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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260406T093209
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260406T093209
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/Braczyk_Reel_for_eVite-and_Web_landing-page-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231208
DTEND;VALUE=DATE:20261207
DTSTAMP:20260406T093209
CREATED:20240522T193731Z
LAST-MODIFIED:20240522T193731Z
UID:108575-1701993600-1796601599@artinamericaguide.com
SUMMARY:Isaac Julien: Lessons of the Hour — Frederick Douglass
DESCRIPTION:Sir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist\, writer\, orator\, and philosopher Frederick Douglass. Through critical research\, fictional reconstruction\, and a marriage of poetic image and sound\, Julien asserts Douglass’ enduring lessons of justice\, abolition\, and freedom that remain just as relevant today. \nLessons of the Hour features passages from Douglass’ key speeches\, including the titular “Lessons of the Hour\,” “What to the Slave Is the Fourth of July?” and “Lecture on Pictures.” \nJulien weaves together reenacted scenes from Douglass’ life and lectures\, filming at his historic home in Washington\, DC\, and a restaged studio of famed Black photographer J.P. Ball (1825–1904) as he makes a portrait of Douglass. Images of contemporary Baltimore—the city where Douglass was enslaved and escaped from bondage in 1838—including footage of fireworks and protests in 2015 following the death of Freddie Gray\, Jr. while in police custody\, are interspersed as the struggle to make good on America’s promise of equality continues. \nLessons of the Hour was jointly acquired by SAAM and the National Portrait Gallery in 2023. The 28-minute work debuted for Washington audiences December 8\, 2023\, and remains on public view through the 250th anniversary of the founding of the United States in 2026. \n  Save  
URL:https://artinamericaguide.com/event/isaac-julien-lessons-of-the-hour-frederick-douglass/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/isaac-julien-1-scaled.jpg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240726T080000
DTEND;TZID=America/New_York:20280726T170000
DTSTAMP:20260406T093209
CREATED:20240703T180957Z
LAST-MODIFIED:20240703T180957Z
UID:109170-1721980800-1848243600@artinamericaguide.com
SUMMARY:Glenn Kaino: Bridge
DESCRIPTION:Glenn Kaino’s powerful aerial sculpture Bridge is comprised of 200 golden arms hanging from the ceiling of SAAM’s Luce Foundation Center. Each is a casting of the outstretched right arm of Tommie Smith\, the American winner of the men’s 200-meter race at the 1968 Olympic Games in Mexico City. During the medal ceremony\, Smith bowed his head and raised his black-gloved fist in a symbolic act of protest. Coming at a moment of turmoil in the United States\, where public unrest flared over the war in Vietnam\, racial discrimination and inequality\, and the assassinations of Martin Luther King Jr. and Robert F. Kennedy\, his gesture was an assertion of Black solidarity in the fight for human rights. Echoed by the American bronze medalist John Carlos\, it inspired social causes around the world and irrevocably changed Smith’s own life. \n  Save  
URL:https://artinamericaguide.com/event/glenn-kaino-bridge/
LOCATION:Smithsonian American Art Museum\, 750 9th St. N.W.\, Washington\, DC\, 20001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/07/bridge.jpeg
ORGANIZER;CN="Smithsonian American Art Museum":MAILTO:americanartpressoffice@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250307T110000
DTEND;TZID=America/New_York:20271231T180000
DTSTAMP:20260406T093209
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112255-1741345200-1830276000@artinamericaguide.com
SUMMARY:Tending and Dreaming: Stories from the Collection
DESCRIPTION:Tending and Dreaming: Stories from the Collection launches the first dedicated collection galleries at the Museum. Providing unprecedented access to core works in San José’s only publicly held art collection\, SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process.  \nOrganized into thematic groupings\, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond\, including  Ruth Asawa\, Martha Atienza\, Shilpa Gupta\, Yolanda López\, and Elias Sime\, among many others.  \n  Save  
URL:https://artinamericaguide.com/event/tending-and-dreaming-stories-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260406T093209
CREATED:20250224T180514Z
LAST-MODIFIED:20250224T180514Z
UID:112259-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas.  \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. The exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously.  \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T110000
DTEND;TZID=America/New_York:20260222T180000
DTSTAMP:20260406T093209
CREATED:20250820T162604Z
LAST-MODIFIED:20250820T162604Z
UID:114300-1752231600-1771783200@artinamericaguide.com
SUMMARY:Pao Houa Her: The Imaginative Landscape
DESCRIPTION:Pao Houa Her’s practice engages with the legacies\, potentials\, and aesthetics of landscape and portrait photography traditions\, examining the complex intertwining of desire\, homeland\, and artifice. Rooted in the experience of her Hmong community and shaped by family experiences and lore passed down by her elders\, Her’s work centers women as the knowledge bearers of both past and future. Using a formally rigorous photographic approach\, Her explores constructions of homeland that resonate across diasporas. \nPao Houa Her: The Imaginative Landscape is an unconventional survey of over 20 years. Seen through the expansive titular series\, it traces conceptual ties between past series\, new work\, and work still under development\, connecting California agricultural landscapes to the jungles of Laos\, poppy fields in Minnesota\, and beyond. Her’s images are also dispersed across downtown San José in unexpected place—outside and indoors\, on walls and on screens—a reminder of the tenacity of diasporic communities flourishing throughout our city. \nThe exhibition is co-organized by Lauren Schell Dickens\, chief curator at SJMA\, and Jodi Throckmorton\, chief curator at John Michael Kohler Arts Center in Sheboygan\, Wisconsin\, and will be presented at both organizations simultaneously. \n  Save  
URL:https://artinamericaguide.com/event/pao-houa-her-the-imaginative-landscape-2/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250830T100000
DTEND;TZID=America/New_York:20260104T170000
DTSTAMP:20260406T093209
CREATED:20250718T162925Z
LAST-MODIFIED:20250718T163036Z
UID:113900-1756548000-1767546000@artinamericaguide.com
SUMMARY:Edna Andrade: Imagination Is Never Static
DESCRIPTION:Celebrate a 20th-century artist whose innovative abstract drawings and paintings continue to inspire. \nEdna Andrade: Imagination Is Never Static offers a new look at the practice of acclaimed artist and educator Edna Andrade (1917–2008). Presenting a selection of drawings recently gifted to the Harvard Art Museums by the artist’s estate\, this exhibition emphasizes the central role of drawing as well as interdisciplinary exploration in her art and in modernist movements of the 20th century. \nAndrade is best known for her geometric compositions\, which were inspired by her interest in studying structures in nature\, architecture\, astronomy\, mathematics\, and art history. She carried this same set of wide-ranging inspirations and inquiry to her teaching. Her classroom bridged her own traditional artistic training of drawing from observation and the principles of the Bauhaus school that transformed U.S. arts curricula after faculty émigrés took up leadership positions in art and architecture programs\, such as Harvard’s Graduate School of Design. Andrade taught courses on color and design at the Philadelphia Museum School of Art and was part of an intellectual salon called Form Forum\, which brought mathematicians\, artists\, architects\, and philosophers together in an exchange of ideas. Presented on a university campus\, the exhibition explores the way that Andrade used drawing as a process of experimentation\, channeling her own multifaceted approach to art and design. \nCurated by Mitra Abbaspour\, Houghton Curator of Modern and Contemporary Art and Head of the Division of Modern and Contemporary Art\, and Madeline Murphy Turner\, Emily Rauh Pulitzer Curatorial Fellow in Contemporary Drawings; with Bridget Hinz\, Senior Curatorial Assistant for Special Exhibitions and Publications. \n  Save  
URL:https://artinamericaguide.com/event/edna-andrade-imagination-is-never-static/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/07/Edna-Andrade.jpeg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250902
DTEND;VALUE=DATE:20260130
DTSTAMP:20260406T093209
CREATED:20250903T145102Z
LAST-MODIFIED:20251219T202347Z
UID:114410-1756771200-1769731199@artinamericaguide.com
SUMMARY:Performance\, Activist\, and Existential Photographs
DESCRIPTION:Ronald Feldman Gallery is pleased to present a group exhibition: \nPerformance\, Activist\, and Existential Photographs  \nA selection of photographs and photo-based works by: \nVincenzo Agnetti\, Elaine Angelopoulos\, Eleanor Antin\, Arakawa\, Conrad Atkinson\, Brandon Ballengée\, Joseph Beuys\, Chris Burden\, Cassils\, Chuck Close\, Keith Cottingham\, Terry Fox\, Tom Friedman\, Rico Gatson\, Helen & Newton Harrison\, Komar & Melamid\, Lev Nisnevich\, Robert Rauschenberg\, Man Ray\, Gerhard Richter\, Cindy Sherman\, Dmitry Shubin\, Tavares Strachan\, Diemut Strebe\, Hiroshi Sugimoto\, Eve Sussman\, Mierle Laderman Ukeles\, Andy Warhol\, Hannah Wilke \nThis selection is inspired by Marcel Duchamp’s belief that the concept behind the artwork is more important than its visual or material form.  This radical shift away from materiality created a foundation for artists to challenge traditional artistic forms and practices and opened the door to bold new directions.  All of the artists included use their work to probe into an array of subject matters\, and often redefine art in the process.  If approached with an open mind\, the photographs invite and inspire viewers to question their own assumptions about what art is.  This exhibition presents a cross-section of Ronald Feldman Gallery’s significant history and commitment to idea-driven work. \n  Save  
URL:https://artinamericaguide.com/event/performance-activist-and-existential-photographs/
LOCATION:Ronald Feldman Gallery\, 31 Mercer Street\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/Burden-Doorway-to-Heaven-1973.jpg
ORGANIZER;CN="Ronald Feldman Gallery":MAILTO:info@feldmangallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250909T080000
DTEND;TZID=America/Chicago:20260125T170000
DTSTAMP:20260406T093209
CREATED:20251020T183958Z
LAST-MODIFIED:20251020T183958Z
UID:115013-1757404800-1769360400@artinamericaguide.com
SUMMARY:Iⁿ’zhúje’waxóbe: Return of the Sacred Red Rock
DESCRIPTION:Return of the Sacred Red Rock tells the story of the rematriation of Iⁿ‘zhúje‘waxóbe\, or the Sacred Red Rock\, from the City of Lawrence\, Kansas\, to Kaw Nation through artwork created by local artists and Kaw tribal citizens. This exhibition is open through January 25. \n  Save  
URL:https://artinamericaguide.com/event/i%e2%81%bfzhujewaxobe-return-of-the-sacred-red-rock/
LOCATION:Spencer Museum of Art\, University of Kansas\, 1301 Mississippi St.\, Lawrence\, KS\, 66045\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/10/T2025.046.jpg
ORGANIZER;CN="Spencer Museum of Art%2C University of Kansas":MAILTO:spencerart@ku.edu
GEO:38.9596803;-95.244588
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Spencer Museum of Art University of Kansas 1301 Mississippi St. Lawrence KS 66045 United States;X-APPLE-RADIUS=500;X-TITLE=1301 Mississippi St.:geo:-95.244588,38.9596803
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20250919T100000
DTEND;TZID=America/Denver:20260510T170000
DTSTAMP:20260406T093209
CREATED:20250123T201026Z
LAST-MODIFIED:20250123T201026Z
UID:111745-1758276000-1778432400@artinamericaguide.com
SUMMARY:“Tell Clyfford I Said ‘Hi’”: An Exhibition Curated by Children of the Colville Confederated Tribes
DESCRIPTION:“Tell Clyfford I Said ‘Hi’”: An Exhibition Curated by Children of the Colville Confederated Tribes is a collaborative exhibition co-curated with youth from the Colville Confederated Tribes in Washington State\, on view from September 19\, 2025–May 10\, 2026\, at the Clyfford Still Museum. It highlights the perspectives of Colville children on Clyfford Still’s depictions of their ancestors and their home\, as well as his abstract works. Installed in all nine of the Museum’s galleries\, this exhibition investigates six themes identified by our co-curators: Family & Culture\, Connection\, Storytelling\, Wilderness\, Love\, and Paint & Color. \nClyfford Still Museum’s curatorial and education staff worked with young children (ages three years to fourteen years old) and teachers from partner schools and childcare centers on the Colville Confederated Tribes Reservation on every level of the exhibition\, including artwork selection and arrangement\, object interpretation and gallery text\, and interactive space. \nThis exhibition continues CSM’s efforts to foster engagement with its collections by sharing authority on Still’s work with the Museum’s critical communities and is an occasion to bridge various gaps—physical\, cultural\, metaphorical—that exist between Indigenous communities and the traditional art museum space. \nBackground and Development \nWhile working as an instructor at the Washington State College Fine Arts Department\, Clyfford Still assisted in founding a summer art colony for WSC community members and became one of its first instructors in the summers of 1937 and 1938. Instructors held classes in Nespelem on the Colville Reservation and Toppenish on the Yakama Indian Reservation in Washington. The Clyfford Still Museum collections include three paintings on canvas\, over 85 drawings and sketches on paper\, nearly 20 documentary photographs\, and other archival ephemera documenting Still’s time in the area. These objects reveal how Still’s experiences with the Colville community profoundly impacted his work for years. \nWhile culturally distinct and diverse\, the twelve bands of the Confederated Tribes of the Colville Reservation—Chelan\, Chief Joseph Band of Nez Perce\, Colville\, Entiat\, Lakes\, Methow\, Moses-Columbia\, Nespelem\, Okanogan\, Palus\, San Poil\, and Wenatchi—share cultural practices and 1.4 million acres of land. Though CSM has focused past exhibitions and programs on Still’s work from Nespelem since 2013\, this exhibition seeks to extend and deepen CSM’s relationship with the Colville Tribal community. \nCo-curated with children in the Colville Confederated Tribes in northeastern Washington\, this exhibition explores Clyfford Still’s work through the perspectives of children\, some of whom are direct descendants of individuals Still portrayed in his art. “Tell Clyfford I Said ‘Hi’” centers young Indigenous voices by engaging them to collaboratively develop an exhibition that builds upon previous evaluation\, research\, and CSM exhibitions. \n  Save  
URL:https://artinamericaguide.com/event/tell-clyfford-i-said-hi-an-exhibition-curated-by-children-of-the-colville-confederated-tribes/
LOCATION:Clyfford Still Museum\, 1250 Bannock St.\, Denver\, CO\, 80204\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/01/Colville-Children-Curate-scaled.jpg
ORGANIZER;CN="Clyfford Still Museum":MAILTO:press@clyffordstillmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251015T110000
DTEND;TZID=America/Los_Angeles:20260412T170000
DTSTAMP:20260406T093209
CREATED:20251002T210138Z
LAST-MODIFIED:20251002T210138Z
UID:114915-1760526000-1776013200@artinamericaguide.com
SUMMARY:Boren Banner Series: Camille Trautman
DESCRIPTION:Every photograph is a reminder that the act of framing is never neutral. In Camille Trautman’s first solo museum exhibition in their hometown\, the Seattle-born Duwamish artist uses photography and video to challenge colonial narratives and counter Indigenous erasure. The exhibition presents selections from their ongoing series The North American LCD—spectral self-portraits staged in varied natural landscapes. Rooted in Trautman’s process of coming out as transgender\, the images show the artist’s body partially obscured by large LCD screens. The series examines how both landscape photography and digital media can shape or distort cultural identity\, often by promoting or denying visibility. \n  Save  
URL:https://artinamericaguide.com/event/boren-banner-series-camille-trautman/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/10/till_001_01_X1_0018_small.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251017T110000
DTEND;TZID=America/New_York:20260607T170000
DTSTAMP:20260406T093209
CREATED:20250930T190523Z
LAST-MODIFIED:20250930T190523Z
UID:114809-1760698800-1780851600@artinamericaguide.com
SUMMARY:ektor garcia: loose ends
DESCRIPTION:In a materials-based practice that draws on Mexican handcraft traditions and a DIY sensibility\, ektor garcia subtly challenges hierarchies ​of​ gendered and racialized labor while undermining notions of static identity. ​He draws from a​ ​unique ​vocabulary of materials—copper wire\, cast metals\, glass\, clay\, horsehair\, seashells\, and leather—​which he​ w​ea​ve​s​\, knot​s​\, and crochet​s​​ into objects​ at once​ vulnerable and resistant\, soft and hard. ​He begins e​ach piece with a single gesture or stitch\, ​which he ​repeat​s​ over countless hours to ​create​ long chains\, textiles\, nets\, and altar-like accumulations. Such works are shaped by the artist’s responsiveness to materials\, environmental and social context​s​\, and the intuitive inattention that develops with manual repetition. As sculptures​\,​ they ​are​ quiet but restless​—​psychologically and politically charged in their ​misleading ​delicacy and susceptibility to transformation. \nRecords of time and labor\, garcia’s creations are only ever paused in their growth\, never complete. The artist is ​also ​known to undo previously exhibited objects\, reshaping and gathering them into ​new​ constellations. ​Through​​ ​his​ ​practice\, ​he​ opens up​ new​ possibilities for making and knowing that are constantly engaged in a process of unraveling and reworking\, learning and quiet change. \nIn SJMA’s Davies ​G​allery\, garcia’s installation will incorporate existing and new sculptures repurposed into a single\, new installation. Originally from California​\, the artist is​ currently living nomadically​;​ this exhibition marks his homecoming to the ​B​ay ​A​rea. \n  Save  
URL:https://artinamericaguide.com/event/ektor-garcia-loose-ends/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/garcia-crochet-web-size.jpg
GEO:37.3327419;-121.8905201
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251018T110000
DTEND;TZID=America/Los_Angeles:20260419T170000
DTSTAMP:20260406T093209
CREATED:20251002T210138Z
LAST-MODIFIED:20251002T210138Z
UID:114907-1760785200-1776618000@artinamericaguide.com
SUMMARY:Priscilla Dobler Dzul: Water Carries the Stories of Our Stars
DESCRIPTION:Water Carries the Stories of our Stars is the expansive museum debut from artist Priscilla Dobler Dzul\, who lives in Tacoma\, Washington\, and Yucatán\, Mexico. The exhibition brings together an entirely new body of sculpture\, textile\, and video work to chart urgent stories of environmental harm and cultural justice. Drawing from her Maya and multicultural heritage and building on years of research\, the artist merges pre-Hispanic techniques\, collaborations with Yucatec Maya elders\, and regionally sourced materials to reflect on the loss of water and its consequences. From Mexican cenotes to Washington wetlands\, Dobler Dzul’s work centers living waters as portals of cosmic ancestral knowledge. She calls on us to listen—to the birds\, the winds\, the elders—and to reimagine collective existence through the labor of craft. \n  Save  
URL:https://artinamericaguide.com/event/priscilla-dobler-dzul-water-carries-the-stories-of-our-stars/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/10/Turtle-and-vulture-gathered-the-bones-to-awaken-margay-tapirus-and-human-iguana_small.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251025T110000
DTEND;TZID=America/Los_Angeles:20260118T170000
DTSTAMP:20260406T093209
CREATED:20251002T210138Z
LAST-MODIFIED:20251002T210138Z
UID:114911-1761390000-1768755600@artinamericaguide.com
SUMMARY:Beau Dick: Insatiable Beings
DESCRIPTION:Insatiable Beings is the first US museum survey of the late Beau Dick (1955–2017)\, Kwakwaka’wakw Hereditary Chief\, activist\, and master carver. Internationally celebrated for his powerful formline masks and sculptures\, Dick’s work brings to life ancestral stories while offering a profound critique of capitalist systems. Featuring richly adorned carvings—many made to be danced in ceremonies—the exhibition honors Dick’s vision of art as both spiritual practice and political act. Insatiable Beings centers Dick’s voice and community\, offering a vital\, layered portrait of an artist who engaged tradition as a tool for resistance\, mentorship\, and cultural resurgence. \n  Save  
URL:https://artinamericaguide.com/event/beau-dick-insatiable-beings/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/10/Beau-Dick_Hamatsa-Bear-Headdress_small.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251025T110000
DTEND;TZID=America/Los_Angeles:20260920T170000
DTSTAMP:20260406T093209
CREATED:20251002T210138Z
LAST-MODIFIED:20251002T210138Z
UID:114919-1761390000-1789923600@artinamericaguide.com
SUMMARY:Frye Salon + Jonathan Lasker
DESCRIPTION:Frye Salon is both a fixture and a living experiment—an ever-evolving installation that invites fresh perspectives on the museum’s founding-era collection. The gallery features more than one hundred paintings in a floor-to-ceiling presentation mode known as “salon style\,” recalling the striking displays once found in Charles and Emma Frye’s First Hill home. In Frye Salon + Jonathan Lasker\, a selection of large canvases by the contemporary American painter—subject of the concurrent exhibition Drawings and Studies—intermingle with the featured collection works. Known for his bold visual language of biomorphic forms and distinctive use of line\, Lasker uses the familiar tools of representational painting—figure and ground\, space and perspective—to destabilize the dividing line with abstraction. Situated among the works of Frye Salon\, his vibrant\, evocatively titled compositions open unexpected conversations across time\, style\, and painterly intent. \n  Save  
URL:https://artinamericaguide.com/event/frye-salon-jonathan-lasker/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/10/Frye-20240415-079_small.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251025T110000
DTEND;TZID=America/Los_Angeles:20260927T170000
DTSTAMP:20260406T093209
CREATED:20250930T190545Z
LAST-MODIFIED:20250930T190545Z
UID:114831-1761390000-1790528400@artinamericaguide.com
SUMMARY:Jonathan Lasker: Drawings and Studies
DESCRIPTION:For over five decades\, American artist Jonathan Lasker has approached the elements of painting like a puzzle—taking it apart\, turning the pieces\, and putting it back together in new ways. Drawings and Studies offers a close look at how his ideas take shape\, featuring works on paper that Lasker created from the 1980s to the 2020s\, tracking the refinement of his distinctive visual language. At once analytical and expressive\, these compositions play with the visual cues of figuration\, teasing allusions to portraits\, landscapes\, or still lifes through biomorphic forms and carefully choreographed marks. In Lasker’s hands\, abstraction exists in spirited tension with representation\, and the act of seeing becomes part of the story. \n  Save  
URL:https://artinamericaguide.com/event/jonathan-lasker-drawings-and-studies/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/Study-for-Fake-Freak-scaled.jpg
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251025T110000
DTEND;TZID=America/Los_Angeles:20260927T170000
DTSTAMP:20260406T093209
CREATED:20250930T190545Z
LAST-MODIFIED:20250930T190545Z
UID:114829-1761390000-1790528400@artinamericaguide.com
SUMMARY:Jonathan Lasker: Drawings and Studies
DESCRIPTION:For over five decades\, American artist Jonathan Lasker has approached the elements of painting like a puzzle—taking it apart\, turning the pieces\, and putting it back together in new ways. Drawings and Studies offers a close look at how his ideas take shape\, featuring works on paper that Lasker created from the 1980s to the 2020s\, tracking the refinement of his distinctive visual language. At once analytical and expressive\, these compositions play with the visual cues of figuration\, teasing allusions to portraits\, landscapes\, or still lifes through biomorphic forms and carefully choreographed marks. In Lasker’s hands\, abstraction exists in spirited tension with representation\, and the act of seeing becomes part of the story. \n  Save  
URL:https://artinamericaguide.com/event/jonathan-lasker-drawings-and-studies-2/
LOCATION:Frye Art Museum\, 704 Terry Ave\, Seattle\, WA\, 98104\, United States
ORGANIZER;CN="Frye Art Museum":MAILTO:info@fryemuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251103
DTEND;VALUE=DATE:20260108
DTSTAMP:20260406T093209
CREATED:20251105T182734Z
LAST-MODIFIED:20251105T182734Z
UID:115105-1762128000-1767830399@artinamericaguide.com
SUMMARY:To Grandmother's House We Go-- The Art of Travel
DESCRIPTION:To Grandmother’s House We Go – The Art of Travel\n\n\nAn Artsy Online Exclusive Exhibition Celebrating the Journey Through Art\nFeaturing works by Jose Aurelio Baez\, Robert Indiana\, Margaret Morrison\, Kenji Nakayama\, Drew Roth\, Swoon and Andy Warhol. \n[New York City\, NY] – Woodward Gallery presents To Grandmother’s House We Go – The Art of Travel\, a vibrant and evocative online group exhibition that explores the romance\, nostalgia\, and spirit of travel through the distinct lenses of six contemporary and modern artists. Featuring original paintings and prints by Margaret Morrison\, Drew Roth\, Robert Indiana\, Jose Aurelio Baez\, Kenji Nakayama\, and Swoon\, the exhibition celebrates modes of transportation—trains\, cars\, subways\, and imagined escapes—as metaphors for movement\, memory\, and personal journey. \nFrom Robert Indiana’s iconic graphic symbols to Drew Roth’s primitive-expressionist dreamscapes\, each artist offers a unique interpretation of what it means to be in motion—physically\, emotionally\, and creatively. Margaret Morrison brings surreal vision to travel imagery rooted in personal and cultural nostalgia. Jose Aurelio Baez’s layered urban iconography speaks to the cultural dislocation and hybrid journeys of modern life\, while Kenji Nakayama’s meticulous stencil and sign work evoke the American roadside\, echoing themes of migration\, labor\, and discovery. \nSwoon’s Red Riding Hood transports viewers to a realm where fairy tale and urban reality intersect. Her intricately cut portrait evokes both vulnerability and strength\, capturing the layered experience of women navigating spaces that are at once mythic\, dangerous\, and empowering. \nThis exhibition invites viewers to consider the aesthetics and meanings of travel—not only as a destination-driven act\, but as an emotional and symbolic experience. Whether a literal ride to a grandparent’s home or a conceptual passage through time\, To Grandmother’s House We Go draws together six distinct voices in a dynamic exploration of how we move through the world—and how those movements shape who we are. \nAbout the Artists:\n•   Robert Indiana: A leading figure in American Pop Art\, known for his bold text-based prints and sculptures\, including the iconic LOVE.\n•   Margaret Morrison: Celebrated for her lush\, imaginative still lifes and narratives that merge childhood memory with fantasy. This body of work emerges from her Zen of Driving series\, where time behind the wheel becomes a space for reflection.\n•   Drew Roth: A Cleveland-born\, SoHo-based painter whose tribal-infused expressionist works capture inner vision and motion.\n•   Jose Aurelio Baez: A Dominican-American artist whose multi-layered compositions explore migration\, identity\, and cultural hybridity.\n•   Kenji Nakayama: Japanese-born\, Boston-based painter and sign artist known for hyper-detailed hand-cut stencils and Americana motifs.\n•   Swoon: Internationally acclaimed for her socially engaged street art\, cut-paper portraits\, and feminist narratives that fuse myth\, community\, and activism. \n\n\n. \n  Save  
URL:https://artinamericaguide.com/event/to-grandmothers-house-we-go-the-art-of-travel/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2025/11/Margaret-Morrison-Wyoming.png
ORGANIZER;CN="Woodward Gallery":MAILTO:art@woodwardgallery.net
GEO:40.7188679;-73.9915203
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Woodward Gallery 132A Eldridge Street New York City NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=132A Eldridge Street:geo:-73.9915203,40.7188679
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251114
DTEND;VALUE=DATE:20260201
DTSTAMP:20260406T093209
CREATED:20251201T210733Z
LAST-MODIFIED:20251212T182101Z
UID:115194-1763078400-1769903999@artinamericaguide.com
SUMMARY:Mary Bauermeister: St.one-d
DESCRIPTION:Learn more \n  Save  
URL:https://artinamericaguide.com/event/mary-bauermeister-st-one-d/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/thumb__1734_1300_0_0_crop-1.jpg
GEO:40.7460874;-74.0076191
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Michael Rosenfeld Gallery 100 11th Ave New York NY New York United States;X-APPLE-RADIUS=500;X-TITLE=100 11th Ave:geo:-74.0076191,40.7460874
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251206
DTEND;VALUE=DATE:20260111
DTSTAMP:20260406T093209
CREATED:20251208T211255Z
LAST-MODIFIED:20251208T211255Z
UID:115365-1764979200-1768089599@artinamericaguide.com
SUMMARY:John Noestheden: Signals & Echoes
DESCRIPTION:John Noestheden’s Signal and Echo works represent a unique standalone series within the artist’s celebrated Diamond Drawings. \nWhere many of the Diamond Drawings incorporate randomized procedures to create compositions referencing star formations\, in the Signal and Echo pieces\, Noestheden explores the possibilities of the grid as a structure through which he can introduce variation and unpredictability. \nMeticulously plotted out in pencil\, whose intersecting lines provide the nexus points for the application of the artist’s Swarovski silver crystals\, each work is rooted in mathematical structure: grids\, geometric patterns\, and repeating shapes. As always\, the crystals’ ability to refract light creates a dynamic and playful viewer experience\, one the artist further manipulates through the employment of varying crystal sizes\, both interior to the grids and in overall blocks of form. \nThe titles Signal and Echo evoke the search for meaning and the potential for communication with the cosmos. While the grids embody the methodical mapping of scientific enquiry\, the variations in the crystals’ geometric patterns and the randomized light reflections from their multifaceted surfaces\, in turn\, promise pattern within the chaos. “Messages arrive as pulses\, reverberations\, and distortions\, hinting at knowledge we can sense but not yet decode”\, writes the artist. \nOf course\, much of the light we receive from the cosmos is traveling millions of light years from stars that may no longer exist. Noestheden’s works manifest this poetic quality of light as fleeting afterimage\, temporal and contingent\, a universe that continues to speak through its echoes. \n“These lingering impressions speak to the persistence of memory and time: the shimmer of existence that continues after disappearance.” \nJohn Noestheden was born in Amsterdam in 1945 and moved to Canada in 1952. He received a BFA from the University of Windsor and an MFA from Tulane University\, New Orleans. In 1990 the artist accepted a position at the University of Regina teaching sculpture and drawing\, and since 2010\, has been living and working in Ontario. He has had over thirty solo exhibitions internationally\, and his work is represented in Canadian and U.S. museums\, as well as public and private collections. \nView the exhibition online here:\nhttps://www.artnet.com/galleries/jhb-gallery/signals-echoes \n  Save  
URL:https://artinamericaguide.com/event/john-noestheden-signals-echoes/
LOCATION:JHB Gallery New York\, 26 Grove Street\, 4C\, New York\, NY\, 10014\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/JN009-Squarefield-Two-IMG_1344-scaled.jpg
ORGANIZER;CN="JHB Gallery":MAILTO:info@jhbgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251230T110000
DTEND;TZID=America/New_York:20260125T180000
DTSTAMP:20260406T093209
CREATED:20260105T215031Z
LAST-MODIFIED:20260105T215031Z
UID:115444-1767092400-1769364000@artinamericaguide.com
SUMMARY:David Bradford: Recent Paintings
DESCRIPTION:Exhibition Dates: December 30\, 2025 – January 24\, 2026\nGallery Hours: Tues-Sat\, 11AM-6PM (Closed on Jan. 1st)\nOpening Reception:  Thurs\, January 8th\, 5PM-8PM \nBowery Gallery is pleased to present David Bradford: Recent Paintings\, a solo exhibition of new oil paintings. Bradford’s subjects—beaches\, landscapes\, and still lifes—serve as points of departure for a painterly language marked by compressed space\, improvisational color\, and deliberate frontality. These works manifest a tension between the impulse to abstraction and the desire to represent things seen in nature. \nBradford writes: \nI take what I need from nature\, and no more than that. What I need is a motif that serves as a springboard for my imagination\, with a structure that I can improvise around.   I often consider what  Raoul Dufy said: “Painting means creating an image which is not the image of the appearance of things\, but which has the  power of their reality.” \nDavid Bradford has taught painting at Skidmore College\, Springfield College\, and Western CT State University.  He has shown his work regularly at Bowery Gallery and also at the Flinn Gallery in Greenwich CT\, the Washington Art Association Gallery in Washington\, CT\, and the White Plains Public Library Gallery.  He lives in upstate NY. \n  Save  
URL:https://artinamericaguide.com/event/david-bradford-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Bradford_Sailboat_2025_OilCanvas_18x20in-1.jpeg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260104T120000
DTEND;TZID=America/New_York:20260104T130000
DTSTAMP:20260406T093210
CREATED:20260105T214148Z
LAST-MODIFIED:20260105T214148Z
UID:115505-1767528000-1767531600@artinamericaguide.com
SUMMARY:Exhibition Tour: Edna Andrade: Imagination Is Never Static
DESCRIPTION:Join us for an in-depth tour of our special exhibition Edna Andrade: Imagination Is Never Static (August 30\, 2025–January 4\, 2026)\, led by Mitra Abbaspour\, co-curator of the exhibition. \nEdna Andrade: Imagination Is Never Static offers a new look at the practice of acclaimed artist and educator Edna Andrade (1917–2008). Andrade is best known for her geometric compositions\, which were inspired by her interest in studying structures in nature\, architecture\, astronomy\, mathematics\, and art history\, and she carried this same set of wide-ranging inspirations and inquiry to her teaching. The exhibition emphasizes the central role of drawing as well as interdisciplinary exploration in her art and in modernist movements of the 20th century. Channeling Andrade’s own multifaceted approach to art and design\, Imagination Is Never Static explores the way that she used drawing as a process of experimentation. \nPlease check in with museum staff at the Visitor Services desk in the Calderwood Courtyard to request to join the tour. Space is limited\, and talks are available on a first-come\, first-served basis; no registration is required. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-edna-andrade-imagination-is-never-static-3/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Pale-Star.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260106T080000
DTEND;TZID=America/Chicago:20260220T160000
DTSTAMP:20260406T093210
CREATED:20260106T171535Z
LAST-MODIFIED:20260106T171535Z
UID:115574-1767686400-1771603200@artinamericaguide.com
SUMMARY:Shared Horizon: New Editions from Tandem Press
DESCRIPTION:Presenting new editions and monoprints by Michelle Grabner\, Marie Lorenz\, Alison Saar\, Marie Watt\, and Dyani White Hawk. \n  Save  
URL:https://artinamericaguide.com/event/shared-horizon-new-editions-from-tandem-press-2/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/SharedHorizon_04-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260106T100000
DTEND;TZID=America/New_York:20260220T160000
DTSTAMP:20260406T093210
CREATED:20260105T214507Z
LAST-MODIFIED:20260105T214526Z
UID:115419-1767693600-1771603200@artinamericaguide.com
SUMMARY:Shared Horizon: New Editions from Tandem Press
DESCRIPTION:This exhibition presents new editions and monoprints created at Tandem Press by Michelle Grabner\, Marie Lorenz\, Alison Saar\, Marie Watt\, and Dyani White Hawk. \nExhibition dates: January 6-Feburary 20\, 2026 \nGallery hours: Tuesday-Friday\, 10am-4pm and by appointment \n  Save  
URL:https://artinamericaguide.com/event/shared-horizon-new-editions-from-tandem-press/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Watt_Shared_Horizon_Facing_East-small.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260107T120000
DTEND;TZID=America/New_York:20260107T130000
DTSTAMP:20260406T093210
CREATED:20260105T214148Z
LAST-MODIFIED:20260105T214148Z
UID:115510-1767787200-1767790800@artinamericaguide.com
SUMMARY:Exhibition Tour: Sketch\, Shade\, Smudge: Drawing from Gray to Black
DESCRIPTION:Join us for an in-depth\, hour-long tour of our special exhibition Sketch\, Shade\, Smudge: Drawing from Gray to Black\, led by an exhibition curator. The exhibition will be on view from September 12\, 2025 through January 18\, 2026. \nSketch\, Shade\, Smudge: Drawing from Gray to Black celebrates the act of drawing using familiar tools—charcoal\, chalk\, crayon\, and graphite. Each material has distinctive properties: charcoal can be intensely rich and velvety\, or delicately gray and suggestive\, while graphite is slippery\, shiny\, and easy to erase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and diffuse. The creative manipulations of these media—smudging\, scraping\, and erasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision. The exhibition includes drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, Georges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside works by 20th- and 21st-century artists\, such as Piet Mondrian\, Lyonel Feininger\, Diego Rivera\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih Odutola\, all of whom push their use of drawing media in new directions. \n  Save  
URL:https://artinamericaguide.com/event/exhibition-tour-sketch-shade-smudge-drawing-from-gray-to-black-7/
LOCATION:Harvard Art Museums\, 32 Quincy Street\, Cambridge\, MA\, 02138
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/William-Michael-Harnett.jpg
ORGANIZER;CN="Harvard Art Museums":MAILTO:john_connolly@harvard.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260209
DTSTAMP:20260406T093210
CREATED:20251215T214732Z
LAST-MODIFIED:20251215T214732Z
UID:115406-1767830400-1770595199@artinamericaguide.com
SUMMARY:James Horner: Making of an American Dandy
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run gallery\, is pleased to present Making of an American Dandy\, a solo exhibition and retrospective of artist James Horner\, spanning more than 40 years of work. In a cultural moment shaped by renewed conversations about queer visibility\, generational memory\, and the politics of identity-making\, Horner’s retrospective arrives with unmistakable urgency. \nThe exhibition will be on view from January 8 to February 8\, 2026\, with an opening reception on Friday\, January 9\, from 6 to 8 p.m. at the gallery at 191 Henry St. on New York’s Lower East Side. Works and installation images are also available to view via Artsy. \nHorner will also host an artist talk on Sunday\, Jan. 11 from 2 p.m. – 4 p.m. and a zine-making workshop on Saturday\, January 31\, from 2 p.m. – 4 p.m. \nHorner’s work speaks directly to questions shaping American life today: \n\n\nWhat does it mean to come of age — and come into identity — as a queer person across decades of radical cultural change? \n\n\nHow do we honor the stories of LGBTQ+ communities still fighting erasure? \n\n\nHow do personal archives become political\, historical\, and profoundly communal? \n\n\nAt a moment when queer history is being rewritten\, challenged\, or legislated out of public view\, Horner’s work positions the queer archive not as a static record but as a living\, breathing practice — one rooted in resilience\, humor\, grief\, eroticism\, and radical tenderness. \nMaking of an American Dandy traces Horner’s life and artistic evolution through paintings\, drawings\, etchings\, videos\, photographs\, sculptures\, and zines. For Horner\, the “Dandy” is not a costume or affectation\, but a self-fashioned identity shaped by eccentric parents\, queer elders\, lovers\, teachers\, and an ever-expanding\, intergenerational queer community. His influences — literature\, nightlife\, theater\, travel\, fashion\, and activism — converge into a visual language that is both autobiographical and socially reflective. \nAs a gay man and survivor of the AIDS pandemic\, Horner witnessed profound loss. Works such as Willy the Demigod and Last Night at Club Area memorialize vanished spaces and loved ones — not as nostalgia\, but as acts of cultural preservation. In an era when queer history is often commodified or sanitized\, Horner insists on complexity: joy beside grief\, glamour beside devastation\, beauty beside the grotesque. \nHorner’s decades in corporate marketing and ongoing studies in art institutions across New York testify to his lifelong commitment to artistic exploration. His MFA from Lehman College in 2011 led to works examining the “grotesque physique\,” including View from the Front Row\, a playful yet incisive dialogue with fashion culture and the spectacle of desirability. \nThe exhibition also includes deeply personal works made after the 2021 suicide of his partner\, Chris Hamilton. Pieces such as Sleepers offer a rare emotional clarity — intimate portraits of love\, loss\, and the aftermath of grief in queer life. Horner’s more recent works\, including I Pledge Allegiance and Keith Haring — Pop Icon\, link contemporary queer identity to its political lineage\, honoring figures who shaped the cultural and activist landscape. \nA “Wall of Decades” presents photographs\, ephemera\, and artworks tracing Horner’s creative and personal evolution. A limited-edition zine accompanies the show\, with additional benefit prints and a T-shirt supporting Amos Eno Gallery’s fundraising efforts. \nRunning concurrently in The Project Space at Amos Eno is Queer Today – Love\, Power\, Freedom\, featuring artists from Horner’s Magenta Lounge\, a collective he founded in 2025 to uplift queer creatives and expand access to community-building platforms. \nAbout the Artist  \nJames Horner is a visual storyteller whose figurative works draw from queer culture\, environmental psychology\, and the emotional dynamics of social spaces. Influenced by his psychiatrist father\, horror films\, and the visual language of the queer underground\, Horner’s characters inhabit worlds that are humorous\, muscular\, intimate\, and destabilizing. His work has been exhibited at The Leslie-Lohman Museum of Art and The Bronx Museum\, and he is a current participant in the Bronx River Art Center studio program. For more information\, visit jameshornerart.com or on Instagram @jamesandthelovelies. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. ​ \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com. \n  Save  
URL:https://artinamericaguide.com/event/james-horner-making-of-an-american-dandy/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/12/Friday-NIght-Throwdown-scaled.jpg
ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260406T093210
CREATED:20260105T214327Z
LAST-MODIFIED:20260105T214327Z
UID:115473-1767830400-1771113599@artinamericaguide.com
SUMMARY:Hung Liu: Shaping\, Pouring\, Layering
DESCRIPTION:RYAN LEE is pleased to announce Shaping\, Pouring\, Layering\, an exhibition of paintings\, mixed media resin works\, and works on paper by Hung Liu (b. Changchun\, China\, 1948 – d. Oakland\, California\, 2021). This show explores the inventive processes that Liu employed to outmaneuver the limitations of media\, merging painting and sculpture as she brought historical images to life. “I create and destroy an image concurrently by working freely – being both careful and careless at the same time\,” Liu said. \n  Save  
URL:https://artinamericaguide.com/event/hung-liu-shaping-pouring-layering/
LOCATION:RYAN LEE\, 515 W 26th St\, 3rd Fl\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="RYAN LEE":MAILTO:info@ryanleegallery.com
GEO:40.7500935;-74.0036112
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=RYAN LEE 515 W 26th St 3rd Fl New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=515 W 26th St\, 3rd Fl:geo:-74.0036112,40.7500935
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260209
DTSTAMP:20260406T093210
CREATED:20260105T214442Z
LAST-MODIFIED:20260105T214442Z
UID:115455-1767830400-1770595199@artinamericaguide.com
SUMMARY:Queer Today — Love\, Power\, Freedom!
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run space\, is thrilled to present Queer Today – Love\, Power\, Freedom!\, a dynamic group exhibition by the queer art collective Magenta Lounge\, curated by its founder James Horner. \nFeaturing the work of 12 artists\, the exhibition will be on view in the gallery’s lower-level Project Space from January 8 to February 8\, 2026\, with an opening reception on Friday\, January 9\, from 6 to 8 p.m. Works and installation images will also be available on Artsy. \nPublic programs include a Conscious Collage workshop with Tracy von Ahsen on Sunday\, January 11\, from 12–2 p.m.\, and a group artist talk on January 29 from 6–8 p.m. \nAcross the United States\, queer communities — especially LGBTQ+ youth and transgender individuals — continue to navigate disproportionate mental health challenges\, heightened discrimination in housing\, employment\, and healthcare\, and reduced access to affirming care. Recent national studies indicate that more than 70% of LGBTQ+ youth report symptoms of anxiety\, and nearly 40% of transgender adults have considered suicide.* These inequities\, fueled by stigma and systemic exclusion\, underscore the urgent need for spaces where queer expression\, solidarity\, and joy are not only visible but truly celebrated. \nQueer Today – Love\, Power\, Freedom! responds to this moment with both defiance and delight. The exhibition channels opinions\, sexuality\, resilience\, icons\, stereotypes\, tenderness\, humor\, and defiance — amplifying the lived realities of LGBTQ+ artists. Spanning identities and generations — gay\, lesbian\, bisexual\, transgender; young and old; from Boulder\, Colorado\, to Brooklyn\, New York — this diverse group offers vivid snapshots of their worlds\, illuminating both the struggles they endure and the love they cultivate. \nTheir work reflects not only the challenges their communities face\, but the love\, power\, and freedom they actively generate. \n* The Trevor Project National Survey on LGBTQ Youth Mental Health\, 2022. \nArtists and Works \nJames Falciano – Let’s Cancel Our Plans and Spend the Day in Bed: A gouache painting centered on exploring and celebrating queer identity\, sexuality\, expression and the power in seemingly mundane\, everyday moments. jfalciano.com \nJudy Giera – Pink Peep Show with Lilac Finger Incursion (but maybe it feels good\, idk?): A multi-media wall sculpture offering humor and a joyful abjection to embody the horror/resiliency it takes to move through the world as a woman\, queer\, and trans person. judygiera.com \nJames Horner – Wall of Icons: An installation of pottery\, paintings\, and found objects that celebrate LGBTQ+ heroes Keith Haring\, Marsha P. Johnson\, and Cookie Mueller who have fought for equal rights or been role-models for the community. Horner is a queer chronicler who educates the public and diverts discrimination from his tribe. \nJ. Morrison – I Love Social Networking: This digital c-print is a prime example of his HOMOCATS’ works that connect the modern popularity of the feline with social politics to fight phobias\, propose equal rights\, combat cultural stereotypes\, and question social norms. homocats.com \nDustin Oriente – 599: A diptych photograph of a neighborhood deer. Oriente’s portraits highlight his experiences being a queer and transgender man. artsy.net/artist/dustin-oriente \nNelson Santos – The Hardcore Cuddle Club: Launched on February 14\, 2025\, the initiative is a response to the political and social state we are living in\, where we desire comfort\, connection\, and love. We need cuddles. hardcorecuddleclub.com \nChristopher Squier – Triple Rainbow (Redacted): The graphite on rag paper explores optics and the role of light in contemporary visual culture\, engaging with research around luminescence\, transparency\, and invisibility to position vision as a historically-altered and politically-contentious experience. squier.co \nNathan Storey – Stain 01 and Stain 02: These oil monotypes with found photographs explore RFD – a country journal for gay men. Storey traces the relationship between printed matter and queer memory\, liberation\, and loss. nathanstoreyarchive.com \nGeorge Towne – Poconos Rainbow Mountain Cabins: This oil painting honors one of the artist’s favorite vacation spots. And Orange Shirt on Plaid Comforter explores a model that he uses frequently for his works. The two oil paintings focus on the gay male experience through portraits and figures\, as well as the beauty of urban and rural landscapes connected to the gay community. georgetowneart.com \nTracy von Ahsen – Inner Battle: An analog collage capturing the quiet war between the self you’re told to present and the one fighting to break through the performance. Von Ahsen’s analog collages feel like interior landscapes where memory\, intuition\, and desire are trying to shape a new version of the figure inside them. tracyvonahsen.com \nAaron Wilder – Delivered Under the Similitude of a Dream: I hope you show the tree-hugging democrats what it means to be strong and true\, true to the one who made you: In this inkjet print of digital mixed media\, Wilder juxtaposes John Bunyan’s 1678 book\, Pilgrim’s Progress\, on his life and feelings of nostalgia for a lost childhood. aaronwilder.com \nMichael Young – Hard Day at Work\, September: Part of Hidden Glances\, a series using layered collages made from vintage gay pornographic calendars to explore absence and presence. By splicing and re-photographing figures from calendars that predate his coming-out\, Young creates negative spaces that mirror the covert ways he learned to see as a closeted youth. The altered images meditate on identity\, concealment\, and visibility\, showing how queer histories emerge through fragments and omissions. mjyoungphoto.com \nA limited-edition zine accompanies the show\, with additional benefit prints supporting the Amos Eno Gallery fundraising efforts. \nAbout Magenta Lounge and the Curator \nMagenta Lounge is a queer art collective started by artist James Horner. The collective’s founding members — Noah Cribb\, James Horner\, Dustin Oriente\, Nathan Storey\, and George Towne — launched Magenta Lounge with a commitment to visibility\, collaboration\, and queer-led creative production. \nThe group’s first exhibition took place in February 2025 as a public art intervention\, transforming the windows of an abandoned building in Chicago into a site for queer expression. In addition to exhibitions and special projects\, Magenta Lounge produces zines and posters\, extending their practice beyond gallery walls and into accessible\, community-oriented formats. \nJames Horner is a visual storyteller whose figurative works draw from queer culture\, environmental psychology\, and the emotional dynamics of social spaces. Horner’s characters inhabit worlds that are humorous\, muscular\, intimate\, and destabilizing. His work has been exhibited at The Leslie-Lohman Museum of Art and The Bronx Museum\, and he is a current participant in the Bronx River Art Center studio program. For more information\, visit jameshornerart.com or on Instagram @jamesandthelovelies. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. \nThe gallery is located at 191 Henry Street between Jefferson and Clinton Streets on the Lower East Side of Manhattan. It’s a 5 minute walk from the F Train’s East Broadway Station and a 10 minute walk from the J Train’s Delancey Street – Essex Street Station. \n  Save  
URL:https://artinamericaguide.com/event/queer-today-love-power-freedom/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260406T093210
CREATED:20260109T152334Z
LAST-MODIFIED:20260109T152334Z
UID:115582-1767830400-1771113599@artinamericaguide.com
SUMMARY:Sara MacCulloch: Sun Fog Rain
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Sun Fog Rain\, an exhibition of new paintings by Sara Maculloch. This will be her fourth solo exhibition with the gallery. An opening reception will be held on January 15 from 6-8pm. \nSara MacCulloch is a landscape painter who paints in order to capture the transient experiences of nature. She paints seasonally\, leaving her home in Toronto for the familiar vistas of Maine and Nova Scotia where she grew up. Summer days immersed in nature provide necessary relief from the challenges of today’s world.  As Maculloch says\, “Finding solace even in the bad weather\, in the skies made opaque from fog or forest fire smoke\, in the rain\, or despite the drought\, in the hot sun.” \nAll the small changes in time of day\, weather\, plant growth\, and shoreline variations interest her. With photos and sketches\, she absorbs the subtleties and feelings of a specific landscape and a specific experience. \nIn the fall\, she returns to her studio to paint. She paints with deliberation\, commits to each brushstroke strategically\, and completes most paintings in one sitting. If\, occasionally\, a painting doesn’t work in a day or two\, she scrapes it away and starts over.  Intuitive\, sensual brush strokes and a creamy palette create a sense of immediacy and clarity.  The resulting paintings are a distillation of the experience and an invitation to enter these spaces and share a precise moment. \nSara MacCulloch is based in Toronto and studied painting at the Nova Scotia College of Art and Design. She exhibits extensively throughout Canada and  work is represented in various public and private collections including TD Bank\, Mayo Clinic\, Bank of Montreal\, the Art Gallery of Nova Scotia\, University of Toronto\, University of Iowa\, Department of Foreign Affairs\, Royal Bank of Canada\, and Gotlands Kunstmuseum\, SE. She has also received numerous grants and awards including the Canada council for the Arts and the Brucebo Scholarship in Gotland\, Sweden. \n  Save  
URL:https://artinamericaguide.com/event/sara-macculloch-sun-fog-rain/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/macc122-2.jpg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260215
DTSTAMP:20260406T093210
CREATED:20260109T153006Z
LAST-MODIFIED:20260109T153006Z
UID:115594-1767830400-1771113599@artinamericaguide.com
SUMMARY:Monica Banks: Secret Harmonies
DESCRIPTION:Kathryn Markel Fine Arts is pleased to announce Secret Harmonies\, an installation of new porcelain sculptures by Monica Banks. This will be her second solo exhibition with the gallery. An opening reception will be held on January 15th from 6-8pm. \nBanks’ porcelain botanical sculptures take over The Pocket Gallery in this room-sized installation. Modeling from life\, she creates delicate\, detailed portraits of flowers in various stages of life. Randomly hung\, as if in motion\, the artist thinks of them as\, “though they had blown in from the garden.”  They float on the wall as if weightless and their muted glazing adds a soft\, almost wispyness to the solid ceramic forms. \nBanks sculpts to scale and will observe one subject multiple times\, effectively creating snapshots of its brief lifespan as it buds\, blossoms\, wilts\, and dies. The installation serves as a three dimensional chronograph\, where one can trace a bloom’s journey from bud to decay. \nThis process\, “is an attempt to portray the logic and imperfections of blossoms.” She adds in non botanical elements from her previous tableware series such as forks\, spoons\, ladders\, and buttons to incorporate subconscious associations into this subject matter. A touch of surrealism enters the work in some pieces as petals emerge from stemmed tableware as they swirl amidst the flowers. Banks’ inclusion of these also places her work firmly in still life tradition; a wild vanitas of sorts. \nMonica Banks is based in East Hampton\, NY and has been exhibiting sculpture and creating site-specific installations since 1989. She has exhibited at the New Britain Museum of American Art\, CT; The Heckscher Museum of Art\, NY; The Carriage House at Islip Art Museum\, NY; The Center for Architecture\, NYC; The Arkell Museum\, NY; The Church Sag Harbor\, NY; among others. Her work is held in permanent collections of The Parrish Art Museum\, NY;  UMCA at the University of Massachusetts\, The Islip Art Museum\, NY; LongHouse Reserve\, NY; The Leiber Collection\, NY; Peter Marino Art Foundation\, NY;  The Masur Museum of Art\, LA; and the Catherine Konner Sculpture Park\, NY. She won an award from the NYC Public Design Commission for “Faces: Times Square\,” a block-long sculpture which stood in Times Square from 1996-2009. Banks has created permanent public works in the Bronx\, NY; Binghamton\, NY; and Charlotte\, NC. \n  Save  
URL:https://artinamericaguide.com/event/monica-banks-secret-harmonies/
LOCATION:179 10th Ave\, 179 10th Ave\, New York\, NY\, 10011\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2026/01/ban090-scaled.jpeg
ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
END:VEVENT
END:VCALENDAR