BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://artinamericaguide.com X-WR-CALDESC:Events for Art in America Guide REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Halifax BEGIN:DAYLIGHT TZOFFSETFROM:-0400 TZOFFSETTO:-0300 TZNAME:ADT DTSTART:20200308T060000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0300 TZOFFSETTO:-0400 TZNAME:AST DTSTART:20201101T050000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0400 TZOFFSETTO:-0300 TZNAME:ADT DTSTART:20210314T060000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0300 TZOFFSETTO:-0400 TZNAME:AST DTSTART:20211107T050000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Halifax:20210320T120000 DTEND;TZID=America/Halifax:20210626T170000 DTSTAMP:20260616T180843 CREATED:20210311T220403Z LAST-MODIFIED:20210315T171715Z UID:80387-1616241600-1624726800@artinamericaguide.com SUMMARY:Sol Hill: Signal from Noise DESCRIPTION:Sol Hill’s photography-based work captures images from the world and shows us an alternate vision\, full of errant visual incidents and covert meanings that lie just beneath the surface. The artist allows both reality and his own feelings to reveal themselves with an unexpectedly poignancy. His process is both technological and poetic\, showing the limits of the visible and the possibilities of seeing beyond it. Noise is comprised of two distinct series\, Token Feminine and Sublime Noise. The series have divergent imagery\, but they share a common process. Hill takes photographs\, and then permits a variety of digital noise – extraneous energy in the form of light\, heat\, or cosmic rays – to affect the image. With a large-scale print\, the digital noise is manifested in randomized colored pixels\, along with long exposures and blurring\, which result from the movement of the subject or the camera. URL:https://artinamericaguide.com/event/sol-hill-missightments/ LOCATION:Irving Art Center\, 3333 North MacArthur Blvd.\, Irving\, TX\, 75062\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-11-at-1.28.28-PM.png ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:32.8503638;-96.9607558 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Irving Art Center 3333 North MacArthur Blvd. Irving TX 75062 United States;X-APPLE-RADIUS=500;X-TITLE=3333 North MacArthur Blvd.:geo:-96.9607558,32.8503638 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20210209T173000 DTEND;TZID=America/Halifax:20210209T183000 DTSTAMP:20260616T180843 CREATED:20201208T194407Z LAST-MODIFIED:20210123T210432Z UID:79180-1612891800-1612895400@artinamericaguide.com SUMMARY:Francie Lyshak: Mysterious Visions DESCRIPTION:“Francie Lyshak: Mysterious Visions\,” an exhibit displaying hopes for healing\, appropriate in this era of anxiety\, opens in the Dana Gallery at the Phillips Museum of Art in February. \nThe 25 paintings New York City-based Lyshak are exhibiting feature animals and scenes with water and other natural landscapes. \nThe show will run from Feb. 9 through April 30. Lyshak will appear virtually in an artist talk at 5:30 p.m. on Feb. 9. Consult the Phillips Museum webpage for Zoom info. URL:https://artinamericaguide.com/event/francie-lyshak-precarious-visions-2/ LOCATION:Phillips Museum of Art at Franklin & Marshall College\, 628 College Ave\, Lancaster\, PA\, 17603\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/12/Adventures-At-Sea-©-Francie-Lyshak-1989-44-x-30-inches-oil-on-linen.jpg ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:40.047566;-76.318242 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Phillips Museum of Art at Franklin & Marshall College 628 College Ave Lancaster PA 17603 United States;X-APPLE-RADIUS=500;X-TITLE=628 College Ave:geo:-76.318242,40.047566 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20201106T110000 DTEND;TZID=America/Halifax:20210214T170000 DTSTAMP:20260616T180843 CREATED:20200714T184658Z LAST-MODIFIED:20200714T184658Z UID:69984-1604660400-1613322000@artinamericaguide.com SUMMARY:Envisioning the Particular: The Drawings\, Collages\, Photographs\, and Sculptures of Anne Hieronymus DESCRIPTION:Envisioning the Particular: The Drawings\, Collages\, Photographs\, and Sculptures of Anne Hieronymus \nWhat is singular and arresting in this exhibition is not only the type of world the artist creates for us\, an alien world\, but how she goes about constructing this alternative reality as it pertains to utter environmental destruction. Hieronymus’s world in certain ways seems to mimic our naturalistic earthly world\, is specked with tendencies at once playfully and seductively childlike\, while also unsettled by streaks of dystopian sensations and sinister associations. Anne Hieronymus employs a multiplicity of forms to map out an intricate world of her own making\, and through this complexity she manifests a motionless void for quiet contemplation. She is meticulous\, insightful and self-assured\, and unassumingly expresses the trasitory nature of everything around us. Whether through her drawings\, collages\, photographs\, or sculptures\, the artist wants to activate what she terms an “out of placeness” sensation for the viewer\, signaling that her work is a meditation on the mystery of unrelenting change. It is not surprising that for years the artist has been fascinated by ruins and the implication they bring up about earthly temporal existence. URL:https://artinamericaguide.com/event/envisioning-the-particular-the-drawings-collages-photographs-and-sculptures-of-anne-hieronymus-2/ LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/07/Nightie-copy.jpg ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:34.0140004;-86.0047424 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20201106T080000 DTEND;TZID=America/Halifax:20210215T170000 DTSTAMP:20260616T180843 CREATED:20200714T184637Z LAST-MODIFIED:20200714T184637Z UID:69988-1604649600-1613408400@artinamericaguide.com SUMMARY:Envisioning the Particular: The Drawings\, Collages\, Photographs\, and Sculptures of Anne Hieronymus DESCRIPTION:Envisioning the Particular: The Drawings\, Collages\, Photographs\, and Sculptures of Anne Hieronymus What is singular and arresting in this exhibition is not only the type of world the artist creates for us\, an alien world\, but how she goes about constructing this alternative reality as it pertains to utter environmental destruction. Hieronymus’s world in certain ways seems to mimic our naturalistic earthly world\, is specked with tendencies at once playfully and seductively childlike\, while also unsettled by streaks of dystopian sensations and sinister associations. Anne Hieronymus employs a multiplicity of forms to map out an intricate world of her own making\, and through this complexity she manifests a motionless void for quiet contemplation. She is meticulous\, insightful and self-assured\, and unassumingly expresses the trasitory nature of everything around us. Whether through her drawings\, collages\, photographs\, or sculptures\, the artist wants to activate what she terms an “out of placeness” sensation for the viewer\, signaling that her work is a meditation on the mystery of unrelenting change. It is not surprising that for years the artist has been fascinated by ruins and the implication they bring up about earthly temporal existence. URL:https://artinamericaguide.com/event/envisioning-the-particular-the-drawings-collages-photographs-and-sculptures-of-anne-hieronymus/ LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-2.35.19-PM.png ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:34.0140004;-86.0047424 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20201029T080000 DTEND;TZID=America/Halifax:20201214T170000 DTSTAMP:20260616T180843 CREATED:20200820T182019Z LAST-MODIFIED:20200820T182019Z UID:69993-1603958400-1607965200@artinamericaguide.com SUMMARY:Kathleen Elliot: Questionable Foods DESCRIPTION:Questionable Foods In “Questionable Foods\,” Kathleen Elliot still makes some use of glass but combines and juxtaposes her own flameworked structures and more manufactured-looking commissioned vessels with contemporary food packaging to explore some of the ways in which we are manipulated into consuming physically unhealthy and environmentally harmful products. The more recent series\, Elliot again makes use of glass but incorporates collage elements to address the developed world’s problematic relationship with nutrition and the political and economic manipulation that surrounds and shapes it. Using gaudily designed packaging from cereal\, candy\, and other products\, she questions the promise of independence\, flexibility\, and fun they hold out. What\, she asks\, are the physical and societal costs of accepting commercial hype and prioritizing convenience over lasting health? “Questionable Foods” collages and constructions made partly or entirely from packaging\, become a tool for piercing the field of hyperbole and manipulation that surrounds the relentless marketing of food as a commercial product. URL:https://artinamericaguide.com/event/kathleen-elliot-questionable-foods-2/ LOCATION:Appalachian Center for Craft\, 1560 Craft Center Drive\, Smithville\, TN\, 37166\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-2.52.09-PM.png ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:36.0417558;-85.738732 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Appalachian Center for Craft 1560 Craft Center Drive Smithville TN 37166 United States;X-APPLE-RADIUS=500;X-TITLE=1560 Craft Center Drive:geo:-85.738732,36.0417558 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20201029T080000 DTEND;TZID=America/Halifax:20201214T170000 DTSTAMP:20260616T180843 CREATED:20200716T183253Z LAST-MODIFIED:20200716T183253Z UID:69991-1603958400-1607965200@artinamericaguide.com SUMMARY:Kathleen Elliot: Questionable Foods DESCRIPTION:In “Questionable Foods\,” Kathleen Elliot still makes some use of glass but combines and juxtaposes her own flameworked structures and more manufactured-looking commissioned vessels with contemporary food packaging to explore some of the ways in which we are manipulated into consuming physically unhealthy and environmentally harmful products. The more recent series\, Elliot again makes use of glass but incorporates collage elements to address the developed world’s problematic relationship with nutrition and the political and economic manipulation that surrounds and shapes it. Using gaudily designed packaging from cereal\, candy\, and other products\, she questions the promise of independence\, flexibility\, and fun they hold out. What\, she asks\, are the physical and societal costs of accepting commercial hype and prioritizing convenience over lasting health? “Questionable Foods” collages and constructions made partly or entirely from packaging\, become a tool for piercing the field of hyperbole and manipulation that surrounds the relentless marketing of food as a commercial product. URL:https://artinamericaguide.com/event/kathleen-elliot-questionable-foods/ LOCATION:Appalachian Center for Craft\, 1560 Craft Center Drive\, Smithville\, TN\, 37166\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-2.54.14-PM.png ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:36.0417558;-85.738732 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Appalachian Center for Craft 1560 Craft Center Drive Smithville TN 37166 United States;X-APPLE-RADIUS=500;X-TITLE=1560 Craft Center Drive:geo:-85.738732,36.0417558 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20201004T110000 DTEND;TZID=America/Halifax:20201231T170000 DTSTAMP:20260616T180843 CREATED:20200925T194019Z LAST-MODIFIED:20200925T194019Z UID:77382-1601809200-1609434000@artinamericaguide.com SUMMARY:Martin Weinstein: MOMENT TO MOMENT DESCRIPTION:Martin Weinstein is a painter for whom the portrait and natural world still hold meaning. His figuration holds together a truth about relationships and the efflorescences of nature. Painting on multiple acrylic sheets\, Weinstein captures and isolates the layers of the perceived world. These multiple images are stacked together to create optical illusions and a unique depth of color and space. URL:https://artinamericaguide.com/event/martin-weinstein-moment-to-moment/ LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/09/Lily-Beds-©-Martin-Weinstein-2019.jpeg ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:34.0140004;-86.0047424 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20200915T080000 DTEND;TZID=America/Halifax:20210321T170000 DTSTAMP:20260616T180843 CREATED:20200820T181820Z LAST-MODIFIED:20201201T220157Z UID:69996-1600156800-1616346000@artinamericaguide.com SUMMARY:Sharon Kagan: The Macro and Micro Factor DESCRIPTION:Sharon Kagan is an artist who has worked in a range of modes including interactive installations\, expressive performances\, and inventive drawings. She brings to her work an awareness that art can emerge from deep levels of physicality and feeling\, and show us the continuity between personal experience and the wider world. Kagan’s drawings originate in tangible\, observable reality\, but are not simply renderings. Rather\, they start with what can be seen\, and go on to conjure a kind of alternate\, expanded reality. A drawing begins with the artist knitting hemp string or rope into a loose mass that is then photographed in a way that disorients the viewer. In the black and white drawings\, the enlarged photographs have an atmospheric\, soft-focus quality that allows us intimate entry into the fibrous interstices of the knitting. URL:https://artinamericaguide.com/event/sharon-kagan-the-macro-and-micro-factor-2/ LOCATION:Herrett Center for Arts and Science\, 315 Falls Ave\, Twin Falls\, ID\, 83301\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-3.19.46-PM.png ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:42.5815334;-114.4727551 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Herrett Center for Arts and Science 315 Falls Ave Twin Falls ID 83301 United States;X-APPLE-RADIUS=500;X-TITLE=315 Falls Ave:geo:-114.4727551,42.5815334 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20200915T080000 DTEND;TZID=America/Halifax:20210321T170000 DTSTAMP:20260616T180843 CREATED:20200716T183223Z LAST-MODIFIED:20201201T220116Z UID:69999-1600156800-1616346000@artinamericaguide.com SUMMARY:Sharon Kagan: The Macro and Micro Factor DESCRIPTION:Sharon Kagan is an artist who has worked in a range of modes including interactive installations\, expressive performances\, and inventive drawings. She brings to her work an awareness that art can emerge from deep levels of physicality and feeling\, and show us the continuity between personal experience and the wider world. Kagan’s drawings originate in tangible\, observable reality\, but are not simply renderings. Rather\, they start with what can be seen\, and go on to conjure a kind of alternate\, expanded reality. A drawing begins with the artist knitting hemp string or rope into a loose mass that is then photographed in a way that disorients the viewer. In the black and white drawings\, the enlarged photographs have an atmospheric\, soft-focus quality that allows us intimate entry into the fibrous interstices of the knitting. URL:https://artinamericaguide.com/event/sharon-kagan-the-macro-and-micro-factor/ LOCATION:The Herrett Center for Arts and Science\, 315 Falls Ave\, Twin Falls\, ID\, Twin Falls\, ID\, 83301\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2020/07/Screen-Shot-2020-07-14-at-3.23.34-PM.png ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:42.5814891;-114.4725694 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Herrett Center for Arts and Science 315 Falls Ave Twin Falls ID Twin Falls ID 83301 United States;X-APPLE-RADIUS=500;X-TITLE=315 Falls Ave\, Twin Falls\, ID:geo:-114.4725694,42.5814891 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20200912T120000 DTEND;TZID=America/Halifax:20201130T170000 DTSTAMP:20260616T180843 CREATED:20200811T211325Z LAST-MODIFIED:20200924T183107Z UID:72288-1599912000-1606755600@artinamericaguide.com SUMMARY:SIGNS\, SYMBOLS & SURFACES: PHOTOGRAPHS BY LEE SALOUTOS DESCRIPTION:There’s a perverse attraction to abandoned sites and tumbledown buildings that has long made them a favorite subject for artists. From the melancholic vistas of eighteenth-century printmaker Giovanni Piranesi to the haunting non-buildings of contemporary sculptor Rachel Whiteread\, ruins have frequently appeared as allegories for human instability\, loss\, and the inexorable passage of time. It doesn’t hurt that the subject also tends to offer up unexpected colors and textures\, as the operation of damage and decay reveals aspects of their makeup that are ordinarily hidden from view. \nIn the photographs of Lee Saloutos\, the visual and symbolic power of such places is further enhanced by the artist’s ability to foreground striking contrasts between the quality of light within a given space and what we know of its history. Saloutos conjures a remarkable and affecting composite portrait of the American nation in context\, and a panorama of a world that is always interlinked in time and space. In so doing\, Saloutos constructs ongoing\, open-ended visual narrative surrounding architecture\, society\, and the natural world. URL:https://artinamericaguide.com/event/envisioning-the-particular-the-drawings-collages-photographs-and-sculptures-of-anne-hieronymus-3/ LOCATION:Irving Art Center\, 3333 North MacArthur Blvd.\, Irving\, TX\, 75062\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/08/image003.jpg ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:32.8503638;-96.9607558 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Irving Art Center 3333 North MacArthur Blvd. Irving TX 75062 United States;X-APPLE-RADIUS=500;X-TITLE=3333 North MacArthur Blvd.:geo:-96.9607558,32.8503638 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20200912T100000 DTEND;TZID=America/Halifax:20201115T170000 DTSTAMP:20260616T180843 CREATED:20200811T211036Z LAST-MODIFIED:20200827T162718Z UID:72282-1599904800-1605459600@artinamericaguide.com SUMMARY:SIGNS\, SYMBOLS & SURFACES: PHOTOGRAPHS BY LEE SALOUTOS DESCRIPTION:There’s a perverse attraction to abandoned sites and tumbledown buildings that has long made them a favorite subject for artists. From the melancholic vistas of eighteenth-century printmaker Giovanni Piranesi to the haunting non-buildings of contemporary sculptor Rachel Whiteread\, ruins have frequently appeared as allegories for human instability\, loss\, and the inexorable passage of time. It doesn’t hurt that the subject also tends to offer up unexpected colors and textures\, as the operation of damage and decay reveals aspects of their makeup that are ordinarily hidden from view. \nIn the photographs of Lee Saloutos\, the visual and symbolic power of such places is further enhanced by the artist’s ability to foreground striking contrasts between the quality of light within a given space and what we know of its history. Saloutos conjures a remarkable and affecting composite portrait of the American nation in context\, and a panorama of a world that is always interlinked in time and space. In so doing\, Saloutos constructs ongoing\, open-ended visual narrative surrounding architecture\, society\, and the natural world. URL:https://artinamericaguide.com/event/signs-symbols-surfaces-photographs-by-lee-saloutos/ LOCATION:Irving Art Center\, 3333 North MacArthur Blvd.\, Irving\, TX\, 75062\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/08/image004.jpg ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:32.8503638;-96.9607558 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Irving Art Center 3333 North MacArthur Blvd. Irving TX 75062 United States;X-APPLE-RADIUS=500;X-TITLE=3333 North MacArthur Blvd.:geo:-96.9607558,32.8503638 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20200720T080000 DTEND;TZID=America/Halifax:20200925T170000 DTSTAMP:20260616T180843 CREATED:20200917T175734Z LAST-MODIFIED:20200917T175734Z UID:77205-1595232000-1601053200@artinamericaguide.com SUMMARY:Deborah Masters: Spirits DESCRIPTION:Deborah Masters’ large sculpture exhibition entitled “Spirits”\, feature heads that measure up to five feet in height and are suspended from the Mary G.Hardin Cultural Center gallery ceiling by chains. They stare out at us impassively\, silently dwelling in their own consciousness. These monumental sculptural heads are joined by other artwork created in a more intimate scale: “Little Spirits” smaller sculptures of human and animal heads and “Crosses” which combine religious\, personal\, and social imagery. Since the 1990s\, public and private commissions brought Masters’ work to a wider audience. For over 30 years\, her work outside the studio has reflected her social consciousness and concerns for the environment\, and she has received national awards and recognition in these leadership roles. URL:https://artinamericaguide.com/event/deborah-masters-spirits-2/ LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/09/sm-dmasters-at-Hardin-3.jpg ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:34.0140004;-86.0047424 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Halifax:20200720T080000 DTEND;TZID=America/Halifax:20200925T170000 DTSTAMP:20260616T180843 CREATED:20200917T175718Z LAST-MODIFIED:20200917T175718Z UID:77207-1595232000-1601053200@artinamericaguide.com SUMMARY:Deborah Masters: Spirits DESCRIPTION:Deborah Masters’ large sculpture exhibition entitled “Spirits”\, feature heads that measure up to five feet in height and are suspended from the Mary G.Hardin Cultural Center gallery ceiling by chains. They stare out at us impassively\, silently dwelling in their own consciousness. These monumental sculptural heads are joined by other artwork created in a more intimate scale: “Little Spirits” smaller sculptures of human and animal heads and “Crosses” which combine religious\, personal\, and social imagery. Since the 1990s\, public and private commissions brought Masters’ work to a wider audience. For over 30 years\, her work outside the studio has reflected her social consciousness and concerns for the environment\, and she has received national awards and recognition in these leadership roles. URL:https://artinamericaguide.com/event/deborah-masters-spirits/ LOCATION:Mary G. Hardin Center for Cultural Arts\, 501 Broad Street\, Gadsden\, AL\, 35901\, United States CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/09/sm-dmasters-at-hardin-2.jpg ORGANIZER;CN="Katharine T. Carter &%3B Associates":MAILTO:ktc@ktcassoc.com GEO:34.0140004;-86.0047424 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Mary G. Hardin Center for Cultural Arts 501 Broad Street Gadsden AL 35901 United States;X-APPLE-RADIUS=500;X-TITLE=501 Broad Street:geo:-86.0047424,34.0140004 END:VEVENT END:VCALENDAR