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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-31/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-30/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-29/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-24/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-23/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-22/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-17/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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DTSTAMP:20260716T111825
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-16/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-15/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-10/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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DTEND;TZID=America/New_York:20250109T160000
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-09/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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END:VEVENT
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-08/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-03/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250102T100000
DTEND;TZID=America/New_York:20250102T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183746Z
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2025-01-02/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241220T100000
DTEND;TZID=America/New_York:20241220T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183745Z
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-20/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241219T100000
DTEND;TZID=America/New_York:20241219T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183745Z
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-19/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241218T100000
DTEND;TZID=America/New_York:20241218T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183745Z
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-18/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241213T100000
DTEND;TZID=America/New_York:20241213T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183744Z
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-13/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241212T100000
DTEND;TZID=America/New_York:20241212T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183744Z
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-12/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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GEO:43.1056427;-89.3616646
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241211T100000
DTEND;TZID=America/New_York:20241211T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183744Z
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SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-11/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241206T100000
DTEND;TZID=America/New_York:20241206T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183743Z
UID:110693-1733479200-1733500800@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-06/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241205T100000
DTEND;TZID=America/New_York:20241205T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183743Z
UID:110692-1733392800-1733414400@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-05/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
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GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241204T100000
DTEND;TZID=America/New_York:20241204T160000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183742Z
UID:110691-1733306400-1733328000@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-12-04/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241127T100000
DTEND;TZID=America/New_York:20241227T140000
DTSTAMP:20260716T111825
CREATED:20241118T183710Z
LAST-MODIFIED:20241118T183742Z
UID:110689-1732701600-1735308000@artinamericaguide.com
SUMMARY:In Tandem: Lynda Benglis & Sam Gilliam
DESCRIPTION:Lynda Benglis and Sam Gilliam\, early practitioners at Tandem\, are well known for their work toward redefining modernist abstraction. In the late 1960s Benglis\, a feminist artist\, created pours\, acid-hued liquid rubber that congealed on floors or slumped in corners. Around the same time\, Black artist and civil rights activist\, Sam Gilliam\, was developing his drape paintings\, stained raw canvas suspended from the ceiling. These immersive works\, like Benglis’s pours\, depended on gravity as the architecture of the space determined the undulating shapes. From the margins of the art world\, Benglis and Gilliam reconceived entirely the notion of painterly abstraction\, rejecting the conventions of easel painting in favor of letting the world back in. Two of the earliest artists to work at Tandem\, Benglis and Gilliam set the foundation for our continued commitment to collaboration in the form of the innovative and the unexpected. \nOpening reception: Saturday\, November 23\, 10am-2pm during our Holiday Open House.
URL:https://artinamericaguide.com/event/in-tandem-lynda-benglis-sam-gilliam/2024-11-27/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/11/Gilliam_New_Movie_3-web.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241004T100000
DTEND;TZID=America/New_York:20241115T160000
DTSTAMP:20260716T111825
CREATED:20241008T143551Z
LAST-MODIFIED:20241008T143551Z
UID:110199-1728036000-1731686400@artinamericaguide.com
SUMMARY:Where My Girls At? New Editions from Tandem Press
DESCRIPTION:Tandem Press is pleased to host an exhibition featuring new editions by artists Derrick Adams\, Alison Saar\, and Dyani White Hawk. The works\, which recently debuted at The Armory Show in New York\, represent a variety of print techniques and touch on subjects ranging from race\, representation\, beauty\, and abstraction. \nSixty-two colors make up Derrick Adams’ Where My Girls At? a print that extends on a previous series with Tandem\, depicting geometric renderings of mannequin heads. Alison Saar described Mutiny of the Sable Venus as one of her most complex woodcuts to date. Multiple woodblocks were employed to create an image of an African American woman holding a sythe in one hand and a conch shell in the other\, fiercely calling out for emancipation. Dyani White Hawk’s dynamic series of layered abstract prints reference the kapemni\, a symbol depicting two teepees connected at their point mirroring the earth and sky\, the spiritual and the human. \nOpening Reception: Friday\, October 4\, 5-9pm
URL:https://artinamericaguide.com/event/where-my-girls-at-new-editions-from-tandem-press/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/09/WMGA_Insta_Final.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240517T090000
DTEND;TZID=America/New_York:20240816T170000
DTSTAMP:20260716T111825
CREATED:20240517T181204Z
LAST-MODIFIED:20240517T181204Z
UID:108476-1715936400-1723827600@artinamericaguide.com
SUMMARY:On Tenterhooks
DESCRIPTION:Tenters and tenterhooks were commonly used as early as the fourteenth century as import- ant elements in the process of weaving woolen fabric. Starting sometime in the eighteenth century\, the phrase “on tenterhooks” came to mean “in suspense\,” the way a piece of cloth is suspended from tenterhooks on a tenter. In contemporary literary use\, it extends metaphorically to express a range of tension\, anxiety\, excitement\, fear\, and anticipation of what is yet to come. \n\n\n\nTandem Press’ summer exhibition\, On Tenterhooks\, asks the viewer to consider what is to come\, to acknowledge the moment of anticipation between definitive events\, to sit with the unknown and its many possibilities\, and to find some grounding amidst the precariousness of it all.
URL:https://artinamericaguide.com/event/on-tenterhooks/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/05/IMG_8686-scaled.jpg
ORGANIZER;CN="Tandem Press":MAILTO:info@tandempress
GEO:43.1056427;-89.3616646
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tandem Press 1743 Commercial Avenue Madison WI 53704 United States;X-APPLE-RADIUS=500;X-TITLE=1743 Commercial Avenue:geo:-89.3616646,43.1056427
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221210T100000
DTEND;TZID=America/Halifax:20221210T160000
DTSTAMP:20260716T111825
CREATED:20221111T202316Z
LAST-MODIFIED:20221111T202316Z
UID:100397-1670666400-1670688000@artinamericaguide.com
SUMMARY:Tandem Press Holiday Open House
DESCRIPTION:Join us for our annual holiday open house! Featuring printmaking demonstrations by Tandem’s collaborative printers in our studio and a selection of fine art prints (great for gifts!) in our print study center. Visitors can also view the current exhibit\, T.L. Solien: Along the Way in our gallery.\n\n11am: Puzzle-cut Woodblock Printing with Joe Freye\n12:30pm: Screen printing with Patrick Smyczek\n2pm: Polymer Letterpress Printing with Jason Ruhl\n\nFree and open to the public. Gallery and studio are wheelchair accessible. Free parking. Light refreshments.
URL:https://artinamericaguide.com/event/tandem-press-holiday-open-house/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Event
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DTSTART;TZID=America/Halifax:20221104T090000
DTEND;TZID=America/Halifax:20230113T170000
DTSTAMP:20260716T111825
CREATED:20221111T202439Z
LAST-MODIFIED:20221111T202439Z
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SUMMARY:T. L. Solien: Along the Way
DESCRIPTION:Tandem Press is excited to host an exhibition of prints and paintings by Madison-based artist T.L. Solien this fall. T.L. Solien has worked in the Tandem Press studio on two occasions\, creating four editions of prints during those times. His most recent print created at Tandem Press The Spanish Chair belongs to a larger series of work Solien has been developing over the past few years. We will show a selection of works on paper and one large painting from this series alongside The Spanish Chair in this exhibition titled Along the Way. \n\n\n  \nExhibition Statement: \nAs he approached his retirement from a twenty-three-year career as a tenured professor in the UW-Madison Art Department\, T.L. Solien sat in class with his drawing students and worked alongside them to demonstrate an artist’s practice of persistent creativity. At the time\, he was also becoming disinterested in the figural-dominant compositions which had informed his work for many decades. Instead\, he wanted to explore figure/ground relationships in which the “figure” and its environment were intertwined and inseparable. \nDuring his daily drawing practice\, Solien drafted networks of lines in graphite across sheets of paper. As he edited these drawings\, they developed structures like those found in stone pathways\, walls\, or patios. As he continued to work on the drawings and develop them further with gouache and watercolor paints\, some of the forms began to suggest almost identifiable objects while others remained completely abstract. As they were such a departure from his previous work\, these new pieces felt very foreign to Solien\, but he found this new method of working to be highly challenging and satisfying. The process was full of moments of doubt\, persistence\, and excitement. As the development of the composition took precedence over and determined the final image\, Solien discarded his dedication to developing a narrative within his work. Instead\, each piece depicts a moment on a path\, commenting that reaching the end is not the ultimate goal but that one must also relish in the moments of discovery that are found along the way. \nAlong the Way presents a selection of pieces\, predominately works on paper\, Solien created through this working process between 2019-2022. Several phases of this project are represented here\, including works that are purely abstract and others that begin to depict objects or people. A few art historical references also appear throughout this body of work. Solien stated that he considered his working process to be comparable to Donald Judd’s meditations on the cube or Gene Davis’s choice to only use stripes of color to create his color field paintings. Pablo Picasso’s Cubist sculpture Chair from 1961\, which seemed to be crushed from three dimensions down to two dimensions and then unfolded back to three dimensions\, was a particular point of inspiration for The Spanish Chair. Solien shares with these artists a steadfast trust in the practice of persistent creativity\, which was the impetus for this project from the beginning. By establishing parameters in which to work and asking questions such as “what is it\, and how does it seem to exist?” without actually expecting to arrive at any concrete answers\, Solien invites us\, as viewers\, to join him in this state of creative curiosity. \n\n\nArtist Biography: \nSince the late ‘70s\, T.L. Solien (b. 1949\, Fargo\, North Dakota) has been linked to the continuing evolution of figural painting and has been grouped within the concerns of Neo-Expressionism\, Neo-Surrealism\, and New Image histories. A self-described artist of the “absurdist cultural critique\,” Solien depicts the contemporary collapse of our culture in his work. Using expressive color and imaginative imagery\, he often constructs paradoxical narratives with references to his Scandinavian heritage\, family memories\, and various references to art and literature of the past. Solien received his BA from Moorhead State University and his MFA from the University of Nebraska-Lincoln. He has received many honors and awards\, including a Joan Mitchell Foundation Fellowship. The Madison Museum of Contemporary Art showed a 25-year retrospective of his work in 2008\, and the Plains Museum in Fargo organized a touring exhibition of his artwork in 2013-14. His work is included in many private and public collections\, including the Metropolitan Museum of Art\, Whitney Museum of American Art\, National Museum of American Art\, Art Institute of Chicago\, Milwaukee Art Museum\, Minneapolis Institute of Art\, Tate Gallery\, and others. T.L. Solien lives and works in Madison\, Wisconsin. \nThis exhibition\, along with all Tandem Press exhibition programming\, is made possible through support from the Anonymous Fund. \n  \n 
URL:https://artinamericaguide.com/event/t-l-solien-along-the-way-2/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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DTEND;TZID=America/Halifax:20230113T170000
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LAST-MODIFIED:20221024T190843Z
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SUMMARY:T. L. Solien: Along the Way
DESCRIPTION:Tandem Press is excited to host an exhibition of prints and paintings by Madison-based artist T.L. Solien this fall. T.L. Solien has worked in the Tandem Press studio in two occurrences\, creating four editions of prints during those times. His most recent print created at Tandem Press\, The Spanish Chair\, belongs to a larger series of work Solien has been developing over the past few years. We will show a selection of works on paper and one large painting from this series alongside The Spanish Chair in this exhibition titled Along the Way. \n  \nExhibition Statement: \nAs he approached his retirement from a twenty-three-year career as a tenured professor in the UW-Madison Art Department\, T.L. Solien sat in class with his drawing students and worked alongside them to demonstrate an artist’s practice of persistent creativity. At the time\, he was also becoming disinterested in the figural-dominant compositions which had informed his work for many decades. Instead\, he wanted to explore figure/ground relationships in which the “figure” and its environment were intertwined and inseparable. \nDuring his daily drawing practice\, Solien drafted networks of lines in graphite across sheets of paper. As he edited these drawings\, they developed structures like those found in stone pathways\, walls\, or patios. As he continued to work on the drawings and develop them further with gouache and watercolor paints\, some of the forms began to suggest almost identifiable objects while others remained completely abstract. As they were such a departure from his previous work\, these new pieces felt very foreign to Solien\, but he found this new method of working to be highly challenging and satisfying. The process was full of moments of doubt\, persistence\, and excitement. As the development of the composition took precedence over and determined the final image\, Solien discarded his dedication to developing a narrative within his work. Instead\, each piece depicts a moment on a path\, commenting that reaching the end is not the ultimate goal but that one must also relish in the moments of discovery that are found along the way. \nAlong the Way presents a selection of pieces\, predominately works on paper\, Solien created through this working process between 2019-2022. Several phases of this project are represented here\, including works that are purely abstract and others that begin to depict objects or people. A few art historical references also appear throughout this body of work. Solien stated that he considered his working process to be comparable to Donald Judd’s meditations on the cube or Gene Davis’s choice to only use stripes of color to create his color field paintings. Pablo Picasso’s Cubist sculpture Chair from 1961\, which seemed to be crushed from three dimensions down to two dimensions and then unfolded back to three dimensions\, was a particular point of inspiration for The Spanish Chair. Solien shares with these artists a steadfast trust in the practice of persistent creativity\, which was the impetus for this project from the beginning. By establishing parameters in which to work and asking questions such as “what is it\, and how does it seem to exist?” without actually expecting to arrive at any concrete answers\, Solien invites us\, as viewers\, to join him in this state of creative curiosity.
URL:https://artinamericaguide.com/event/t-l-solien-along-the-way/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20220923T170000
DTEND;TZID=America/Halifax:20220923T190000
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SUMMARY:Exhibition reception & film screening - Enigma: The Prints of David Lynch
DESCRIPTION:Tandem Press will host an outdoor screening of the documentary “David Lynch: The Art Life” in conjunction with a reception for the exhibition Enigma: The Print of David Lynch. The reception will start at 5pm and take place in the Tandem Press Apex Gallery. The documentary will be shown on the lawn in front of the Apex building where Tandem is located\, beginning at 7pm. Guests are encouraged to bring blankets or lawn chairs to watch the movie. \nExhibition dates: September 6-October 28\, 2022 \nAbout the exhibition: Enigma: The Prints of David Lynch presents a selection of fine art prints that David Lynch created at Tandem Press between 1998 and 2021.
URL:https://artinamericaguide.com/event/exhibition-reception-film-screening-enigma-the-prints-of-david-lynch/
LOCATION:Tandem Press\, 1743 Commercial Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Event
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