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DTSTART;TZID=America/Halifax:20210717T160000
DTEND;TZID=America/Halifax:20210814T170000
DTSTAMP:20260616T155204
CREATED:20210422T233237Z
LAST-MODIFIED:20210715T205519Z
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SUMMARY:Francie Lyshak: Recent Work
DESCRIPTION:After four decades in painting\, American artist Francie Lyshak has a deep knowledge on her practice. A woman-artist who has a lifelong approach to learning\, finds nature and it’s varying stages influencing her work. The artist examines nature also with photography. It seems\, as if those pictorial notes would transfer into her paintings with subtle poetry and movement. In this interview\, she discusses her career\, love of painting and the meditative approach to being with her art. Remarkable is how the artist views art as a career\, also in psychological terms as a radical act. Francie Lyshak’s recent paintings\, which examine movement and gestures\, will be on view July 17 – August 14\, 2021 at the Joyce Goldstein Gallery\, Chatham NY.
URL:https://artinamericaguide.com/event/francie-lyshak-recent-work/
LOCATION:Joyce Goldstein Gallery\, 19 Central Square\, Chatham\, NY\, 12037\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210717T160000
DTEND;TZID=America/Halifax:20210814T170000
DTSTAMP:20260616T155204
CREATED:20210422T233237Z
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SUMMARY:Francine Tint: Paintings
DESCRIPTION:Francine Tint is a New York-based in artist whose career and current work reflect her long-standing involvement in abstract-expressionist art practice. Tint\, whose paintings the famous critic Clement Greenberg regularly discussed in visits to her studios\, has been influenced by earlier New York School practices–but without facile reiteration. Tint belongs to a small group of painters who are transforming a heavily trodden path into something quite free of excessive historical influence. So Tint is to be congratulated on her tenacious\, innovatory revision of a great past in painting. As a painter\, Tint relies on broad\, more or less monochromatic backgrounds\, usually embellished by abstract flourishes\, whose uncertain outlines result in splotches and blurred forms that contrast with the single color behind them. These may be paintings whose general ambience feels familiar\, but the works do in fact establish a formal vision\, one close to poetry\, that occurs as an independent reading of a popular style. Painterly lyricism is the best way to describe Tint’s art. Although she is a mature artist\, Tint nonetheless commits her art to the current actions of the moment\, new and visionary at once.
URL:https://artinamericaguide.com/event/francine-tint-paintings/
LOCATION:Joyce Goldstein Gallery\, 19 Central Square\, Chatham\, NY\, 12037\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210713T080000
DTEND;TZID=America/Halifax:20210831T170000
DTSTAMP:20260616T155204
CREATED:20210702T163023Z
LAST-MODIFIED:20210702T163023Z
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SUMMARY:Lee Saloutos
DESCRIPTION:Lee Saloutos’s landscape\, interior\, and close-up surface images are highly detailed and richly atmospheric. These are works that transport the viewer to locations that\, while usually unidentified\, evoke nonetheless the unending action of the elements and the inexorable passage of time. Even more than this\, they hint at a narrative of national decline\, the gradual weathering of man-made structures and forms seeming to resonate with the collapse of manufacturing industry. In choosing his subjects\, Saloutos also offers a commentary on the state of the nation\, linking abstract tone and texture to narratives of social and economic dissolution. Opening at the Hardin Cultural Arts Center\, Gadsden AL on July 13 – August 31\, 2021
URL:https://artinamericaguide.com/event/lee-saloutos/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Event,Exhibition
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DTSTART;TZID=America/Halifax:20210713T080000
DTEND;TZID=America/Halifax:20210831T170000
DTSTAMP:20260616T155204
CREATED:20210702T163023Z
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SUMMARY:Kaye Freeman: Paintings
DESCRIPTION:Kaye Freeman’s work is informed by diverse influences. The way she arranges an image mirrors the shifting perspective of classical Japanese landscape\, while her knowledge of that country’s calligraphic tradition shapes her commitment to immediacy and narrative. She’s interested too in the symbolism of color using it to raise issues of gender and race alongside more formal concerns and in the religious associations of light. In her recent series City Paintings\, Freeman explores the layered reality of Los Angeles\, California her urban home. The artist is a keen observer of the varied and complex ways in which the locale’s diverse peoples and places harmonize and clash with one another. From actors to gang members\, crumbling vintage structures to expansive new developments\, she details a complex economic\, social\, and aesthetic matrix in which sunshine and darkness coexist. In another series\, Freeman departs from the city to depict the rural landscape of Joshua Tree.
URL:https://artinamericaguide.com/event/kaye-freeman-paintings/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Event,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210626T080000
DTEND;TZID=America/Halifax:20211107T170000
DTSTAMP:20260616T155204
CREATED:20210422T233237Z
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SUMMARY:Martin Weinstein: MOMENT TO MOMENT
DESCRIPTION:Martin Weinstein is a painter for whom the portrait and natural world still hold meaning. His figuration holds together a truth about relationships and the efflorescences of nature. Painting on multiple acrylic sheets\, Weinstein captures and isolates the layers of the perceived world. These multiple images are stacked together to create optical illusions and a unique depth of color and space. “People tend to dismiss landscapes\,” artist Katie DeGroot explains. “But Weinstein’s work is much more abstract. His technique creates a kind of floating depth. I call it seeing a memory.”
URL:https://artinamericaguide.com/event/martin-weinstein-moment-to-moment-2/
LOCATION:South Dakota Art Museum\, 1036 Medary Ave\, Brookings\, SD\, 57007\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210612T130000
DTEND;TZID=America/Halifax:20210710T170000
DTSTAMP:20260616T155204
CREATED:20210422T233237Z
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SUMMARY:Bobbie Moline-Kramer
DESCRIPTION:In her most recent intimate mixed media paintings\, Color-Coded Emotions\, Bobbie Moline-Kramer moves us from clear representation to non-objective art utilizing veils of transition and transcendence. We see in each piece a symbolic conversion that varies in intensity and emotion depending on the expression of the previously painted portrait and the intensity of the ensuing abstraction. This ‘looking back at us’ makes the work somewhat interactive and engaging on a more personal level while the abstract elements create uncertainty. As Above\, So Below is an on-going series of complex\, layered paintings. In these highly energetic works\, moving fields arise directly from worked pigment – flowing\, gestural\, and dripped. The shifting presence of signal and noise suggests the artist’s intimate knowledge of their workings as a unified field that is our lives. All that Remains\, a series of square panels\, displays crows who occupy bare branches\, sometimes sharing them with images of fragmented photographs. This work evokes a deep personal history and with this intimacy conveys the mystery of family\, with all its sense of loss and continuity. The series also includes a group of raw\, fluid drawings of crows\, alternately feisty and ghost-like presences\, who seem to be valiantly making their way in a difficult world.
URL:https://artinamericaguide.com/event/bobbie-moline-kramer/
LOCATION:Joyce Goldstein Gallery\, 19 Central Square\, Chatham\, NY\, 12037\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210612T130000
DTEND;TZID=America/Halifax:20210710T170000
DTSTAMP:20260616T155204
CREATED:20210422T233237Z
LAST-MODIFIED:20210422T233237Z
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SUMMARY:James Singelis: Burning from Within
DESCRIPTION:Jim Singelis describes his images as self-portraits without a mirror\, and the complex emotions they represent do embody a singular and personal intensity. The series actually began with one clear and literal self-likeness\, and he starts each new painting or drawing by sketching his own reflection. But from there he improvises\, and while he observes and reacts the image takes on its own personality\, going through many changes\, sometimes alternating between male and female or even becoming another species before reaching its final form. Marks documenting the process remain visible; the multilayered\, extensively worked surface creates both background and context. The portraits represent not only himself\, but also individual characters who have an inner life and relationships of their own in a world whose population continues to expand. He also intends them as self-portraits of a kind for those who look at them\, mirrors of emotional states and conditions they know and relate to through the lens of their own experience. Titles are purposely left vague\, allowing observers to contribute the narrative or interpret the content for themselves.
URL:https://artinamericaguide.com/event/james-singelis-burning-from-within/
LOCATION:Joyce Goldstein Gallery\, 19 Central Square\, Chatham\, NY\, 12037\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210417T080000
DTEND;TZID=America/Halifax:20210825T170000
DTSTAMP:20260616T155204
CREATED:20201202T181248Z
LAST-MODIFIED:20201202T181248Z
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SUMMARY:Nancy Macko: The Fragile Bee
DESCRIPTION:Nancy Macko’s exhibition includes the installation Honey Teachings: In the Mother Tongue of the Bees\, 2014. This wall installation is composed of 104 hexagonal wooden panels displaying bee imagery. Sometimes statements about the bees are included: “Worker bees are born to serve the greater good.” Installed on the wall\, the individual panels look very much like a hive\, completing the implicit metaphor of the project. Her botanicals are remarkable visions of the hidden intimacies of nature\, while her bee imagery is both beautiful and indicative of a larger purpose. In addition\, also included is an earlier multi-paneled work\, The Honeycomb Wall\, 1994\, comprised of 92 hexagonal panels that include mixed media\, printmaking\,digital images and vinyl phrases. Macko’s works also include fine art prints and her photographs are clearly related to the 2007 suite of etchings entitled In the Garden of the Bee Priestess. These prints combine abstract\, decorative imagery with specific depictions of bees and flora\, thus bridging some of the interests of 1980s Pattern art with a more contemporary view. In Nirvana for the Future: The Divine Reading Lesson Series (2011)\, Macko employs hive imagery and combines it with a regularly appearing image\, an arrow-like shape which stands in for an ancient matriarchal goddess. These prints are highly skilled\, eclectic gatherings of images taken across time\, across cultures and across geographies.
URL:https://artinamericaguide.com/event/nancy-macko-the-fragile-bee-2/
LOCATION:Hilliard Art Museum\, 710 East St. Mary Boulevard\, Lafayette\, LA\, 70503\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210401T080000
DTEND;TZID=America/Halifax:20210531T170000
DTSTAMP:20260616T155204
CREATED:20201204T171848Z
LAST-MODIFIED:20210318T155718Z
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SUMMARY:James Singelis: Burning from Within
DESCRIPTION:Jim Singelis describes his images as self-portraits without a mirror\, and the complex emotions they represent do embody a singular and personal intensity. The series actually began with one clear and literal self-likeness\, and he starts each new painting or drawing by sketching his own reflection. But from there he improvises\, and while he observes and reacts the image takes on its own personality\, going through many changes\, sometimes alternating between male and female or even becoming another species before reaching its final form. Marks documenting the process remain visible; the multilayered\, extensively worked surface creates both background and context. The portraits represent not only himself\, but also individual characters who have an inner life and relationships of their own in a world whose population continues to expand. He also intends them as self-portraits of a kind for those who look at them\, mirrors of emotional states and conditions they know and relate to through the lens of their own experience. Titles are purposely left vague\, allowing observers to contribute the narrative or interpret the content for themselves.
URL:https://artinamericaguide.com/event/jim-singelis-burning-from-within/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210401T080000
DTEND;TZID=America/Halifax:20210524T170000
DTSTAMP:20260616T155204
CREATED:20210309T205430Z
LAST-MODIFIED:20210309T205430Z
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SUMMARY:Peter Cusack Solo Exhibition
DESCRIPTION:In his current paintings\, Peter Cusack explores themes of human identity\, sexuality\, consciousness\, and crisis\, illuminating the hidden psychological realities of everyday life. Heroic male and female figures live their lives beyond the view of ordinary society\, revealing interior monologues of desire\, longing\, rejection\, ambiguity\, fear\, and despair – but without shame\, inhibition\, or the need to conceal. Cusack’s emotional insight\, technical skill\, and freedom from convention make these revelations possible. His subjects are intriguing and deeply complex; the roles and rituals they portray can be recognized from our shared experiences. The echoes of the art of past centuries enrich his imagery\, but these representations appear fresh\, spontaneous\, and honest. His hand is confident and his intuitions are sound. Cusack never starts with a preliminary drawing for either his watercolors or oils\, which give his work immediacy\, vitality and transparency. Every impulse in his process becomes a visible record; beginning with a few quick strokes\, he allows hands-on use of the materials and his own compulsion to move the process forward. Large oil paintings\, diptychs\, and triptychs are his favored formats\, in part for their associations with the Church and their place in art history\, the study of which eventually led Cusack to painting. The divisions also have a practical function because he conceives each panel not only as part of the whole but also a complete work of art in itself. Delegating his figures to a separate field but with multiple correspondences\, this pictorial scheme permits him to isolate their individual psychology in a more focused way\, which amplifies\, clarifies and enriches their interactions. Even the watercolor of a mundane subject may convey dark overtones and resonances\, yet nothing looks overworked or contrived. Producing watercolors as an ongoing record of everyday events in and around a country house\, his style is fast and loose using a palette based on primary colors\, with splashes of deep purple\, dark green\, or black. Chopping garlic\, napping with the dog\, a table set up for a dinner party\, a glimpse of the house from afar: they all convey the essence of a fleeting moment in a life well-lived. In spite of Cusack’s vague or ambiguous titles\, the characters in his dramas come across as real people in real situations\, and it is the strength and resonances of Cusack’s images that makes a narrative possible for the viewer to construct. His subjects\, their imposing and memorable presence\, are realized with unstrained effort through the use of form and color alone.
URL:https://artinamericaguide.com/event/peter-cusack-solo-exhibition/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210320T120000
DTEND;TZID=America/Halifax:20210626T170000
DTSTAMP:20260616T155204
CREATED:20210311T220403Z
LAST-MODIFIED:20210315T171715Z
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SUMMARY:Sol Hill: Signal from Noise
DESCRIPTION:Sol Hill’s photography-based work captures images from the world and shows us an alternate vision\, full of errant visual incidents and covert meanings that lie just beneath the surface. The artist allows both reality and his own feelings to reveal themselves with an unexpectedly poignancy. His process is both technological and poetic\, showing the limits of the visible and the possibilities of seeing beyond it. Noise is comprised of two distinct series\, Token Feminine and Sublime Noise. The series have divergent imagery\, but they share a common process. Hill takes photographs\, and then permits a variety of digital noise – extraneous energy in the form of light\, heat\, or cosmic rays – to affect the image. With a large-scale print\, the digital noise is manifested in randomized colored pixels\, along with long exposures and blurring\, which result from the movement of the subject or the camera.
URL:https://artinamericaguide.com/event/sol-hill-missightments/
LOCATION:Irving Art Center\, 3333 North MacArthur Blvd.\, Irving\, TX\, 75062\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210209T173000
DTEND;TZID=America/Halifax:20210209T183000
DTSTAMP:20260616T155204
CREATED:20201208T194407Z
LAST-MODIFIED:20210123T210432Z
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SUMMARY:Francie Lyshak: Mysterious Visions
DESCRIPTION:“Francie Lyshak: Mysterious Visions\,” an exhibit displaying hopes for healing\, appropriate in this era of anxiety\, opens in the Dana Gallery at the Phillips Museum of Art in February. \nThe 25 paintings New York City-based Lyshak are exhibiting feature animals and scenes with water and other natural landscapes. \nThe show will run from Feb. 9 through April 30. Lyshak will appear virtually in an artist talk at 5:30 p.m. on Feb. 9. Consult the Phillips Museum webpage for Zoom info.
URL:https://artinamericaguide.com/event/francie-lyshak-precarious-visions-2/
LOCATION:Phillips Museum of Art at Franklin & Marshall College\, 628 College Ave\, Lancaster\, PA\, 17603\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201106T110000
DTEND;TZID=America/Halifax:20210214T170000
DTSTAMP:20260616T155204
CREATED:20200714T184658Z
LAST-MODIFIED:20200714T184658Z
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SUMMARY:Envisioning the Particular: The Drawings\, Collages\, Photographs\, and Sculptures of Anne Hieronymus
DESCRIPTION:Envisioning the Particular: The Drawings\, Collages\, Photographs\, and Sculptures of Anne Hieronymus \nWhat is singular and arresting in this exhibition is not only the type of world the artist creates for us\, an alien world\, but how she goes about constructing this alternative reality as it pertains to utter environmental destruction. Hieronymus’s world in certain ways seems to mimic our naturalistic earthly world\, is specked with tendencies at once playfully and seductively childlike\, while also unsettled by streaks of dystopian sensations and sinister associations. Anne Hieronymus employs a multiplicity of forms to map out an intricate world of her own making\, and through this complexity she manifests a motionless void for quiet contemplation. She is meticulous\, insightful and self-assured\, and unassumingly expresses the trasitory nature of everything around us. Whether through her drawings\, collages\, photographs\, or sculptures\, the artist wants to activate what she terms an “out of placeness” sensation for the viewer\, signaling that her work is a meditation on the mystery of unrelenting change. It is not surprising that for years the artist has been fascinated by ruins and the implication they bring up about earthly temporal existence.
URL:https://artinamericaguide.com/event/envisioning-the-particular-the-drawings-collages-photographs-and-sculptures-of-anne-hieronymus-2/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201106T080000
DTEND;TZID=America/Halifax:20210215T170000
DTSTAMP:20260616T155204
CREATED:20200714T184637Z
LAST-MODIFIED:20200714T184637Z
UID:69988-1604649600-1613408400@artinamericaguide.com
SUMMARY:Envisioning the Particular: The Drawings\, Collages\, Photographs\, and Sculptures of Anne Hieronymus
DESCRIPTION:Envisioning the Particular: The Drawings\, Collages\, Photographs\, and Sculptures of Anne Hieronymus What is singular and arresting in this exhibition is not only the type of world the artist creates for us\, an alien world\, but how she goes about constructing this alternative reality as it pertains to utter environmental destruction. Hieronymus’s world in certain ways seems to mimic our naturalistic earthly world\, is specked with tendencies at once playfully and seductively childlike\, while also unsettled by streaks of dystopian sensations and sinister associations. Anne Hieronymus employs a multiplicity of forms to map out an intricate world of her own making\, and through this complexity she manifests a motionless void for quiet contemplation. She is meticulous\, insightful and self-assured\, and unassumingly expresses the trasitory nature of everything around us. Whether through her drawings\, collages\, photographs\, or sculptures\, the artist wants to activate what she terms an “out of placeness” sensation for the viewer\, signaling that her work is a meditation on the mystery of unrelenting change. It is not surprising that for years the artist has been fascinated by ruins and the implication they bring up about earthly temporal existence.
URL:https://artinamericaguide.com/event/envisioning-the-particular-the-drawings-collages-photographs-and-sculptures-of-anne-hieronymus/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-2.35.19-PM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:34.0140004;-86.0047424
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201029T080000
DTEND;TZID=America/Halifax:20201214T170000
DTSTAMP:20260616T155204
CREATED:20200820T182019Z
LAST-MODIFIED:20200820T182019Z
UID:69993-1603958400-1607965200@artinamericaguide.com
SUMMARY:Kathleen Elliot: Questionable Foods
DESCRIPTION:Questionable Foods In “Questionable Foods\,” Kathleen Elliot still makes some use of glass but combines and juxtaposes her own flameworked structures and more manufactured-looking commissioned vessels with contemporary food packaging to explore some of the ways in which we are manipulated into consuming physically unhealthy and environmentally harmful products. The more recent series\, Elliot again makes use of glass but incorporates collage elements to address the developed world’s problematic relationship with nutrition and the political and economic manipulation that surrounds and shapes it. Using gaudily designed packaging from cereal\, candy\, and other products\, she questions the promise of independence\, flexibility\, and fun they hold out. What\, she asks\, are the physical and societal costs of accepting commercial hype and prioritizing convenience over lasting health? “Questionable Foods” collages and constructions made partly or entirely from packaging\, become a tool for piercing the field of hyperbole and manipulation that surrounds the relentless marketing of food as a commercial product.
URL:https://artinamericaguide.com/event/kathleen-elliot-questionable-foods-2/
LOCATION:Appalachian Center for Craft\, 1560 Craft Center Drive\, Smithville\, TN\, 37166\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-2.52.09-PM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:36.0417558;-85.738732
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Appalachian Center for Craft 1560 Craft Center Drive Smithville TN 37166 United States;X-APPLE-RADIUS=500;X-TITLE=1560 Craft Center Drive:geo:-85.738732,36.0417558
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201029T080000
DTEND;TZID=America/Halifax:20201214T170000
DTSTAMP:20260616T155204
CREATED:20200716T183253Z
LAST-MODIFIED:20200716T183253Z
UID:69991-1603958400-1607965200@artinamericaguide.com
SUMMARY:Kathleen Elliot: Questionable Foods
DESCRIPTION:In “Questionable Foods\,” Kathleen Elliot still makes some use of glass but combines and juxtaposes her own flameworked structures and more manufactured-looking commissioned vessels with contemporary food packaging to explore some of the ways in which we are manipulated into consuming physically unhealthy and environmentally harmful products. The more recent series\, Elliot again makes use of glass but incorporates collage elements to address the developed world’s problematic relationship with nutrition and the political and economic manipulation that surrounds and shapes it. Using gaudily designed packaging from cereal\, candy\, and other products\, she questions the promise of independence\, flexibility\, and fun they hold out. What\, she asks\, are the physical and societal costs of accepting commercial hype and prioritizing convenience over lasting health? “Questionable Foods” collages and constructions made partly or entirely from packaging\, become a tool for piercing the field of hyperbole and manipulation that surrounds the relentless marketing of food as a commercial product.
URL:https://artinamericaguide.com/event/kathleen-elliot-questionable-foods/
LOCATION:Appalachian Center for Craft\, 1560 Craft Center Drive\, Smithville\, TN\, 37166\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-2.54.14-PM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:36.0417558;-85.738732
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Appalachian Center for Craft 1560 Craft Center Drive Smithville TN 37166 United States;X-APPLE-RADIUS=500;X-TITLE=1560 Craft Center Drive:geo:-85.738732,36.0417558
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201004T110000
DTEND;TZID=America/Halifax:20201231T170000
DTSTAMP:20260616T155204
CREATED:20200925T194019Z
LAST-MODIFIED:20200925T194019Z
UID:77382-1601809200-1609434000@artinamericaguide.com
SUMMARY:Martin Weinstein: MOMENT TO MOMENT
DESCRIPTION:Martin Weinstein is a painter for whom the portrait and natural world still hold meaning. His figuration holds together a truth about relationships and the efflorescences of nature. Painting on multiple acrylic sheets\, Weinstein captures and isolates the layers of the perceived world. These multiple images are stacked together to create optical illusions and a unique depth of color and space.
URL:https://artinamericaguide.com/event/martin-weinstein-moment-to-moment/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/09/Lily-Beds-©-Martin-Weinstein-2019.jpeg
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:34.0140004;-86.0047424
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200915T080000
DTEND;TZID=America/Halifax:20210321T170000
DTSTAMP:20260616T155204
CREATED:20200820T181820Z
LAST-MODIFIED:20201201T220157Z
UID:69996-1600156800-1616346000@artinamericaguide.com
SUMMARY:Sharon Kagan: The Macro and Micro Factor
DESCRIPTION:Sharon Kagan is an artist who has worked in a range of modes including interactive installations\, expressive performances\, and inventive drawings. She brings to her work an awareness that art can emerge from deep levels of physicality and feeling\, and show us the continuity between personal experience and the wider world. Kagan’s drawings originate in tangible\, observable reality\, but are not simply renderings. Rather\, they start with what can be seen\, and go on to conjure a kind of alternate\, expanded reality. A drawing begins with the artist knitting hemp string or rope into a loose mass that is then photographed in a way that disorients the viewer. In the black and white drawings\, the enlarged photographs have an atmospheric\, soft-focus quality that allows us intimate entry into the fibrous interstices of the knitting.
URL:https://artinamericaguide.com/event/sharon-kagan-the-macro-and-micro-factor-2/
LOCATION:Herrett Center for Arts and Science\, 315 Falls Ave\, Twin Falls\, ID\, 83301\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-3.19.46-PM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:42.5815334;-114.4727551
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Herrett Center for Arts and Science 315 Falls Ave Twin Falls ID 83301 United States;X-APPLE-RADIUS=500;X-TITLE=315 Falls Ave:geo:-114.4727551,42.5815334
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200915T080000
DTEND;TZID=America/Halifax:20210321T170000
DTSTAMP:20260616T155204
CREATED:20200716T183223Z
LAST-MODIFIED:20201201T220116Z
UID:69999-1600156800-1616346000@artinamericaguide.com
SUMMARY:Sharon Kagan: The Macro and Micro Factor
DESCRIPTION:Sharon Kagan is an artist who has worked in a range of modes including interactive installations\, expressive performances\, and inventive drawings. She brings to her work an awareness that art can emerge from deep levels of physicality and feeling\, and show us the continuity between personal experience and the wider world. Kagan’s drawings originate in tangible\, observable reality\, but are not simply renderings. Rather\, they start with what can be seen\, and go on to conjure a kind of alternate\, expanded reality. A drawing begins with the artist knitting hemp string or rope into a loose mass that is then photographed in a way that disorients the viewer. In the black and white drawings\, the enlarged photographs have an atmospheric\, soft-focus quality that allows us intimate entry into the fibrous interstices of the knitting.
URL:https://artinamericaguide.com/event/sharon-kagan-the-macro-and-micro-factor/
LOCATION:The Herrett Center for Arts and Science\, 315 Falls Ave\, Twin Falls\, ID\, Twin Falls\, ID\, 83301\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-3.23.34-PM.png
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:42.5814891;-114.4725694
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Herrett Center for Arts and Science 315 Falls Ave Twin Falls ID Twin Falls ID 83301 United States;X-APPLE-RADIUS=500;X-TITLE=315 Falls Ave\, Twin Falls\, ID:geo:-114.4725694,42.5814891
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200912T120000
DTEND;TZID=America/Halifax:20201130T170000
DTSTAMP:20260616T155204
CREATED:20200811T211325Z
LAST-MODIFIED:20200924T183107Z
UID:72288-1599912000-1606755600@artinamericaguide.com
SUMMARY:SIGNS\, SYMBOLS & SURFACES: PHOTOGRAPHS BY LEE SALOUTOS
DESCRIPTION:There’s a perverse attraction to abandoned sites and tumbledown buildings that has long made them a favorite subject for artists. From the melancholic vistas of eighteenth-century printmaker Giovanni Piranesi to the haunting non-buildings of contemporary sculptor Rachel Whiteread\, ruins have frequently appeared as allegories for human instability\, loss\, and the inexorable passage of time. It doesn’t hurt that the subject also tends to offer up unexpected colors and textures\, as the operation of damage and decay reveals aspects of their makeup that are ordinarily hidden from view. \nIn the photographs of Lee Saloutos\, the visual and symbolic power of such places is further enhanced by the artist’s ability to foreground striking contrasts between the quality of light within a given space and what we know of its history. Saloutos conjures a remarkable and affecting composite portrait of the American nation in context\, and a panorama of a world that is always interlinked in time and space. In so doing\, Saloutos constructs ongoing\, open-ended visual narrative surrounding architecture\, society\, and the natural world.
URL:https://artinamericaguide.com/event/envisioning-the-particular-the-drawings-collages-photographs-and-sculptures-of-anne-hieronymus-3/
LOCATION:Irving Art Center\, 3333 North MacArthur Blvd.\, Irving\, TX\, 75062\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/08/image003.jpg
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:32.8503638;-96.9607558
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Irving Art Center 3333 North MacArthur Blvd. Irving TX 75062 United States;X-APPLE-RADIUS=500;X-TITLE=3333 North MacArthur Blvd.:geo:-96.9607558,32.8503638
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200912T100000
DTEND;TZID=America/Halifax:20201115T170000
DTSTAMP:20260616T155204
CREATED:20200811T211036Z
LAST-MODIFIED:20200827T162718Z
UID:72282-1599904800-1605459600@artinamericaguide.com
SUMMARY:SIGNS\, SYMBOLS & SURFACES: PHOTOGRAPHS BY LEE SALOUTOS
DESCRIPTION:There’s a perverse attraction to abandoned sites and tumbledown buildings that has long made them a favorite subject for artists. From the melancholic vistas of eighteenth-century printmaker Giovanni Piranesi to the haunting non-buildings of contemporary sculptor Rachel Whiteread\, ruins have frequently appeared as allegories for human instability\, loss\, and the inexorable passage of time. It doesn’t hurt that the subject also tends to offer up unexpected colors and textures\, as the operation of damage and decay reveals aspects of their makeup that are ordinarily hidden from view. \nIn the photographs of Lee Saloutos\, the visual and symbolic power of such places is further enhanced by the artist’s ability to foreground striking contrasts between the quality of light within a given space and what we know of its history. Saloutos conjures a remarkable and affecting composite portrait of the American nation in context\, and a panorama of a world that is always interlinked in time and space. In so doing\, Saloutos constructs ongoing\, open-ended visual narrative surrounding architecture\, society\, and the natural world.
URL:https://artinamericaguide.com/event/signs-symbols-surfaces-photographs-by-lee-saloutos/
LOCATION:Irving Art Center\, 3333 North MacArthur Blvd.\, Irving\, TX\, 75062\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/08/image004.jpg
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:32.8503638;-96.9607558
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Irving Art Center 3333 North MacArthur Blvd. Irving TX 75062 United States;X-APPLE-RADIUS=500;X-TITLE=3333 North MacArthur Blvd.:geo:-96.9607558,32.8503638
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200720T080000
DTEND;TZID=America/Halifax:20200925T170000
DTSTAMP:20260616T155204
CREATED:20200917T175734Z
LAST-MODIFIED:20200917T175734Z
UID:77205-1595232000-1601053200@artinamericaguide.com
SUMMARY:Deborah Masters: Spirits
DESCRIPTION:Deborah Masters’ large sculpture exhibition entitled “Spirits”\, feature heads that measure up to five feet in height and are suspended from the Mary G.Hardin Cultural Center gallery ceiling by chains. They stare out at us impassively\, silently dwelling in their own consciousness. These monumental sculptural heads are joined by other artwork created in a more intimate scale: “Little Spirits” smaller sculptures of human and animal heads and “Crosses” which combine religious\, personal\, and social imagery. Since the 1990s\, public and private commissions brought Masters’ work to a wider audience. For over 30 years\, her work outside the studio has reflected her social consciousness and concerns for the environment\, and she has received national awards and recognition in these leadership roles.
URL:https://artinamericaguide.com/event/deborah-masters-spirits-2/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/09/sm-dmasters-at-Hardin-3.jpg
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:34.0140004;-86.0047424
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200720T080000
DTEND;TZID=America/Halifax:20200925T170000
DTSTAMP:20260616T155204
CREATED:20200917T175718Z
LAST-MODIFIED:20200917T175718Z
UID:77207-1595232000-1601053200@artinamericaguide.com
SUMMARY:Deborah Masters: Spirits
DESCRIPTION:Deborah Masters’ large sculpture exhibition entitled “Spirits”\, feature heads that measure up to five feet in height and are suspended from the Mary G.Hardin Cultural Center gallery ceiling by chains. They stare out at us impassively\, silently dwelling in their own consciousness. These monumental sculptural heads are joined by other artwork created in a more intimate scale: “Little Spirits” smaller sculptures of human and animal heads and “Crosses” which combine religious\, personal\, and social imagery. Since the 1990s\, public and private commissions brought Masters’ work to a wider audience. For over 30 years\, her work outside the studio has reflected her social consciousness and concerns for the environment\, and she has received national awards and recognition in these leadership roles.
URL:https://artinamericaguide.com/event/deborah-masters-spirits/
LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/09/sm-dmasters-at-hardin-2.jpg
ORGANIZER;CN="Katharine T. Carter &amp%3B Associates":MAILTO:ktc@ktcassoc.com
GEO:34.0140004;-86.0047424
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004
END:VEVENT
END:VCALENDAR