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DTSTART;TZID=America/Halifax:20230112T080000
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DTSTAMP:20260407T130839
CREATED:20221222T000057Z
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SUMMARY:Roses\, Ruffs\, and Reflections | Alicia Brown\, Claire Partington\, Tony Scherman
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Roses\, Ruffs\, and Reflections”\, a group exhibition featuring works by Alicia Brown\, Claire Partington\, and Tony Scherman. Each artist employs traditional techniques and historical styles in distinctly different ways that continues the conversation of the deep-rooted constructs of power and oppression that have been seen throughout generations. The works are hauntingly hopeful and carry the strength of persistence\, wrapped together with a bit of humor in their visions for the future. \nIn Imaginary Homelands\, Alicia Brown celebrates the perseverance of migrants who have left their home countries either voluntarily or by force. Brown uses portraiture to tell the stories of friends and family from Jamaica residing in the United States. She combines elements from Jamaican culture including native plants\, animals\, objects\, symbols\, and idioms with elements from Western art and history. In doing so\, Brown examines the duality of who a subject was in their homeland and who they become in order to adapt and survive in a foreign culture. Objects such as Elizabethan ruff collars evoke narratives of power\, control\, and social status\, while native Caribbean plants create an environment of home. In these powerful portraits\, Brown celebrates the ingenuity with which immigrants both adapt to and shape their adopted homes. \nClaire Partington’s mixed-media ceramic sculptures draw from both traditional and contemporary art practices. Referencing portraiture conventions from throughout art history as well as contemporary social media\, Partington humorously comments on constructs of gender and power. Echo and Narcissus are a pair of sculptures inspired by Greek Mythology. Echo\, a mountain nymph who could only repeat the last word that she heard and Narcissus\, who fell in love with his own reflection\, are depicted as teenagers absorbed in their phones. These porcelain and earthenware figures reference not only antiquity but fashionable sculpture from the 18th century. In these and other works\, Partington playfully mixes up imagery from antiquity\, social media\, art history\, folklore\, and fashion to prompt questions about interpretation and narrative\, particularly about women\, and particularly about power.  \nTony Scherman works in the ancient technique of encaustic by layering wax\, oil paint\, and pigments to build deeply expressive paintings. His series\, For all the wise women persecuted as “witches”\, is dedicated to women throughout history to the present day who have been punished for their wisdom\, progressiveness\, or determination. Each piece depicts two roses\, illuminated in an ethereal yellow-green light against a swirling dark ground. The flowers stand out against a depth of darkness as petals\, leaves\, and other elements play and shift along the surface of the painting. The roses are a tribute\, a hopeful beacon of perseverance against the oppression of forward-thinking women.
URL:https://artinamericaguide.com/event/roses-ruffs-and-reflections-alicia-brown-claire-partington-tony-scherman/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T100000
DTEND;TZID=America/Halifax:20230107T180000
DTSTAMP:20260407T130839
CREATED:20221012T183440Z
LAST-MODIFIED:20221012T183440Z
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SUMMARY:Katherine Bowling | "Trees"
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present an exhibition of new and recent paintings by Katherine Bowling. The exhibition\, Trees\, marks Bowling’s first solo presentation with the gallery. \nAs a landscape painter\, Bowling finds inspiration in the nature that surrounds her in upstate New York\, musing on the myriad ways that light\, season\, and perspective can shape appearance in nature. \nBowling constructs her works by using oil paint layered onto matte spackle on wood panel. She often begins with a sketch of a tree from memory\, a photograph\, or observed in nature. After planting the initial image\, she then scrapes away the surface\, responding and rebuilding the painting based on the marks left behind. In addition to brushes\, Bowling uses her hands\, sandpaper\, paper towels\, and other materials that create a tactile experience of creation. Air bubbles\, paint drips\, and other imperfections are incorporated into the work. The resulting images are luminous\, and often soft in focus. While trees remain the central subject\, other images and figures often emerge and fade into the background. \nBowling lives and works in upstate New York and in New York City. She has always found inspiration in forests. Glimpses of water through trees reappear in her work throughout her career\, like a recurring dream. Season and light are also central subjects to Bowling’s work. In Summer Sun\, daylight dapples through leaves and becomes the key presence in the work. In Family\, twilight hues throw stately conifers into striking architectural silhouettes. Dusky blues provide dramatic contrast to autumn leaves in Orange Fall\, and bleak winter grays create shadowy woods in Dark Walk. Amid the landscape that influenced the sweeping vistas of the Hudson River School\, Bowling instead explores the beauty and calm found in ordinary\, steadfast trees
URL:https://artinamericaguide.com/event/katherine-bowling-trees/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition
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DTSTART;TZID=America/Halifax:20220908T180000
DTEND;TZID=America/Halifax:20220908T200000
DTSTAMP:20260407T130839
CREATED:20220816T143807Z
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SUMMARY:Julie Speidel | "Shikaku" Sense of Sight
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present “Shikaku” Sense of Sight\, an exhibition of new works on paper by Julie Speidel. Continuing her practice of hand-rubbed ink on Japanese paper\, Speidel creates compositions of large vibrant shapes that explore the simplicity of two-dimensional art and its power to evoke calm\, balance\, and mystery.
URL:https://artinamericaguide.com/event/julie-speidel-shikaku-sense-of-sight/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20220707T180000
DTEND;TZID=America/Halifax:20220707T200000
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CREATED:20220623T155432Z
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SUMMARY:Opening Reception: Organic Matter | Erin Parish\, Andrew Casto\, Peter Gronquist
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to present Organic Matter\, a dynamic exhibition featuring abstract paintings by Erin Parish\, ceramic sculptures by Andrew Casto\, as well as\, lightbox paintings and reflectoglyphs by Peter Gronquist. Working in different mediums\, each artist explores their own concepts of nature\, time\, chaos\, and order.
URL:https://artinamericaguide.com/event/opening-reception-organic-matter-erin-parish-andrew-casto-peter-gronquist/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Event,Exhibition,Virtual Events + Viewing Rooms
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DTSTART;TZID=America/Halifax:20220512T180000
DTEND;TZID=America/Halifax:20220512T200000
DTSTAMP:20260407T130839
CREATED:20220428T182023Z
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SUMMARY:Opening Reception: Betsy Eby | This is Where I Begin
DESCRIPTION:Winston Wächter Fine Art\, New York is pleased to announce This is Where I Begin\, a new series of large-scale encaustic and oil paintings by Betsy Eby. In this series\, Eby seeks to harness the beauty of musical harmony and the edgy unpredictability of natural wilderness by creating works that look as though the wind itself has flooded the canvases with color and movement.
URL:https://artinamericaguide.com/event/opening-reception-betsy-eby-this-is-where-i-begin/
LOCATION:Winston Wächter Fine Art\, 530 W 25th St\, New York\, New York\, 10001
CATEGORIES:Exhibition
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