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DTSTART;TZID=America/New_York:20231005T180000
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DTSTAMP:20260403T191737
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SUMMARY:Carol K. Brown: Someplace Else
DESCRIPTION:I went to the woods because I wished to live deliberately\, to front only the essential facts of life\, and see if I could not learn what it had to teach\, and not\, when I came to die\, discover that I had not lived. – Henry David Thoreau\n\nCarol K. Brown’s latest work Someplace Else consists of watercolor paintings and a series of hand drawings titled Modified Husband. This exhibition is a culmination of Brown’s desire for detail layered with humorous subject matter. Obsession seems to be the foundation of her artistic practice. There is nothing subtle about Brown’s humor. \nSomeplace Else explores memory and perception through intricate watercolor paintings. The environment of the watercolors invites the viewer to step into a dreamlike world. These paintings follow the path of a disappearing man traveling in a rich and beautiful but dubious space. The artist is dealing with the fullness of life\, while the ground becomes shakier. There is nostalgia for a lush world that never actually existed. Her lighthearted series of drawings titled Modified Husband confronts aspects of absurdity within the aging process. Each work of art is the perfect balance of simplistic line drawing layered with detailed collage. The contrast between the effortlessness of hand drawn subject matter and the collaged detail highlights Brown’s brilliance with social commentary. \nCarol K. Brown is an American visual artist based in both Miami and New York City. Beginning her career as a sculptor\, her work has evolved through numerous phases: anthropomorphic abstractions\, figurative paintings\, and social commentary. Brown first exhibited in 1992 at the Nohra Haime Gallery. She has also exhibited at the Whitney Museum of American Art\, Boise Art Museum; National Museum of Women in the Arts\, Washington\, D.C.; the Contemporary Art Center of New Orleans\, among others. Her work is in numerous public and private collections including the Miami Art Museum; the Jacksonville Art Museum; the Denver Art Museum; the Museum of Contemporary Art\, San Diego; the Frost Art Museum at FIU; and Miami-Dade Art in Public Spaces. \n  \nDates: October 5th – November 4th 2023 \nOpening Reception: October 5th from 6 to 8 p.m. \nPhotos at the courtesy of: Steven P. Harris \nFor More Information: Sabrina Borrero Baez at (212) 888 – 3550 or via email gallery@nohrahaimegallery.com
URL:https://artinamericaguide.com/event/carol-k-brown-someplace-else/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210909T100000
DTEND;TZID=America/Halifax:20211016T180000
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CREATED:20210825T132347Z
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SUMMARY:Julio Larraz: Major Works From Private Collections
DESCRIPTION:The exhibition comprises fourteen key works from major collections\, including most of Larraz’ notorious themes. \nLarraz learned to paint from studying the paintings by great masters in the collections of museums in New York as he never had a formal training. He began his career as a caricaturist for major magazines and newspapers such as Rolling Stone\, Time Magazine and the New York Times where he learned to capture the instance with humor and create works capturing the illusive moment. \nAt first Larraz was influenced by Hopper as he worked in Nyack\, learning to capture light in his work\, which would become one of his most salient effects. The influence of the Spanish masters\, Francis Bacon and modern technology are evident in his triptych Cross Fire as a man seems to be shot by a light beam. \nLarraz’ dark side also appears in Sincerely Yours. Born in Cuba and the son of a newspaper man\, the foyer of his home always had a fire arm as the police would often enter the premises. The honesty and straight-forwardness of this composition is enforced upon the viewer while the pleasant palette reassures us of its aesthetic power. \nHis still-life works often allude to ships passing by. His sense of humor is evident in Detail\, where a pan becomes a vessel and the bread a canon. In Total Eclipse\, the first of this group\, a still life is converted into a celestial universe. \nIn Approach to the Azores\, Larraz’ curiosity with abstraction appears. His clouds stem from his love of abstract art. He feels in them he is the closest to abstraction. Often the negative spaces and the minimal number of objects are what make the compositions most interesting. \nHe infuses his works with humor and a magical realism where nothing is what it seems and the fleeting moment will escape us\, giving different answers to what is happening and keeping us in suspense of what is really going on. In The Main Attraction of the Circo Miguelito Larraz combines several of his themes: humor\, canons\, clouds\, arenas. \nHe infuses his works with humor and a magical realism where nothing is what it seems and the fleeting moment will escape us giving different answers to what is happening and keeping us in suspense of what is really going on. \nFor more information: Leslie Garrett at 212-888-3550 or art@nohrahaimegallery.com
URL:https://artinamericaguide.com/event/julio-larraz-major-works-from-private-collections/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210902T100000
DTEND;TZID=America/Halifax:20211016T180000
DTSTAMP:20260403T191737
CREATED:20210825T132331Z
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SUMMARY:In The Windows At Nohra Haime: BETH LIPMAN: The Ravelled Edge
DESCRIPTION:The Ravelled Edge by Beth Lipman\, a site-responsive installation for the windows at Nohra Haime Gallery\, September 5th – October 16th\, 2021. \nThe Ravelled Edge reflects on the transitional moment we are in\, on the precipice of an existential threat of climate change. It is a commentary on geological time in the evolution of the earth. As we live through the 6th extinction\, this exhibition reminds passersby of the entropy that is occurring. \nThe window is a liminal interior setting yet accessed through the public realm of the street. In a city where windows are almost always commercially utilized\, this question of desire or consumption is being negotiated using an artificial construction for wilderness. The exhibition occurs within an architectural space paradoxically proposing the premise of wilderness as seen in the time-lapsed element of living flowers deteriorating.  As these flowers wilt over time\, their decay contrasts heavily with the immortal glass flora that remains the same. Cultural objects become the surrogate of the Anthropocene. The viewer becomes one with the work as an element of the natural amongst the artificial wilderness. \nThis installation contemplates the juxtaposition of exterior and interior\, domesticity\, and wilderness\, alluding to the ferocity of this moment of transition. \nLipman captures the movement of pedestrians to create a narrative. Glass\, clay\, wood\, metal\, and fresh cut flowers invite the viewers into this delicate ecosystem. While there is growth\, there is also a dark exploration of decay. \nLipman has received numerous awards including a USA Berman Bloch Fellowship\, Pollock Krasner Grant\, Virginia Groot Foundation Grant\, and a Louis Comfort Tiffany Foundation Grant. \nCurrent exhibitions include “Collective Elegy” now on display at the Museum of Art and Design\, (NYC) through January 2nd\, 2022\, courtesy of Altura Foundation\, and “All in All”\, a sculptural response to the life of Abigail Levy Franks at the Crystal Bridges Museum of American Art (AR). \nLipman’s extensive museum exhibitions include Ringling Museum of Art (FL)\, ICA/MECA (ME)\, RISD Museum (RI)\, Milwaukee Art Museum (WI)\, Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC) and others. Her work has been acquired by numerous museums including the North Carolina Museum of Art\, Brooklyn Museum of Art (NY)\, Kemper Museum for Contemporary Art (MO)\, Smithsonian American Art Museum (DC)\, Jewish Museum (NY)\, Norton Museum of Art\, (FL)\, and the Corning Museum of Glass (NY). \nDates: September 2nd  – October 16th\, 2021 \nFor more information: Madeline Weiss at 212-888-3550 or gallery@nohrahaimegallery.com
URL:https://artinamericaguide.com/event/in-the-windows-at-nohra-haime-beth-lipman-the-ravelled-edge/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210512T100000
DTEND;TZID=America/Halifax:20210612T180000
DTSTAMP:20260403T191737
CREATED:20210512T215432Z
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SUMMARY:Silvio Merlino: Beings of Light
DESCRIPTION:Beings of Light is an exhibition of mixed media works from the 1980s by Italian artist Silvio Merlino\, on view from May 12 through June 12. Merlino’s works have been shown internationally\, most notably at the Venice Biennale\, Nohra Haime Gallery\, and throughout Europe. \nInspired by Italian landscapes\, Italian artist Silvio Merlino creates magical environments where the power of nature collides with man’s struggle to control it. Through his work we enter day-glo fantasies of a universe where beauty\, elegance and grace are created through phantasmagorical collages utilizing fake fur\, flippers\, corals\, glass candy and grated glass that shimmers. \nThis dichotomy between nature and technology is strikingly ominous. Scenes of fossilized creatures and fighter planes evoke a time-warping sensation of a different era. Mountains\, volcanoes\, and flames are illuminated against deep blue backgrounds\, showing a glimmer of light against the darkness. On first impact our skin crawls as we feel the harmful power of man but later\, as we get used to these textures\, we reenter the realm of the magician and his disquieting beauty. \nMerlino’s works explore themes of warfare\, mass production\, and ecological deterioration\, all the while giving glimpses of satire and humor. The imagery sits on the border between dream and nightmare\, reflecting the true nature of our modern world. Merlino’s use of mixed media and vibrant paints is innovative\, a real tour de force that renders the viewer speechless. \nSilvio Merlino was born in Naples in 1952. He lives in Treviso. He has exhibited extensively throughout Europe and is in museum collections such as the Dallas Museum of Art\, Museo de Bellas Artes\, Bilbao\, Museo del Novecento\, Milan\, Museo Epicentro\, Pinacoteca\, Bari and the famous Lucio Amelio collection Terrae Motus\, GNAM\, Naples. \nDates: May 12 – June 12\, 2021\nFor more information: Leslie Garrett at 212-888-3550 or gallery@nohrahaimegallery.com
URL:https://artinamericaguide.com/event/silvio-merlino-beings-of-light/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210407T100000
DTEND;TZID=America/Halifax:20210501T180000
DTSTAMP:20260403T191737
CREATED:20210409T133808Z
LAST-MODIFIED:20210409T133808Z
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SUMMARY:Still Looking for the Promised Land
DESCRIPTION:Still Looking for the Promised Land\, an exhibition of recent landscape paintings by Adam Straus\, will be on view at Nohra Haime Gallery from April 6 – May 1\, 2021. Subtly calling attention to issues in the news during the 45th presidency\, the paintings contrast current events from 2016-2020 with an optimistic view of nature’s resilience. The exhibition can also be viewed online beginning on April 6th. \nA consummate observer of both nature and politics\, Straus juxtaposes classic romantic landscapes of National Parks or images inspired by 19th-century artists such as Martin Johnson Heade and John Kensett with layers of recent newspaper coverage of politics\, racism\, immigration\, human rights and other issues. \n“After the 2016 election I had a feeling of impending doom\,” Straus said. “I began to witness the news go from bad to worse. This was the initial impetus in covering whatever surface I was working on with the newspaper to contrast the absurdity and tragedies of humanity with depictions of the magnificence of nature.” \nAlthough much of the news is painted over by Straus\, headlines and images can still be seen within his landscapes of mountains\, oceans\, and gardens. At times he will scratch additional headlines and phrases from the news over the paintings in graphite\, some readable and some not\, but often becoming a cacophony of jumbled information. This underlining layer of information grew to include his son’s drawings as well as day-to-day mundane shopping lists\, and even rejection letters from the Guggenheim fellowship. \nSome of the landscapes are further altered by digitally-inspired glitches and translucent shrouds created by adhering rice paper over parts of the image\, referring to man’s uneasy relationship with nature. Other paintings are meant to provide escape from the daily bombardment of news\, while several become a visual version of the news that is most important to him as an artist. \n“It is my continued belief in the resilience of nature\, that no matter what we do\, it will survive even if we don’t\, and that something will grow out of the cracks of whatever we leave\,” Straus notes. “But\, it is also my hope that we get our act together and start saving what we can’t survive without. While I think of these paintings as optimistic\, I hope that they also suggest that the Earth is being drastically affected by our presence\, and we need to improve our relationship to nature.” \nWork by Adam Straus is in numerous museum collections including the Parrish Art Museum\, Bridgehampton\, NY; List Visual Center\, M.I.T.\, Cambridge\, MA; Butler Institute of American Art\, Youngstown\, OH; The Art Museum at F.I.U.\, Miami\, FL; Mead Art Museum\, Amherst\, MA; Tufts University Art Gallery\, Somerville\, MA; and the William College Museum of Art\, Williamstown\, MA\, among others. A monograph on the work of Adam Straus was published by Gli Ori\, Italy\, in 2016. The book includes text by Adam Straus\, edited with an essay by filmmaker and art critic Amei Wallach. Straus writes about childhood experiences\, unusual moments with collectors and how a move to the North Fork of Long Island from Brooklyn in 2003 inspired many of his works. Born in Miami in 1956\, Straus lives and works in Riverhead\, NY.
URL:https://artinamericaguide.com/event/still-looking-for-the-promised-land/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20201105
DTEND;VALUE=DATE:20210117
DTSTAMP:20260403T191737
CREATED:20200826T185632Z
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SUMMARY:Beth Lipman\, “Every Last Thing”
DESCRIPTION:In EVERY LAST THING\, American artist Beth Lipman explores themes of time and human precarity through the use of cultural objects and prehistoric flora. Endangered plants\, latent humanoid forms and communal emblems allude to mortality and transience\, fossilized in glass and metal. This marks her first solo exhibition with Nohra Haime Gallery. \nImage: SCALE AND GAZING BALL\, 2020\, glass\, wood\, metal\, paint\, adhesive\, 64 x 42 x 32 in. 162.6 x 106.7 x 81.3 cm.
URL:https://artinamericaguide.com/event/beth-lipmans-new-exhibition-every-last-thing-opens-nov-5th/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200910
DTEND;VALUE=DATE:20201101
DTSTAMP:20260403T191737
CREATED:20200826T185729Z
LAST-MODIFIED:20200826T185729Z
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SUMMARY:Niki de Saint Phalle “Sculpture and Works on Paper” opens  Sept 10 – Oct 31
DESCRIPTION:A selection of carefully curated sculpture and works on paper gives insight into the magical and mystical world of Niki de Saint Phalle.​
URL:https://artinamericaguide.com/event/niki-de-saint-phalle-sculpture-and-works-on-paper-opens-sept-10-oct-31/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200116T180000
DTEND;TZID=America/Halifax:20200229T200000
DTSTAMP:20260403T191737
CREATED:20200106T223834Z
LAST-MODIFIED:20200106T223834Z
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SUMMARY:Juan Cortés: The View From Nowhere\, opens Jan 16 at Nohra Haime Gallery
DESCRIPTION:Colombian artist Juan Cortés explores the connection between art\, science\, and educational processes to visually translate our simple understanding of complex phenomena in the universe through sound\, video and sculptural installations. This marks his first solo exhibition with Nohra Haime Gallery.
URL:https://artinamericaguide.com/event/juan-cortes-the-view-from-nowhere-opens-jan-16-at-nohra-haime-gallery/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191121T180000
DTEND;TZID=America/Halifax:20191121T200000
DTSTAMP:20260403T191737
CREATED:20191101T151332Z
LAST-MODIFIED:20191101T151332Z
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SUMMARY:Eve Sonneman's "Navigation With Dreams" opens Nov 21 at Nohra Haime Gallery
DESCRIPTION:Eve Sonneman instills a powerful vibrancy in her new series Navigation With Dreams. Using her signature style of pairing stills taken seconds apart\, she skillfully captures the intrigue of everyday happenings among iconic locations around the world. From hip hop dancing in Coney Island to musical instruments in Cannes\, the artist’s astute observations present a humanistic narrative to her work\, making normally mundane moments fantastically special. \nExhibition runs from November 21\, 2019 – January 11\, 2020.
URL:https://artinamericaguide.com/event/eve-sonnemans-navigation-with-dreams-opens-nov-21-at-nohra-haime-gallery/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191001T180000
DTEND;TZID=America/Halifax:20191001T200000
DTSTAMP:20260403T191737
CREATED:20190829T124314Z
LAST-MODIFIED:20190829T124314Z
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SUMMARY:Ruby Rumie & Justine Graham's COMMON PLACE opens at Nohra Haime Gallery on October 1\, 6-8pm
DESCRIPTION:Common Place is a joint project by Colombian artist Ruby Rumié and French-American photographer Justine Graham. \nThe topic of this project by Rumié and Graham is the relationship between Latin American housekeepers and their employers\, exploring issues of gender\, power\, class\, and race. Made up of photographs\, videos\, and interviews with one hundred women between the ages of nineteen and ninety-five\, this multidisciplinary project combines art and sociology\, seeking to dismantle the hierarchical relationship between these women. \nThe artists examine the inherited colonial prejudices surrounding domestic work and propose new angles for comprehension and social communication. The visual treatment of the women is the same across the board—they are even dressed in the same clothes as an exercise in equality and for the purpose of undermining bigotry. These actions transcend the artistic plane and the piece becomes a symbolic act with real life repercussions. \n  \nCommon Place has been exhibited at the Museo de Artes Visuales MAVI\, Santiago\, Chile; The Museum of the Americas\, Washington\, D.C.; The Cartagena Biennial\, Colombia; and Fair.\, Miami\, FL. \n  \nRuby Rumié develops projects with political content related to psychology and injustice\, referencing particular collectives in questions of territorial inheritance and the role of the socially committed artist. Her works do not merely present critical arguments\, but also propose solutions and pave a road of hope for issues that concern her. \n  \nJustine Graham is a French-American visual artist\, photographer and editor working in Chile since 2005. Her artistic work explores photography as a tool for conceptual research through collecting\, classifying\, and creating community as forms of re-thinking identity. \nConcurrent with this exhibition is Ruby Rumié’s Divine Breath NYC at La Mama Galleria\, New York\, from October 4 – 29 at 47 Great Jones Street\, New York. Visit www.divinebreathnyc.com for more info.
URL:https://artinamericaguide.com/event/ruby-rumie-justine-grahams-common-place-opens-at-nohra-haime-gallery-on-october-1-6-8pm/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190910T180000
DTEND;TZID=America/Halifax:20190910T200000
DTSTAMP:20260403T191737
CREATED:20190829T124340Z
LAST-MODIFIED:20190910T153850Z
UID:59293-1568138400-1568145600@artinamericaguide.com
SUMMARY:"Interpreting Layers" opens at Nohra Haime Gallery September 10\, 6-8pm
DESCRIPTION:Interpreting Layers compares the work of contemporary abstract artists Francisca Sutil and Pierre Dunoyer. While both have a strong focus on layering the canvas with strokes\, lines and spaces\, their varying approaches produce vastly different results. \nRather than painting subjects\, both artists veered toward abstraction early in their career. \nDunoyer focuses of the “practice” of painting\, honing the essence of the stroke and the physical expression of the brush. With bold strokes of colorful\, thickly layered paint\, the artist covers only part of the canvas in his signature style. Intentional space is left between well-defined gestures to enhance the relationship between color and form. \nSutil on the other hand\, has a methodical\, almost meditative approach to her brushwork that exudes delicacy\, restraint\, and precision. It is a mental process from which a neat and pure chromatic production emerges. Her work is characterized by its superb construction and encourages reflection and meditation. \nThe exhibition runs from September 10 – 28\, 2019.
URL:https://artinamericaguide.com/event/interpreting-layers-opens-at-nohra-haime-gallery-september-10-6-8pm/
LOCATION:Nohra Haime Gallery\, 500 West 21st Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/08/Interpreting-Layers.jpg
ORGANIZER;CN="Nohra Haime Gallery":MAILTO:gallery@nohrahaimegallery.com
GEO:40.7463059;-74.0056618
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Nohra Haime Gallery 500 West 21st Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=500 West 21st Street:geo:-74.0056618,40.7463059
END:VEVENT
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