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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T194153
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260403T194153
CREATED:20230109T180703Z
LAST-MODIFIED:20230109T180703Z
UID:101329-0-1673114400@artinamericaguide.com
SUMMARY:Joanne Freeman: New York Conversation
DESCRIPTION:Kathryn Markel Fine Arts is thrilled to announce New York Conversation\, an upcoming exhibition of new work by Joanne Freeman. New York Conversation is Freeman’s third solo exhibition with the gallery. The show will be accompanied by a group show curated by Freeman titled Betty and Veronica. They will run concurrently from January 5th – February 11th\, 2023. \n  \n“New York Conversation references my studio process\, and metaphorically describes the random thoughts\, snippets of conversation\, lyrics and memories that ebb and flow over the course of a painting. Visual signs\, nostalgia and the emotional residue of color\, guide my aesthetic choices\,” Freeman says. While intuitive\, Freeman’s stencil-like forms and irregular hard-edge curves harken Modernism and minimalist sensibilities. This is heightened by a palette of saturated primary colors\, or monochromatic works.   “My paintings reference forms found in architecture and design\,” she says.  “I create compositions based on loose geometry and layered saturated colors. The hard edge process of cutting shapes and layering color onto treated raw linen\, recalls qualities of mid-century low-tech graphics\, color field painting and collage\,” she continues.  \n  \nThe forms are hard-edged while still breathy and organic.  The subtle transparencies at the edges of the forms and the contrast of the brushstrokes across the tooth of linen reveal the artist’s hand. “When applying oil paint to linen I try to accentuate the inherent qualities of both mediums\,” she says. “ I consider both the transparency and opacity of the colors\, how they abut and overlap\, and how they respond to the textured tooth of the linen.” She is mindful of each medium’s materiality when painting.  Her saturated colors in either gouache or oil paint are absorbed by the handmade paper or linen\, enhancing the modernist flatness of her forms and use of space. “My reductive abstract paintings are about the beauty of singular color\, the impact of pure abstract forms and the quiet order that cuts through the noise\,” Freeman says.  \n  \nJoanne Freeman has had solo exhibitions in galleries around the United States\, and shown at The Queens Museum\, Zillman Art Museum University of Maine\, The Painting Center\, and the Cape Cod Museum of Art. She’s a 2021 recipient of the Pollock-Krasner Foundation Grant\, and the Vice President of the American Abstract Artists organization. She has her M.A in Studio Art from New York University\, and lives and works in New York City. \n  Save  
URL:https://artinamericaguide.com/event/joanne-freeman-new-york-conversation/
LOCATION:Kathryn Markel Fine Arts\, 529 West 20th\, Suite 6W\, New York\, NY\, 10011\, United States
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ORGANIZER;CN="Kathryn Markel Fine Arts":MAILTO:markel@markelfinearts.com
GEO:40.9365358;-72.3040792
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kathryn Markel Fine Arts 529 West 20th Suite 6W New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=529 West 20th\, Suite 6W:geo:-72.3040792,40.9365358
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260403T194153
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260403T194153
CREATED:20230109T180750Z
LAST-MODIFIED:20230109T180750Z
UID:101313-0-1674928800@artinamericaguide.com
SUMMARY:2023 Winter Juried Exhibitions
DESCRIPTION:BLUE MOUNTAIN GALLERY is pleased to present the work of 47 artists\, 51 pieces of artwork\, selected by Eric Holzman for this year’s winter juried exhibition. The artists\, drawn from over two hundred applicants from across the country\, work in a wide range of media\, including oil\, acrylic\, pastel\, gouache\, photography and mixed media.  \n​Heidi Alamanda \, Marilyn Allen\, Hilary Houston Bachelder\, James Baker\, Nina Kardon Baran\, Bob Barnett\, Raymond Berry\, Leslie Blackmon\, Pam Bowers\, Nancy Breakstone\, Karina Cavat\, Audrey Cohn-Ganz\, Elizabeth Courtney\, Anne Delaney\, Stephanie DeManuelle\, Kiran K Dhaliwal\, Janine Dunn Wade\, Melanie Essex\, Tom Fitzharris\, Meghan Fleming\, Nancy Granda\, Theresa Heidig Rooney\, Teresa Jade Jarzynski\, Moishe Kampin\, Sam Kelly\, Michele King\, Laura Levine\, Pattie Lipman\, Aaron Lubrick\, Manuel Alejandro Macarrulla\, James McKenna\, Elizabeth Meyersohn\, Mark. Milroy\, Blake Morgan\, Arnaldo J Rivera Rivera\, Gail Rodney\, Rebecca Gray Rolke\, Roxy Rubell\, Alyssa Schmidt\, Abbey Stace\, Leslie Ross Stephens\, Yuri Tayshete\, Preston Trombly\, Laura Vahlberg\, Ekaterina Vanovskaya\, Aidan White and Lenore Wolf. \n​Juror ERIC HOLZMAN has been painting and searching for connection in nature and other representational genres all his life. He is a romantic and a classicist who looks into the inner nature of things and tries to walk “The Beauty Way.” He was educated at Tyler School of Art\, Yale\, Skowhegan and the New York Studio School. Eric has taught at Pratt\, the New York Studio School\, and Bard College among others. He is a National Academician and has exhibited twice at the American Academy\, winning awards from both institutions.  Eric has also shown work at Lori Bookstein\, Tibor de Nagy\, Sideshow and Artist Equity\, all in NYC\, and at Gremillion Fine Art and Ellio Fine Art in Houston\, Texas. He has received many honors\, including grants and fellowships from the Guggenheim Foundation\, the NEA\, the Pollock Krasner Foundation\, the Gottlieb Foundation and the Louis Comfort Tiffany Foundation. Website: www.ericholzman.com \n\n  Save  
URL:https://artinamericaguide.com/event/2023-winter-juried-exhibitions/
LOCATION:Blue Mountain Gallery\, 547 W 27th St\, Suite 200\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Blue Mountan Gallery":MAILTO:info@bluemountaingallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T194153
DTEND;TZID=America/New_York:20250920T170000
DTSTAMP:20260403T194153
CREATED:20250722T184747Z
LAST-MODIFIED:20250722T184747Z
UID:114023-0-1758387600@artinamericaguide.com
SUMMARY:August-September @ Art Works!
DESCRIPTION:Throughout August Art Works is open to the public\, offering a variety of engaging exhibits. Adam and Anita Bradley present life-size figurative sculptures and paintings capturing a chaotic world. Mike Bily’s exhibit investigates ecosystems; Sharon Denmark captures light flowing through glass. Rachel Rowden exhibit is a portal of mysteries and Rebecca Visger provides a view from behind the wheel. Blake Bottoms exhibit is featured in the Community Bridge Project. \n  \nJoin us for a fun-filled scavenger hunt with prizes\, perfect for both the young and the young at heart. The activity culminates with prizes for all who participate. We also offer figure drawing sessions on the 1st and 3rd Sundays and Queer Life Drawing at Gold Lion Community Café on August 20th.  \n  \nBradley + Bradley: The Weight of Vanishing Shadows \nAdam and Anita Bradley explore the human condition through their unique mediums. Adam presents life-sized figurative sculptures in wood\, steel\, ceramics\, and smaller bronze pieces\, reflecting themes of anxiety\, loss\, and grief. Anita complements this with layered paintings and mixed media collages\, capturing the struggle for order in a chaotic world. Their intertwined approaches invite contemplation of deep human experiences. \n  \nThe exhibition will be in the Jane Sandelin Gallery at Art Works and will continue through September 20\, 2025. \n  \n  \nArtifacts by Anne Chamblin \nAnne Chamblin’s work is about merging sight and feeling. For her\, painting is a way to process what she experiences. She brings spaces\, places\, and faces to life on canvas\, turning bodies into landscapes and using layers to hint at the passage of time. Anne constantly reworks her paintings\, always keeping a bit of the past to shape the present. Her journey is grounded in everyday experiences\, resulting in unique\, relatable art. \n  \nThe exhibit will be in the Centre Gallery at Art Works through September 20\, 2025. \n  \n  \n  \n  \n  \nBetween Worlds by Hannah Anderson \n  \nAmerican abstract artist Hannah Anderson (b. 1953)\, raised in the simplicity of a Quaker household\, rediscovered her love for painting in 1990 with a Crayon watercolor set. Self-taught and inspired by contemporary artists\, her work reflects the light and dark periods of her life\, blending elements of nature and archetypal symbols from healing traditions. Her debut exhibit\, Between Worlds\, explores the liminal space between worlds and relationships. Hannah resides in Richmond\, Virginia\, and finds inspiration in Taos\, New Mexico. \n  \nThe exhibit will be in the Corner Gallery at Art Works through September 20\, 2025. \n  \n\nMental Health Matters: Celebrating Resilience Through Art All Media Show\nThis exhibit is a focal point of all Art Works’ openings. It is a juried show with cash prizes for 1st\, 2nd and 3rd place. The show is open to all artists and all mediums. \n  \nIn August the theme is Mental Health Matters: Celebrating Resilience Through Art. The community has donated terrific items that we will be auctioning to benefit NAMI\, and Art Works will donate the sales from the All Media Show to NAMI. \nWonJung Choi an international artist and educator\, will be the juror for the exhibit. Wonjung Choi is a Korean-born\, Virginia-based artist whose multidisciplinary work delves into the complexities of identity formation in a globalized world. See more on WonJung’s website: Click here. \n  \nCall for entries is July 15  – August 10\, 2025\, and may be submitted through the online form. The exhibit will be in the Port Gallery at Art Works through September 18\, 2025. Check our website for details on submitting artwork:  Call for Entries \n  Save  
URL:https://artinamericaguide.com/event/august-september-art-works-2/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
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ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T194153
DTEND;TZID=America/New_York:20250926T200000
DTSTAMP:20260403T194153
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114439-0-1758916800@artinamericaguide.com
SUMMARY:4th Friday Art Shows and Opening Reception @ Art Works!
DESCRIPTION:4th Friday September 26th at Art Works \n  \nJoin us on September 26\, 2025 from 6 p.m. to 8 p.m. for an exciting opening reception of our new exhibits at Art Works. Meet the talented artists\, and enjoy live music\, refreshments\, and libations sponsored by RVA Thriving Artists.  The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. \n  \nThis event is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/4th-friday-art-shows-and-opening-reception-art-works-56/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T194153
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260403T194153
CREATED:20250811T200044Z
LAST-MODIFIED:20250811T200044Z
UID:114212-0-1758996000@artinamericaguide.com
SUMMARY:Heather Stivison\, “Ebb & Flow”\, a Solo Exhibition
DESCRIPTION:In this her third New York City solo exhibition\, Heather Stivison explores the intersection of environmental science and visual art with a series of immersive paintings of the ocean. \nStivison paintings capture the essence of water—something clear and colorless\, with its shape formed entirely by the external forces of objects\, land\, wind\, gravity. Searching for water’s most primary qualities\, she uses light\, color\, form\, shape\, line\, to engender a sense of water. Fluidity\, reflections\, rhythms are evident in her ocean surface paintings. Stivison is fascinated by the reflections and patterns created by the coastal ocean surface. She paints variations on patterns\, exploring how much she can change them and still maintain the sense that the subject is surface water. \nCurator and director of Manhattan Arts International Renee Phillips writes: \n“Stivison ventures beyond nature’s physical boundaries into abstraction with the profusion of free-flowing biomorphic patterns and tonal ranges. In her paintings the innate attributes of water evolve into metaphors\, symbolism and visual poetry.” \nThe exhibition includes a massive 110-inch quadriptych that explores the sense of weightlessness and mystery that she finds in the imagining unknown ocean depths. Other paintings explore surface water patterns as abstract design. \nIndependent curator Kathy Imlay writes: \n“Stivison’s paintings have a luminous glow—accomplished by the artist building up layer upon layer of viscous paint\, which she pours\, smears\, scrapes and otherwise manipulates to create fields of color that conjure the watery depths of the ocean or intergalactic space\, depending on the palette.” \nSome of the paintings on view are the result of her multi-year\, grant funded collaboration with Noah Germolus\, a scientist at Woods Hole Oceanographic Institute who was researching ocean chemistry. Stivison created two paintings about him and his work\, and four five-foot paintings that interpret his research data in paint. \nThe collaboration led to a unique special feature of this exhibition. After Stivison interpreted his data in paint\, he in turn\, interpreted four of her paintings in music. The exhibition includes an on-demand sound installation of original jazz music composed and performed by Germolus. \n  Save  
URL:https://artinamericaguide.com/event/heather-stivison-ebb-flow-a-solo-exhibition/
LOCATION:Pleiades Gallery\, 547 W 27th St. Suite 304\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/stivison-heather_Coastal-Surface-Community_48x60_Oil-over-Acrylic-on-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T194153
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260403T194153
CREATED:20250903T144946Z
LAST-MODIFIED:20250903T144946Z
UID:114443-0-1760806800@artinamericaguide.com
SUMMARY:September - October Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Adam Reinhart\, Jen Cook-Asaro\, Sarah Miller\, Tatiana Grace\, Kenneth Lee\, and experiment with interactive art by RVA Game Jams. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through October 18\, 2025. \n  Save  
URL:https://artinamericaguide.com/event/september-october-exhibits-art-works-4/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/PR-2025.09-Game-Jam-1-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:glenda@artworksrichmond.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T194153
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260403T194153
CREATED:20250908T192551Z
LAST-MODIFIED:20250908T192551Z
UID:114572-0-1763830800@artinamericaguide.com
SUMMARY:October - November Exhibits @ Art Works!
DESCRIPTION:Now showing six new exhibits. The featured artists are Blake Seals\, Felicia L. Reed\, Adam Reinhard\, Sorvino\, and Tobi Holtslag. Also see 80+ working artist studios. \nVisit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. The exhibits will continue through November 22nd 2025. \n  Save  
URL:https://artinamericaguide.com/event/october-november-exhibits-art-works-5/
LOCATION:Art Works\, 320 Hull Street\, Richmond\, VA\, 23224\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/09/PR-2025.10-Chris-Semtner-3-scaled.jpg
ORGANIZER;CN="Art Works":MAILTO:jessie@artworksrva.com
GEO:37.524914;-77.437258
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Art Works 320 Hull Street Richmond VA 23224 United States;X-APPLE-RADIUS=500;X-TITLE=320 Hull Street:geo:-77.437258,37.524914
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260403T194153
DTEND;TZID=America/New_York:20260221T180000
DTSTAMP:20260403T194153
CREATED:20260120T172859Z
LAST-MODIFIED:20260120T172859Z
UID:115685-0-1771696800@artinamericaguide.com
SUMMARY:Robert Braczyk: Cardinal Directions
DESCRIPTION:Exhibition Dates: January 27 – February 21\, 2026\nOpening Reception: Thurs.\, January 29\, 2026\, 5PM-8PM\nArtist Talk: Saturday\, February 14\, 2026\, 3PM-4PM\nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nBowery Gallery is pleased to present “Cardinal Directions\,” an exhibition of new sculpture by Robert Braczyk.  \nFor many years a prize-winning figurative sculptor\, in recent years Braczyk has turned to abstraction. In his new work—most about 24 inches high—he assembles various tree elements into vertical compositions that echo figural forms\, but whose abstract vocabulary of open volumes and discontinuous contours suggests the possibility of multiple allusions. Each work evinces a powerful spatial tension between the cardinal point from which it is begun and the complex three-dimensional image that Braczyk builds with primary thrust\, axis\, and meridian.  \nBraczyk’s trajectory from figure to abstract figure may be seen as a temporal through line connecting the events of a life. The artist’s comment that he brings all his life’s experiences into the studio reminds us that in the long arc of his career\, the spatial and temporal are never far apart. \nView the exhibition website. \n  \nBowery Gallery\n547 W. 27th Street\, Suite 508\nNew York\, NY 10001 \n  Save  
URL:https://artinamericaguide.com/event/robert-braczyk-cardinal-directions/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121022
DTEND;VALUE=DATE:20220101
DTSTAMP:20260403T194153
CREATED:20210527T152347Z
LAST-MODIFIED:20210527T152507Z
UID:81363-1350864000-1640995199@artinamericaguide.com
SUMMARY:LEO VILLAREAL: COSMOS
DESCRIPTION:An homage to the late Cornell astronomy professor Carl Sagan\, Cosmos is a site-specific installation by New York–based artist Leo Villareal (born 1967)\, a pioneer in the use of light-emitting diodes (LEDs) and computer-driven imagery. His signature pieces explore complex movement and dazzling patterns created by points of light using his own computer software. \n \nVillareal – Cosmos – Johnson Museum – Cornell final from Walter Patrick Smith\, AIA LEED A on Vimeo. \nPlanning for Cosmos began in November 2010\, when Villareal—along with the project architect\, Walter Smith\, and donors Lisa and Richard Baker—worked with Johnson Museum staff to determine the optimal location for the installation. The ceiling of the Sherry and Joel Mallin Sculpture Court was chosen for its high visibility not only on campus but also from the city of Ithaca. After studying the Museum’s architectural plans and considering structural and aesthetic aspects of the installation\, the artist’s team returned to Cornell in April 2012 to install a nine-foot-square mock-up. Installation of the final piece took several weeks\, with twelve thousand energy-efficient LEDs on a gridded framework attached to the ceiling of the sculpture court. A zero gravity bench was designed by the artist for viewers to fully immerse themselves in the viewing experience and to foster a more communal involvement with his installation. Villareal gave a public lecture to mark the opening of the installation. \nVillareal’s works reinterpret fundamental components of such twentieth-century art movements as pop\, minimalism\, conceptual\, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty-first century. Among his most notable site-specific works are the illumination of the exterior of the Brooklyn Academy of Music (2006)\, Multiverse in the Concourse walkway between the East and West Buildings at the National Gallery of Art (2008)\, and Sky at the Tampa Museum of Art (2009). His largest installation to date is The Bay Lights\, illuminating the West Span of the San Francisco Bay Bridge for its 75th anniversary in 2013. \nAndrea Inselmann\nCurator of Modern and Contemporary Art \n\nImage:\nLeo Villareal\nCosmos\, 2012\nWhite LED Lights\, custom software\, and electrical hardware; site-specific installation.\nAcquired through the generosity of Richard Baker\, Class of 1988\, and Lisa Baker.\n2012.056\nPhoto: James Ewing \n\n  Save  
URL:https://artinamericaguide.com/event/leo-villareal-cosmos/
LOCATION:Herbert F. Johnson Museum of Art\, Cornell University\, 114 Central Avenue\, Cornell University\, Ithaca\, NY\, 14853\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260403T194153
CREATED:20190919T155936Z
LAST-MODIFIED:20200722T160048Z
UID:59826-1568851200-1632095999@artinamericaguide.com
SUMMARY:Heritage of the West: Charles M. Russell
DESCRIPTION:Charles Russell was one of the great painters of the American West. With little formal training but much firsthand experience of his subject\, he captured the western landscape in all of its wild and nostalgic moments. \nIn 1880\, when he was only 16\, Russell went to Montana for the first time to work on a family friend’s ranch. Ranch life was not for Russell\, but he would stay in Montana for two years working for a hunter and trapper. \nHe began to draw and paint animals at this time and learned a great deal about their anatomy. In 1882\, he went to work as a night herder for a group of cowboys called the Judith Basin Roundup\, and on and off for the next 11 years he would work watching cattle by night and painting during the day. \n\nIn 1888\, Russell returned to St. Louis for a short time and submitted some of his art to Harpers Weekly\, where it was published. His work had become very popular in the Montana territory\, and he began to sell pieces and take commissions for works when he returned. \nWith the advent of the railroad to Montana\, the territory became more civilized\, and Russell mostly gave up cowboy life in order to become a full time painter of the life he had known in the West that was now slowly fading. \n\nImage: Charles M. Russell\, Smoking Cattle out of the Breaks\, 1912. Oil on canvas\, 30 1/4 x 33 inches. Wichita Art Museum\, M.C. Naftzger Collection \n  Save  
URL:https://artinamericaguide.com/event/heritage-of-the-west-charles-m-russell/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260403T194153
CREATED:20190919T195116Z
LAST-MODIFIED:20190926T161526Z
UID:59865-1568851200-1632095999@artinamericaguide.com
SUMMARY:Pre-Columbian Art and Artifacts from the Museum’s Collection
DESCRIPTION:Wichita Art Museum’s unique collection of Pre-Columbian art and artifacts was collected by Haig Kurdian between 1954-1959 during expeditions into Mexico and Costa Rica. The collection is mostly pottery\, a few pieces of metal\, carved shells\, and precious stones. \nIn Mesoamerican culture\, pottery was appreciated as an artistic medium–a way people could express emotions and ideas–not solely as a utilitarian material. To make ceramic art\, these ancient peoples gathered clay from local sources and formed shapes using only their hands by pinching or coiling the clay. After shaping the objects\, they were placed in very hot\, open fires and baked until hard. \n“I particularly love that tripod bowl\, from Teotihuacan\, with the square legs. It’s a superb\, beautiful piece. To think that someone made that\, not on a potter’s wheel\, but by piling up coils of clay\, then working it and firing it. And it’s survived at least 2\,500 years. The other tripod bowl I love represents a squash and has parrot legs. That one is from Colima\,” Kurdian said. \n\nThe artifacts originated from various locations in Mexico including Colima\, Veracruz\, Valley of Mexico\, Oaxaca\, Michoacán\, and Guerrero. The collection includes artifacts from Costa Rica: including Atlantic Watershed\, Guanacaste-Nicoya Zone\, and the Diquis Zone. The objects date from 1000 B.C. to 1450 A.D. \nThe collection was given to the Wichita Art Museum by Haig\, Rima\, and Gregory Kurdian in 1977. Then in 1986\, Louise and S.O. Beren offered the Wichita Art Museum a selection of artifacts\, they had earlier received from Haig’s expeditions. \n\nImage: Mexican (Teotihuacan)\, Cylinder Tripod Vessel\, about 450-600 B.C. Terra cotta\, 7 x 6 1/2 inches. Wichita Art Museum\, Gift of Haig\, Rima\, and Gregory Kurdian \n  Save  
URL:https://artinamericaguide.com/event/pre-columbian-art-and-artifacts-from-the-museums-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210920
DTSTAMP:20260403T194153
CREATED:20190919T195153Z
LAST-MODIFIED:20190926T161925Z
UID:59861-1568851200-1632095999@artinamericaguide.com
SUMMARY:An American Salon: 19th-century Paintings from the Wichita Art Museum’s Permanent Collection
DESCRIPTION:The term salon style derives from the exhibition of the French Royal Academy of Painting and Sculpture\, which began in 1667 in Paris. \n\nIn order to display work by all the Academy’s students\, the paintings were hung as close as possible from floor to ceiling. In the nineteenth century\, this salon-style hanging became increasingly popular across Europe and in the United States. The gallery has been transformed into an American salon featuring remarkable 19th-century paintings from the museum’s permanent collection. \n\nImage: Titian Ramsay Peale\, Ruffled Grouse in a Landscape\, 1873. Oil on canvas\, 16 x 22 inches. Wichita Art Museum\, Museum purchase\, Wichita Art Museum Members Foundation \n  Save  
URL:https://artinamericaguide.com/event/an-american-salon-19th-century-paintings-from-the-wichita-art-museums-permanent-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190919
DTEND;VALUE=DATE:20210922
DTSTAMP:20260403T194153
CREATED:20190919T155958Z
LAST-MODIFIED:20190926T161719Z
UID:59841-1568851200-1632268799@artinamericaguide.com
SUMMARY:No Idle Hands: Treasures from the Americana Collection at the Wichita Art Museum
DESCRIPTION:No Idle Hands gives museum visitors a chance to view the art and artifacts that reflect daily life in America’s early history. The exhibition features highlights from WAM’s newly acquired collection of more than 450 works of American folk art\, including some of the best furniture\, samplers\, hunting decoys and lures\, and corner store paraphernalia from the new collection. \nIt tells the story of America’s past while also foregrounding the beautiful materials and craftsmanship of many of these objects. \nWichita Art Museum’s curatorial staff organized the exhibition with local architect Dean Bradley\, of Platt\, Bradley\, Adams\, and Associates. As a specialist in residential architecture with a personal passion for history and preservation who also serves on the board of The Wichita-Sedgwick County Historical Museum\, Bradley designed a gallery installation evoking the stores and homes in which the works were originally used and cherished. Shop signs–including iconic striped barber poles–conjure up an image of Main Street. Portraits\, toys\, and miniatures–small\, hand-held portraits sometimes worn as jewelry–reference the life of the family and home. Each object–some rare and precious and others common fare—tells the story of the changes and continuities of daily life in America over the last 200 years. \n  Save  
URL:https://artinamericaguide.com/event/no-idle-hands-treasures-from-the-americana-collection-at-the-wichita-art-museum/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190919T100000
DTEND;TZID=America/Halifax:20210919T170000
DTSTAMP:20260403T194153
CREATED:20190919T195137Z
LAST-MODIFIED:20200716T190252Z
UID:59863-1568887200-1632070800@artinamericaguide.com
SUMMARY:Catching Light: Selections from the Wichita Art Museum's Burnstein Collection
DESCRIPTION:Dr. Robert Burnstein\, a Detroit psychiatrist\, began collecting glass in the 1980s. He was attracted to American glass of the 19th and 20th centuries because\, as he stated\, “it was a time when handcrafted expertise and precision craftsmanship were the benchmarks of the American glass industry.” \nSoon he came to find that among American companies\, the glass produced by Steuben was unsurpassed in quality\, color intensity\, and breadth of design. \nTherefore\, he focused his collecting first on Steuben\, then on candlesticks in particular. He concentrated on candlesticks given their elegance of design and great variety of their colors and decorative techniques. Dr. Burnstein has presented his collection in honor of his parents\, Donald and Arlene Burnstein. \n  \nImage: Pairpoint Glass\, Candlestick (one of a pair)\, about 1920-1925. Blown glass\, 10 1/16 x 5 3/16 inches. Wichita Art Museum\, Gift of Robert S. Burnstein \n  Save  
URL:https://artinamericaguide.com/event/catching-light-selections-from-the-wichita-art-museums-burnstein-collection/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Wichita Art Museum":MAILTO:pr@wichitaartmuseum.org
GEO:37.6949375;-97.3561859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wichita Art Museum 1400 West Museum Boulevard Wichita KS 67203 United States;X-APPLE-RADIUS=500;X-TITLE=1400 West Museum Boulevard:geo:-97.3561859,37.6949375
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201205T110000
DTEND;TZID=America/Halifax:20210530T170000
DTSTAMP:20260403T194153
CREATED:20200902T165943Z
LAST-MODIFIED:20200902T165943Z
UID:75924-1607166000-1622394000@artinamericaguide.com
SUMMARY:Anila Quayyum Agha: All the Flowers are for Me
DESCRIPTION:The museum will once again present Anila Agha: All The Flowers are for Me. The popular exhibition\, first displayed in 2017\, features Pakistani-American artist Anila Quayyum Agha who creates immersive installation by manipulating lights. Light emanates from the center of a laser-cut steel cube\, enveloping the gallery in intricate shadows that ripple and change as you walk through the space. Inspired by Islamic architectural forms and referencing her experience as a diaspora artist\, the geometric and floral patterns cast upon the walls\, floor\, and ceiling creates a sense of belonging through shared experience and social distancing. \n  Save  
URL:https://artinamericaguide.com/event/anila-quayyum-agha-all-the-flowers-are-for-me/
LOCATION:Cincinnati Art Museum\, 953 Eden Park Dr\, Cincinnati\, OH\, 45202\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cincinnati Art Museum 953 Eden Park Dr Cincinnati OH 45202 United States;X-APPLE-RADIUS=500;X-TITLE=953 Eden Park Dr:geo:-84.496859,39.1139763
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201231T080000
DTEND;TZID=America/Halifax:20210604T170000
DTSTAMP:20260403T194153
CREATED:20201228T200011Z
LAST-MODIFIED:20201229T183530Z
UID:79321-1609401600-1622826000@artinamericaguide.com
SUMMARY:Dellamarie Parrilli: Up Close and Colorful
DESCRIPTION:The paintings of Dellamarie Parrilli\, a particularly cheerful variant on abstract expressionism\, look to bright colors\, often primary\, that are merged in forms that are resolutely nonobjective. A restless and intrepid experimenter\, it is Parrilli’s prior extensive background in music and dance that is reflected in her work. She has transformed her creativity for expression from the stage to the studio from her own unique perspective and introspective vision. Art writer Jonathan Goodman observes: “her art looks to an implicit merger between individualized components of painting and the nearly excessive beauty of nature.” \n  Save  
URL:https://artinamericaguide.com/event/dellamarie-parrilli-up-close-and-colorful/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/12/UnderABlanketOfStarswatercoloroncanvas36x60-2.jpg
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210122T080000
DTEND;TZID=America/Halifax:20211031T170000
DTSTAMP:20260403T194153
CREATED:20210201T044953Z
LAST-MODIFIED:20210201T044953Z
UID:79765-1611302400-1635699600@artinamericaguide.com
SUMMARY:The Universe Makers- A Virtual Group Show Curated by Dominique Nahas
DESCRIPTION:Bassmi Ibrahim\, Victoria Lowe\, Anne Marchand\, Dellamarie Parrilli\, and John Lyon Paul are our universe-makers. To place their highly differentiated abstract aesthetic visions together so that they seem to react and inspire each other reminds me that this exhibition of visual persuasions is perhaps like visual chamber music of individual voices\, heard collectively. These individual voices\, passionately unique\, create indelible experiences for the beholder.- Dominique Nahas\, Curator \n  Save  
URL:https://artinamericaguide.com/event/the-universe-makers-a-virtual-group-show-curated-by-dominique-nahas/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210130T130000
DTEND;TZID=America/Halifax:20211031T170000
DTSTAMP:20260403T194153
CREATED:20210201T045021Z
LAST-MODIFIED:20210201T045021Z
UID:79769-1612011600-1635699600@artinamericaguide.com
SUMMARY:Susan Sommer: Plein Air Abstraction
DESCRIPTION:Susan Sommer has a distinct view of the rhythms of nature. Working in one of the more rustic areas of Upstate New York\, she sees the changing seasons and accompanying movements of indigenous species as a constant reminder that nature is the ultimate bringer of stability and change. Instead of making accurate representations\, Sommer sees these fascinating facilities as a jumping-off point to dig deep into the shadows and light. Each and every part of our natural environment can be broken down into a symbiotic network of plants\, animals\, and climate\, but how does one express that with pure light and color. Sommer achieves this elusive outcome with cousin shapes\, complementary hues\, and cohesive compositions that relay holistic harmony to its host of inhabitants.\n– D. Dominick Lombardi \nVisit the exhibition here: http://bit.ly/ccpssommervg \n  Save  
URL:https://artinamericaguide.com/event/susan-sommer-plein-air-abstraction/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210206
DTEND;VALUE=DATE:20210524
DTSTAMP:20260403T194153
CREATED:20200917T175547Z
LAST-MODIFIED:20200917T175547Z
UID:77145-1612569600-1621814399@artinamericaguide.com
SUMMARY:African American Art in the 20th Century: Harlem Renaissance\, Civil Rights Era\, and Beyond
DESCRIPTION:African American Art in the 20th Century: Harlem Renaissance\, Civil Rights Era\, and Beyond\, presents nearly 50 paintings and sculptures by 34 African American artists. These masterpieces explore everyday American themes as well as those specific to the African American experience\, including the struggle for economic and civil rights\, the beauties and hardships of life in rural and urban America\, and the power of art and music. Created in moments of significant social and political change—from the 1920s jazz age to the 1960s civil rights movement and beyond—each work dazzles visually while also shedding light on the complex American story. \nThe exhibition features artworks by leading 20th-century artists Romare Bearden\, Sam Gilliam\, Jacob Lawrence\, Lois Mailou Jones\, Hale Woodruff\, and others. \nAfrican American Art in the 20th Century is organized by the Smithsonian American Art Museum. The C.F. Foundation in Atlanta supports the museum’s traveling exhibition program\, Treasures to Go. \nImage: William H. Johnson\, Sowing\, about 1940. Oil on burlap\, 38 1/2 x 45 3/4 inches. Smithsonian American Art Museum\, Washington D.C.\, Gift of the Harmon Foundation \n  Save  
URL:https://artinamericaguide.com/event/african-american-art-in-the-20th-century-harlem-renaissance-civil-rights-era-and-beyond/
LOCATION:Wichita Art Museum\, 1400 West Museum Boulevard\, Wichita\, KS\, 67203\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210207
DTEND;VALUE=DATE:20210620
DTSTAMP:20260403T194153
CREATED:20210310T214540Z
LAST-MODIFIED:20210316T184329Z
UID:80363-1612656000-1624147199@artinamericaguide.com
SUMMARY:Anselm Kiefer: Field of the Cloth of Gold
DESCRIPTION:“What interests me is the transformation\, not the monument. I don’t construct ruins\, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is the moment when things can start again. \nThe pictures become interesting when the subject matter is no more than an excuse\, when the artist remembers the struggle\, when he sets forth his own world in conflict with the self-secluding earth.”\n—Anselm Kiefer \n\nGagosian is pleased to present Field of the Cloth of Gold\, an exhibition of four monumental new paintings by Anselm Kiefer. \nThe tension between beauty and terror\, alongside the inextricable relationship between history and place\, has animated Kiefer’s work since the 1970s. Drawing on the literature of cultural memory—including poetry\, the Old and New Testaments\, and the Kabbalah—Kiefer gives material presence to myths and metaphors. He infuses the medium of paint with startling and unconventional gestures and objects\, juxtaposing it with organic and abject materials such as straw\, sand\, charcoal\, ash\, and mud. Kiefer asserts himself as an iconoclast; his paintings undergo various processes—such as being cut\, burned\, buried\, exposed to natural elements\, splashed with acid\, or poured over with lead—so as to be made anew. These strategies\, along with the use of materials such as lead\, concrete\, glass\, fabric\, tree roots\, or burned books\, create a symbolic resonance\, making palpable both the movement and destruction of human life and the persistence of the lyrical and the divine. \n\nThe exhibition’s title refers to the historic peace summit between King Henry VIII and King Francis I that took place five hundred years ago in a field in what is now Pas-de-Calais\, France. The conference\, centered around a strategic alliance between England and France\, had the goal of outlawing war between Christian nations. The alliance was considered a key event in shaping Europe’s geopolitics—until it dissolved and war broke out\, a year later. While Kiefer did not begin making these works with this event or title in mind\, the connection became apparent and synchronous after their completion. As he stated in a recent interview\, “the title is often not the explanation of the picture\,” but is rather “an allusion.” History is one of the materials he uses and synthesizes in his work\, “like clay for the sculptor or color for the painter.” \nCompleted over the last two years\, these works predate the COVID-19 pandemic\, the ripple-effect crisis it created\, and the international and cross-cultural relationships it has reconfigured. While history has been fractured and unpredictable since the Field of the Cloth of Gold conference\, our cultural memory holds the violent unpredictability of human relations on a continuum. The layered and visceral character of these paintings\, whose scale almost matches the landscapes they depict\, evokes the surging capriciousness of European history and the effects and aftermaths of war. As in The Morgenthau Plan series of 2012\, Kiefer affixes other elements to the surfaces of these paintings\, from plant matter to industrial material\, building a third dimension onto the painted canvas. Here the field of history is transfigured into a field of gold under a dark sky. \nAs is customary in Kiefer’s work\, each painting’s title and symbols contain a rich literary and historical set of references. Sichelschnitt (Sickle Cut) (2019) refers to the Manstein Plan (Sichelschnittplan)\, a war plan devised by the German Army during the Battle of France in 1940\, while Beilzeit—Wolfszeit (Axe-Age—Wolf-Age) (2019) nods to “Völuspá (Prophecy of the Seeress)\,” the first poem of the Poetic Edda of Old Norse mythology. Verse 45 of this poem is translated as “Axe-time\, sword-time\, | shields are sundered\, / Wind-time\, wolf-time\, | ere the world falls.” Ein Wort von Sensen gesprochen (One Word Spoken by Scythes) (2019–20) evokes the poem “From Hearts and Brains” by Paul Celan\, whose poetry has been a point of reference for Kiefer for decades. Celan’s verse reads\, “and a word\, spoken by scythes / bends them into life.” \n\nImage:\nAnselm Kiefer\nField of the Cloth of Gold\nFebruary 7 – June 19\, 2021\nGagosian\, Le Bourget \nInstallation views:\nArtwork © Anselm Kiefer\nPhoto: Thomas Lannes\nCourtesy Gagosian \n\n\n  Save  
URL:https://artinamericaguide.com/event/anselm-kiefer-field-of-the-cloth-of-gold/
LOCATION:Gagosian Le Bourget\, Paris\, 26 Avenue de l'Europe\, Le Bourget\, 93350\, France
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210220
DTEND;VALUE=DATE:20210523
DTSTAMP:20260403T194153
CREATED:20210210T214426Z
LAST-MODIFIED:20210513T181931Z
UID:80033-1613779200-1621727999@artinamericaguide.com
SUMMARY:Distinctive/Instinctive: Postwar Abstract Painting
DESCRIPTION:Featuring Charles Alston\, William Baziotes\, Norman Bluhm\, James Brooks\, Elaine de Kooning\, Jay DeFeo\, Beauford Delaney\, Claire Falkenstein\, Sam Gilliam\, Michael Goldberg\, Adolph Gottlieb\, Hans Hofmann\, Alfred Jensen\, Yayoi Kusama\, Alfred Leslie\, Norman Lewis\, Conrad Marca-Relli\, Joan Mitchell\, Alfonso Ossorio\, Richard Pousette-Dart\, Milton Resnick\, Alma Thomas\, Mark Tobey\, Jack Tworkov\, Charmion von Wiegand\, William T. Williams and Hale Woodruff. \nTo schedule your visit\, click here. \n  Save  
URL:https://artinamericaguide.com/event/distinctive-instinctive-postwar-abstract-painting/
LOCATION:Michael Rosenfeld Gallery\, 100 11th Ave\, New York\, NY\, New York\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Michael Rosenfeld Gallery 100 11th Ave New York NY New York United States;X-APPLE-RADIUS=500;X-TITLE=100 11th Ave:geo:-74.0076191,40.7460874
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210226T110000
DTEND;TZID=America/Halifax:20210829T170000
DTSTAMP:20260403T194153
CREATED:20200902T165914Z
LAST-MODIFIED:20200902T165914Z
UID:75926-1614337200-1630256400@artinamericaguide.com
SUMMARY:Future Retrieval: Katie Parker & Guy Michael Davis
DESCRIPTION:Future Retrieval\, the studio collaboration of Cincinnati-based artists Katie Parker and Guy Michael Davis\, appropriates imagery and forms from historical objects to create new art that bears meaning in our twenty-first century world. Their practice is rooted in ceramic art\, but also incorporates a diverse mix of media and techniques combine age-old methods with new technologies. This exhibition will take over two museum galleries as project spaces that look back at the past and move into the future by unconventionally responding to objects “borrow” from the museum’s decorative art and design collection. In pairing their own work with objects from the museum’s collection\, the artists will create an environment and experience that encourage visitors to consider of reconsider aspects of the museum’s historical collections and practices in a new light. \n  Save  
URL:https://artinamericaguide.com/event/future-retrieval-katie-parker-guy-michael-davis/
LOCATION:Cincinnati Art Museum\, 953 Eden Park Dr\, Cincinnati\, OH\, 45202\, United States
CATEGORIES:Exhibition
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GEO:39.1139763;-84.496859
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cincinnati Art Museum 953 Eden Park Dr Cincinnati OH 45202 United States;X-APPLE-RADIUS=500;X-TITLE=953 Eden Park Dr:geo:-84.496859,39.1139763
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210308T080000
DTEND;TZID=America/Halifax:20210831T170000
DTSTAMP:20260403T194153
CREATED:20210309T205446Z
LAST-MODIFIED:20210309T205446Z
UID:80331-1615190400-1630429200@artinamericaguide.com
SUMMARY:Real Abstraction: 5 Painters Beyond the Picture
DESCRIPTION:Five painters- who happen to be women- are curated by Peter Frank in this special virtual art exhibition. Real Abstraction: Five Painters Beyond the Picture asks the questions: “Can we see past what we see? Can we see more than we see? Can we see in a way that not only reveals what we haven’t been seeing\, but has us see a whole different reality?” Featuring the latest work by Sarah Hinckley\, Francie Lyshak\, Susan Sommer\, Francine Tint and Gail Hillow Watkins.\nVisit this online exhibition with the illusion of 20 foot high ceilings and over 250 linear feet of gallery space here: https://bit.ly/ccpreab5 \n  Save  
URL:https://artinamericaguide.com/event/real-abstraction-5-painters-beyond-the-picture/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/03/REAL-ABSTRACTION-small.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210309T080000
DTEND;TZID=America/Halifax:20210906T170000
DTSTAMP:20260403T194153
CREATED:20210728T163037Z
LAST-MODIFIED:20210728T163037Z
UID:83705-1615276800-1630947600@artinamericaguide.com
SUMMARY:Lynn Kotula: A Clear Vision
DESCRIPTION:Lynn Kotula 1945-2021\nA Clear Vision\nMarch 9 – April 10\, 2021\nView Bowery Gallery’s Lynn Kotula: A Clear Vision show blog here: https://bowerygallery.wordpress.com/2021/03/06/lynn-kotula-a-clear-vision/\nView the virtual show here: http://www.bowerygallery.org/lynnkotula.html \nLynn Kotula creates a kind of magic that is simultaneously quiet and robust. Completely lacking in pretense or artifice\, her paintings are built on acute sensitivity\, keen analysis\, and deep love for the experience of seeing. They are richly rewarding for those who take the time to look slowly\, allowing each painting to unfold. The online viewer is well-served to refrain from the rapid clicking and scrolling that characterizes so much contemporary experience. As one looks at Kotula’s paintings\, her lemons\, squash and eggplants\, in their various careful arrangements\, take on multiple meanings. The vegetables and kitchen implements become characters\, as if on a stage\, suggesting the possible varieties of human connection. \nKotula’s work is very much admired by her fellow artists:\nA lemon painted by Lynn Kotula is proof that art exists. One can literally count the four or five clear internal tones set against a modest array of equally clear surrounding tones….Notes of color [are] brought alive. —Thaddeus Raddell\, review of “Rooms With a View: Seven Artists at Westbeth Gallery” \n[Kotula] finds a deeper reality in vital forms. Minuets between fruit\, vegetables and tableware capture the interior lives of these ostensibly inanimate objects. —John Goodrich\, review of Kotula’s 2012 Bowery show\, “Animated Conversations” \nKotula’s still life paintings exude a serene beauty that comes from humble searching. One marvels at the light in her nuanced grays….Visually\, the marks come alive describing her love of them and the sheer joy of looking.” —Rita Baragona\, notes on painting \n[Kotula’s] luminous\, intelligent paintings project deep and quiet\, beautiful strength. [They are] gems\, records of her observation\, imagination\, and love. —Kamini Avril\, on Kotula’s painting  \nKotula exhibited regularly at Bowery Gallery since 2012\, and previously at Prince Street Gallery. She also exhibited numerous times with the Zeuxis group.. Kotula’s work has also been shown at Lori Bookstein Fine Art\, Lohin Geduld Gallery\, BCK Fine Arts Gallery (Montauk) and The Painting Center\, among other galleries. \nWorks in this exhibit are not for sale at this time. Sales\, however\, will be considered at a future point. Please direct inquiries to Gallery Manager\, info@bowerygallery.org \n  Save  
URL:https://artinamericaguide.com/event/lynn-kotula-a-clear-vision/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Virtual Events + Viewing Rooms
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210316T130000
DTEND;TZID=America/Halifax:20210731T170000
DTSTAMP:20260403T194153
CREATED:20210316T142200Z
LAST-MODIFIED:20210316T142200Z
UID:79767-1615899600-1627750800@artinamericaguide.com
SUMMARY:Susan Sommer: Plein Air Abstraction
DESCRIPTION:Susan Sommer has a distinct view of the rhythms of nature. Working in one of the more rustic areas of Upstate New York\, she sees the changing seasons and accompanying movements of indigenous species as a constant reminder that nature is the ultimate bringer of stability and change. Instead of making accurate representations\, Sommer sees these fascinating facilities as a jumping-off point to dig deep into the shadows and light. Each and every part of our natural environment can be broken down into a symbiotic network of plants\, animals\, and climate\, but how does one express that with pure light and color. Sommer achieves this elusive outcome with cousin shapes\, complementary hues\, and cohesive compositions that relay holistic harmony to its host of inhabitants.\n– D. Dominick Lombardi \nVisit the exhibition here: http://bit.ly/ccpssommervg \n  Save  
URL:https://artinamericaguide.com/event/susan-sommer-plein-air-abstraction-2/
LOCATION:Cross Contemporary Partners
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/01/Screen-Shot-2021-01-27-at-2.32.16-PM.png
ORGANIZER;CN="Cross Contemporary Partners":MAILTO:crosscontemporarypartners@gmail.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210318
DTEND;VALUE=DATE:20210613
DTSTAMP:20260403T194153
CREATED:20210602T161027Z
LAST-MODIFIED:20210602T161343Z
UID:81420-1616025600-1623542399@artinamericaguide.com
SUMMARY:Jade: The Stone of Heaven
DESCRIPTION:Jade: The Stone of Heaven\nOn view through June 12 at Throckmorton New York Art Gallery \n\nImage:\nChina\nBi Disc Engraved with Birds\, Fish\, and Taotie Masks\nLate Neolithic Period\nLiangzhu Period\n3500 – 2200 BCE\nComposite neprite\nDia: 19 7/8 in. Th: 1 in.\n(Inv# 82119) \n\n  Save  
URL:https://artinamericaguide.com/event/jade-the-stone-of-heaven/
LOCATION:Throckmorton Fine Art\, Inc.\, 145 East 57th Street\, 3rd Floor\,\, New York\, NY\, 10022\, United States
CATEGORIES:Exhibition
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GEO:40.7609644;-73.9684824
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Throckmorton Fine Art Inc. 145 East 57th Street 3rd Floor New York NY 10022 United States;X-APPLE-RADIUS=500;X-TITLE=145 East 57th Street\, 3rd Floor\,:geo:-73.9684824,40.7609644
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210319T110000
DTEND;TZID=America/Halifax:20210528T000000
DTSTAMP:20260403T194153
CREATED:20210316T190325Z
LAST-MODIFIED:20210316T190325Z
UID:80456-1616151600-1622160000@artinamericaguide.com
SUMMARY:Open Studio Workshops
DESCRIPTION:Enjoy weekly art workshops from the comfort of your own home. Each Friday\, we will post a video with a new activity or technique. Grab a family member or your roommates\, or make a virtual date with a friend\, and get creative with artist Jill Galloway. Artists of all ages and skill levels will enjoy creating art inspired by the Portrait Gallery’s collection. \nImage Credit: Open Studio Workshops by Tony Powell\, photograph\, 2019. National Portrait Gallery\, Smithsonian Institution. \n  Save  
URL:https://artinamericaguide.com/event/open-studio-workshops/2021-03-19/
LOCATION:YouTube @smithsoniannpg
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/03/OpenStudio-scaled.jpg
ORGANIZER;CN="Smithsonian National Portrait Gallery":MAILTO:npgnews@si.edu
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210320T120000
DTEND;TZID=America/Halifax:20210626T170000
DTSTAMP:20260403T194153
CREATED:20210311T220403Z
LAST-MODIFIED:20210315T171715Z
UID:80387-1616241600-1624726800@artinamericaguide.com
SUMMARY:Sol Hill: Signal from Noise
DESCRIPTION:Sol Hill’s photography-based work captures images from the world and shows us an alternate vision\, full of errant visual incidents and covert meanings that lie just beneath the surface. The artist allows both reality and his own feelings to reveal themselves with an unexpectedly poignancy. His process is both technological and poetic\, showing the limits of the visible and the possibilities of seeing beyond it. Noise is comprised of two distinct series\, Token Feminine and Sublime Noise. The series have divergent imagery\, but they share a common process. Hill takes photographs\, and then permits a variety of digital noise – extraneous energy in the form of light\, heat\, or cosmic rays – to affect the image. With a large-scale print\, the digital noise is manifested in randomized colored pixels\, along with long exposures and blurring\, which result from the movement of the subject or the camera. \n  Save  
URL:https://artinamericaguide.com/event/sol-hill-missightments/
LOCATION:Irving Art Center\, 3333 North MacArthur Blvd.\, Irving\, TX\, 75062\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-11-at-1.28.28-PM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:32.8503638;-96.9607558
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Irving Art Center 3333 North MacArthur Blvd. Irving TX 75062 United States;X-APPLE-RADIUS=500;X-TITLE=3333 North MacArthur Blvd.:geo:-96.9607558,32.8503638
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210325T110000
DTEND;TZID=America/Halifax:20210527T000000
DTSTAMP:20260403T194153
CREATED:20210316T190358Z
LAST-MODIFIED:20210316T190358Z
UID:80454-1616670000-1622073600@artinamericaguide.com
SUMMARY:Drawn to Figures
DESCRIPTION:Discover your inner artist in this online workshop on sketching the human body. Artist Jill Galloway will highlight the techniques and challenges of figure drawing while providing guided instruction and helpful tips. Open to all skill levels\, ages 13 and up. \nImage Credit: Drawn to Figures by Tony Powell\, photograph\, 2019. National Portrait Gallery\, Smithsonian Institution. \n  Save  
URL:https://artinamericaguide.com/event/drawn-to-figures/
LOCATION:YouTube @smithsoniannpg
CATEGORIES:Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/03/DrawnToFigure-1.jpg
ORGANIZER;CN="Smithsonian National Portrait Gallery":MAILTO:npgnews@si.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210327
DTEND;VALUE=DATE:20210523
DTSTAMP:20260403T194153
CREATED:20210325T204647Z
LAST-MODIFIED:20210325T204647Z
UID:80589-1616803200-1621727999@artinamericaguide.com
SUMMARY:Make-Shift-Future\, curated by Elliott Hundley
DESCRIPTION:Make-Shift-Future\nCurated by Elliott Hundley\nMarch 27 – May 22\, 2021 \nGallery hours by appointment: Tuesday – Saturday\, 10:00 am – 6:00 pm \n  \nRegen Projects presents Make-Shift-Future\, a group exhibition curated by Elliott Hundley\, featuring Kevin Beasley\, Elaine Cameron-Weir\, rafa esparza\, Max Hooper Schneider\, Eric N. Mack\, Alicia Piller\, Eric-Paul Riege\, and Kandis Williams. \n“I am interested in studying ancient literature because\, like speculative fiction\, it can massage loose the underpinnings of our attachments to pervasive contemporary mythologies\, so that we might gain a clearer view of ourselves and reveal the blind spots. So many blind spots. \nCollage and assemblage function similarly by transposing tactile and familiar signs and symbols into new disquieting and uncanny situations. The medium\, for much of its history\, has scavenged for the discarded\, broken\, and disused. In this age of abundant material commerce\, the predicted age of peak oil\, we no longer need to wait to root through the trash. Objects are produced at such a staggering rate\, that the time they spend in our lives is forever fleeting on the way to the landfill (tomorrow’s mine). These artists gather objects\, valued and valueless\, new and used\, from their own material worlds. With the stuff of an ever-speeding present at hand\, this current moment increasingly feels like the past. \nThis exhibition brings together the work of eight emergent American artists who exploit this excess materiality of global commerce to mine history\, to attune us to the meaning and artifacts of other people’s lives\, and\, I believe\, to point to potential futures. Though informed and formed by history\, they reject any nostalgia. Like Edith and Sodom or Orpheus and Eurydice\, there is no looking back! \nAs assemblage art is assimilated into the canon (see contemporary mythology) it hybridizes and folds back on the more traditional plastic arts. The work in this exhibition includes the full spectrum of the found and the fabricated\, and in most cases those distinctions are softened again through artistry. The labor of the artist seems always relevant\, intermingled with the labor that produced these original objects in the first place. Did they make this stitch or that one? The intensity of the artist’s hand and this doubling of the making of these objects lend them their charge. \nAs with an artwork in the studio\, unexpected meanings and connections reveal themselves in exhibitions. Seeing these works together\, what emerged was a particular concern for the body and protecting it in different stages of life. The incubator\, the skin\, clothing\, shoes\, blankets\, armor: What will we put on to keep us safe? What will we carry to keep us safe? What will help us in the future? What will liberate us?” \n—  Elliott Hundley \n  \nIn preparing this text\, I asked each artist how their work might speculate about possible futures. Here are some excerpts from their responses: \nMHS: “The future is always present\, always on its way\, its specificities only characterizable when a thinker arbitrarily stops time and performs a fossilizing gesture—or produces a work of art.” \nENM: “The futures will deal with our waste\, what we leave behind. Our present frivolities\, material and emotional\, may speak for us as points of expression. Hopefully new freedoms will inspire an outward glance to restructure beauty.” \nKW: “What would abolition look like if Anna Murray Douglass was where she should be? What would concert music sound like if Nina Simone were positioned where she should be? What would the world look like if Black women were believed?” \nre: “My Nike shoe reconstructions offer the possibility of liberation and healing from specters of violence that have historically marginalized and criminalized Black and brown youth especially as it pertains to how we fashion ourselves.” \nAP: “Stripping away layers\, centuries of culture\, race and gender binaries\, this work specifically speaks to the evolution of the mind. Literally peeling away the skin to find the truth that is underneath\, our humanness.” \nEPR: “‘HEAT thru from a pillow or a splinter filing a wrinkle thats a lil Shy..Dam..has it been this\nplace all the time or was that blanket warm enough ? [//__//] [|-|] []=[] AND then the hide\nscrubbed clean and the shield didnt break anymore. . Burnt Water AZ—the pillow has\nbeen in that place all the time’ — HÓLÓ \nblankets have warmed us for a long time why not just keep making MORE. Make a\nblanket for a blanket—they get cold 2 .” \n  \nBiographies \nKevin Beasley (b. 1985 Lynchburg\, VA; lives and works in New York\, NY) \nElaine Cameron-Weir (b. 1985 Red Deer\, Alberta\, Canada; lives and works in New York\, NY) \nrafa esparza (b. 1981 Los Angeles\, CA; lives and works in Los Angeles\, CA) \nMax Hooper Schneider (b. 1982 Los Angeles\, CA; lives and works in Los Angeles\, CA) \nEric N. Mack (b. 1987 Columbia\, MD; lives and works in New York\, NY) \nAlicia Piller (b. 1982 lives and works in Los Angeles\, CA) \nEric-Paul Riege (b. 1994 Gallup\, NM; lives and works in Gallup\, NM) \nKandis Williams (b. 1985 Baltimore\, MD; lives and works in Los Angeles\, CA) \n  \nRegen Projects is open by appointment only. Make a reservation to visit the exhibition here. \nImage: Kandis Williams\, candyman urban threat modeling\, becky\, karen\, nike\, athena: a future foreclosed to all but king kong and faye wray\, 2020 \n  \n  Save  
URL:https://artinamericaguide.com/event/make-shift-future-curated-by-elliott-hundley/
LOCATION:Regen Projects\, 6750 Santa Monica Boulevard\, Los Angeles\, CA\, 90038\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/03/Kandis-Williams-scaled.jpg
ORGANIZER;CN="Regen Projects":MAILTO:elizabeth@regenprojects.com
GEO:34.0904664;-118.3377023
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Regen Projects 6750 Santa Monica Boulevard Los Angeles CA 90038 United States;X-APPLE-RADIUS=500;X-TITLE=6750 Santa Monica Boulevard:geo:-118.3377023,34.0904664
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END:VCALENDAR