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DTSTART;TZID=America/Halifax:20230615T180000
DTEND;TZID=America/Halifax:20230615T200000
DTSTAMP:20260407T113115
CREATED:20230518T185739Z
LAST-MODIFIED:20230518T185739Z
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SUMMARY:Timothy Schmitz & Michael Schultheis
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce an exhibition of mixed media artworks by Timothy Schmitz and bronze sculptures and paintings by Michael Schultheis. Timothy Schmitz’s works are meditative in nature using color gradients to draw light into the center of the pieces. Michael Schultheis’ sculptures are a graceful dialogue between two stories finding harmony in the meeting point. The luring colors and fluid motion used by both artists are a captivating display of elegance. \nTimothy Schmitz is a Minneapolis based artist who has created a process that is uniquely his own. He starts with a digital composition that is processed through different software programs. After multiple variations\, the digital image is printed and physically manipulated with materials such as emulsions and resin. The result being a seamlessly constructed object that dances on the line of painting and sculpture. Timothy Schmitz finds inspiration for his soft color palette from when he lived in Santa Fe\, New Mexico.  Each work illuminates from the inside radiating the warmth of a sunset. suffuse code 6466\, 2023 begins with a gentle violet color\, diffused across the surface of the work\, settling into a warm pink and orange hue at the bottom. The artist admires the strength found in gentleness and aims to embed that into his work. \nMichael Schultheis is a Seattle based artist. In his practice called Analytical Expressionism\, the artist uses layers of mathematical equations to demonstrate how they can be used as a lens to view and understand human connections.  By using a geometric model that he calls the SoulMate Model\, the artist explores how two people find each other and what it looks like when they start to orbit around one another.  His Venn sculptures\, act as the three dimensional rendering of the brushstrokes found in his paintings. Using the lost-wax casting process of antiquity\, he creates simple\, elegant forms based on a geometric polar curve called a limaçon. Venn Fidelities Coupling stands 8 feet tall\, cast in bronze with a slightly hammered texture which captures the sunlight within the groves. The momentous sculpture is one seamless line that forms a vertical venn diagram set on a pedestal. The middle joins together in an embrace of both circles. These works are a window into the mathematical language of geometric form that Schultheis speaks\, inviting the viewer into a world of numbers and equations.
URL:https://artinamericaguide.com/event/timothy-schmitz-michael-schultheis/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230615T080000
DTEND;TZID=America/Halifax:20230721T170000
DTSTAMP:20260407T113115
CREATED:20230512T200847Z
LAST-MODIFIED:20230512T200847Z
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SUMMARY:Timothy Schmitz and Michael Schultheis
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce an exhibition of mixed media artworks by Timothy Schmitz and bronze sculptures and paintings by Michael Schultheis. Timothy Schmitz’s works are meditative in nature using color gradients to draw light into the center of the pieces. Michael Schultheis’ sculptures are a graceful dialogue between two stories finding harmony in the meeting point. The luring colors and fluid motion used by both artists are a captivating display of elegance. \nTimothy Schmitz is a Minneapolis based artist who has created a process that is uniquely his own. He starts with a digital composition that is processed through different software programs. After multiple variations\, the digital image is printed and physically manipulated with materials such as emulsions and resin. The result being a seamlessly constructed object that dances on the line of painting and sculpture. Timothy Schmitz finds inspiration for his soft color palette from when he lived in Santa Fe\, New Mexico.  Each work illuminates from the inside radiating the warmth of a sunset. suffuse code 6466\, 2023 begins with a gentle violet color\, diffused across the surface of the work\, settling into a warm pink and orange hue at the bottom. The artist admires the strength found in gentleness and aims to embed that into his work.  \nMichael Schultheis is a Seattle based artist. In his practice called Analytical Expressionism\, the artist uses layers of mathematical equations to demonstrate how they can be used as a lens to view and understand human connections.  By using a geometric model that he calls the SoulMate Model\, the artist explores how two people find each other and what it looks like when they start to orbit around one another.  His Venn sculptures\, act as the three dimensional rendering of the brushstrokes found in his paintings. Using the lost-wax casting process of antiquity\, he creates simple\, elegant forms based on a geometric polar curve called a limaçon. Venn Fidelities Coupling stands 8 feet tall\, cast in bronze with a slightly hammered texture which captures the sunlight within the groves. The momentous sculpture is one seamless line that forms a vertical venn diagram set on a pedestal. The middle joins together in an embrace of both circles. These works are a window into the mathematical language of geometric form that Schultheis speaks\, inviting the viewer into a world of numbers and equations. 
URL:https://artinamericaguide.com/event/timothy-schmitz-and-michael-schultheis/
CATEGORIES:Event
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ORGANIZER;CN="Winston Wachter Fine Art":MAILTO:nygallery@winstonwachter.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230427T170000
DTEND;TZID=America/Halifax:20230427T200000
DTSTAMP:20260407T113115
CREATED:20230405T193939Z
LAST-MODIFIED:20230405T193939Z
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SUMMARY:Margeaux Walter | Don't Be A Square
DESCRIPTION:Winston Wachter Fine Art\, New York is excited to announce Don’t Be A Square\, an exhibition of new works by photographer\, Margeaux Walter.  In this series\, the artist expands on her signature style of creating environments that tread a fine line between fantasy and reality while taking a closer look at the natural world.  Walter investigates the current period in history known as the Anthropecene age and how human activity has started to have a significant irreversible impact on the planet’s climate. \nIn December of 2019\, Margeaux Walter began this body of work during a two-week stay in California\, and then continued the series in 2021 when she was awarded the Joshua Tree Highlands Artist Residency. She set out to explore the disconnection between humans and the landscapes around them.  In each of the photographs\, Walter constructs “a glitch in time”\, as if humanity has camouflaged itself into the surrounding land\, yet cannot find harmony.  Each “glitch” is portrayed in the form of a square\, a shape rarely found in nature\, which can be interpreted as a pixel or cubicle. \nThe artist sought out landscapes with depth and saturated in deep hues.  She needed to capture the scenes at just the right time of day while using various props to stage each story and herself as the characters. In the image Backstage\, a sunset of pinks and blues illuminate a rocky foreground. A pink curtain floats in the center of the image\, parted just enough to allow the viewer to see a character dressed to match. The photograph\, Nap\, while it appears to be a still and calm scene\, has someone drifting away on a lake in all blue clothing\, lying in a matching inflatable couch. \nMargeaux Walter plays with the contrast between the striking landscapes and subtle human present imbedded in the image to create a surrealistic tableau. Her work pulls the viewer in\, requiring more than a quick glance\, to spark a second thought about the relationship humans have with the environment and the impact even little changes can make.
URL:https://artinamericaguide.com/event/margeaux-walter-dont-be-a-square/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230309T100000
DTEND;TZID=America/Halifax:20230422T180000
DTSTAMP:20260407T113115
CREATED:20230209T215239Z
LAST-MODIFIED:20230209T215239Z
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SUMMARY:Matt Gagnon | Feeling Color
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce Feeling Color\, an exhibition of light sculptures by Los Angeles based artist\, Matt Gagnon. This is the artist’s first solo exhibition with the New York gallery. Trained as an architect\, Gagnon is deeply interested in the physicality of materials and their ability to conjure feelings along with memories. These works dig to unearth emotional frequencies of color\, material\, and texture by combining glass\, metal\, stone\, wood\, and concrete. The transformative light of the pieces\, built by elements of surface and tone\, invite the viewer into their glow.
URL:https://artinamericaguide.com/event/matt-gagnon-feeling-color/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230112T100000
DTEND;TZID=America/Halifax:20230226T180000
DTSTAMP:20260407T113115
CREATED:20230104T181713Z
LAST-MODIFIED:20230104T181713Z
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SUMMARY:Roses\, Ruffs\, and Reflections | Alicia Brown\, Claire Partington\, Tony Scherman
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Roses\, Ruffs\, and Reflections”\, a group exhibition featuring works by Alicia Brown\, Claire Partington\, and Tony Scherman. Each artist employs traditional techniques and historical styles in distinctly different ways that continues the conversation of the deep-rooted constructs of power and oppression that have been seen throughout generations. The works are hauntingly hopeful and carry the strength of persistence\, wrapped together with a bit of humor in their visions for the future.
URL:https://artinamericaguide.com/event/roses-ruffs-and-reflections-alicia-brown-claire-partington-tony-scherman-2/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230112T080000
DTEND;TZID=America/Halifax:20230226T170000
DTSTAMP:20260407T113115
CREATED:20221222T000057Z
LAST-MODIFIED:20221222T000057Z
UID:101089-1673510400-1677430800@artinamericaguide.com
SUMMARY:Roses\, Ruffs\, and Reflections | Alicia Brown\, Claire Partington\, Tony Scherman
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Roses\, Ruffs\, and Reflections”\, a group exhibition featuring works by Alicia Brown\, Claire Partington\, and Tony Scherman. Each artist employs traditional techniques and historical styles in distinctly different ways that continues the conversation of the deep-rooted constructs of power and oppression that have been seen throughout generations. The works are hauntingly hopeful and carry the strength of persistence\, wrapped together with a bit of humor in their visions for the future. \nIn Imaginary Homelands\, Alicia Brown celebrates the perseverance of migrants who have left their home countries either voluntarily or by force. Brown uses portraiture to tell the stories of friends and family from Jamaica residing in the United States. She combines elements from Jamaican culture including native plants\, animals\, objects\, symbols\, and idioms with elements from Western art and history. In doing so\, Brown examines the duality of who a subject was in their homeland and who they become in order to adapt and survive in a foreign culture. Objects such as Elizabethan ruff collars evoke narratives of power\, control\, and social status\, while native Caribbean plants create an environment of home. In these powerful portraits\, Brown celebrates the ingenuity with which immigrants both adapt to and shape their adopted homes. \nClaire Partington’s mixed-media ceramic sculptures draw from both traditional and contemporary art practices. Referencing portraiture conventions from throughout art history as well as contemporary social media\, Partington humorously comments on constructs of gender and power. Echo and Narcissus are a pair of sculptures inspired by Greek Mythology. Echo\, a mountain nymph who could only repeat the last word that she heard and Narcissus\, who fell in love with his own reflection\, are depicted as teenagers absorbed in their phones. These porcelain and earthenware figures reference not only antiquity but fashionable sculpture from the 18th century. In these and other works\, Partington playfully mixes up imagery from antiquity\, social media\, art history\, folklore\, and fashion to prompt questions about interpretation and narrative\, particularly about women\, and particularly about power.  \nTony Scherman works in the ancient technique of encaustic by layering wax\, oil paint\, and pigments to build deeply expressive paintings. His series\, For all the wise women persecuted as “witches”\, is dedicated to women throughout history to the present day who have been punished for their wisdom\, progressiveness\, or determination. Each piece depicts two roses\, illuminated in an ethereal yellow-green light against a swirling dark ground. The flowers stand out against a depth of darkness as petals\, leaves\, and other elements play and shift along the surface of the painting. The roses are a tribute\, a hopeful beacon of perseverance against the oppression of forward-thinking women.
URL:https://artinamericaguide.com/event/roses-ruffs-and-reflections-alicia-brown-claire-partington-tony-scherman/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T100000
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260407T113115
CREATED:20221012T183440Z
LAST-MODIFIED:20221012T183440Z
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SUMMARY:Katherine Bowling | "Trees"
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present an exhibition of new and recent paintings by Katherine Bowling. The exhibition\, Trees\, marks Bowling’s first solo presentation with the gallery. \nAs a landscape painter\, Bowling finds inspiration in the nature that surrounds her in upstate New York\, musing on the myriad ways that light\, season\, and perspective can shape appearance in nature. \nBowling constructs her works by using oil paint layered onto matte spackle on wood panel. She often begins with a sketch of a tree from memory\, a photograph\, or observed in nature. After planting the initial image\, she then scrapes away the surface\, responding and rebuilding the painting based on the marks left behind. In addition to brushes\, Bowling uses her hands\, sandpaper\, paper towels\, and other materials that create a tactile experience of creation. Air bubbles\, paint drips\, and other imperfections are incorporated into the work. The resulting images are luminous\, and often soft in focus. While trees remain the central subject\, other images and figures often emerge and fade into the background. \nBowling lives and works in upstate New York and in New York City. She has always found inspiration in forests. Glimpses of water through trees reappear in her work throughout her career\, like a recurring dream. Season and light are also central subjects to Bowling’s work. In Summer Sun\, daylight dapples through leaves and becomes the key presence in the work. In Family\, twilight hues throw stately conifers into striking architectural silhouettes. Dusky blues provide dramatic contrast to autumn leaves in Orange Fall\, and bleak winter grays create shadowy woods in Dark Walk. Amid the landscape that influenced the sweeping vistas of the Hudson River School\, Bowling instead explores the beauty and calm found in ordinary\, steadfast trees
URL:https://artinamericaguide.com/event/katherine-bowling-trees/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220908T180000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260407T113115
CREATED:20220816T143807Z
LAST-MODIFIED:20220816T143807Z
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SUMMARY:Julie Speidel | "Shikaku" Sense of Sight
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Shikaku” Sense of Sight\, an exhibition of new works on paper by Julie Speidel. Continuing her practice of hand-rubbed ink on Japanese paper\, Speidel creates compositions of large vibrant shapes that explore the simplicity of two-dimensional art and its power to evoke calm\, balance\, and mystery.
URL:https://artinamericaguide.com/event/julie-speidel-shikaku-sense-of-sight/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220707T180000
DTEND;TZID=America/Halifax:20220707T200000
DTSTAMP:20260407T113115
CREATED:20220623T155432Z
LAST-MODIFIED:20220623T155432Z
UID:94155-1657216800-1657224000@artinamericaguide.com
SUMMARY:Opening Reception: Organic Matter | Erin Parish\, Andrew Casto\, Peter Gronquist
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Organic Matter\, a dynamic exhibition featuring abstract paintings by Erin Parish\, ceramic sculptures by Andrew Casto\, as well as\, lightbox paintings and reflectoglyphs by Peter Gronquist. Working in different mediums\, each artist explores their own concepts of nature\, time\, chaos\, and order.
URL:https://artinamericaguide.com/event/opening-reception-organic-matter-erin-parish-andrew-casto-peter-gronquist/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition,Virtual Events + Viewing Rooms
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220512T180000
DTEND;TZID=America/Halifax:20220512T200000
DTSTAMP:20260407T113115
CREATED:20220428T182023Z
LAST-MODIFIED:20220428T182023Z
UID:93441-1652378400-1652385600@artinamericaguide.com
SUMMARY:Opening Reception: Betsy Eby | This is Where I Begin
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce This is Where I Begin\, a new series of large-scale encaustic and oil paintings by Betsy Eby. In this series\, Eby seeks to harness the beauty of musical harmony and the edgy unpredictability of natural wilderness by creating works that look as though the wind itself has flooded the canvases with color and movement.
URL:https://artinamericaguide.com/event/opening-reception-betsy-eby-this-is-where-i-begin/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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END:VEVENT
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