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DTSTART;TZID=America/New_York:20260330T100000
DTEND;TZID=America/New_York:20260509T170000
DTSTAMP:20260604T022928
CREATED:20260325T165823Z
LAST-MODIFIED:20260325T165823Z
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SUMMARY:Mark Kelner: American Mosaic
DESCRIPTION:Washington\, DC – HEMPHILL is pleased to announce the virtual exhibition MARK KELNER: American Mosaic\, beginning on Monday\, March 30\, 2026. The virtual exhibition will be viewable on hemphillartworks.com from March 30 – May 9\, 2026. \nIf we accept the idea that art is inherently both decorative and political\, we begin to grasp its full power. Work that leans more toward decoration may mask its political position\, but it still conveys economic value and status. An artwork that implores the viewer to read its political content over time becomes increasingly decorative. Inevitably\, those artists with a political axe to grind are the most exciting to experience\, sharing their ambitions\, sometimes wild\, sometimes disagreeable\, always thought-provoking. \nIn this spirit\, we invite you to view Mark Kelner’s American Mosaic. Mark is energetic\, talkative\, and intelligent. His work tells us where we are today\, from an insightful\, sometimes humorous\, and always worthwhile contemplative perspective. \nMark Kelner is a visual artist and filmmaker based in Brooklyn and Washington\, DC. Conceived in Russia\, born in Ohio\, and raised by television\, Kelner’s art is often rooted in the refraction of overlapping\, if not\, competing national identities. Kelner has shown at the American University Museum in Washington\, DC\, The Container in Tokyo\, Ronald Feldman Gallery in New York\, Librairie du Globe in Paris\, Art Contemporary Los Angeles\, and HEMPHILL Artworks in Washington\, DC among others. His work can be found in many private and public collections including the American University Museum\, Washington\, DC\, Capital Jewish Museum\, Washington\, DC\, Moscow Museum of Modern Art\, Moscow\, Russia and the Zuzeum Art Centre\, Riga\, Latvia.
URL:https://artinamericaguide.com/event/mark-kelner-american-mosaic/
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ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250510T160000
DTEND;TZID=America/New_York:20250621T170000
DTSTAMP:20260604T022928
CREATED:20250423T142243Z
LAST-MODIFIED:20250423T142243Z
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SUMMARY:AMY SCHISSEL
DESCRIPTION:Like the imaginary maps at the beginning of fantasy novels\, Amy Schissel’s world building is vast. Wherever one’s eyes wander\, they wander in wonder\, resting upon a detail that instantly leads into luminous\, ever-expanding\, continuous\, and promising space. The large-scale drawings combine traditional cartography\, illustrated topographical mountains\, and cyber mapping systems to create vigorous artworks that span space\, time and universes. The painting and drawing processes record physical and fictional journeys of the artist through spaces\, imagined and real. The monumental scale and intricate details of Schissel’s drawings invite the viewer into her process. Thousands of repetitive marks show the artists’ hand\, drawing out expeditions in a never-ending\, fantastical atlas. Whether hypnotized by the soft auras of color amidst primarily black and white surfaces\, or the swirling white mist\, Amy Schissel keeps us in the palm of her hand as we enter her multiverse. \n\n\nAmy Schissel (Canadian) currently lives outside of Miami\, FL and is an Assistant Professor of Painting at the University of Miami. She earned a BFA and MFA from the University of Ottawa and is the recipient of numerous awards including a 2016 Joan Mitchell Painting and Sculpture grant\, 2014 RBC Emerging Artist Award\, 2011 RBC Canadian Painting Competition finalist\, and the Brucebo Foundation Fine Arts Award. She has exhibited internationally\, and her work can be found in the collections of the West Virginia Museum of Fine Art\, Global Affairs Canada (Embassy of Brussels\, New Zealand Consulate)\, University of Brussels\, Gotland Museum of Fine Art\, City of Ottawa Art Collection\, and the Canada Council Art Bank among others. This is the artist’s first solo exhibition with HEMPHILL.
URL:https://artinamericaguide.com/event/amy-schissel/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250315T160000
DTEND;TZID=America/New_York:20250426T170000
DTSTAMP:20260604T022928
CREATED:20250224T222014Z
LAST-MODIFIED:20250224T222014Z
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SUMMARY:LEON BERKOWITZ & WAYSON JONES
DESCRIPTION:Painters intuitively start with ideas about color. Less obvious and equally as important are the various reductive or additive strategies the artists apply. No prior subject is referenced\, no personal content shared\, and there is nothing to interpret\, only the painting’s physical presence exists. Each artist develops a unique method for the creation of works that reduces painting to the purest retinal experience. Leon Berkowitz mastered translucent\, unbound areas of color without any traces of brushwork\, allowing the viewer to look into color\, not at color. The luminous paintings read like ethereal portals into other\, softer worlds. Wayson Jones is attuned to the quality of surfaces\, using a process of building up layers of textured pumice gel in which paint is integrated. The rock-like paintings burst off the wall\, enhancing their sculptural appearance. The exuberant works explore color and surface in the opposite way than Berkowitz\, adding more and more to the surface until Jones is content with the final object\, cascading\, neon pumice stone draping over the edge of a square\, uniform panel. The two painters embody two extremes of isolating color – Berkowitz creating a disappearing halo of color and Jones lavishing material to a three-dimensional explosion. \nLeon Berkowitz (American\, 1911 – 1987) studied at the University of Pennsylvania in Philadelphia and at the Art Students League in New York\, and in his travels studied in France\, Italy and Mexico. Spending most of his life in Washington\, he taught art in D.C. high schools and at the Corcoran School of Art and was a founder of the Washington Workshop Center for the Arts. His work is held in the collections of the High Museum of Art\, the Hirshhorn Museum & Sculpture Garden\, the Museum of Modern Art\, NY\, and the Smithsonian American Art Museum\, among other public and private collections. \nWayson Jones (American\, b. 1957) is a painter\, musician\, and spoken-word artist. A self-taught visual artist\, he was part of a vibrant Black LGBTQ arts scene in Washington DC in the 1980s and early 1990s. His work can be found in private and public collections in the DC area and nationally including the District of Columbia Art Bank\, and the Maryland/National Capitol Park and Planning Commission. Jones is currently serving on the Phillips Collection Advisory Committee for Essex Hemphill: Take Care of Your Blessings\, opening in May of 2025. This is Jones’ first solo exhibition with Hemphill.
URL:https://artinamericaguide.com/event/leon-berkowitz-wayson-jones/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250111T120000
DTEND;TZID=America/New_York:20250222T170000
DTSTAMP:20260604T022928
CREATED:20250108T211230Z
LAST-MODIFIED:20250108T211230Z
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SUMMARY:SOPHIA BELKIN
DESCRIPTION:Sophia Belkin’s lush and verdant paintings implore the viewer to look closely at the artist’s material exploration and references to nature that are direct and abstract.  Collaged from fabric that is stained\, dyed and digitally printed\, the various components of the paintings are joined with embroidered seams that mimic the veining on the underside of a magnolia leaf.  Belkin’s studio is filled with remnants of stained fabric from a past life that becomes repurposed through her practice.  Small pieces of screenprinted aquamarine denim repopulate throughout different paintings\, like cells multiplying and growing across surfaces. Organic motifs flow over the surface of the paintings like water radiating out from a skipping stone\, disrupted only by the occasional miniature image of a moment in Belkin’s day: a TV remote\, flower from the garden\, or New Orleans artifact may appear\, making for a viewing experience akin to a curious I Spy book as the artist melds two worlds effortlessly. \n\n\nSophia Belkin (b. 1990\, Moscow\, Russia) lives and works in Baltimore\, Maryland. She earned her BFA in drawing and printmaking from the Maryland Institute College of Art in 2012. She has participated in residency programs in Wisconsin\, Vermont\, Norway\, Russia\, and the Narva Art Residency in Estonia. She also completed a residency at the Joan Mitchell Foundation in New Orleans in Spring 2024. Recent exhibitions include Slice of Water at Dinner Gallery in New York\, Peeling Shadows at Ochi Gallery in Los Angeles and Ground Swell at Resort Gallery in Baltimore. This is the artist’s first solo exhibition with HEMPHILL.
URL:https://artinamericaguide.com/event/sophia-belkin/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241109T120000
DTEND;TZID=America/New_York:20241221T170000
DTSTAMP:20260604T022928
CREATED:20241024T162414Z
LAST-MODIFIED:20241024T162414Z
UID:110397-1731153600-1734800400@artinamericaguide.com
SUMMARY:TWO X
DESCRIPTION:BENNY ANDREWS & MELVIN L. NESBITT JR.\, LEON BERKOWITZ & WAYSON JONES\, FRANCIS CRISS & KEVIN MACDONALD\, JOSEPH MILLS & SHAUNTÉ GATES\, NORMAN LEWIS & ROBIN ROSE\, ALMA THOMAS & JULIE WOLFE\, OTHO BRANSON & RURI YI \nA current approach in contemporary interior design mixes styles with selections of diverse types of art\, highbrow and lowbrow\, abstract and representational\, old and new. There is something positive in the inclusiveness of omnivorous taste\, but there can be a roughing over of the content and spirit of the artwork. At worst\, there may be a failure to take the grand narrative of art\, reaching across time and cultures\, seriously. Art has been with us from the beginning\, in the bad times and the good. \nTWO X is a modest visual essay intent on encouraging a deeper look at the connectedness of all art by pairing the pieces of artists of different generations. The exhibition avoids the traditional monographic perspective of period\, style\, or an individual artist’s work – often too easily explained in words. Instead\, we challenge the viewer to feel the personal commonality between two artists and\, from there\, the communal nature of all art experiences.
URL:https://artinamericaguide.com/event/two-x/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240914T100000
DTEND;TZID=America/New_York:20241026T170000
DTSTAMP:20260604T022928
CREATED:20240912T183612Z
LAST-MODIFIED:20240912T183612Z
UID:109949-1726308000-1729962000@artinamericaguide.com
SUMMARY:RUSH BAKER IV: Landscapes
DESCRIPTION:HEMPHILL is pleased to share the exhibition\, RUSH BAKER IV: Landscapes.  Rush Baker IV’s abstractions interleave the visual ephemera of Civil War-era photography\, maps\, and print media with layers of pigment\, resin\, and plaster in a collision of translucent and solid materials. Underlying Baker’s plastic surfaces is visual data sourced from depictions of the Civil War era battles of Charleston\, Atlanta\, and Gettysburg. Over the last decade\, Baker has addressed socio-political themes through abstraction\, and abstraction itself through a reassessment of influences and materials. Baker’s paintings offer a matrixed view of our current political climate – capturing the explosive environment of the twenty-first century through abstract painting elements – and contrasting it with highly stylized graphic depictions from the nineteenth. \nLandscapes is Baker’s third solo exhibition with HEMPHILL Artworks since 2016. \n\n\nRush Baker IV (American\, Born\, 1987) received a BFA from The Cooper Union for Advancement of Science and Art in 2009 and an MFA from Yale University in 2012. He was recently awarded the 2024-25 Grant Wood Fellowship at The Grant Wood Art Colony of the University of Iowa\, which will culminate in an exhibition in Spring 2025. Baker’s work has been exhibited nationally and internationally\, and is represented in numerous private and institutional collections\, including the International African American Museum\, Charleston\, SC\, The Phillips Collection\, Washington DC\, and The Studio Museum in Harlem. Baker lives and works in Hyattsville\, MD.
URL:https://artinamericaguide.com/event/rush-baker-iv-landscapes/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20240825
DTSTAMP:20260604T022928
CREATED:20240718T150839Z
LAST-MODIFIED:20240718T150839Z
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SUMMARY:BELKIN · CALDWELL · SHULL
DESCRIPTION:Sophia Belkin uses dye painting\, embroidery and textile collage to create dynamic compositions that reference natural processes. Her work is inspired by the lush\, teeming\, swamps in the Gulf South and the wetlands in the Mid-Atlantic. The paintings explore the interconnectedness of the environment and consider verdant futures for our ecological landscape in the face of uncertainty. Belkin earned her BFA from the Maryland Institute College of Art in 2012 and lives and works in Baltimore\, MD. She has exhibited at Dinner Gallery\, New York\, NY\, Ochi Gallery\, Los Angeles\, CA and Resort Gallery\, Baltimore\, MD. \nColby Caldwell tests avenues of photography as an instrument of memory. His recent work deconstructs the very elements of digital photography by abandoning the traditional matte and frame.  Caldwell utilizes direct scans from nature\, producing large scale images before mounting his photographs on wood forms\, waxing the surface.  The pieces are untamed and evoke the scale and presence of paintings. Caldwell’s work is included in the collections of The Museum of Fine Arts\, Houston\, TX\, the Smithsonian American Art Museum\, Washington\, DC and the Ogden Museum of Southern Art\, New Orleans\, LA among others. Caldwell received his BFA from the Corcoran College of Art + Design in 1990 and lives and works in Asheville\, NC. \n\n\nRandy Shull lives in Merida\, Mexico through the winters\, inspired by the local and ancient use of hammocks at the core of life in the Yucatán.  He composes the hand-woven hammocks on the roof of his studio\, where they are painted and left to cure in the hot tropical sun. Hammocks cast the body into a sense of weightlessness offering an essential utility and a dream-state.  Shull’s paintings capture fluid motion and the rare life in Merida.  Shull received his BFA from Rochester Institute of Technology in 1986.  His work is included in the collections of The Brooklyn Museum\, Brooklyn\, NY\, The High Museum of Art\, Atlanta\, GA and the Museum of Art and Design\, New York\, NY among others.
URL:https://artinamericaguide.com/event/belkin-%c2%b7-caldwell-%c2%b7-shull/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240518T120000
DTEND;TZID=America/New_York:20240629T170000
DTSTAMP:20260604T022928
CREATED:20240426T182326Z
LAST-MODIFIED:20240426T182326Z
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SUMMARY:Franz Jantzen
DESCRIPTION:A professional archivist is tasked with assessing materials of value\, preserving them to the best of their ability with the technology available\, and maintaining these collections so that the information can have an enduring impact on the communities and institutions that enshrine them. Franz Jantzen understands the responsibility implicitly\, both professionally and in his artistic practice. \nThe exhibition of digital photography in FRANZ JANTZEN employs a systematic documentation process of image making that the artist has honed over decades. Countless hours are spent layering individual images\, stratifying visual information while the artist improvises and arranges\, altering the compositions and their colors to reflect deeper meanings. In some cases\, the connotations are deeply personal; Jantzen’s newest body of work\, The Great Trek Series\, imagines a journey the artist’s ancestors took through foreign lands as compositions of paving stones in the open forum at Pompeii are intricately rendered. The artist explains\, \nIn 1880 a small group of pacifist Mennonites followed a doomsday prophet from Russia across the desert to what is now Uzbekistan\, where God was to arrive in March 1889. My dad’s family was on this pilgrimage\, though they left before the group reached their final destination. Along the way they received the kindness of strangers\, and also suffered greatly. My series is about six geographic locations on that journey\, in the order in which they appeared on the journey. \nExploring further into the images\, locations\, and references that Franz Jantzen utilizes in his compositions\, a greater appreciation for the sum of these elements is achieved. By showing works with slight variations\, the artist seeks to inspire in his audience the same sense of wonderment and careful attention that Jantzen sees in the source material. Encouraging a similar reverence for past\, present\, and future learning\, perhaps even\, a greater understanding of the world around us.
URL:https://artinamericaguide.com/event/franz-jantzen/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240316T120000
DTEND;TZID=America/New_York:20240427T170000
DTSTAMP:20260604T022928
CREATED:20240305T154556Z
LAST-MODIFIED:20240305T154556Z
UID:107364-1710590400-1714237200@artinamericaguide.com
SUMMARY:STEVEN CUSHNER
DESCRIPTION:The differentiation of visual artwork as abstract or representational stubbornly persists. Similar to the artificial divide between the conceptual and the beautiful. These have become tired and tedious arguments. Nevertheless\, these designations resist dissolving one into the other. But are we not able to see both ways simultaneously? Is not every artwork both? Rather than looking at the history of Modernism through the pedagogical logic of -isms\, we could see the modern art history of these opposing positions as one mutually continuous effort. This way of seeing art is more natural to the contemporary viewer than the clever after-the-fact breakthrough following an explanation. Interpreting a painting is feeling a painting; feeling a painting is inseparable from interpreting a painting — duh. \nA few years ago\, Cushner sat on a beach\, notebook in hand\, and his mind wandered. He looked out at the skyscape above the ocean and wondered about the majestic\, moody\, threatening\, light-reflecting\, color-capturing\, and soon-to-evaporate. He asked himself\, “What can I do with this?” Merging the abstract and representational without argument in a uniquely unpretentious way\, Cushner employed his now famous approach to painting\, answering the question he posed himself that day on the beach. \nSTEVEN CUSHNER consists of paintings and works on paper from 2022-2024.  Cushner was born in Cleveland\, Ohio\, in 1954. He received a Bachelor of Fine Art from Rhode Island School of Design in 1976 and a Master of Fine Art in painting from the University of Maryland in 1980. He is the recipient of fellowships from the National Endowment for the Arts and the DC Commission on the Arts & Humanities. His work has been exhibited at many galleries nationally and is included in numerous private and public collections\, including the Hirshhorn Museum and Sculpture Garden\, Washington\, DC\, the American University Museum\, Washington\, DC\, and the Yale University Art Gallery\, New Haven\, CT.
URL:https://artinamericaguide.com/event/steven-cushner-2/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240127T140000
DTEND;TZID=America/New_York:20240302T170000
DTSTAMP:20260604T022928
CREATED:20240108T181228Z
LAST-MODIFIED:20240108T181228Z
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SUMMARY:WILLEM de LOOPER: Paintings 1972-1975
DESCRIPTION:HEMPHILL is pleased to announce the exhibition\, WILLEM de LOOPER: Paintings 1972 – 1975\, opening on Saturday\, January 27\, 2024\, from 2:00 p.m.–6:00 p.m. The exhibition will remain on view through March 2\, 2024. \nEach core Washington Color School artist created and became identified with their initial motifs and techniques: Morris Louis with pours\, columns and veils\, Howard Mehring with overall blotting and layers of multiple colors\, Gene Davis with stripes\, Thomas Downing with dots\, Kenneth Noland with the use of basic geometric shapes\, and Gilliam initially with pouring into folded and draped unstretched canvas. Willem de Looper is identified by edge-to-edge overall staining into raw canvas. All the artists worked with unprimed canvas and acrylic paint\, although some of the earliest works are in Magna\, a precursor to acrylic. \nAs time passed and careers progressed\, most Color School painters pursued variation in degrees from their initial breakthrough strategies. Only de Looper\, Mehring and Gilliam managed a second act through an evolution in execution and content. Louis died at 52\, only having developed his signature style six years earlier. Mehring moved from his overall dabbed layering of color into colorful\, hard-edge\, symmetrical work. He stopped painting\, dying at 47\, his second act cut short. Mid-career\, Davis abandoned stripes only to immediately return. Davis passed at 64. Downing’s mature work was created during his last ten years of residence in DC. In this period\, along with his dot paintings\, he also made geometrically shaped canvases concurrently. This was not an evolution in style\, but more of an alternate path. Downing was not productive after leaving Washington\, dying at 57. Noland\, throughout his long career\, remained consistent with his earliest color field work\, only varying in detail\, not substance. Only de Looper and Gilliam were able to sustain and fulfill second acts of depth. \nIn 1973\, after de Looper’s initial recognition and success\, he and his wife Frauke made a long-anticipated trip across the United States. For east coasters of European origins\, the deserts and mountains of the American Southwest were a revelation. Upon Willem’s return to DC\, he limited his color palette. He began applying paint with various paint rollers\, developing a motif of horizontal bands of layered colors\, adhering to staining with acrylic paint into un-primed canvas. Generally\, de Looper’s second act can be separated between earth tones\, foliage and sky colors. The divide between the bands of color points to the drama of the sometimes severe\, and other times the nearly indistinguishable boundaries within nature. De Looper can be applauded for extending the content of the Color School by holding back from illustrating the visual experience of desert and sky while creating parallel experiences reminiscent of his and Frauke’s revelations in the American Southwest. Most of his paintings from 1973 to 1976 are larger than those from the previous period. Anyone experiencing the grandeur of the canyons\, deserts\, and mountains of the Southwest for the first time feels a shift in their perception of scale. Undoubtedly\, this pushed the artist to build larger work for a more overwhelming experience. \n\n\n\n\n\n\nOur previous de Looper exhibition\, “Paintings 1968 to 1972\,” was quintessential Washington Color School. Like his contemporaries\, the work does not refer to anything outside the painting itself\, yet they are not hermetic. The current show\, “Paintings 1972 to 1975” opens up by letting the spirit of the sky and the earth in\, without compromising what the Color School had achieved\, a second act and a rarity among his peers. \nThe exhibition is accompanied by an illustrated catalogue\, 48 pages with 9 full color reproductions\, and an introduction essay by Jane Livingston published by HEMPHILL Artworks and the Frauke and Willem de Looper Foundation.
URL:https://artinamericaguide.com/event/willem-de-looper-paintings-1972-1975/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20231111T140000
DTEND;TZID=America/New_York:20231111T180000
DTSTAMP:20260604T022928
CREATED:20231108T161303Z
LAST-MODIFIED:20231108T161303Z
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SUMMARY:HEDIEH JAVANSHIR ILCHI: We are forever folding into the night
DESCRIPTION:Hedieh Javanshir Ilchi’s connection to nature\, landscape\, and geography provokes themes through which the painter focuses her lens. With each poured work\, Ilchi elicits a new environment or dreamscape from the undulating forms\, as if divining a place of solace (or unease) from floes of thinned acrylic and watercolor. The artworks in this exhibition evoke the idealism of Hudson River School paintings\, echoing the sublime themes of this 19th-century movement. Otherworldliness can be seen as an inspiration in Ilchi’s own practice\, pairing intricate Tazhib patterns with fearsome depictions of nature\, such as celestial phenomena and towering trees. Ilchi reflects on the individual’s organic connection to heaven and earth\, land and sky\, breathing life into the hidden environments described in this newest body of work. \nHedieh Javanshir Ilchi: We are forever folding into the night is the artist’s fourth solo exhibition at HEMPHILL. Ilchi was born in Tehran\, Iran in 1981 and currently lives and works in the Washington\, DC area. Ilchi received a BFA with honors from the Corcoran College of Art + Design in 2006 and an MFA in Studio Art from American University in 2011. She has been awarded residencies at the Ucross Foundation\, Vermont Studio Center\, The Jentel Foundation\, and the Kimmel Harding Nelson Center for the Arts. Her work has been featured in Hyperallergic\, Blouin ArtInfo\, The Washington Post\, the Washington City Paper and DC Modern Luxury. She has exhibited in New York\, Switzerland\, Washington DC\, and Winston-Salem\, NC. Her work is represented in numerous public and private collections\, including the The Federal Reserve Board\, Fine Arts Program Permanent Collection\, The Carl F. Freeman Foundation\, University of Maryland Contemporary Art Purchasing Program\, and The Phillips Collection. She is currently the McMillan Stewart Endowed Chair in Painting at the Maryland Institute College of Art (MICA).
URL:https://artinamericaguide.com/event/hedieh-javanshir-ilchi-we-are-forever-folding-into-the-night/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230916T120000
DTEND;TZID=America/New_York:20231028T170000
DTSTAMP:20260604T022928
CREATED:20230830T154918Z
LAST-MODIFIED:20230830T154918Z
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SUMMARY:JACOB KAINEN
DESCRIPTION:Washington\, DC – HEMPHILL is pleased to announce the exhibition JACOB KAINEN\, opening on Saturday\, September 16\, 2023\, with a Fall Open House that day from 1-5 pm. The exhibition will remain on view through October 28\, 2023. JACOB KAINEN presents paintings dating from 1951-1988\, accompanied by a selection of works on paper 1950-1970. \n“However abstract the forms and colors seem\, they should somehow give off an aura of human experience.” – Jacob Kainen \nBorn in 1909 in Waterbury\, CT\, Jacob Kainen studied at the Art Students League and worked in the WPA Graphic Arts program in the 1930s. His social realist work of the 1930s and 1940s reflected the turbulence of the Great Depression leading into the WWII era. Moving from New York to Washington in 1942\, by the end of the decade he turned to organic abstraction and developed a spatial\, gestural style of painting incorporating forms found in everyday life made ambiguous through abstraction. In each subsequent decade of his career\, Kainen sought to refine and revisit these everyday forms. \nThe earliest paintings on view\, from 1951 and 1953\, are complemented by a suite of paintings on paper showing the clear and rapid development Kainen’s new form of abstraction. Mr. Kafka\, 1970\, takes its composition from a figment of clothing hanging in space\, adding up to a representation of the figure. Kainen returned to the Mr. Kafka composition again and again\, re-addressing the shapes in both sketch and etching formats. Through the 1970s and 1980s\, Kainen alternated between periods of lyrical abstraction and geometric abstraction\, employing a practiced method of layering pigments\, feathering the edges of his compositional elements so that they seem to float across the canvas. \n\n\nJACOB KAINEN is the 7th solo exhibition of the artist’s work presented by HEMPHILL  Artworks since 1997. Kainen was the subject of a retrospective exhibition at the Smithsonian American Art Museum in 1993\, and his work is represented in the collections of the National Gallery of Art\, Museum of Modern Art\, Yale University Museum\, and the Whitney Museum of American Art\, among other public and private collections. \nHEMPHILL celebrates its 30th Anniversary with the opening of the 2023 Fall Art Season. The gallery opened in September 1993 and has since presented over 250 solo and group exhibitions in gallery spaces throughout Washington DC\, and since 2019\, in Washington DC’s Mt Vernon Triangle location. The exhibition schedule features modern & contemporary art in all media by artists ranging from emerging to mid-career to modern masters.
URL:https://artinamericaguide.com/event/jacob-kainen/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230714T120000
DTEND;TZID=America/New_York:20230819T170000
DTSTAMP:20260604T022928
CREATED:20230711T160316Z
LAST-MODIFIED:20230711T160316Z
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SUMMARY:Jump\, Twist\, Flow
DESCRIPTION:Jump\, Twist\, Flow… will feature works by artists\, Magdalena Abakanowicz\, Rush Baker IV\, Willem de Looper\, Thomas Downing\, Shaunté Gates\, Sam Gilliam\, Hedieh Javanshir Ilchi\, Wayson R. Jones\, Lisa Scheer and Anne Truitt. \nImagine\, children exclaim with glee\, running over hot stone pavers as they take turns plunging deep below the water’s surface. “Cannonball!” one screams\, jumping as high as the springs allow and catapulting into the air. The water erupts from its confines\, soaking everything within 5 feet of the board. They churn the chlorine filled water\, goggles suction cupped to their faces. The large-scale\, exuberant pieces in Jump\, Twist\, Flow… encourage the viewer to move through the gallery in ways that evoke iconic summer diving board tricks: the cannonball\, pencil dive\, corkscrew\, can opener\, front flip\, belly flop and the flying squirrel. \nJump\, Twist\, Flow… invites summer through vivid colors and dramatic pieces that radiate from the walls. As you venture into the exhibition\, deep\, eye catching tones from Hedieh Javanshir Ilchi’s tile triptych\, Untitled\, draw you closer to intricate Tazhib designs which overlay paint pours. Weaving through the gallery\, physically engaging pieces erupt forward into your line of sight. Sam Gilliam’s Mirrors\, utilizes acrylic paint in a unique fashion\, thick smears of color coating the surface with shifting metal armatures tilting forward. Lisa Scheer’s sturdy and angular sculpture\, Leviathan looms from the wall\, also unique\, appearing weightless and substantial simultaneously. With sculptures and paintings bursting from the walls\, jutting into the room and rich colors enticing closer inspection\, Jump\, Twist\, Flow… urges the viewer to swirl\, flow\, and bob through the gallery\, like a child in a swimming pool.
URL:https://artinamericaguide.com/event/jump-twist-flow/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230520T120000
DTEND;TZID=America/Halifax:20230520T170000
DTSTAMP:20260604T022928
CREATED:20230323T210732Z
LAST-MODIFIED:20230323T210732Z
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SUMMARY:Anne Rowland
DESCRIPTION:HEMPHILL is pleased to present the exhibition\, Anne Rowland\, opening on May 20\, 2023.  The exhibition will remain on view through July 1\, 2023.
URL:https://artinamericaguide.com/event/anne-rowland/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230318T150000
DTEND;TZID=America/Halifax:20230318T170000
DTSTAMP:20260604T022928
CREATED:20230227T164131Z
LAST-MODIFIED:20230227T164131Z
UID:101962-1679151600-1679158800@artinamericaguide.com
SUMMARY:Prints & Works on Paper
DESCRIPTION:Ron Adams\, Benny Andrews\, Romare Bearden\, John Biggers\, Elizabeth Catlett\, Robert Colescott\, Allan Rohan Crite\, Aaron Douglas\, Sam Gilliam\, Palmer Hayden\, Jacob Lawrence\, Norman Lewis\, Lois Mailou Jones\, Alison Saar\, Charles Sebree\, Renée Stout\, James Lesesne Wells\, Charles White\, and Hale Woodruff. \nThe 19 artists presented in Prints & Works on Paper worked from the mid-1930s through as recently as 2014.  While the work spans almost a century\, it was made within the shared social and political context of the Black experience in America. These artists did not perceive a line where activism ended and art began. Believing that pictures could make a difference\, they were invested in advocating for justice\, empowerment\, and community through education; the intentionality of creating editioned prints in a workshop setting reflects this dedication. Printmaking facilitated a wider distribution of their messages\, allowing artists to be deliberate about connection and reaching a larger audience. Imagery portraying a rich social life offered viewers positive self-representation\, verity\, and aspiration for the future. The private collection of 38 works passionately assembled over a 30-year period\, is honest in content and impressive in technique\, both captivating the audience and effectively conveying the artworks’ significance. By boldly broadcasting their identities while the art world was systematically prejudiced\, the artists in Prints & Works on Paper documented a difficult past and visualized a brighter future. \nThe artists in Prints & Works on Paper are included in permanent collections across the globe including\, the Museum of Modern Art\, the National Gallery of Art\, the Metropolitan Museum of Art\, the Whitney Museum of American Art\, the National Museum of African American History and Culture\, Tate Modern\, The British Museum\, Afrika Museum (Netherlands)\, the Instituto Politécnico Nacional\, the Detroit Institute of Arts\, the San Francisco Museum of Modern Art\, the Hirshhorn Museum & Sculpture Garden\, and the Baltimore Museum of Art\, among others.
URL:https://artinamericaguide.com/event/prints-works-on-paper/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230115T180000
DTEND;TZID=America/Halifax:20230115T200000
DTSTAMP:20260604T022928
CREATED:20230110T232239Z
LAST-MODIFIED:20230110T232239Z
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SUMMARY:RURI YI
DESCRIPTION:Yi presents a basic unit or form inspired by daily life\, urban space\, and the natural landscape. The Eq. or Equilibrium Series explores the function of a single defined shape\, deployed by the artist in marching arrangements where a grid of like forms is punctuated by contrasting colors. Yi has described this shape as a racetrack\, and it appears as a capsule\, neither flat nor three-dimensional. The elongated oval creates a sense of speed\, suggesting an entity in constant motion\, circles straining against their borders to fill all available space on the canvas. \nYi’s vivid palette is alternated with compositions dominated by black pigment\, where the black provides an optical metric to understand the balance of color throughout the painting. \nSeemingly monochromatic application of paint defies an appearance of flatness\, with colors placed adjacent to each other\, demonstrating how a color can change the feeling of a space and fully occupy the visual field of the viewer. It is this field that concerns Yi – her purpose is to reflect the viewer’s perspective and perceptions. \n\n\nRuri Yi (b. South Korea\, 1969) lives and works in Baltimore\, Maryland. She graduated from the Pennsylvania Academy of the Fine Arts (Philadelphia\, PA). Her work has been exhibited in solo and group exhibitions nationally and internationally. In 2018 Yi founded Mono Practice\, a gallery in Baltimore\, Maryland. This is the artist’s first exhibition at HEMPHILL.
URL:https://artinamericaguide.com/event/ruri-yi/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220910
DTEND;VALUE=DATE:20221030
DTSTAMP:20260604T022928
CREATED:20220906T174807Z
LAST-MODIFIED:20220906T174807Z
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SUMMARY:Julie Wolfe: Opposing Forces
DESCRIPTION:HEMPHILL is pleased to announce the exhibition\, JULIE WOLFE: Opposing Forces\, opening on Saturday\, September 10\, 2022 with a reception from 6-8pm. The exhibition will remain on view through October 29\, 2022. \nJulie Wolfe’s work is rooted in the practice of gathering images and data to explore the world around us\, but more importantly\, the inner worlds of the self. Wolfe guides the viewer on a journey of transformation through richly conceived systems of color\, form\, and language that often serve as markers of time and place. It is fitting that the artist introduces us to her newest body of work at a time when the James Webb Space Telescope has provided humanity with our deepest and clearest views of the universe to date. By reflecting 13.1 billion years of light back to Earth\, scientists have illuminated the farthest reaches of the cosmos for us to collectively study. It is impossible to resist meditating on our relationship to those distant stars while faced with the magnitude of information in these telescope images. \nIn Opposing Forces\, Julie Wolfe continues the investigation of dichotomies in the natural and man-made worlds. By creating relationships between seemingly disparate elements\, the artist asks viewers to ponder larger concepts of consciousness\, perception\, and their very existence within the expanding universe. Through this practice of seeking\, Wolfe guides her audience toward a greater sense of meaning and order in an age that feels more like science fiction. Visual references and themes seen throughout the artist’s career are re-examined in this body of work and serve to build upon those concepts. Julie Wolfe creates a space for viewers to stretch their perceptions; to conquer the pressing question of existence while also acknowledging that ultimately\, the universe defies reason. \nJulie Wolfe (American\, born 1963) is a visual and conceptual artist living and working in Washington\, DC. Her work is exhibited and collected internationally and has been featured in ARTnews\, BBC America and Hyperallergic. She recently completed a site-specific commission\, Space Scape\, for the Meta Open Arts collection in Washington DC. Recent exhibitions include Quest for a Third Paradise\, The American University Museum\, Washington\, DC (2017)\, The Color of Light: Utopian Abstractions\, originating at the Rothko Art Centre\, Daugavpils\, Latvia and traveling to L’ancienne évêché\, Uzes\, and Sete\, France (2021). Previous exhibitions at HEMPHILL include Wildfires and Dreamfields (2020)\, Under Their Gaze\, We Become Creatures (2019)\, The Language of the Birds (2016)\, Rewilding (2013) and Julie Wolfe (2010). Wolfe received a BFA in Painting and Art History from The University of Texas\, Austin\, TX.
URL:https://artinamericaguide.com/event/julie-wolfe-opposing-forces/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220709
DTEND;VALUE=DATE:20220814
DTSTAMP:20260604T022928
CREATED:20220630T152805Z
LAST-MODIFIED:20220630T152805Z
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SUMMARY:Robert Novel Paintings
DESCRIPTION:HEMPHILL is pleased to present the paintings of Robert Novel in a solo exhibition opening on Saturday\, July 9\, with opening hours from 12-5pm. The exhibition will be on view from July 9 – August 13\, 2022. \nThroughout the last decade\, Robert Novel completed over one hundred and fifty paintings in a limited palette ranging from white to soft gray to black\, often incorporating raw canvas or linen as a compositional element of the work. The nuance and rawness of the visible linen or canvas contrasts the flat application of pigment and the strength of the geometric forms. Novel’s reflection on geometric abstraction and the unfolding experimentation of a single variation from one painting to the next brings a deep feeling of calm\, and the repetition of visual motifs becomes a performance. \nWith a background in sculpture and a love for minimalist forms\, refined architectural spaces\, and modern design\, Novel was influenced by artists of the Light & Space movement and the reductive qualities of the painters of the Washington Color School when he arrived in Washington in the late 1960s. \nRobert Novel (American\, 1943-2021) was born in New York City\, studied painting and sculpture at the School of Visual Arts\, New York\, and printmaking at the Printmaker’s Workshop in Washington DC. He participated in Art Now 74 at the Kennedy Center in Washington\, DC\, where he collaborated with artist Robert Irwin on the installation of a site-specific work. The following year in 1975\, a solo show at Hard Art Gallery in Washington\, DC featured Novel’s sculpture and video art\, and his sculpture was exhibited at the Corcoran Gallery of Art. In 1976\, he participated as a member of the Sponsors Committee for the opening of P.S. 1 in Long Island City\, New York. Novel’s work was exhibited at P Street Gallerie\, Washington DC in the exhibition Translation Not Required in 2015\, and at Gensler Architects\, Washington DC in 2016.
URL:https://artinamericaguide.com/event/robert-novel-paintings/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220514
DTEND;VALUE=DATE:20220626
DTSTAMP:20260604T022928
CREATED:20220421T185401Z
LAST-MODIFIED:20220421T185401Z
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SUMMARY:Colby Caldwell: over & under
DESCRIPTION:Washington\, DC – HEMPHILL is pleased to announce the exhibition Colby Caldwell: over & under\, opening on Saturday\, May 14\, 2022 and on view through June 25\, 2022. \nover & under implores us to go out into nature. “Get out there! Go and see what you’re missing! Remember what you have forgotten!” However\, Colby Caldwell is not asking us to do so as we have in the past. Technology has changed immensely in the last century and even since the start of the new millennium. Looking down at our phones\, we are inundated with imagery of the natural world. Nature has become a far-fetched idea\, something we must go out of our way to seek and engage with. over & under preserves an environment we have come to discount and ignore. With this disregard we have developed\, the bold photographs in the exhibition allow us to reconsider our relationship with that which sustains us. \nIn previous bodies of work\, Colby Caldwell bridged the gap between representation and abstraction\, often bringing organic objects into his studio to shoot.  Over the last two years\, Caldwell has traversed the forests of the Blue Ridge Mountains armed with a collection of flatbed scanners as his camera\, noticing nuances we are so quick to dismiss: fuzzy green moss blanketing root systems\, and abandoned leaves tumbling into intricate mosaics. Moving over the forest floor and tracing lines of trees\, Caldwell has recorded the natural world with the unnatural light emitted by the scanner. He continues to push what it means to be a photographer by recording his surroundings in curious ways. The discernable pieces of information in over & under are distorted\, jumbled and inherently mystifying. While the scanner abstracts imagery\, the final product presents us with the truth of our surroundings through the digital lens of the world today. \nCaldwell’s work is included in the collections of The Museum of Fine Arts\, Houston\, TX\, the Smithsonian American Art Museum\, Washington DC\, and the Ogden Museum of Southern Art\, New Orleans\, LA. Caldwell received a Bachelor of Fine Arts from the Corcoran College of Art + Design in 1990 and currently lives and works in Asheville\, NC.
URL:https://artinamericaguide.com/event/colby-caldwell-over-under/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220319
DTEND;VALUE=DATE:20220501
DTSTAMP:20260604T022928
CREATED:20220307T161126Z
LAST-MODIFIED:20220307T161126Z
UID:92776-1647648000-1651363199@artinamericaguide.com
SUMMARY:Rush Baker IV: American Sunset
DESCRIPTION:American Sunset is politically charged. Reflecting upon the cause and effect of abolitionist John Brown’s 1859 raid on Harper’s Ferry which accelerated the nation into civil war\, Baker has created a cycle of paintings conjured from a process where representation generates abstraction. Large and colorful\, both beautiful and terrifying\, his paintings possess the currents of emotional energy felt within the present-day fight for social justice. Baker interleaves the events and geography of Harper’s Ferry with textural applications of acrylic material\, varying between matte and glossy\, dark and light. The bits and pieces of representational content still visible in his work are caught in a storm of spinning\, broken alternately disappearing and reappearing parts. Although the show references a historical event\, it could not be more of the present. Baker’s ability to depict this maelstrom from an observer’s distance places the viewer in the calm at the eye of a storm. A position where the question arises; “how will you respond when the next wall of the storm overtakes us?” Like exhibitions of other great political artworks\, American Sunset is both lamentation and inspiration. \nRush Baker IV (American\, b. 1987) has exhibited his work both nationally and internationally\, including solo exhibitions at Scaramouche Gallery and The Cooper Union in New York City\, Honfleur Gallery in Washington DC\, and in group shows at The Third Line Gallery in Dubai\, The Harvey B. Gantt Center in Charlotte\, NC\, Bowie State University\, MOCADA in Brooklyn\, NY\, Koki Arts in Tokyo\, and Yale University. American Sunset is the artist’s second solo exhibition at HEMPHILL. He received a BFA from The Cooper Union for Advancement of Science and Art in 2009 where he received the Jack Stewart Memorial Prize for Excellence in Painting\, and an MFA from Yale University in 2012\, where he received the Elizabeth Canfield Hicks Award for outstanding achievement in drawing or painting from nature. Baker lives and works in Hyattsville\, MD.
URL:https://artinamericaguide.com/event/rush-baker-iv-american-sunset/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/03/RB-052-JOHN-BROWN-crop.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220115
DTEND;VALUE=DATE:20220227
DTSTAMP:20260604T022928
CREATED:20211220T164255Z
LAST-MODIFIED:20211220T164255Z
UID:90730-1642204800-1645919999@artinamericaguide.com
SUMMARY:WILLEM de LOOPER: Paintings 1968-1972
DESCRIPTION:HEMPHILL is pleased to announce the exhibition\, WILLEM de LOOPER: Paintings 1968 – 1972\, opening on Saturday\, January 15\, 2022. The exhibition will remain on view through February 26\, 2022. \nTo expand the public’s understanding of the significance of Willem de Looper’s contribution to the Washington Color School\, HEMPHILL has partnered with the Frauke and Willem de Looper Foundation to showcase eleven paintings created between 1968 and 1972. Largely pulled from storage\, and unseen by the public for many years\, these works must be experienced in person to fully appreciate their immersive effect on the viewer. \nThe impact of the Washington Color School on mid-20th century art history is undeniably significant\, but this understanding is not complete without recognizing the contributions of Willem de Looper. Younger than other artists associated with the development of the movement\, de Looper’s inclusion in a 1968 Jefferson Place Gallery 10th Anniversary exhibition alongside Gene Davis\, Thomas Downing\, and Sam Gilliam to name a few\, marks his membership in the group. The visual quality of de Looper’s canvases\, with their flooded surfaces of impossibly thinned acrylic paint\, in conversation with the batik-like stained works of Sam Gilliam made at the same time/of the same period\, illustrates the two artists’ distinct yet complimentary approaches to color field painting. Rather than rely on the gestural\, de Looper sought to create purely atmospheric experiences with his layered fields of color. Willem de Looper’s seminal stained paintings were an important contribution to the non-representational painting which defines the Washington Color School. \nThe exhibition is accompanied by an illustrated catalogue including essay by Kristen Hileman\, Independent Curator.
URL:https://artinamericaguide.com/event/willem-de-looper-paintings-1968-1972/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/12/WDL-072-Untitled-1968-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210925
DTEND;VALUE=DATE:20211125
DTSTAMP:20260604T022928
CREATED:20211115T162352Z
LAST-MODIFIED:20211115T162352Z
UID:90164-1632528000-1637798399@artinamericaguide.com
SUMMARY:OPEN on K
DESCRIPTION:OPEN on K
URL:https://artinamericaguide.com/event/open-on-k/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/16_JWolfe-570-and-CC-112-and-RB-038-and-048-install-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210612
DTEND;VALUE=DATE:20210718
DTSTAMP:20260604T022928
CREATED:20211115T162351Z
LAST-MODIFIED:20211115T162351Z
UID:90166-1623456000-1626566399@artinamericaguide.com
SUMMARY:WHAT'S GOING AROUND Lou Stovall & the Community Poster\, 1967-1976
DESCRIPTION:WHAT’S GOING AROUND Lou Stovall & the Community Poster\, 1967-1976
URL:https://artinamericaguide.com/event/whats-going-around-lou-stovall-the-community-poster-1967-1976/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/Stovall-Exhibition-3-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210612
DTEND;VALUE=DATE:20210906
DTSTAMP:20260604T022928
CREATED:20211115T162315Z
LAST-MODIFIED:20211115T162315Z
UID:90168-1623456000-1630886399@artinamericaguide.com
SUMMARY:Marley Dawson: smoke
DESCRIPTION:Marley Dawson: smoke
URL:https://artinamericaguide.com/event/marley-dawson-smoke/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/11/979ddbb6db27fd2379f48f320e77e329.jpeg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210401
DTEND;VALUE=DATE:20210529
DTSTAMP:20260604T022928
CREATED:20210208T221543Z
LAST-MODIFIED:20210208T221543Z
UID:79956-1617235200-1622246399@artinamericaguide.com
SUMMARY:Robin Rose
DESCRIPTION:Robin Rose
URL:https://artinamericaguide.com/event/robin-rose/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/02/Rose_Bloom_30x24-replaces-RR-111-IMG_2270-cropped-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210401
DTEND;VALUE=DATE:20210529
DTSTAMP:20260604T022928
CREATED:20210208T221542Z
LAST-MODIFIED:20210208T221542Z
UID:79954-1617235200-1622246399@artinamericaguide.com
SUMMARY:Hedieh Javanshir Ilchi: Listen to the night as it makes itself hollow
DESCRIPTION:Hedieh Javanshir Ilchi
URL:https://artinamericaguide.com/event/hedieh-javanshir-ilchi-listen-to-the-night-as-it-makes-itself-hollow/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/02/HJI-088-Ilchi-The-space-inbetween-2-16x16-sm.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210123
DTEND;VALUE=DATE:20210321
DTSTAMP:20260604T022928
CREATED:20210119T174728Z
LAST-MODIFIED:20210119T174728Z
UID:79535-1611360000-1616284799@artinamericaguide.com
SUMMARY:Steven Cushner
DESCRIPTION:Steven Cushner will be on view at HEMPHILL January 23 through March 23\, 2021.  \n\nImage:\nRound And Round\, 2019\nEd. 4/4\nmultiple-color woodcut\n19⅝” x 15¾”” on paper 22″ x 19″
URL:https://artinamericaguide.com/event/steven-cushner/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/01/IMG_7841-SC-783-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210123
DTEND;VALUE=DATE:20210321
DTSTAMP:20260604T022928
CREATED:20210119T174513Z
LAST-MODIFIED:20210119T174513Z
UID:79537-1611360000-1616284799@artinamericaguide.com
SUMMARY:Leon Berkowitz
DESCRIPTION:Leon Berkowitz will be on view at HEMPHILL January 23 through March 20\, 2021.  \n\nImage:\nUntitled\nc. 1975\noil on canvas\n55¼” x 44¼”
URL:https://artinamericaguide.com/event/leon-berkowitz/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/01/Berkowitz_Untitled_55x44_LBZ-024-view1-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210123
DTEND;VALUE=DATE:20210321
DTSTAMP:20260604T022928
CREATED:20210119T174257Z
LAST-MODIFIED:20210119T174352Z
UID:79539-1611360000-1616284799@artinamericaguide.com
SUMMARY:E.E. Ikeler
DESCRIPTION:E.E. Ikeler will be on view at HEMPHILL January 23 through March 20\, 2021. \n\nImage:\nMe + You / More To Do / Dead + Gone / All Along\n2019\nMixed media on ACM panel\n30″ x 32″
URL:https://artinamericaguide.com/event/e-e-ikeler/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/01/EI-003-EE_Ikeler_2019_MEYOU_30x32-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201121
DTEND;VALUE=DATE:20201220
DTSTAMP:20260604T022928
CREATED:20201214T152002Z
LAST-MODIFIED:20201214T152002Z
UID:79237-1605916800-1608422399@artinamericaguide.com
SUMMARY:Romare Bearden
DESCRIPTION:Romare Bearden
URL:https://artinamericaguide.com/event/romare-bearden/
LOCATION:HEMPHILL\, 1515 14th Street NW\, Washington\, DC\, 20005\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/12/Edit_1-scaled.jpg
ORGANIZER;CN="HEMPHILL":MAILTO:gallery@hemphillfinearts.com
GEO:38.910305;-77.0315939
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HEMPHILL 1515 14th Street NW Washington DC 20005 United States;X-APPLE-RADIUS=500;X-TITLE=1515 14th Street NW:geo:-77.0315939,38.910305
END:VEVENT
END:VCALENDAR