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DTSTART;TZID=America/Halifax:20210122T173000
DTEND;TZID=America/Halifax:20210122T210000
DTSTAMP:20260428T094320
CREATED:20200831T200626Z
LAST-MODIFIED:20200831T203555Z
UID:74859-1611336600-1611349200@artinamericaguide.com
SUMMARY:White History Month\, Tylonn Sawyer
DESCRIPTION:Mining symbols of power and oppression from the historical strata of western art\, Sawyer exposes truths\, while covering others to gain a clearer picture of concepts that have shaped our current society. Within the context of his figurative drawings and paintings Sawyer presents an alternative to the historical record that often accompanies well known images throughout art history. \nInspired by current trends to redact post-Civil War Confederate monuments from the American landscape\, Sawyer poses the question: Why are some symbols of oppression lauded\, considered sacred and become canonized while others cause the public to demand their destruction? Is there a logical thread in the tapestry of oppression? Can this thread be observed? Can this thread be considered? Lastly\, can this thread then be unraveled? \nAdditionally\, this exhibition features a series of drawings titled Grâce Nóir\, which features Black women whose works have contributed to shaping the landscape of visual culture.
URL:https://artinamericaguide.com/event/white-history-month-tylonn-sawyer/
LOCATION:N’Namdi Center for Contemporary Art\, 52 East Forest\, Detroit\, MI\, 48201\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/08/white_on_white-1-scaled.jpeg
ORGANIZER;CN="N'Namdi Center for Contemporary Art":MAILTO:nnamdicenter@gmail.com
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CREATED:20200831T194602Z
LAST-MODIFIED:20200831T194646Z
UID:74817-1597426200-1597438800@artinamericaguide.com
SUMMARY:Detalles\, an Exhibition of Small-Scale Work by Mel Rosas
DESCRIPTION:Rosas\, solo exhibition titled Detalles\, an Exhibition of Small-Scale Works\, focuses on quiet\, personal moments of observational clarity by capturing a fleeting moment\, a glance\, or noticing a section of a larger context – i.e. a reflection in water\, a figure’s feet walking across cobblestone\, or a section of a building’s facade. Though these small paintings are more abstract than previous works\, nevertheless\, they are figures\, remnants\, and fragments from Latin American sociopolitical conditions.The means to an end may be best described in a recently discovered word from the Internet – ambedo: (n.) A kind of melancholic trance in which you become completely absorbed in vivid\, sensory details. (1) \n(1) From: THE DICTIONARY OF OBSCURE SORROWS \nThe Dictionary of Obscure Sorrows is a compendium of invented words written by John Koenig. Each original definition aims to fill a hole in the language-to give a name to emotions we all might experience but don’t yet have a word for. The author’s mission is to capture the aches\, demons\, vibes\, joys and urges that roam the wilderness of the psychological interior. Each sorrow is bagged\, tagged and tranquilized\, then released gently back into the subconscious.  
URL:https://artinamericaguide.com/event/detalles-an-exhibition-of-small-scale-work-by-mel-rosas/
LOCATION:N’Namdi Center for Contemporary Art\, 52 East Forest\, Detroit\, MI\, 48201\, United States
CATEGORIES:Exhibition
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