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DTSTART;TZID=America/Halifax:20220805T180000
DTEND;TZID=America/Halifax:20220805T210000
DTSTAMP:20260531T121653
CREATED:20220622T153552Z
LAST-MODIFIED:20220622T153552Z
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SUMMARY:First Friday: Evergreen Opening Celebration
DESCRIPTION:Celebrate the opening of the first permanent gallery devoted to favorites from SJMA’s collection.
URL:https://artinamericaguide.com/event/first-friday-evergreen-opening-celebration/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Event
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220723T110000
DTEND;TZID=America/Halifax:20230123T180000
DTSTAMP:20260531T121653
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LAST-MODIFIED:20220621T201500Z
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SUMMARY:Brett Weston
DESCRIPTION:Recognized for his bold\, abstract compositions of Western American landscapes and natural forms\, and for his daring printing style\, Brett Weston was a leading photographer of the early twentieth century. The second son of acclaimed photographer Edward Weston\, Brett Weston devoted his entire life to photography\, experimenting with various printing processes and exploring a wide range of themes and contexts to create a unique body of work that transcends comparison to his famous father’s images. Although he acknowledged his father as a huge artistic influence and admired the work of other photographers including Paul Strand\, Charles Sheeler\, and Henri Cartier-Bresson\, Weston was also greatly inspired by artists working in painting and sculpture such as Georgia O’Keefe (whom he once proclaimed as the greatest living American painter)\, Constantin Brancusi\, and Henry Moore. Weston initially used his father’s second camera\, a 3 ¼ x 4 ¼ inch Graflex\, to make his first photographs in 1925. The images from this period reflect an intuitive and sophisticated approach to abstraction that would blossom later in his career when he began making pictures with an 8×10 inch camera. Brett Weston features fifty-one photographs drawn exclusively from the permanent collection of the San José Museum of Art and span approximately 40 years from the 1930s through the 1970s. The exhibition comprises images of natural landscapes and seascapes near Big Sur and Carmel\, California; the Oregon Coast; and White Sands\, New Mexico; as well as from three major portfolios: “Baja California\,” “Abstraction I\,” and “Abstraction II.” Although he traveled extensively and photographed throughout the world\, Weston’s chosen subjects—twisted branches\, tangled kelp\, rock formations\, cracked mud\, and knotted roots—remained enduring motifs in his work. \nIn 2020\, SJMA was gifted fifty photographs by Weston from the Christian Keesee Collection\, containing The Brett Weston Archive that represents the most complete body of the artist’s work in the world. Many of the photographs donated to SJMA are vintage prints\, produced in the same year as the image was taken\, and a few were printed later by the artist. On his 80th birthday\, Weston burned all but a dozen of his negatives to underscore his belief that only an artist should print their own photographs.
URL:https://artinamericaguide.com/event/brett-weston/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220722T180000
DTEND;TZID=America/Halifax:20220722T210000
DTSTAMP:20260531T121653
CREATED:20220622T153552Z
LAST-MODIFIED:20220622T153552Z
UID:94134-1658512800-1658523600@artinamericaguide.com
SUMMARY:Brett Weston Opening Celebration
DESCRIPTION:Celebrate the opening of Brett Weston. Galleries are open late. Members receive a commemorative button and other special perks. \nFree admission for members all day and to the public 6–9pm.
URL:https://artinamericaguide.com/event/brett-weston-opening-celebration/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Event
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220722T110000
DTEND;TZID=America/New_York:20240804T180000
DTSTAMP:20260531T121653
CREATED:20220622T153511Z
LAST-MODIFIED:20240229T212126Z
UID:94138-1658487600-1722794400@artinamericaguide.com
SUMMARY:Evergreen: Art from the Collection
DESCRIPTION:Evergreen: Art from the Collection celebrates SJMA’s collection as both a gift to and a product of its community. This dedicated gallery space\, which provides long-term access to the Museum’s collection\, honors the community members who rallied together to establish the Museum; the artists who trust us to care for their visions; the generous donors who helped to build the collection; the generations of students who have visited; the volunteers and staff who have contributed; and the breadth of community experiences that give ongoing meaning to the works. \nLocated in the Museum’s historic building—formerly the city’s post office and library—Evergreen highlights the Museum’s growing collection and the numerous San José stories it tells. The gallery features such works as rafa esparza’s Yosi con Abuela (2021)\, a recently acquired portrait on adobe of the East San José poet and activist Yosimar Reyes with his grandmother. Also on view are Resident Alien (1988) by Hung Liu\, the beloved Bay Area artist and longtime friend of SJMA\, and Louise Nevelson’s monumental Sky Cathedral (1957–58)\, a centerpiece of the Museum’s collection. The gallery also includes access points to the free digital collection catalog 50×50: Stories of Visionary Artists from the Collection\, which highlights the stories and impact of artists in the Museum’s collection.
URL:https://artinamericaguide.com/event/evergreen-art-from-the-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220506T110000
DTEND;TZID=America/Halifax:20220925T180000
DTSTAMP:20260531T121653
CREATED:20220302T164128Z
LAST-MODIFIED:20220302T164128Z
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SUMMARY:Jean Conner: Collage
DESCRIPTION:Organized by SJMA\, Jean Conner: Collage is the artist’s first solo museum exhibition and brings long-overdue recognition to her extraordinary and fanciful collages. Primarily made from images cut out of such large-format color magazines as Life and Ladies’ Home Journal\, Conner’s vivid\, pictorial worlds feature playful arrangements of animals\, nature\, religious symbolism\, aquatic environments\, food\, women\, dancers\, and divers.
URL:https://artinamericaguide.com/event/jean-conner-collage/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211119T110000
DTEND;TZID=America/Halifax:20220626T180000
DTSTAMP:20260531T121653
CREATED:20220511T143406Z
LAST-MODIFIED:20220511T143406Z
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SUMMARY:Our whole\, unruly selves
DESCRIPTION:Our whole\, unruly selves celebrates the boundlessness of human beings through an exploration of artistic figuration. The human form has inspired artists throughout history\, and the desire to represent and respond to the nuanced experience of existing within a specific body continues to drive new visual languages and approaches. While the inclusion of underrepresented bodies has been a critical step in diversifying museum walls and collections\, many artists who experience oppression and erasure—whether due to race\, sexual orientation\, disability\, or immigration status—resist or recast the burden of representation\, as the pressures of both hypervisibility and invisibility can eclipse the complexity of lived experience. \nCentering artists of color as well as queer\, immigrant\, disabled\, and undocumented artists\, Our whole\, unruly selves features over 90 works from the 1960s to the present\, largely drawn from the Museum’s permanent collection. Demonstrating an alignment with philosopher and poet Fred Moten’s “consent not to be a single being\,” the artists on view—including Laura Aguilar\, Benny Andrews\, Felipe Baeza\, Rina Banerjee\, Huma Bhabha\, Woody De Othello\, Carlee Fernandez\, Genevieve Gaignard\, Tim Hawkinson\, Kenyatta A.C. Hinkle\, Oliver Lee Jackson\, Steffani Jemison\, Hayv Kahraman\, Wardell Milan\, Senga Nengudi\, Kambui Olujimi\, Christina Quarles\, Miljohn Ruperto\, Alison Saar\, Aislinn Thomas\, Axis Dance Company\, and many others—insistently bring their whole selves\, uncontainable and irreducible. Each of their artworks embodies strategies for a complex figuration\, highlighting forms of resistance\, flexibility\, openness\, and an embrace of opacity.
URL:https://artinamericaguide.com/event/our-whole-unruly-selves/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210806T110000
DTEND;TZID=America/Halifax:20220925T180000
DTSTAMP:20260531T121653
CREATED:20220511T143406Z
LAST-MODIFIED:20220511T143406Z
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SUMMARY:Hito Steyerl: Factory of the Sun
DESCRIPTION:SJMA presents the landmark installation Hito Steyerl’s Factory of the Sun (2015)\, a joint acquisition between the Hammer Museum in Los Angeles\, the Museum of Contemporary Art in Chicago\, and SJMA. The critically acclaimed\, immersive video debuted at the 2015 Venice Biennale. It is inspired by a quote from Donna Haraway’s Cyborg Manifesto (1985)\, describing machines as “made of pure sunlight.” In the video\, Steyerl explains: “Our machines are made of pure sunlight. Electromagnetic frequencies. Light pumping through fiberglass cables. The sun is our factory.” The premise of machines made of pure sunlight is not a romantic one for the Berlin-based artist. Steyerl has long attuned herself to the power of image and their reproduction\, particularly documentary images\, to manipulate our worldview. \nFactory of the Sun tells a surreal story of workers whose forced dance moves in a motion capture studio are turned into artificial sunshine. The story is based on an actual YouTube phenomenon (her studio assistant’s brother whose viral homemade dance videos were used as a model for Japanese anime characters) and a news story about an experiment at CERN nuclear research facility that claimed to have measured a particle traveling faster than the speed of light. On screen\, Steyerl interweaves fact and fiction; a montage of YouTube dance videos\, drone surveillance footage\, real documentation of recent international student uprisings combines with video game characters\, fake news\, and dancing\, gold lamé-costumed avatars. In this imaginative reality spun from Haraway’s theory\, the motion capture studio’s glowing grid of blue LED lights extends beyond the screen into the gallery\, like a Star Trekkian “holodeck” able to materialize a different world in three dimensions. Modern warfare\, corporate culture\, and anti-capitalist resistance movements are played out by disembodied characters—avatars\, bots\, or proxies for the human viewers who watch the video from the vantage of reclined beach chairs.
URL:https://artinamericaguide.com/event/hito-steyerl-factory-of-the-sun/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210604T110000
DTEND;TZID=America/Halifax:20220403T180000
DTSTAMP:20260531T121653
CREATED:20220302T164128Z
LAST-MODIFIED:20220302T164128Z
UID:90880-1622804400-1649008800@artinamericaguide.com
SUMMARY:Break + Bleed
DESCRIPTION:Like the break of a line or page and the bleed of various elements beyond the edge or boundary of a certain area\, the artworks in Break + Bleed oscillate between ideas of linearity and geometry and overlapping planes of color and form. Drawn primarily from SJMA’s permanent collection\, the exhibition features artwork by Josef Albers\, Karl Benjamin\, Linda Besemer\, Tony DeLap\, Sam Francis\, Sonia Gechtoff\, Helen Lundeberg\, Brice Marden\, John McLaughlin\, Ted Stamm\, Frank Stella\, Patrick Wilson\, and Leo Valledor\, among others.
URL:https://artinamericaguide.com/event/break-bleed/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200207T170000
DTEND;TZID=America/Halifax:20200705T170000
DTSTAMP:20260531T121653
CREATED:20200109T164930Z
LAST-MODIFIED:20200109T164930Z
UID:63327-1581094800-1593968400@artinamericaguide.com
SUMMARY:Sonya Rapoport: biorhythm
DESCRIPTION:A pioneer in the development of new media art practices\, Sonya Rapoport created information-dense paintings\, drawings\, interactive performances\, and computer-based art. Informed by chemistry\, botany\, religion\, psychology\, politics\, and technology\, her experimental work spans painterly abstraction to net art and maps networks of correlations. Rapoport’s deep interest in systems and codes led her to work with symbolic language\, data collection\, and computers and to collaborate with scientists and researchers. Sonya Rapoport: biorhythm focuses on a decade of rapid transformation in the artist’s practice—from her first SJMA exhibition in 1974 to her computer-mediated interactive performances—and examines her prescient exploration of computer-collected and -analyzed personal data and its aesthetic and cultural implications.
URL:https://artinamericaguide.com/event/sonya-rapoport-biorhythm/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191121T190000
DTEND;TZID=America/Halifax:20191121T210000
DTSTAMP:20260531T121653
CREATED:20191106T153600Z
LAST-MODIFIED:20191106T153600Z
UID:61318-1574362800-1574370000@artinamericaguide.com
SUMMARY:Creative Minds: Woody De Othello
DESCRIPTION:Oakland-based artist Woody De Othello’s large clay sculptures suggest household objects\, expressively anthropomorphized. Join Othello in a special walkthrough of his first solo museum presentation\, where he will discuss recent explorations into his Haitian roots. \nCreative Minds—SJMA’s premier Artist Talk series—allows audiences a chance to experience creatives in action by hearing directly from artists about their process and practice.
URL:https://artinamericaguide.com/event/creative-minds-woody-de-othello/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Event
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191101T170000
DTEND;TZID=America/Halifax:20200405T170000
DTSTAMP:20260531T121653
CREATED:20191106T153742Z
LAST-MODIFIED:20191106T153742Z
UID:61316-1572627600-1586106000@artinamericaguide.com
SUMMARY:With Drawn Arms: Glenn Kaino and Tommie Smith
DESCRIPTION:In 1968\, at the Summer Olympic Games in Mexico City\, San José State University runner Tommie Smith raised a gloved fist during the medal ceremony to protest human rights abuses around the world\, and to bring international attention to the struggle for civil rights in the United States. This act of protest\, which still reverberates today\, is explored in a series of collaborations between Smith and Los Angeles–based conceptual artist Glenn Kaino. The exhibition includes monumental sculpture\, print-based projects\, and memorabilia from Smith’s personal collection that reflect his time as an athlete and civil rights activist.
URL:https://artinamericaguide.com/event/with-drawn-arms-glenn-kaino-and-tommie-smith/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191101T170000
DTEND;TZID=America/Halifax:20200405T170000
DTSTAMP:20260531T121653
CREATED:20191106T153713Z
LAST-MODIFIED:20191106T153713Z
UID:61314-1572627600-1586106000@artinamericaguide.com
SUMMARY:Woody De Othello: Breathing Room
DESCRIPTION:Oakland-based artist Woody De Othello creates anthropomorphized household objects in ceramic. Belying their cheery and colorful veneers is a darkly comedic sense of exhaustion. Born in Miami to a family of Haitian descent\, Othello is interested in the nature of many African objects\, which offer both ritual and utilitarian functions and possess a spirit of their own. His sculptures express a tension between the animate and inanimate and draw humor from a place of pain. For his project at the SJMA—the artist’s first solo museum presentation—Othello is creating a new body of work based around his Defeated\, depleted (2018)\, a sculpture recently acquired by San José Museum of Art.​
URL:https://artinamericaguide.com/event/woody-de-othello-breathing-room/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190922T110000
DTEND;TZID=America/Halifax:20200809T170000
DTSTAMP:20260531T121653
CREATED:20191106T153642Z
LAST-MODIFIED:20191106T153642Z
UID:61311-1569150000-1596992400@artinamericaguide.com
SUMMARY:Almost Human: Digital Art from the Permanent Collection
DESCRIPTION:The technologies developed in Silicon Valley have intrigued and inspired artistic experimentation for more than three decades and pave a way toward the future. Almost Human: Digital Art from the Permanent Collection highlights artists who use digital and emergent technologies from custom computer electronics and early robotics to virtual reality and artificial intelligence. \nArtists in the exhibition include Andrea Ackerman\, Jim Campbell\, Ian Cheng\, Petra Cortright\, Mark Hansen and Ben Rubin\, Zara Houshmand and Tamiko Thiel\, Tony Oursler\, Alan Rath\, Jacolby Satterwhite\, Jennifer Steinkamp\, Diana Thater\, and Bill Viola.
URL:https://artinamericaguide.com/event/almost-human-digital-art-from-the-permanent-collection/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190516T080000
DTEND;TZID=America/Halifax:20191006T170000
DTSTAMP:20260531T121653
CREATED:20190626T130344Z
LAST-MODIFIED:20190626T130344Z
UID:57731-1557993600-1570381200@artinamericaguide.com
SUMMARY:Rina Banerjee: Make Me a Summary of the World
DESCRIPTION:Rina Banerjee: Make Me a Summary of the World is the first mid-career retrospective of the artist’s work. Co-organized by the Pennsylvania Academy of the Fine Arts\, Philadelphia\, and San José Museum of Art\, the exhibition presents almost twenty years of Banerjee’s large-scale installations\, sculptures\, and paintings—including a re-creation of her work from the 2000 Whitney Biennial; sculptures featured in the 2017 Venice Biennale; and recent work for the Prospect 4 New Orleans biennial. \nBanerjee creates vivid sculptures and installations made from materials sourced throughout the world. She is a voracious gatherer of objects—in a single sculpture one can find African tribal jewelry\, colorful feathers\, light bulbs\, Murano glass\, and South Asian antiques in conflict and conversation with one another. These sensuous assemblages reverberate with bright colors and surprising textures present simultaneously as familiar and unfamiliar. \nRina Banerjee: Make Me a Summary of the World focuses on four interdependent themes in Banerjee’s work that coincide with important issues of our time: immigration and identity; the lasting effects of colonialism and its relationship to globalization; feminism; and climate change.
URL:https://artinamericaguide.com/event/rina-banerjee-make-me-a-summary-of-the-world/
LOCATION:San Jose Museum of Art\, 110 S. Market Street\, San Jose\, CA\, 95113\, United States
CATEGORIES:Exhibition
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