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DTSTAMP:20260407T100209
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SUMMARY:Andreas Kocks | Keep Your Eyes Open
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Keep Your Eyes Open\, an exhibition featuring a series of new sculptural works by Andreas Kocks. In his sixth solo exhibition with the gallery\, Kocks carefully chooses materials and forms that reflect a balance of elements and activate space in relation to the viewer.   \n  \nKocks’ practice involves cutting\, layering and shaping metals and paper to form structured lines that activate light and shadow. Fascinated by the intersection of drawing and sculpture\, the line is a crucial part of Kocks’ work. More than a mere mark\, Kocks wields his materials to turn a drawn line into a physical gesture\, transforming the solid form to create cutouts\, hollowed spaces\, and warped three dimensional structures. This equality of positive and negative\, convex and concave\, is essential to Kocks’ practice\, reflecting the tension that is inherent to creating works of metal and paper structures. \n  \nThrough this use of metal\, Kocks’ expands the possibility of a traditional wall hanging\, allowing the works to merge with the environment and for the wall to become a part of the composition of each piece. For example\, some of his pieces have polished\, mirrorlike surfaces\, allowing the surrounding space to be reflected in the sculpture. His use of watercolor paper offers a similar opportunity. Kocks delicately builds up layers of paper that rest upon one another\, carving lines and shapes that create pockets of shadow\, warping as the location and surrounding light changes. In some works\, Kocks even places parts of the piece detached from the main structure\, with single elements literally jumping out of the constraints of the frame.  \n  \nIn Keep Your Eyes Open\, Kocks creates a dialogue between the artwork\, the viewer\, and the space that they are in. Each material is carefully chosen to engage negative spaces and surrounding frameworks\, thus drawing the viewer in closer\, creating a deep relationship to locality that is present in each piece. \n  \nBorn in Oberhausen\, Germany\, Andreas Kocks received his MFA in sculpture from the Kunstakademie Düsseldorf. His work has been featured in museum exhibitions worldwide including the Museum of Art and Design in New York\, Manchester Art Museum\, England\, the Museum August-Macke-Haus in Bonn\, Haus der Kunst Munich\, Germany\, and the Kerawa Art Museum in Helsinki\, Finland. In 2006 Kocks was awarded a Pollock-Krasner Foundation fellowship. In 2010 and 2011 he was a lecturing artist at the Savannah College of Art and Design in Lacoste\, France\, and in Atlanta and Savannah\, GA. He has received numerous commissions from private and public clients\, and his work has been written about in numerous publications\, including Art in America\, Architectural Digest\, Kunstforum\, Time Out\, Platinum Magazine and the Financial Times. After living in New York for over a decade\, Andreas is currently living and working in Munich\, Germany.
URL:https://artinamericaguide.com/event/andreas-kocks-keep-your-eyes-open/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260108T180000
DTEND;TZID=America/New_York:20260221T200000
DTSTAMP:20260407T100209
CREATED:20251208T211309Z
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SUMMARY:Susan Dory | Inner Weather
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Inner Weather\, a series of new works by Susan Dory. In her sixth solo exhibition with the gallery\, Dory continues her long-standing investigation into interconnectivity and perception through a dynamic interplay of color\, transparency\, and layered form. \nIn Inner Weather\, Dory’s biomorphic and linear shapes congregate and reorganize in intricate\, structured patterns. Each composition emerges from color: this series centers on radiant reds\, oranges\, and yellows\, tones that the artist describes as an act of optimism and hope. Dory has also introduced more translucent pigments into her process\, combining acrylic paint with a transparent varnish to produce a luminous\, “seeing through” effect that suggests movement and transformation. \nWorking in a studio suffused with natural light\, Dory is attuned to the shifts of shadow and reflection that traverse her workspace throughout the day. As sunlight rakes across her canvases—laid flat on sawhorses—shadows distort and reform\, leaving traces that she translates into painted form. These ephemeral impressions of light and negative space become an integral part of her compositions\, transforming fleeting environmental moments into lasting visual structures. \nFurthermore\, Dory draws on the irregular geometries of gerrymandered maps\, expanding them into a broader meditation on impermanence. These shifting boundaries along with the movement of light and shadow serve as markers that anchor an ongoing inquiry into the temporary states that define our experience. Each painting becomes an artifact of this investigation: a singular object that compresses months of decision-making\, revision\, and fleeting perception into a single encounter. Unlike a film or novel that unfolds over time\, Dory’s paintings offer its entire history at once\, revealing the accumulation of moments that brought it into being. \nDory’s meticulous layering process creates both a physical and temporal depth. Each layer acts as a record of time\, allowing viewers to peer through one form and into another\, evoking the constant flux of perception. The resulting surfaces are at once pristine and tactile\, inviting contemplation on how memory\, observation\, and sensation continuously overlap. For Dory\, the layered compositions in Inner Weather serve as repositories of experience—a visual metaphor for the fluid nature of temporal landscapes. \nSusan Dory was born in Oklahoma City\, OK and currently works and resides in Seattle\, WA. She studied at Iowa State University in Ames\, IA where she received a Bachelor’s of Arts. Dory has received both national and local awards including the Pollock-Krasner Foundation Grant\, the Netty Award\, the Willard R. Espy Foundation Artist-In-Residence Fellowship and the Ballinglen Art Foundation Fellowship in Ballycastle\, County Mayo\, Ireland. Dory’s works have been featured in The Seattle Times\, Art in America and Blouin Art Info. Her work is held in numerous public collections including The Tacoma Art Museum\, Ballinglen Museum of Contemporary Art\, the U.S. Embassy and the Seattle Arts Commission Collection.
URL:https://artinamericaguide.com/event/susan-dory-inner-weather/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T180000
DTEND;TZID=America/New_York:20251220T180000
DTSTAMP:20260407T100209
CREATED:20251001T210046Z
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SUMMARY:Paulette Tavormina | Portraits in Bloom
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Portraits in Bloom\, a new series of photographs by Paulette Tavormina. In her second solo exhibition with the gallery\, Tavormina takes inspiration from 17th-century Old Master still life paintings\, transforming their rich symbolism into contemporary photographic portraits of flowers. \nTavormina races against time to stage and curate each portrait in her studio after hand picking various fresh florals. Thus\, rather than presenting flowers in traditional vases\, she captures peonies\, lilacs\, dahlias\, roses\, tulips\, foxglove\, and more\, in various stages of life\, from tightly furled buds to petals in decline. Butterflies and insects often appear within her compositions\, reinforcing the interconnectedness of the natural world while echoing the allegorical depth of Old Master paintings. \nFor Tavormina\, flowers are not only symbolic but deeply personal. Her lifelong love of flora stems from childhood days spent in her grandparents’ garden on Long Island\, where her grandfather’s plum\, fig trees\, and plate sized dahlias alongside her grandmother’s award-winning roses\, left a lasting impression. Today\, Tavormina continues that tradition\, cultivating many of the flowers featured in her photographs from her own Connecticut garden. In Portraits in Bloom\, Tavormina elevates these homegrown specimens into elegant\, timeless compositions. Each work is both a meditation on beauty’s transience and a tribute to the enduring\, intimate bond between memory\, family\, and the natural world. \nPaulette Tavormina lives and works in New York City and Connecticut. Her photographs are held in museum\, corporate and private collections and have been exhibited in Paris\, London\, Moscow\, Lugano\, Madrid\, New York\, Los Angeles\, Miami\, Palm Beach\, Boston\, Palm Desert and San Francisco. Tavormina also has a successful career as a commercial photographer\, photographing Gucci’s Alchemist’s Garden Perfume campaign. She has photographed works of art for Sotheby’s\, fragrances for GOOP\, and recipes for The Del Posto Cookbook (Hachette) with chef\, Mark Ladner. She has been commissioned by National Geographic Magazine and The New York Times\, among others. Previously\, Tavormina was a prop and food stylist in Hollywood\, her work seen on the silver screen in seven films such as Nixon\, The Astronaut’s Wife and The Perfect Storm. Most recently\, she was invited to show her works at the Château des Joncherets showcase in Saint Lubin des Joncherets\, France\, which opens to the public in January 2026.
URL:https://artinamericaguide.com/event/paulette-tavormina-portraits-in-bloom/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T180000
DTEND;TZID=America/New_York:20251220T180000
DTSTAMP:20260407T100209
CREATED:20251001T210028Z
LAST-MODIFIED:20251001T210028Z
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SUMMARY:Betsy Eby | Chromatic Frequencies
DESCRIPTION:Winston Wächter Fine Art is pleased to present Chromatic Frequencies\, a new body of encaustic paintings by Betsy Eby exploring the visualization of sound and harmonic connection. As both a painter and musician\, Eby brings a rare sensitivity to her practice\, drawing on her heightened perceptual gifts\, creating correspondences between color\, rhythms and sound. \nChromatic Frequencies emerges from Eby’s recent personal journey. Following major neurosurgery\, she turned to Solfeggio Frequencies\, soundscapes rooted in hertz frequencies known by researchers to have healing properties on the brain and body’s neural networks. An evolution of her lifelong practice of painting nature based abstractions\, this body of work explores themes on a quantum level at once read micro and macroscopically\, bringing together Eby’s love of music\, colorfield painting\, rhythmic line and materiality.  She builds resonant color fields representing harmonic systems then disrupts those systems with the embodiment of gestural line work. The lines bury\, recede and emerge\, hovering amidst luminous fields. One painting to the next explores analogous or contrasting color worlds\, decisions affecting their resulting moods. \nEby speaks of the Japanese process\, Kintsugi\, or “golden repair\,” a tradition in which broken vessels are mended with precious metals\, celebrating scars as markers of resilience. “The act of painting is a recognition of the beauty found through survival\, with each painting being a record of systems disrupted then renewed\,” Eby states.  Chromatic Frequencies reflects Eby’s belief in the healing power of sound translated into material form. \nBetsy Eby earned her BA in Art History at the University of Oregon in 1990 and has since exhibited her artworks widely\, showing across the United States and Europe. Her works are held in numerous public and private collections including the Tacoma Museum of Art and the Columbus Museum of Art. She and her husband\, painter Bo Bartlett\, split their time between studios in Columbus\, Georgia\, and Wheaton Island\, Maine. A native to Oregon\, Eby cites her early influences in the Northwest mystics\, Pacific Northwest modernism and atmospheric abstraction.
URL:https://artinamericaguide.com/event/betsy-eby-chromatic-frequencies/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250918T180000
DTEND;TZID=America/New_York:20251025T180000
DTSTAMP:20260407T100209
CREATED:20250819T023708Z
LAST-MODIFIED:20250819T023708Z
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SUMMARY:Tanya Minhas | A Tapestry of Dreams
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present A Tapestry of Dreams\, an exhibition of new paintings by Tanya Minhas at the gallery’s 530 West 25th Street location. The works featured in this exhibition reflect Minhas’ ongoing interest in the natural world and the systems that hold it together.
URL:https://artinamericaguide.com/event/tanya-minhas-a-tapestry-of-dreams/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/08/Water-scaled.jpeg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250724T180000
DTEND;TZID=America/New_York:20250913T180000
DTSTAMP:20260407T100209
CREATED:20250708T145637Z
LAST-MODIFIED:20250708T145637Z
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SUMMARY:Robert Wilson | Animals
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Robert Wilson: Animals\, an exhibition of video portraits by renowned theater director and visual artist Robert Wilson. This solo exhibition presents Wilson’s captivating series of animal portraits—featuring snow owls\, a black panther\, skunk\, an elk\, and more. These portraits showcase Wilson’s acclaimed mastery of light and color and reflect his fascination with animals\, which he describes as having “a way of listening interiorly.”
URL:https://artinamericaguide.com/event/robert-wilson-animals/
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250724T000000
DTEND;TZID=America/New_York:20250913T100000
DTSTAMP:20260407T100209
CREATED:20250805T184537Z
LAST-MODIFIED:20250821T203242Z
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SUMMARY:Robert Wilson: Animals reception
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Robert Wilson: Animals\, an exhibition of video portraits by renowned theater director and visual artist Robert Wilson. This solo exhibition presents Wilson’s captivating series of animal portraits—featuring snow owls\, a black panther\, skunk\, an elk\, and more. These portraits showcase Wilson’s acclaimed mastery of light and color and reflect his fascination with animals\, which he describes as having “a way of listening interiorly.” \nWilson first debuted his video portraiture at Paula Cooper Gallery in his 2007 exhibition\, where he staged a series of high-definition video portraits featuring artists\, musicians\, actors\, animals\, and other notable figures. Animals is the first exhibition devoted exclusively to his animal portraits\, created over the years since that initial presentation\, including video works from his 2016 collaboration with Hermès. \nThe Hermès installation at Cedar Lake in New York City\, titled Here Elsewhere\, brought together Robert Wilson’s avant-garde vision with Hermès’ renowned commitment to craftsmanship and material excellence. Animal portraits were interwoven with pieces from the Hermès collection\, alongside sound and performance\, to create a fully immersive\, 360-degree environment. Works such as Quincy (Red fox) from the series Hermès by Nature demonstrate how Wilson’s scenographic sensibility amplified the narrative power of both the portraits and the surrounding elements. \nWithin these portraits\, Robert Wilson explores numerous references to mythology\, art history\, and popular culture. His Snowy Owls references the owl in Greek mythology which was often associated with Athena\, goddess of wisdom\, arts\, and skill. Similarly\, in his portrait of an Elk\, the animal stands almost motionless within a stark setting as subtle movements such as the flick of an ear or the rise and fall of the elk’s breath\, slowly reveal themselves. In Wilson’s Panther piece\, the artist’s signature use of theatrical lighting enhances the sense of quiet drama. The backdrop is spare\, recalling the atmosphere of a stage set or a dream. \nBy incorporating a multitude of creative elements; lighting\, gesture\, text\, voice\, set design\, and narrative – the video portraits act as a synthesis of all the media in the realm of Wilson’s art making. The medium is video but the form blurs time-based cinematography with the frozen moment of still photography. The final result on the screen resembles a photograph\, but on closer inspection reveals Wilson’s highly developed theatrical language in a striking visual experience that is both meditative and deeply expressive. \nBorn in Waco\, Texas\, Robert Wilson is among the world’s foremost theater and visual artists. His works for the stage unconventionally integrate a wide variety of artistic media\, including dance\, movement\, lighting\, sculpture\, music and text. His images are aesthetically striking and emotionally charged\, and his productions have earned the acclaim of audiences and critics worldwide. After being educated at the University of Texas and Brooklyn’s Pratt Institute\, Wilson founded the New York-based performance collective “The Byrd Hoffman School of Byrds” in the mid-1960s\, and developed his first signature works. With Philip Glass he wrote the seminal opera Einstein on the Beach (1976). Wilson’s artistic collaborators include many writers and musicians such as Heiner Müller\, Tom Waits\, Susan Sontag\, Laurie Anderson\, William Burroughs\, Lou Reed\, Jessye Norman and Anna Calvi. He has also left his imprint on masterworks such as Beckett’s Krapp’s Last Tape\, Brecht/Weill’s Threepenny Opera\, Debussy’s Pelléas et Melisande\, Puccini’s Madama Butterfly\, Verdi’s La Traviata and several of Shakespeare’s works. Wilson’s drawings\, paintings and sculptures have been presented around the world in hundreds of solo and group showings\, and his works are held in private collections and museums throughout the world. Wilson has been honored with numerous awards for excellence\, including a Pulitzer Prize nomination\, two Premio Ubu awards\, the Golden Lion of the Venice Biennale\, and an Olivier Award. He was elected to the American Academy of Arts and Letters\, as well as the German Academy of the Arts\, and holds 8 Honorary Doctorate degrees. He is a Commander of the Order of Arts and Letters and Officer of the Legion of Honor in France\, bearer of the German Officer’s Cross of the Order of Merit\, and laureate of the 2023 Praemium Imperiale. Wilson is the founder and Artistic Director of The Watermill Center\, a laboratory for the Arts in Water Mill\, New York.
URL:https://artinamericaguide.com/event/robert-wilson-animals-reception/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250417T180000
DTEND;TZID=America/New_York:20250531T180000
DTSTAMP:20260407T100209
CREATED:20250322T164103Z
LAST-MODIFIED:20250322T164103Z
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SUMMARY:Heather Hutchison:  Seeker
DESCRIPTION:Winston Wächter Fine Art is pleased to announce Heather Hutchison: Seeker\, its third exhibition of New York-based artist Heather Hutchison. Hutchison’s luminous three dimensional paintings manipulate light\, color and shadow to create works that evoke landscapes and weather patterns while remaining in constant flux. The works in this exhibition span from the late 1980s to today.
URL:https://artinamericaguide.com/event/heather-hutchison-seeker/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250227T180000
DTEND;TZID=America/New_York:20250412T180000
DTSTAMP:20260407T100209
CREATED:20250213T171252Z
LAST-MODIFIED:20250213T171252Z
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SUMMARY:Ed Cohen | A Calm Madness
DESCRIPTION:Winston Wächter Fine Art is pleased to announce its fifth exhibition of New York-based painter Ed Cohen\, A Calm Madness. Named for a line by the late Polish poet Adam Zagajewski\, the show will include two groups of paintings in fluid acrylic on canvas and panel.
URL:https://artinamericaguide.com/event/ed-cohen-a-calm-madness/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240905T100000
DTEND;TZID=America/New_York:20241102T180000
DTSTAMP:20260407T100209
CREATED:20240808T173518Z
LAST-MODIFIED:20240808T173518Z
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SUMMARY:Ethan Murrow | Twig
DESCRIPTION:Winston Wächter Fine Art\, New York is excited to announce Twig\, an imaginative exhibition of new works from the surreal mind of Ethan Murrow. These finely detailed drawings and paintings tell fanciful stories that muse on the essential role of trees in the story of humanity.
URL:https://artinamericaguide.com/event/ethan-murrow-twig/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240711T180000
DTEND;TZID=America/New_York:20240830T180000
DTSTAMP:20260407T100209
CREATED:20240710T144936Z
LAST-MODIFIED:20240710T144936Z
UID:109203-1720720800-1725040800@artinamericaguide.com
SUMMARY:Deb Achak | All the Colors I Am Inside
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present All The Colors I Am Inside\, a series of photographs by Deb Achak\, and her first solo exhibition with the New York gallery. The show is in conjunction with the artist’s recently released monograph\, of the same name\, published by Kehrer Verlag. In this work\, Achak honors her mother’s words of wisdom to “trust your gut instinct\,” through deeply personal\, intuitive pieces. These thought-provoking compositions center nature\, beauty\, and family in a captivating meditation on the complexity of the interior self. \nThe exhibition title is a nod to a Shel Silverstein poem in which “all the colors I am inside have not been invented yet.” The series is a manifestation of Achak’s own “spiritual curiosity” that she has created instinctively over the years\, resulting in a body of work that explores different thematic directions than her previous projects. Over time\, Achak knits together this intimate narrative of dreamy portraits and surreal landscapes that evoke the unseen elements of energy and intuition that shape our lives.
URL:https://artinamericaguide.com/event/deb-achak-all-the-colors-i-am-inside/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240302T140000
DTEND;TZID=America/New_York:20240302T150000
DTSTAMP:20260407T100209
CREATED:20240221T210755Z
LAST-MODIFIED:20240221T210755Z
UID:107150-1709388000-1709391600@artinamericaguide.com
SUMMARY:Artist Talk | Jil Weinstock: Unwanted Collaborator: Fractured Landscapes
DESCRIPTION:Winston Wachter Fine Art is hosting an artist talk with Jil Weinstock in celebration of her ongoing exhibition\, Unwanted Collaborator: Fractured Landscapes.  Jil Weinstock will be accompanied by Jasmine Wahi\, Founder and Co-Director of Project of Empty Space\, and Amanda Snyder\, Partner at Winston Wächter Fine Art. \nWe look forward to your presence for a thought provoking discussion on Weinstock’s mixed media works and light boxes. In these unconventional collages and illuminated pieces\, Weinstock mixes photography\, plants encased in rubber\, embroidery thread\, and fabric to explore the fragility and resilience found in the natural world\, especially when faced with disruptive forces. \nEvent Details: \nSaturday\, March 2nd\, 2024 at 2:00 pm \nWinston Wächter Fine Art\, New York \n530 West 25th Street
URL:https://artinamericaguide.com/event/artist-talk-jil-weinstock-unwanted-collaborator-fractured-landscapes/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240111T180000
DTEND;TZID=America/New_York:20240111T200000
DTSTAMP:20260407T100209
CREATED:20231205T165309Z
LAST-MODIFIED:20231205T165309Z
UID:106129-1704996000-1705003200@artinamericaguide.com
SUMMARY:Jil Weinstock: Unwanted Collaborator: Fractured Landscapes
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Unwanted Collaborator: Fractured Landscapes\, an exhibition of new mixed-media work by Jil Weinstock. In these unconventional collages and illuminated pieces\, Weinstock mixes photography\, plants encased in rubber\, embroidery thread\, and fabric to explore the fragility and resilience found in the natural world\, especially when faced with disruptive forces. This fragmentation can be caused by natural elements such as erosion\, tectonic activity\, or climate changes\, or it may result from human activities like urbanization\, deforestation\, or industrial development. Unwanted collaborators create the broken or disordered terrain\, by imposing the hand into the landscape and creating a delicate balance between human intervention and nature’s resilience. Unwanted Collaborator: Fractured Landscapes is an invitation to reflect on the resilience that emerges when we confront\, adapt\, and ultimately find ourselves in collaborations we did not choose.
URL:https://artinamericaguide.com/event/jil-weinstock-unwanted-collaborator-fractured-landscapes/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240111T180000
DTEND;TZID=America/New_York:20240111T200000
DTSTAMP:20260407T100209
CREATED:20231018T175058Z
LAST-MODIFIED:20231018T175058Z
UID:105648-1704996000-1705003200@artinamericaguide.com
SUMMARY:Paulette Tavormina: Fiori del Giardino
DESCRIPTION:Paulette Tavormina has long been drawn to the “Golden Age” of still-life painting and artists\, Giovanna Garzoni\, Francesco de Zurbarán\, and Adriaen Coorte. She is particularly fascinated by Zurbarán’s mysterious use of dramatic light\, Garzoni’s masterful compositions and color palette\, and Coorte’s unique placement of objects. These artists of the 17th century witnessed an explosion of interest in the natural world through increased global trade in Europe. They incorporated shells\, insects\, exotic fruits\, and flowers found abroad alongside Venetian glass and Chinese porcelain. The works spoke to universal themes as relevant then as now: the fragility of life and love\, fleeting beauty and tempus fugit\, the swift passage of time.  \nPaulette Tavormina’s photographs capture theatrically lit flora\, fauna\, and foods. Her subjects are perfectly imperfect\, and their relationships with one another create meaningful vignettes. Dutch Tulips and Goldfish\, for example\, is a cheerfully abundant composition depicting quintessentially Dutch flowers arranged organically in a glass bowl. A pair of fritillaria droop sweetly over the edge of the vase\, just above two goldfish swimming together companionably. Most of the fruits and flowers in these works have been grown in the artist’s own garden and hold personal significance for Tavormina. Dahlias and peonies pay homage to past generations of her family who were avid gardeners\, and the figs were grown from a cutting of her grandfather’s Sicilian fig tree. These and other tributes abound in the works\, and through close looking\, viewers can also find their own secret messages. \nIn creating her images\, Tavormina often works against time\, as newly plucked flowers begin to droop\, fruit begins to rot\, and the fleeting moment of perfectly arranged beauty passes. Insects are found throughout the works\, hovering over flower petals or crawling over fruits\, serving as a reminder of the interconnectedness and elegance in the natural world\, even on the edge of decay. Beauty is ephemeral and difficult to find\, and its human nature to seek it out. In Fiori del Giardino\, Tavormina captures elements from nature\, which is often wild\, organic\, and messy and elevates them into elegant compositions\, capturing every intricate detail of an extraordinary moment in time. 
URL:https://artinamericaguide.com/event/paulette-tavormina-fiori-del-giardino/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231116T180000
DTEND;TZID=America/New_York:20231116T200000
DTSTAMP:20260407T100209
CREATED:20231023T162519Z
LAST-MODIFIED:20231023T162519Z
UID:105679-1700157600-1700164800@artinamericaguide.com
SUMMARY:Paulette Tavormina: Fiori del Giardino
DESCRIPTION:Winston Wächter Fine Art\, New York is excited to announce Fiori del Giardino\, a collection of photographs by Paulette Tavormina. This will be her first solo exhibition with the gallery. Through these strikingly detailed still life compositions\, Tavormina reflects on moments of fleeting beauty in nature.
URL:https://artinamericaguide.com/event/paulette-tavormina-fiori-del-giardino-2/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230615T180000
DTEND;TZID=America/Halifax:20230615T200000
DTSTAMP:20260407T100209
CREATED:20230518T185739Z
LAST-MODIFIED:20230518T185739Z
UID:103523-1686852000-1686859200@artinamericaguide.com
SUMMARY:Timothy Schmitz & Michael Schultheis
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce an exhibition of mixed media artworks by Timothy Schmitz and bronze sculptures and paintings by Michael Schultheis. Timothy Schmitz’s works are meditative in nature using color gradients to draw light into the center of the pieces. Michael Schultheis’ sculptures are a graceful dialogue between two stories finding harmony in the meeting point. The luring colors and fluid motion used by both artists are a captivating display of elegance. \nTimothy Schmitz is a Minneapolis based artist who has created a process that is uniquely his own. He starts with a digital composition that is processed through different software programs. After multiple variations\, the digital image is printed and physically manipulated with materials such as emulsions and resin. The result being a seamlessly constructed object that dances on the line of painting and sculpture. Timothy Schmitz finds inspiration for his soft color palette from when he lived in Santa Fe\, New Mexico.  Each work illuminates from the inside radiating the warmth of a sunset. suffuse code 6466\, 2023 begins with a gentle violet color\, diffused across the surface of the work\, settling into a warm pink and orange hue at the bottom. The artist admires the strength found in gentleness and aims to embed that into his work. \nMichael Schultheis is a Seattle based artist. In his practice called Analytical Expressionism\, the artist uses layers of mathematical equations to demonstrate how they can be used as a lens to view and understand human connections.  By using a geometric model that he calls the SoulMate Model\, the artist explores how two people find each other and what it looks like when they start to orbit around one another.  His Venn sculptures\, act as the three dimensional rendering of the brushstrokes found in his paintings. Using the lost-wax casting process of antiquity\, he creates simple\, elegant forms based on a geometric polar curve called a limaçon. Venn Fidelities Coupling stands 8 feet tall\, cast in bronze with a slightly hammered texture which captures the sunlight within the groves. The momentous sculpture is one seamless line that forms a vertical venn diagram set on a pedestal. The middle joins together in an embrace of both circles. These works are a window into the mathematical language of geometric form that Schultheis speaks\, inviting the viewer into a world of numbers and equations.
URL:https://artinamericaguide.com/event/timothy-schmitz-michael-schultheis/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230615T080000
DTEND;TZID=America/Halifax:20230721T170000
DTSTAMP:20260407T100209
CREATED:20230512T200847Z
LAST-MODIFIED:20230512T200847Z
UID:103460-1686816000-1689958800@artinamericaguide.com
SUMMARY:Timothy Schmitz and Michael Schultheis
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce an exhibition of mixed media artworks by Timothy Schmitz and bronze sculptures and paintings by Michael Schultheis. Timothy Schmitz’s works are meditative in nature using color gradients to draw light into the center of the pieces. Michael Schultheis’ sculptures are a graceful dialogue between two stories finding harmony in the meeting point. The luring colors and fluid motion used by both artists are a captivating display of elegance. \nTimothy Schmitz is a Minneapolis based artist who has created a process that is uniquely his own. He starts with a digital composition that is processed through different software programs. After multiple variations\, the digital image is printed and physically manipulated with materials such as emulsions and resin. The result being a seamlessly constructed object that dances on the line of painting and sculpture. Timothy Schmitz finds inspiration for his soft color palette from when he lived in Santa Fe\, New Mexico.  Each work illuminates from the inside radiating the warmth of a sunset. suffuse code 6466\, 2023 begins with a gentle violet color\, diffused across the surface of the work\, settling into a warm pink and orange hue at the bottom. The artist admires the strength found in gentleness and aims to embed that into his work.  \nMichael Schultheis is a Seattle based artist. In his practice called Analytical Expressionism\, the artist uses layers of mathematical equations to demonstrate how they can be used as a lens to view and understand human connections.  By using a geometric model that he calls the SoulMate Model\, the artist explores how two people find each other and what it looks like when they start to orbit around one another.  His Venn sculptures\, act as the three dimensional rendering of the brushstrokes found in his paintings. Using the lost-wax casting process of antiquity\, he creates simple\, elegant forms based on a geometric polar curve called a limaçon. Venn Fidelities Coupling stands 8 feet tall\, cast in bronze with a slightly hammered texture which captures the sunlight within the groves. The momentous sculpture is one seamless line that forms a vertical venn diagram set on a pedestal. The middle joins together in an embrace of both circles. These works are a window into the mathematical language of geometric form that Schultheis speaks\, inviting the viewer into a world of numbers and equations. 
URL:https://artinamericaguide.com/event/timothy-schmitz-and-michael-schultheis/
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/05/ScreenShot20230504at11.19.17AM-1.png
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230427T170000
DTEND;TZID=America/Halifax:20230427T200000
DTSTAMP:20260407T100209
CREATED:20230405T193939Z
LAST-MODIFIED:20230405T193939Z
UID:102719-1682614800-1682625600@artinamericaguide.com
SUMMARY:Margeaux Walter | Don't Be A Square
DESCRIPTION:Winston Wachter Fine Art\, New York is excited to announce Don’t Be A Square\, an exhibition of new works by photographer\, Margeaux Walter.  In this series\, the artist expands on her signature style of creating environments that tread a fine line between fantasy and reality while taking a closer look at the natural world.  Walter investigates the current period in history known as the Anthropecene age and how human activity has started to have a significant irreversible impact on the planet’s climate. \nIn December of 2019\, Margeaux Walter began this body of work during a two-week stay in California\, and then continued the series in 2021 when she was awarded the Joshua Tree Highlands Artist Residency. She set out to explore the disconnection between humans and the landscapes around them.  In each of the photographs\, Walter constructs “a glitch in time”\, as if humanity has camouflaged itself into the surrounding land\, yet cannot find harmony.  Each “glitch” is portrayed in the form of a square\, a shape rarely found in nature\, which can be interpreted as a pixel or cubicle. \nThe artist sought out landscapes with depth and saturated in deep hues.  She needed to capture the scenes at just the right time of day while using various props to stage each story and herself as the characters. In the image Backstage\, a sunset of pinks and blues illuminate a rocky foreground. A pink curtain floats in the center of the image\, parted just enough to allow the viewer to see a character dressed to match. The photograph\, Nap\, while it appears to be a still and calm scene\, has someone drifting away on a lake in all blue clothing\, lying in a matching inflatable couch. \nMargeaux Walter plays with the contrast between the striking landscapes and subtle human present imbedded in the image to create a surrealistic tableau. Her work pulls the viewer in\, requiring more than a quick glance\, to spark a second thought about the relationship humans have with the environment and the impact even little changes can make.
URL:https://artinamericaguide.com/event/margeaux-walter-dont-be-a-square/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230309T100000
DTEND;TZID=America/Halifax:20230422T180000
DTSTAMP:20260407T100209
CREATED:20230209T215239Z
LAST-MODIFIED:20230209T215239Z
UID:101815-1678356000-1682186400@artinamericaguide.com
SUMMARY:Matt Gagnon | Feeling Color
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce Feeling Color\, an exhibition of light sculptures by Los Angeles based artist\, Matt Gagnon. This is the artist’s first solo exhibition with the New York gallery. Trained as an architect\, Gagnon is deeply interested in the physicality of materials and their ability to conjure feelings along with memories. These works dig to unearth emotional frequencies of color\, material\, and texture by combining glass\, metal\, stone\, wood\, and concrete. The transformative light of the pieces\, built by elements of surface and tone\, invite the viewer into their glow.
URL:https://artinamericaguide.com/event/matt-gagnon-feeling-color/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230112T100000
DTEND;TZID=America/Halifax:20230226T180000
DTSTAMP:20260407T100209
CREATED:20230104T181713Z
LAST-MODIFIED:20230104T181713Z
UID:101307-1673517600-1677434400@artinamericaguide.com
SUMMARY:Roses\, Ruffs\, and Reflections | Alicia Brown\, Claire Partington\, Tony Scherman
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Roses\, Ruffs\, and Reflections”\, a group exhibition featuring works by Alicia Brown\, Claire Partington\, and Tony Scherman. Each artist employs traditional techniques and historical styles in distinctly different ways that continues the conversation of the deep-rooted constructs of power and oppression that have been seen throughout generations. The works are hauntingly hopeful and carry the strength of persistence\, wrapped together with a bit of humor in their visions for the future.
URL:https://artinamericaguide.com/event/roses-ruffs-and-reflections-alicia-brown-claire-partington-tony-scherman-2/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230112T080000
DTEND;TZID=America/Halifax:20230226T170000
DTSTAMP:20260407T100209
CREATED:20221222T000057Z
LAST-MODIFIED:20221222T000057Z
UID:101089-1673510400-1677430800@artinamericaguide.com
SUMMARY:Roses\, Ruffs\, and Reflections | Alicia Brown\, Claire Partington\, Tony Scherman
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Roses\, Ruffs\, and Reflections”\, a group exhibition featuring works by Alicia Brown\, Claire Partington\, and Tony Scherman. Each artist employs traditional techniques and historical styles in distinctly different ways that continues the conversation of the deep-rooted constructs of power and oppression that have been seen throughout generations. The works are hauntingly hopeful and carry the strength of persistence\, wrapped together with a bit of humor in their visions for the future. \nIn Imaginary Homelands\, Alicia Brown celebrates the perseverance of migrants who have left their home countries either voluntarily or by force. Brown uses portraiture to tell the stories of friends and family from Jamaica residing in the United States. She combines elements from Jamaican culture including native plants\, animals\, objects\, symbols\, and idioms with elements from Western art and history. In doing so\, Brown examines the duality of who a subject was in their homeland and who they become in order to adapt and survive in a foreign culture. Objects such as Elizabethan ruff collars evoke narratives of power\, control\, and social status\, while native Caribbean plants create an environment of home. In these powerful portraits\, Brown celebrates the ingenuity with which immigrants both adapt to and shape their adopted homes. \nClaire Partington’s mixed-media ceramic sculptures draw from both traditional and contemporary art practices. Referencing portraiture conventions from throughout art history as well as contemporary social media\, Partington humorously comments on constructs of gender and power. Echo and Narcissus are a pair of sculptures inspired by Greek Mythology. Echo\, a mountain nymph who could only repeat the last word that she heard and Narcissus\, who fell in love with his own reflection\, are depicted as teenagers absorbed in their phones. These porcelain and earthenware figures reference not only antiquity but fashionable sculpture from the 18th century. In these and other works\, Partington playfully mixes up imagery from antiquity\, social media\, art history\, folklore\, and fashion to prompt questions about interpretation and narrative\, particularly about women\, and particularly about power.  \nTony Scherman works in the ancient technique of encaustic by layering wax\, oil paint\, and pigments to build deeply expressive paintings. His series\, For all the wise women persecuted as “witches”\, is dedicated to women throughout history to the present day who have been punished for their wisdom\, progressiveness\, or determination. Each piece depicts two roses\, illuminated in an ethereal yellow-green light against a swirling dark ground. The flowers stand out against a depth of darkness as petals\, leaves\, and other elements play and shift along the surface of the painting. The roses are a tribute\, a hopeful beacon of perseverance against the oppression of forward-thinking women.
URL:https://artinamericaguide.com/event/roses-ruffs-and-reflections-alicia-brown-claire-partington-tony-scherman/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T100000
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260407T100209
CREATED:20221012T183440Z
LAST-MODIFIED:20221012T183440Z
UID:99828-1667469600-1673114400@artinamericaguide.com
SUMMARY:Katherine Bowling | "Trees"
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present an exhibition of new and recent paintings by Katherine Bowling. The exhibition\, Trees\, marks Bowling’s first solo presentation with the gallery. \nAs a landscape painter\, Bowling finds inspiration in the nature that surrounds her in upstate New York\, musing on the myriad ways that light\, season\, and perspective can shape appearance in nature. \nBowling constructs her works by using oil paint layered onto matte spackle on wood panel. She often begins with a sketch of a tree from memory\, a photograph\, or observed in nature. After planting the initial image\, she then scrapes away the surface\, responding and rebuilding the painting based on the marks left behind. In addition to brushes\, Bowling uses her hands\, sandpaper\, paper towels\, and other materials that create a tactile experience of creation. Air bubbles\, paint drips\, and other imperfections are incorporated into the work. The resulting images are luminous\, and often soft in focus. While trees remain the central subject\, other images and figures often emerge and fade into the background. \nBowling lives and works in upstate New York and in New York City. She has always found inspiration in forests. Glimpses of water through trees reappear in her work throughout her career\, like a recurring dream. Season and light are also central subjects to Bowling’s work. In Summer Sun\, daylight dapples through leaves and becomes the key presence in the work. In Family\, twilight hues throw stately conifers into striking architectural silhouettes. Dusky blues provide dramatic contrast to autumn leaves in Orange Fall\, and bleak winter grays create shadowy woods in Dark Walk. Amid the landscape that influenced the sweeping vistas of the Hudson River School\, Bowling instead explores the beauty and calm found in ordinary\, steadfast trees
URL:https://artinamericaguide.com/event/katherine-bowling-trees/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T180000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260407T100209
CREATED:20220816T143807Z
LAST-MODIFIED:20220816T143807Z
UID:96196-1662660000-1662667200@artinamericaguide.com
SUMMARY:Julie Speidel | "Shikaku" Sense of Sight
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Shikaku” Sense of Sight\, an exhibition of new works on paper by Julie Speidel. Continuing her practice of hand-rubbed ink on Japanese paper\, Speidel creates compositions of large vibrant shapes that explore the simplicity of two-dimensional art and its power to evoke calm\, balance\, and mystery.
URL:https://artinamericaguide.com/event/julie-speidel-shikaku-sense-of-sight/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/08/CO-12463-Oughaval.jpg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220707T180000
DTEND;TZID=America/Halifax:20220707T200000
DTSTAMP:20260407T100209
CREATED:20220623T155432Z
LAST-MODIFIED:20220623T155432Z
UID:94155-1657216800-1657224000@artinamericaguide.com
SUMMARY:Opening Reception: Organic Matter | Erin Parish\, Andrew Casto\, Peter Gronquist
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Organic Matter\, a dynamic exhibition featuring abstract paintings by Erin Parish\, ceramic sculptures by Andrew Casto\, as well as\, lightbox paintings and reflectoglyphs by Peter Gronquist. Working in different mediums\, each artist explores their own concepts of nature\, time\, chaos\, and order.
URL:https://artinamericaguide.com/event/opening-reception-organic-matter-erin-parish-andrew-casto-peter-gronquist/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition,Virtual Events + Viewing Rooms
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/06/PrincessPhotosynthesiss.jpeg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220512T180000
DTEND;TZID=America/Halifax:20220512T200000
DTSTAMP:20260407T100209
CREATED:20220428T182023Z
LAST-MODIFIED:20220428T182023Z
UID:93441-1652378400-1652385600@artinamericaguide.com
SUMMARY:Opening Reception: Betsy Eby | This is Where I Begin
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce This is Where I Begin\, a new series of large-scale encaustic and oil paintings by Betsy Eby. In this series\, Eby seeks to harness the beauty of musical harmony and the edgy unpredictability of natural wilderness by creating works that look as though the wind itself has flooded the canvases with color and movement.
URL:https://artinamericaguide.com/event/opening-reception-betsy-eby-this-is-where-i-begin/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/04/CO-12255.jpg
ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
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END:VEVENT
END:VCALENDAR