderman Gallery at Hofstra University 112 Hofstra University Hempstead New York;X-APPLE-RADIUS=500;X-TITLE=112 Hofstra University:geo:-73.6015642,40.7133721
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190831
DTEND;VALUE=DATE:20191230
DTSTAMP:20260408T230631
CREATED:20190927T193959Z
LAST-MODIFIED:20191126T180908Z
UID:60377-1567209600-1577663999@artinamericaguide.com
SUMMARY:Coffee and Cocktails
DESCRIPTION:Coffee and Cocktails brings together vintage furniture\, designer clothes\, and elegant decorative arts objects to explore the fashionable worlds of teatime and cocktail hour in the 19th and 20th centuries. \n\nThe first part of the exhibition centers on tea and coffee—two hot beverages that went from exotic imports to everyday necessities over the course of the 1800s\, inspiring specialized tableware\, furniture\, and clothing. The second half of the exhibition takes the viewer from day to evening\, and features the barware\, furniture\, and clothing necessary for an elegant night of drinks and conversation. \nCoffee and Cocktails draws from the collections of the Wichita Art Museum and the Wichita-Sedgwick County Historical Museum to explore this fascinating moment in design history. Come\, join the party at the Wichita Art Museum. What are you drinking? \n\nImage: Maker unknown\, Demitasse Spoons\, set of 12\, 1908–1917. Silver gilt and plique-a-jour enamel\, each 1/2 x 4 1/16 x 7/8 inches. Wichita Art Museum\, Bequest of George E. Vollmer \n  Save  
URL:https://artinamericaguide.com/event/coffee-and-cocktails/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/09/1964.24.1-.12-1.jpg
ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190906T100000
DTEND;TZID=America/Halifax:20200105T170000
DTSTAMP:20260408T230631
CREATED:20190604T130917Z
LAST-MODIFIED:20190604T130917Z
UID:55331-1567764000-1578243600@artinamericaguide.com
SUMMARY:William Bailey: Looking through Time
DESCRIPTION:September 6\, 2019–January 5\, 2020\n\n\n\n\n\n\nThis exhibition considers the career of William Bailey (B.F.A. 1955\, M.F.A. 1957)\, the Kingman Brewster Professor Emeritus of Art at Yale\, through a focused survey of the artist’s paintings\, drawings\, and prints. Special emphasis is given to Bailey’s still-life paintings in oil\, including the Yale University Art Gallery’s Still Life—Table with Ochre Wall (1972)\, an outstanding example of the artist’s signature style. Known for his meditative canvases depicting objects and figures painted from memory\, Bailey is one of the artists—including Audrey Flack\, Alex Katz\, and Philip Pearlstein—who defied the prevailing taste for abstraction at midcentury and instead committed themselves to representational painting. Bailey’s artistic inspirations span centuries\, from Raphael and Piero della Francesca to Giorgio de Chirico and Piet Mondrian\, with Jean-Auguste-Dominique Ingres and Paul Cézanne in between. \n\n\n\nExhibition made possible by the Friends of American Arts at Yale Exhibition Fund and the Jan and Warren Adelson Fund. Organized by Mark D. Mitchell\, the Holcombe T. Green Curator of American Paintings and Sculpture.\n\n\n  Save  
URL:https://artinamericaguide.com/event/william-bailey-looking-through-time/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/06/Bailey_StillLife_TablewithOchreWall.jpg
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190906T100000
DTEND;TZID=America/Halifax:20200105T170000
DTSTAMP:20260408T230631
CREATED:20190604T130941Z
LAST-MODIFIED:20190604T130941Z
UID:55329-1567764000-1578243600@artinamericaguide.com
SUMMARY:Ceremonial Dress from Southwest China: The Ann B. Goodman Collection
DESCRIPTION:September 6\, 2019–January 5\, 2020\n\n\n\n\n\n\nDrawn from a recent gift to the Yale University Art Gallery\, this exhibition showcases the technical knowledge\, artistic skill\, and visual imagination on display in the ceremonial clothing of those living in Guizhou\, Sichuan\, Hunan\, Yunnan\, and other provinces of southwestern China. While the Han people make up more than 90 percent of the inhabitants of China\, the individuals who created the textiles on display identify as some of the 55 other groups\, which are distinguished by lifestyle and language. Worn during life-cycle ceremonies such as births\, marriages\, harvest celebrations\, and deaths\, as well as at other significant events\, the clothing on view—including jackets\, skirts\, baby carriers\, hats\, and shoes—is made by the women of each community. They gather the cotton and indigo\, dye the cloth\, sew the garments\, and embellish them with batik\, embroidery\, appliqué\, and other techniques\, blending traditional motifs with personal taste to create unique works of art. In addition to over 15 ensembles\, the exhibition features silver headdress ornaments\, necklaces\, and bracelets produced by men in the same communities and worn as symbols of skill and wealth. \n\n\n\n\nExhibition made possible by the Wolfe Family Exhibition and Publication Fund. Organized by Denise Patry Leidy\, the Ruth and Bruce Dayton Curator of Asian Art\, and Ruth Barnes\, the Thomas Jaffe Curator of Indo-Pacific Art. \n\n\n\n  Save  
URL:https://artinamericaguide.com/event/ceremonial-dress-from-southwest-china-the-ann-b-goodman-collection/
LOCATION:Yale University Art Gallery\, 1111 Chapel St\, New Haven\, CT\, 06510\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/06/mainprimage_CeremonialDressSWChina.jpg
ORGANIZER;CN="Yale University Art Gallery":MAILTO:artgalleryinfo@yale.edu
GEO:41.30839;-72.930958
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Yale University Art Gallery 1111 Chapel St New Haven CT 06510 United States;X-APPLE-RADIUS=500;X-TITLE=1111 Chapel St:geo:-72.930958,41.30839
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190910T100000
DTEND;TZID=America/Halifax:20200105T170000
DTSTAMP:20260408T230631
CREATED:20190819T145400Z
LAST-MODIFIED:20190926T163840Z
UID:59021-1568109600-1578243600@artinamericaguide.com
SUMMARY:Open for Business: Photography\, Trade\, and Self-Image\, 1870–1950
DESCRIPTION:September 10\, 2019–January 5\, 2020 \nA 19th-century prosthetics workshop\, a jazz club featured in the Green Book\, and a Polish-American car dealership are vastly different businesses\, but owners and workers at all three turned to photography to portray themselves and their work. Open for Business: Photography\, Trade\, and Self-Image\, 1870–1950\, a student-curated exhibit at Winterthur Museum\, Garden\, & Library\, examines how photography helped small business owners to advertise and represent their shops\, goods\, and workers. Visitors will encounter historic photographs and objects and explore how entrepreneurship and photography were intertwined. By partnering with the Delaware Historical Society\, Open for Business also showcases local business histories\, including popular 20th-century Wilmington locales such as The Spot Café\, Elsie’s Chicken\, and Federal Bakery. The exhibit includes personal interviews and crowdsourced photographs in addition to more than 30 objects from the Winterthur and Delaware Historical Society collections. It will be on view in the Winterthur Galleries. \nPhoto credit: Courtesy\, Winterthur Library \n  Save  
URL:https://artinamericaguide.com/event/open-for-business-photography-trade-and-self-image-1870-1950/
LOCATION:Winterthur Museum\, Garden & Library\, 5105 Kennett Pike\, Wilmington\, DE\, 19807\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/08/SMALL_Open_for_business.jpg
ORGANIZER;CN="Winterthur Museum%2C Garden &amp%3B Library":MAILTO:pressroom@winterthur.org
GEO:39.8087941;-75.6037258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Winterthur Museum Garden & Library 5105 Kennett Pike Wilmington DE 19807 United States;X-APPLE-RADIUS=500;X-TITLE=5105 Kennett Pike:geo:-75.6037258,39.8087941
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190912
DTEND;VALUE=DATE:20200120
DTSTAMP:20260408T230631
CREATED:20191028T173714Z
LAST-MODIFIED:20191028T173714Z
UID:61005-1568246400-1579478399@artinamericaguide.com
SUMMARY:Hew Locke: Here’s the Thing
DESCRIPTION:The most comprehensive exhibition to date of work by British artist Hew Locke\, the artist explores the languages of colonial and postcolonial power and the symbols through which different cultures assume and assert identity. Activating his awareness of colonial impact\, Locke modifies historical source material and artifacts to focus attention on the United Kingdom\, its monarchy\, and his (then newly independent) childhood home of Guyana in South America. \n  Save  
URL:https://artinamericaguide.com/event/hew-locke-heres-the-thing/
LOCATION:Kemper Museum of Contemporary Art\, 4420 Warwick Blvd.\, Kansas City\, MO\, 64111\, United States
CATEGORIES:Exhibition
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GEO:39.0463949;-94.5851349
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kemper Museum of Contemporary Art 4420 Warwick Blvd. Kansas City MO 64111 United States;X-APPLE-RADIUS=500;X-TITLE=4420 Warwick Blvd.:geo:-94.5851349,39.0463949
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190913
DTEND;VALUE=DATE:20200511
DTSTAMP:20260408T230631
CREATED:20190722T161205Z
LAST-MODIFIED:20190722T161515Z
UID:58469-1568332800-1589155199@artinamericaguide.com
SUMMARY:Michelle Lopez: Ballast & Barricades
DESCRIPTION:Image: Michelle Lopez\, Barricade\, 2018\, walnut\, paint\, steel\, reflective fabric\, paracord and rubble\, 57 x 80 1/2 x 62 inches. Courtesy of the artist and Simon Preston\, New York. \nMarking the first major institutional exhibition of Michelle Lopez\, the ICA has invited the Philadelphia-based artist to produce her most ambitious exhibition to date—a site-specific installation that reduces a city to rubble inside the museum. The exhibition will see the artist\, known for creating sculptural works that subvert histories of minimalism through a feminist lens and deconstructing symbols of nationalism\, power\, and identity through a process of formal reduction\, alchemy\, and violence\, expanding on her previous body of work\, House of Cards (2018). Barricades\, borders\, scaffolding\, and the remains of street protests responding to the destruction are suggested\, interpreted\, and meticulously crafted by hand. The work invokes an urban landscape fabricated out of real estate speculation and political discord\, causing it to precariously teeter on the brink of collapse. \n\n\n\nICA is producing the first publication devoted to the artist’s work in conjunction with the exhibition\, which opens at a critical moment in her career as she also prepares for a forthcoming project organized by the Philip Johnson Glass House. Michelle Lopez: Ballast & Barricades is organized by Dorothy and Stephen R. Weber (CHE’60) Curator Alex Klein. \n\n\n\n\n\n\n  Save  
URL:https://artinamericaguide.com/event/michelle-lopez-ballast-barricades/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/07/michelle-lopez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190914
DTEND;VALUE=DATE:20200106
DTSTAMP:20260408T230631
CREATED:20190701T185935Z
LAST-MODIFIED:20190701T185935Z
UID:57910-1568419200-1578268799@artinamericaguide.com
SUMMARY:Elmgreen & Dragset: Sculptures
DESCRIPTION:In the fall of 2019\, the Nasher Sculpture Center will present Elmgreen & Dragset: Sculptures\, an exhibition that will mark the Scandinavian duo’s first major museum presentation in the U.S. Michael Elmgreen and Ingar Dragset have worked together as Elmgreen & Dragset since the mid-1990s. \nIn their sculptures\, installations\, and performances\, they re-interpret familiar designs and spatial structures that surround us in our everyday lives with criticality and subversive wit. From their permanent\, site-specific installation of a forever-closed Prada boutique in the West Texas desert to their contributions to the Danish and Nordic Pavilions at the Venice Biennale in 2009\, to their conception of a faux art fair in Beijing in 2016 or their giant upright swimming pool Van Gogh’s Earat Rockefeller Plaza the same year\, Elmgreen & Dragset consistently devise new possibilities in the way art is presented and perceived\, and how we use and organize public space. \n\n\nAt the Nasher Sculpture Center\, the exhibition will focus on Elmgreen & Dragset’s sculptural production\, presenting together for the first time a large selection of sculptures that illustrate the artists’ use of multiple aesthetics and working methods\, and show entry points from post-minimalism\, conceptual strategies\, and the figurative sculpture tradition. The artists’ diverse approaches to making often incorporate performative and narrative elements on subjects that encompass the personal\, the social\, and political\, such as youth and aging\, HIV and AIDS awareness\, gay rights\, and the privatization of public space. Organized by Nasher Assistant Curator\, Dr. Leigh Arnold\, the exhibition provides a long overdue look at the work of two of contemporary art’s most dynamic and multifaceted artists. An illustrated catalogue with essays by Dr. Arnold\, Dr. David Getsy of the School of the Art Institute of Chicago\, Dr. Joan Kee\, of the University of Michigan\, and Dr. Alex Potts\, of the University of Michigan\, as well as the first overview of the artists’ public sculpture co-authored by Arnold and writer and editor\, Anita Iannacchione\, will be published to accompany the exhibition. \n\n  Save  
URL:https://artinamericaguide.com/event/elmgreen-dragset-sculptures/
LOCATION:Nasher Sculpture Center\, 2001 Flora Street\, Dallas\, TX\, 75201\, United States
CATEGORIES:Exhibition
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GEO:32.7881901;-96.8002336
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Nasher Sculpture Center 2001 Flora Street Dallas TX 75201 United States;X-APPLE-RADIUS=500;X-TITLE=2001 Flora Street:geo:-96.8002336,32.7881901
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20200323
DTSTAMP:20260408T230631
CREATED:20190919T160931Z
LAST-MODIFIED:20191120T214706Z
UID:59843-1568851200-1584921599@artinamericaguide.com
SUMMARY:Storytelling: Highlights and Insights from the Wichita Art Museum Collection
DESCRIPTION:Every work of art has a story to tell. \nWhen John Steuart Curry was growing up in on his family farm near Dunavant\, Kansas\, he would often wander into the high fields of corn. “I remember\,” he wrote\, “wandering through them and being over-powered by the fear of being  lost in their green confines.” \nAt 35 years of age\, Curry returned to those fields to capture in his work the same sense of drama he felt\, “beneath our windblown Kansas skies.” For Curry\, Kansas Cornfield represented the story of his youth on a Kansas farm. \nWhen Curry’s Kansas Cornfield entered Wichita Art Museum’s permanent collection\, a new chapter in its tale was written and a new story began. The work was the first painting collected by the Wichita Art Museum. As the foundational work of art for the new museum\, the painting came to symbolize Wichita Art Museum’s commitment to both the highest caliber American art and to Kansas audiences. \nToday\, Kansas Cornfield has become a part of many visitors’ personal stories. Brett Zongker\, an Associated Press journalist based in Washington D.C.\, recently featured the painting on his popular Twitter feed. As a self-described “son of Kansas\,” the painting represents home to Zongker. \n\nMuseums\, by their very nature\, are repositories of incredible stories. The Wichita Art Museum has introduced its visitors to the best American artwork and has been a part of thousands of engaging stories. In celebration of the museum’s 80th anniversary in 2015\, Storytelling\, underwent a reinstallation of the permanent collection\, celebrating the histories\, mysteries\, and anecdotes that make the Wichita Art Museum collection unlike any other. \nEach and every one of Wichita Art Museum’s objects has a story to tell. What influenced its creation? Who is pictured? How did the work come to Wichita? Storytelling invites visitors to take another look at familiar favorites from the collection as well as important works that have been off view for many years. We hope that the artworks inspire a meaningful encounter with the past\, one that is relevant to everyone’s personal story today. \n\n  \nImage: John Steuart Curry\, Kansas Cornfield\, 1933. Oil on canvas\, 60 3/8 x 38 3/8 inches. Wichita Art Museum\, Roland P. Murdock Collection \n  Save  
URL:https://artinamericaguide.com/event/storytelling-highlights-and-insights-from-the-wichita-art-museum-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/09/M1.39-cornfield.jpg
ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260408T230631
CREATED:20190919T155936Z
LAST-MODIFIED:20200722T160048Z
UID:59826-1568851200-1632095999@artinamericaguide.com
SUMMARY:Heritage of the West: Charles M. Russell
DESCRIPTION:Charles Russell was one of the great painters of the American West. With little formal training but much firsthand experience of his subject\, he captured the western landscape in all of its wild and nostalgic moments. \nIn 1880\, when he was only 16\, Russell went to Montana for the first time to work on a family friend’s ranch. Ranch life was not for Russell\, but he would stay in Montana for two years working for a hunter and trapper. \nHe began to draw and paint animals at this time and learned a great deal about their anatomy. In 1882\, he went to work as a night herder for a group of cowboys called the Judith Basin Roundup\, and on and off for the next 11 years he would work watching cattle by night and painting during the day. \n\nIn 1888\, Russell returned to St. Louis for a short time and submitted some of his art to Harpers Weekly\, where it was published. His work had become very popular in the Montana territory\, and he began to sell pieces and take commissions for works when he returned. \nWith the advent of the railroad to Montana\, the territory became more civilized\, and Russell mostly gave up cowboy life in order to become a full time painter of the life he had known in the West that was now slowly fading. \n\nImage: Charles M. Russell\, Smoking Cattle out of the Breaks\, 1912. Oil on canvas\, 30 1/4 x 33 inches. Wichita Art Museum\, M.C. Naftzger Collection \n  Save  
URL:https://artinamericaguide.com/event/heritage-of-the-west-charles-m-russell/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20191230
DTSTAMP:20260408T230631
CREATED:20190919T161806Z
LAST-MODIFIED:20191126T180736Z
UID:59859-1568851200-1577663999@artinamericaguide.com
SUMMARY:Art of Fire: Frederick Carder and Steuben Glass
DESCRIPTION:Completely reimagined\, the museum presents a compelling arrangement of the distinguished and growing glass art collection. For the new display\, the museum consulted with the Seattle-based independent curator and craft scholar Vicki Halper. \nNotably\, Halper curated Wichita Art Museum’s popular 2014 summer exhibition Australian Glass Art\, American Links for the Museum of Glass in Tacoma\, Washington. \n\nRevealing Wichita Art Museum’s rich holdings\, the variety\, quality\, and artistry of Steuben glass is on view. In fascinating ways\, the exquisite work of the Steuben Glass Works\, the world-class glass manufacturer (1903—2011)\, continues to beguile and inspire artists. The new installation acknowledges and examines how contemporary glass artists explore the continuing allure and legacy of Steuben. Magnificent work by such living artists as Dante Marioni and Kiki Smith are on view. \nThe new collection display also features a new commission–an elaborate\, Steuben-inspired candelabrum–by glass artist Andy Paiko. This special work is effervescent! It incorporates an abundantly enthusiastic array of forms and techniques first developed by Steuben. Paiko’s tapering candle holders hang gracefully from the central form\, each demonstrating the Steuben “air-twist” technique\, perfected by designer George Thompson. The cinched\, bell-shaped forms of the upper part of the large-scale candleholder are typical of Thompson’s designs. Wichita Art Museum’s collection includes original sketches by Thompson during his time working for Steuben\, making Paiko’s reimagining of Thompson’s forms particularly relevant to the collection. \n\n  Save  
URL:https://artinamericaguide.com/event/art-of-fire-frederick-carder-and-steuben-glass/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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GEO:37.6949375;-97.3561859
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260408T230631
CREATED:20190919T195116Z
LAST-MODIFIED:20190926T161526Z
UID:59865-1568851200-1632095999@artinamericaguide.com
SUMMARY:Pre-Columbian Art and Artifacts from the Museum’s Collection
DESCRIPTION:Wichita Art Museum’s unique collection of Pre-Columbian art and artifacts was collected by Haig Kurdian between 1954-1959 during expeditions into Mexico and Costa Rica. The collection is mostly pottery\, a few pieces of metal\, carved shells\, and precious stones. \nIn Mesoamerican culture\, pottery was appreciated as an artistic medium–a way people could express emotions and ideas–not solely as a utilitarian material. To make ceramic art\, these ancient peoples gathered clay from local sources and formed shapes using only their hands by pinching or coiling the clay. After shaping the objects\, they were placed in very hot\, open fires and baked until hard. \n“I particularly love that tripod bowl\, from Teotihuacan\, with the square legs. It’s a superb\, beautiful piece. To think that someone made that\, not on a potter’s wheel\, but by piling up coils of clay\, then working it and firing it. And it’s survived at least 2\,500 years. The other tripod bowl I love represents a squash and has parrot legs. That one is from Colima\,” Kurdian said. \n\nThe artifacts originated from various locations in Mexico including Colima\, Veracruz\, Valley of Mexico\, Oaxaca\, Michoacán\, and Guerrero. The collection includes artifacts from Costa Rica: including Atlantic Watershed\, Guanacaste-Nicoya Zone\, and the Diquis Zone. The objects date from 1000 B.C. to 1450 A.D. \nThe collection was given to the Wichita Art Museum by Haig\, Rima\, and Gregory Kurdian in 1977. Then in 1986\, Louise and S.O. Beren offered the Wichita Art Museum a selection of artifacts\, they had earlier received from Haig’s expeditions. \n\nImage: Mexican (Teotihuacan)\, Cylinder Tripod Vessel\, about 450-600 B.C. Terra cotta\, 7 x 6 1/2 inches. Wichita Art Museum\, Gift of Haig\, Rima\, and Gregory Kurdian \n  Save  
URL:https://artinamericaguide.com/event/pre-columbian-art-and-artifacts-from-the-museums-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260408T230631
CREATED:20190919T195153Z
LAST-MODIFIED:20190926T161925Z
UID:59861-1568851200-1632095999@artinamericaguide.com
SUMMARY:An American Salon: 19th-century Paintings from the Wichita Art Museum’s Permanent Collection
DESCRIPTION:The term salon style derives from the exhibition of the French Royal Academy of Painting and Sculpture\, which began in 1667 in Paris. \n\nIn order to display work by all the Academy’s students\, the paintings were hung as close as possible from floor to ceiling. In the nineteenth century\, this salon-style hanging became increasingly popular across Europe and in the United States. The gallery has been transformed into an American salon featuring remarkable 19th-century paintings from the museum’s permanent collection. \n\nImage: Titian Ramsay Peale\, Ruffled Grouse in a Landscape\, 1873. Oil on canvas\, 16 x 22 inches. Wichita Art Museum\, Museum purchase\, Wichita Art Museum Members Foundation \n  Save  
URL:https://artinamericaguide.com/event/an-american-salon-19th-century-paintings-from-the-wichita-art-museums-permanent-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210922
DTSTAMP:20260408T230631
CREATED:20190919T155958Z
LAST-MODIFIED:20190926T161719Z
UID:59841-1568851200-1632268799@artinamericaguide.com
SUMMARY:No Idle Hands: Treasures from the Americana Collection at the Wichita Art Museum
DESCRIPTION:No Idle Hands gives museum visitors a chance to view the art and artifacts that reflect daily life in America’s early history. The exhibition features highlights from WAM’s newly acquired collection of more than 450 works of American folk art\, including some of the best furniture\, samplers\, hunting decoys and lures\, and corner store paraphernalia from the new collection. \nIt tells the story of America’s past while also foregrounding the beautiful materials and craftsmanship of many of these objects. \nWichita Art Museum’s curatorial staff organized the exhibition with local architect Dean Bradley\, of Platt\, Bradley\, Adams\, and Associates. As a specialist in residential architecture with a personal passion for history and preservation who also serves on the board of The Wichita-Sedgwick County Historical Museum\, Bradley designed a gallery installation evoking the stores and homes in which the works were originally used and cherished. Shop signs–including iconic striped barber poles–conjure up an image of Main Street. Portraits\, toys\, and miniatures–small\, hand-held portraits sometimes worn as jewelry–reference the life of the family and home. Each object–some rare and precious and others common fare—tells the story of the changes and continuities of daily life in America over the last 200 years. \n  Save  
URL:https://artinamericaguide.com/event/no-idle-hands-treasures-from-the-americana-collection-at-the-wichita-art-museum/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190919T100000
DTEND;TZID=America/Halifax:20210919T170000
DTSTAMP:20260408T230631
CREATED:20190919T195137Z
LAST-MODIFIED:20200716T190252Z
UID:59863-1568887200-1632070800@artinamericaguide.com
SUMMARY:Catching Light: Selections from the Wichita Art Museum's Burnstein Collection
DESCRIPTION:Dr. Robert Burnstein\, a Detroit psychiatrist\, began collecting glass in the 1980s. He was attracted to American glass of the 19th and 20th centuries because\, as he stated\, “it was a time when handcrafted expertise and precision craftsmanship were the benchmarks of the American glass industry.” \nSoon he came to find that among American companies\, the glass produced by Steuben was unsurpassed in quality\, color intensity\, and breadth of design. \nTherefore\, he focused his collecting first on Steuben\, then on candlesticks in particular. He concentrated on candlesticks given their elegance of design and great variety of their colors and decorative techniques. Dr. Burnstein has presented his collection in honor of his parents\, Donald and Arlene Burnstein. \n  \nImage: Pairpoint Glass\, Candlestick (one of a pair)\, about 1920-1925. Blown glass\, 10 1/16 x 5 3/16 inches. Wichita Art Museum\, Gift of Robert S. Burnstein \n  Save  
URL:https://artinamericaguide.com/event/catching-light-selections-from-the-wichita-art-museums-burnstein-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190922T110000
DTEND;TZID=America/Halifax:20200809T170000
DTSTAMP:20260408T230631
CREATED:20191106T153642Z
LAST-MODIFIED:20191106T153642Z
UID:61311-1569150000-1596992400@artinamericaguide.com
SUMMARY:Almost Human: Digital Art from the Permanent Collection
DESCRIPTION:The technologies developed in Silicon Valley have intrigued and inspired artistic experimentation for more than three decades and pave a way toward the future. Almost Human: Digital Art from the Permanent Collection highlights artists who use digital and emergent technologies from custom computer electronics and early robotics to virtual reality and artificial intelligence. \nArtists in the exhibition include Andrea Ackerman\, Jim Campbell\, Ian Cheng\, Petra Cortright\, Mark Hansen and Ben Rubin\, Zara Houshmand and Tamiko Thiel\, Tony Oursler\, Alan Rath\, Jacolby Satterwhite\, Jennifer Steinkamp\, Diana Thater\, and Bill Viola. \n  Save  
URL:https://artinamericaguide.com/event/almost-human-digital-art-from-the-permanent-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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GEO:37.3327419;-121.8905201
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=San Jose Museum of Art 110 S. Market Street San Jose CA 95113 United States;X-APPLE-RADIUS=500;X-TITLE=110 S. Market Street:geo:-121.8905201,37.3327419
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190927
DTEND;VALUE=DATE:20200101
DTSTAMP:20260408T230631
CREATED:20190516T153328Z
LAST-MODIFIED:20190516T153328Z
UID:53511-1569542400-1577836799@artinamericaguide.com
SUMMARY:The Chicago Sound Show
DESCRIPTION:This outdoor sound art exhibition presents site-specific works by nine Chicago artists that explore thresholds\, passageways\, and common spaces across the University of Chicago’s campus. \nThe Chicago Sound Show is the first exhibition to showcase Chicago’s extraordinary sound art scene in over three decades. The participating artists will create new works for historic and modern outdoor sites across the University’s campus\, includingSwift Cloister Garden\, Campus North Residential Commons\, Cobb Gate\, Botany Pond\, and the Smart Museum of Art courtyard. Through use of “found sound\,” meditative human voice\, acoustic archaeology\, and more\, the works reveal and amplify the architectural peculiarities of campus while enriching our sensual knowledge of space. \nArtists\nOlivia Block\nNomi Epstein\nDavid Wallace Haskins\nWalter Kitundu\nLou Malozzi\nStephan Moore\nSam Pluta\nAndy Slater\nKatherine Young \n  Save  
URL:https://artinamericaguide.com/event/the-chicago-sound-show/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/05/20190228_SoundArtists_4341.jpg
END:VEVENT
END:VCALENDAR