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DTSTART;TZID=America/New_York:20260129T110000
DTEND;TZID=America/New_York:20260330T170000
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SUMMARY:Richard Hambleton: Momentum
DESCRIPTION:Woodward Gallery opens the new year with Richard Hambleton: Momentum\, an exhibition of works spanning 1982 – 2007. This selection brings together key bodies of work\, including Beautiful Paintings\, Shadowman\, and Burning Merit\, to trace movement as a persistent and driving force throughout Hambleton’s practice. Hambleton achieved the impossible: capturing the illusion of motion on canvas. Gesture\, layering\, and atmosphere generate an almost kinetic energy that invites viewers to experience the animated textures depicted in Hambleton’s paintings. Through his various styles of painting\, Hambleton’s work embodies movement as energized momentum. \n  \nRichard Hambleton approached painting as an act of immediacy and intention. Working in spontaneous bursts\, he translated emotional and physical states directly onto the surface. His practice was deeply participatory\, shaped by a belief that art functions as both a psychological and sociological encounter. Materials were mixed intuitively\, varnishes\, pigments\, and unconventional substances layered in ways that reveal the artist’s inner state. Nothing in Hambleton’s work is static; everything is in motion. \n  \nThe Beautiful Paintings\, including Priscilla (2006) and Magdalena (2007)\, evoke the qualities of dawn and dusk. Incorporating silver leaf\, these dramatic seascape works function as immersive experiences. Once presented in David Rockefeller’s art gallery at Rockefeller State Park Preserve\, these works underscore Hambleton’s capacity to channel stillness\, depth\, and quiet momentum\, an encounter that lingers well beyond the first viewing. \n  \nIn Malibu (1986)\, a stark black monolith\, an ancient symbol of life and transcendence\, is intended to be an entry point to heaven. Acting simultaneously as barrier and passage\, this foreboding rectangle shields the viewer from the sun’s intensity while also offering entry into it. In this and related works\, Hambleton’s use of vertical black lines functions as collapsed shadows\, a modern element he sometimes added\, both an echo of Hambleton’s iconic figures and a conceptual homage to Abstract Expressionist Barnett Newman. \n  \nAnother significant body of work in the exhibition centers on horse-and-rider imagery. Drawing from cigarette advertising\, most notably the Marlboro Man\, Hambleton critiqued American hypermasculinity and the commodification of identity. Instead of a cool-looking cowboy\, Hambleton painted the Marlboro Man as a shadowy silhouette\, symbolizing the dangers of smoking. Reappropriating the ads\, Richard sometimes embedded actual tobacco into the paint\, confronting seduction and toxicity simultaneously. \n  \nThe Burning Merit series critiques vintage Merit cigarette advertisements\, replacing the fantasized image of a ship full of happy smokers\, with a dark parody of this same ship on fire from a stray lit cigarette. Through the explosive imagery of a burning ship\, momentum is harnessed. Romanticization of cigarette addiction and the catastrophic effects of smoking culture collide. \n  \nFreiburg (1982)\, a striking Shadowman painting\, depicts an exploding white figure suspended in motion. Like the broader Shadowman series\, originally conceived as urban interventions\, this work captures sudden presence\, psychological tension\, and the shock of encounter. The figure feels alive\, erupting into the viewer’s space with urgency and force. \n  \nTogether\, the Beautiful Paintings\, Shadowman\, and Burning Merit works reveal Hambleton’s engagement with nature and the human psyche. Momentum emerges not only as physical movement\, but as something accumulated\, lived\, and carried forward\, an enduring force that defines Hambleton’s legacy. Richard Hambleton’s art carries the viewer beyond the canvas\, where their momentum continues to unfold long after the encounter ends. \n  \nRichard Hambleton: Momentum is on view at Woodward Gallery’s 132A Eldridge Street location from late January throughout March 2026\, also available on our website\, and as a Viewing Room on Artsy.net. We welcome you to join us in person or online this winter. \n 
URL:https://artinamericaguide.com/event/richard-hambleton-momentum/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20251117T190000
DTEND;TZID=America/New_York:20251117T210000
DTSTAMP:20260525T014615
CREATED:20251201T211159Z
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SUMMARY:Play Reading- A Part Of the Noise- based on the life and times of FRANZ KLINE
DESCRIPTION:Join us Monday\, November 17th\, 7pm at the Theater For The New City for a reading of A Part Of the Noise- based on the life and times of Franz Kline– Written by Carl Kline\, Directed by Joe Battista \nTHEATER FOR THE NEW CITY\n155 First Avenue (between 9th & 10th Street)\nNew York\, NY 10003 \nThe year is 1959\, and Franz’ art dealer\, Sidney Janis\, refuses to include his new color abstractions in an upcoming one-man show. Franz wants to include two new ones and Sidney threatens that if he does\, this will be his last show at his gallery! Later\, at the Cedar Tavern\, Franz’ interview with young art critic Artie Mendelbaum starts a roller coaster ride of stories\, surprises\, and a cavalcade of emotions ranging from grief to laughter.\nThe show at Sidney’s gallery presents a twist involving his biggest collector\, a couple of disguises\, and Sidney.
URL:https://artinamericaguide.com/event/play-reading-a-part-of-the-noise-based-on-the-life-and-times-of-franz-kline/
CATEGORIES:Event
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DTSTART;VALUE=DATE:20251103
DTEND;VALUE=DATE:20260108
DTSTAMP:20260525T014615
CREATED:20251105T182734Z
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SUMMARY:To Grandmother's House We Go-- The Art of Travel
DESCRIPTION:To Grandmother’s House We Go – The Art of Travel\n\n\nAn Artsy Online Exclusive Exhibition Celebrating the Journey Through Art\nFeaturing works by Jose Aurelio Baez\, Robert Indiana\, Margaret Morrison\, Kenji Nakayama\, Drew Roth\, Swoon and Andy Warhol. \n[New York City\, NY] – Woodward Gallery presents To Grandmother’s House We Go – The Art of Travel\, a vibrant and evocative online group exhibition that explores the romance\, nostalgia\, and spirit of travel through the distinct lenses of six contemporary and modern artists. Featuring original paintings and prints by Margaret Morrison\, Drew Roth\, Robert Indiana\, Jose Aurelio Baez\, Kenji Nakayama\, and Swoon\, the exhibition celebrates modes of transportation—trains\, cars\, subways\, and imagined escapes—as metaphors for movement\, memory\, and personal journey. \nFrom Robert Indiana’s iconic graphic symbols to Drew Roth’s primitive-expressionist dreamscapes\, each artist offers a unique interpretation of what it means to be in motion—physically\, emotionally\, and creatively. Margaret Morrison brings surreal vision to travel imagery rooted in personal and cultural nostalgia. Jose Aurelio Baez’s layered urban iconography speaks to the cultural dislocation and hybrid journeys of modern life\, while Kenji Nakayama’s meticulous stencil and sign work evoke the American roadside\, echoing themes of migration\, labor\, and discovery. \nSwoon’s Red Riding Hood transports viewers to a realm where fairy tale and urban reality intersect. Her intricately cut portrait evokes both vulnerability and strength\, capturing the layered experience of women navigating spaces that are at once mythic\, dangerous\, and empowering. \nThis exhibition invites viewers to consider the aesthetics and meanings of travel—not only as a destination-driven act\, but as an emotional and symbolic experience. Whether a literal ride to a grandparent’s home or a conceptual passage through time\, To Grandmother’s House We Go draws together six distinct voices in a dynamic exploration of how we move through the world—and how those movements shape who we are. \nAbout the Artists:\n•   Robert Indiana: A leading figure in American Pop Art\, known for his bold text-based prints and sculptures\, including the iconic LOVE.\n•   Margaret Morrison: Celebrated for her lush\, imaginative still lifes and narratives that merge childhood memory with fantasy. This body of work emerges from her Zen of Driving series\, where time behind the wheel becomes a space for reflection.\n•   Drew Roth: A Cleveland-born\, SoHo-based painter whose tribal-infused expressionist works capture inner vision and motion.\n•   Jose Aurelio Baez: A Dominican-American artist whose multi-layered compositions explore migration\, identity\, and cultural hybridity.\n•   Kenji Nakayama: Japanese-born\, Boston-based painter and sign artist known for hyper-detailed hand-cut stencils and Americana motifs.\n•   Swoon: Internationally acclaimed for her socially engaged street art\, cut-paper portraits\, and feminist narratives that fuse myth\, community\, and activism. \n\n\n.
URL:https://artinamericaguide.com/event/to-grandmothers-house-we-go-the-art-of-travel/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Art Fair
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DTSTART;VALUE=DATE:20250913
DTEND;VALUE=DATE:20251102
DTSTAMP:20260525T014615
CREATED:20250911T173612Z
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SUMMARY:Re: View
DESCRIPTION:Woodward Gallery Presents: “Re: View” \nGroup Exhibition  \nSeptember – October 2025 \nFeaturing:\n Rine Boyer • Thomas Buildmore • Sybil Gibson • Richard Hambleton\n Sarah Hauser • Alex Katz • Bill Martin • Frank Foster Post\n Skewville • Stikman • Swoon • Andy Warhol \n  \nThis Fall\, Woodward Gallery is pleased to present Re: View\, a group exhibition examining how the meaning of artwork evolves\, and how the very act of looking can transform what we see. \nOn view at the Gallery’s Lower East Side location\, Re: View brings together a multigenerational roster of artists whose works\, when experienced today\, resonate with renewed significance. \nFrom the raw immediacy of street art to the formal clarity of studio painting\, the exhibition spans both historic and contemporary practices. Together\, these works invite reflection on how artistic meaning shifts as cultural context changes—what once felt familiar may now appear urgent\, unsettling\, or newly relevant. \nRe: View will be on view September through October 2025 at Woodward Gallery\, 132A Eldridge Street\, New York City. The exhibition is accessible 24/7 in our street-level windows\, by appointment\, on our website\, and on Artsy.net (https://www.artsy.net/viewing-room/woodward-gallery-re-view?utm_content=viewing-room-gallery-share). \n 
URL:https://artinamericaguide.com/event/re-view/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250525T080000
DTEND;TZID=America/New_York:20250731T170000
DTSTAMP:20260525T014615
CREATED:20250623T200120Z
LAST-MODIFIED:20250623T200120Z
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SUMMARY:Spring Salon
DESCRIPTION:New York City\, May – July 2025 — As the city blossoms into spring\, Woodward Gallery invites you to \nexperience the season’s renewal through its Spring Salon Group Exhibition\, a lively and evocative \ncelebration of modern and contemporary art. \nBrimming with energy and inspiration\, this curated collection brings together an extraordinary range of \nartistic voices\, from iconic pioneers to trailblazing contemporaries. Featured artists include: Jean-Michel \nBasquiat\, Susan Breen\, Cosbe\, David FeBland\, Sabina Forbes II\, Richard Hambleton\, Keith Haring\, Jasper \nJohns\, Franz Kline\, Sol LeWitt\, Mark Mastroianni\, Joan Mitchell/ Walasse Ting\, Moody\, Margaret \nMorrison\, Roycer\, Stikman. \nLike the season\, Spring Salon is a study in contrast and harmony\, where bold graffiti meets lyrical \nabstraction\, and still lifes bloom alongside avant-garde expression. The salon format offers a bridge \nbetween artworks and eras\, offering a fresh perspective on the blossoming language of art. \n“We wanted to create an exhibition that celebrates the spirit of the salon—curated yet eclectic\, \nhistorical yet current\,” says John Woodward\, Woodward Gallery’s Director. \n“The Spring Salon is an homage to the power of art to speak across time\, style\, and sensibility- a season of change.” This exhibition runs from May to July 2025 at Woodward Gallery\, located at 132A Eldridge Street\, NYC\, \navailable 24/7\, in our street-level windows\, by appointment\, on our website\, and Artsy.net.
URL:https://artinamericaguide.com/event/spring-salon/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
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DTSTART;TZID=America/New_York:20241210T090000
DTEND;TZID=America/New_York:20250328T170000
DTSTAMP:20260525T014615
CREATED:20241202T215213Z
LAST-MODIFIED:20241209T044351Z
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SUMMARY:Franz Kline | Richard Hambleton: Portraits and Shadows
DESCRIPTION:Franz Kline | Richard Hambleton: Portraits and Shadows \nDecember 2024 – March 2025 \nWoodward Gallery at Down Town Association\, 60 Pine Street\, NYC \n  \nThe culmination of Woodward Gallery’s 30th Anniversary year-long celebration is the much anticipated\, two-person exhibition\, featuring “Franz Kline | Richard Hambleton: Portraits and Shadows.” This comparison of work\, though a generation apart\, examines these artistic geniuses with so much in common. Curated by John Woodward\, this exhibition pairs rare\, intimate portraits by Abstract Expressionist Franz Kline (1910 – 1962) with never-before-seen shadow paintings by Conceptual Artist Richard Hambleton (1952 – 2017). The soul of the individual is strongly communicated in both styles. \n  \nKline attended Boston University (1931 – 1935)\,  Pennsylvania Academy of Fine Arts/PAFA\, (1935 – 1936)\, and the Leeds School of Art in England (1937 – 1938). Kline was a confirmed New Yorker\, but had roots that he never forgot in the gritty Coal Country of Eastern Pennsylvania. He studied at the Boston Art Students League\, which stressed figure drawing. His cartoon drawing was widely popular with faculty and students in High School\, but it was at the League that he mastered his style in character studies. \n  \nArt and beer were compatible for Kline. Often in the 1940s\, in the hopes of earning a few dollars\, he sketched people who\, like himself\, frequented the Cedar Bar and Minetta Tavern in NYC. His character drawings\, like “Nellie\,” done at the Minetta Tavern\, were not distorted as caricatures\, but heightened with Kline’s ability to select the most descriptive features of the sitting subject. \n  \nKline and Hambleton liked to paint at night\, always keeping late hours and sleeping during the daytime. Hambleton worked in darkness from an abandoned gas station (Avenue B and 2nd Street) while Kline found life at the Cedar Bar (24 University Place) and Minetta Tavern (113 MacDougal Street) to form his subjects when these portraits were created. \n  \nRichard Hambleton attended The Vancouver School of Art (later renamed the Emily Carr University of Art and Design) in Vancouver\, Canada (1971 – 1975)\, where he was exposed to a variety of art movements. He relocated to NYC in 1976\, where he lived for the rest of his life. In the early 1980s\, Richard traveled extensively to cities throughout the world\, placing hundreds of shadow figures and engaging the public to observe and accept the fragility of being. While still in school\, he learned an early folk art technique from an old woman in Vancouver\, to quickly cut black paper into a person’s silhouette. This led to the spontaneous Shadow Head Portraits that Richard realized he could paint for barter\, trade\, or quick cash.  \n  \nEach artist gave life to the character subjects in their portraits. Hambleton extracted a person’s kinetic energy by splattering paint\, capturing the personality of the real individual’s shadow. Richard trusted black paint to create the silhouettes that he became known for. Similarly\, Kline was dedicated to revealing beauty through portraiture. Both Kline and Hambleton successfully recorded the personality of their portraits\, but had different methods. Kline would draw his subject in the moment\, whereas Hambleton painted from memory. \n  \nBoth Franz and Richard began their successful art journeys with their first solo exhibitions in NYC— Kline at the Egan Gallery in 1950\, and Hambleton at Alexander Milliken Gallery in 1982. Considered the most prestigious cultural event in the world\, the Venice Biennale featured Kline in 1960\, and Hambleton in 1984. \n  \nKline and Hambleton were serious\, committed artists who both lived under extreme conditions\, sometimes even without food or water. Both artists generally isolated themselves to create\, but were often surrounded by muses. Yes\, Kline and Hambleton had magnetic personalities and were charismatic people\, but used portraiture as a medium to connect— many times\, in order to make money to survive. \n  \nThey never gave up their studios or the harsh conditions of NYC. Each was evicted multiple times for being unable to pay the rent. They continually had to find new space in which to create. Franz rolled newspapers to burn to stay warm in the colder seasons. Richard would maintain heat with a small space heater and a self-customized\, white lab coat. \n  \nIn a fascinating parallel of fate\, both artists within their respective periods\, were each able to befriend the two most influential artists of their times; Kline found Willem de Kooning and Jackson Pollock in the 1940s\, and Hambleton found Jean-Michel Basquiat and Keith Haring in the 1980s. Both artistic trios were successfully recognized in NYC and eventually\, worldwide. The 20th-century art patrons\, and founders of the Museum of Modern Art\, the Rockefellers purchased art from both Kline and Hambleton. Blanchett Ferry Rockefeller bought “Chief\,” named after a locomotive inspired by Kline’s childhood\, in 1952. David Rockefeller bought “Julia\,” named after the Woodward Gallery owners’ only daughter\, who was a child at the time\, in 2013. \n  \nIn 1959\, American photographer\, Irving Penn\, captured a group of invited artists\, including Franz Kline\, for “The New American Painting” exhibition at the MoMA\, NY. Later\, in 1984\, Timothy Greenfield-Sanders staged a nearly-identical photograph of the then-current artists\, “The New Irascibles\,” including Richard Hambleton\, for Arts Magazine and Art Forum. \n  \nAfter the end of their lives\, each artist was honored with a featured obituary in the New York Times: Franz Kline on May 15\, 1962\, and Richard Hambleton on November 4th\, 2017. Despite their differing eras\, both artists are now considered iconic figures of 20th-century American art. \n  \nThe presentation of works in “Franz Kline | Richard Hambleton: Portraits and Shadows” elucidates how each artist gave life to their portraits\, successfully recording the character of their subjects\, through observation and memory. \n  \nWoodward Gallery’s “Franz Kline | Richard Hambleton: Portraits and Shadows” exhibition is on view\, by appointment\, at 60 Pine Street\, at WoodwardGallery.net\, on Artsy.net\, and as a virtual Artsy Viewing Room. A digital catalogue will be published to coincide with this exhibition. Additionally\, this exhibition will travel to museums\, with locations to be announced. \n 
URL:https://artinamericaguide.com/event/franz-kline-richard-hambleton-portraits-and-shadows/
LOCATION:Woodward Gallery at Downtown Association\, 60 Pine Street\, NYC\, 60 Pine Street\, 3rd Floor\, New York\,\, NY\, 10005\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241010T180000
DTEND;TZID=America/New_York:20241010T200000
DTSTAMP:20260525T014615
CREATED:20241001T145949Z
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SUMMARY:VAL KILMER & HIRO ICHIKAWA Spirit World Biology
DESCRIPTION:Val Kilmer & Hiro Ichikawa: Spirit World Biology\n\n\n\n\n\n\n\n\n\n🔊 Listen to Post \nVal Kilmer & Hiro Ichikawa\nSpirit World Biology\nTwo Person Exhibition\nSeptember – October 2024\nThe Down Town Association (60 Pine Street\, NYC) \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGallery Reception\, Thursday\, October 10th from 6-8pm\n\n\n\n\n\n\n\n\n\n\n\n\n\nNew York\, NY – Woodward Gallery is delighted to announce the opening of “Spirit World Biology\,” a compelling two-person exhibition featuring original paintings by Val Kilmer and the late Hiro Ichikawa. The exhibition will be held from September to October 2024 at Woodward Gallery’s exhibition space at 60 Pine Street\, The Down Town Association\, NYC. \nVal Kilmer’s contributions to the exhibition showcase his distinctive style of gestural abstractions\, which is deeply inspired by the natural world. Renowned for his iconic film roles\, Kilmer imbues his abstract paintings with a contemporary allure\, often employing metal instead of traditional wood. Similarly to the gravitational pull of a black hole\, Kilmer’s artworks beckon viewers into expansive\, infinite spaces\, inviting contemplation of depth and meaning. \n“Hiro Ichikawa’s oil paintings\,” remarked gallery owner John Woodward\, “reflect a serene fusion of delicate brushwork and vibrant earth tones.” Crafted on birch panels\, Ichikawa’s compositions draw inspiration from satellite imagery and human migration patterns\, offering a spiritual journey through luminescent colors and meticulous dotting techniques. His art captures the interconnectedness of natural and spiritual realms\, inviting viewers to explore the profound beauty of the world around us. \n“Spirit World Biology” celebrates the artistic brilliance of both Kilmer and Ichikawa\, offering a transformative sanctuary for introspection and exploration. This exhibition promises to captivate art enthusiasts and collectors alike\, presenting a profound exploration of unseen dimensions through the eyes of two masterful artists. \nPlease visit us\, in-person\, by appointment at our 60 Pine Street location\, online at WoodwardGallery.net\, and through a virtual Exhibition Viewing Room on ARTSY.net.
URL:https://artinamericaguide.com/event/val-kilmer-hiro-ichikawa-spirit-world-biology-2/
LOCATION:Woodward Gallery at Downtown Association\, 60 Pine Street\, NYC\, 60 Pine Street\, 3rd Floor\, New York\,\, NY\, 10005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240912T090000
DTEND;TZID=America/New_York:20241101T170000
DTSTAMP:20260525T014615
CREATED:20240912T151135Z
LAST-MODIFIED:20240912T151135Z
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SUMMARY:VAL KILMER & HIRO ICHIKAWA Spirit World Biology
DESCRIPTION:New York\, NY – Woodward Gallery is delighted to announce the \nopening of Spirit World Biology\, a compelling two-person exhibition \nfeaturing original paintings by Val Kilmer and the late Hiro Ichikawa. \nThe exhibition runs from September through October\, 2024 at \nWoodward Gallery’s exhibition space at the Down Town Association\, \n60 Pine Street\, NYC. \nVal Kilmer’s contributions to the exhibition showcase his distinctive \nstyle of gestural abstractions\, which is deeply inspired by the natural \nworld. Renowned for his iconic film roles\, Kilmer imbues his abstract \npaintings with a contemporary allure\, often employing metal instead \nof traditional wood. Similarly to the gravitational pull of a black hole\, \nKilmer’s artworks beckon viewers into expansive\, infinite spaces\, \ninviting contemplation of depth and meaning. \nHiro Ichikawa’s oil paintings reflect a serene fusion of delicate brushwork and vibrant earth \ntones. Crafted on birch panels\, Ichikawa’s compositions draw inspiration from satellite imagery \nand human migration patterns\, offering a spiritual journey through luminescent colors and \nmeticulous dotting techniques. His art captures the interconnectedness of natural and spiritual \nrealms\, inviting viewers to explore the profound beauty of the world \naround us. \nSpirit World Biology celebrates the artistic brilliance of both Kilmer \nand Ichikawa\, offering a transformative sanctuary for introspection \nand exploration. This exhibition promises to captivate art enthusiasts \nand collectors alike\, presenting a profound exploration of unseen \ndimensions through the eyes of two masterful artists. \nPlease visit us\, in-person\, by appointment at our 60 Pine Street \nlocation\, online at WoodwardGallery.net and in the virtual Viewing Room on Artsy.net
URL:https://artinamericaguide.com/event/val-kilmer-hiro-ichikawa-spirit-world-biology/
LOCATION:Woodward Gallery at Downtown Association\, 60 Pine Street\, NYC\, 60 Pine Street\, 3rd Floor\, New York\,\, NY\, 10005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240910
DTEND;VALUE=DATE:20241104
DTSTAMP:20260525T014615
CREATED:20240912T151135Z
LAST-MODIFIED:20240912T151135Z
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SUMMARY:JAMIE HEWLETT: Tarot
DESCRIPTION:This Fall\, Woodward Gallery proudly presents an online exhibition featuring Jamie Hewlett’s first- \nedition TAROT series\, from his acclaimed “The Suggestionists” collection. Known for his playful \nand provocative approach\, Hewlett injects a dose of sly absurdity into the mystical and arcane \nworld of tarot. \nJamie Hewlett\, renowned for his groundbreaking work across comics\, visual arts\, and music\, \nfirst gained acclaim with the iconic comic book series\, Tank Girl. His innovative spirit further \nmanifested in his collaboration with Damon Albarn on the virtual band\, Gorillaz\, where Hewlett \ncrafted the distinct personas and universe of the band. In recognition of his pioneering work\, \nhe was named “Designer of the Year” by the Design Museum in 2006. Hewlett’s debut solo \nexhibition at London’s Saatchi Gallery in 2015\, which later traveled to New York City’s Woodward \nGallery in 2016\, established him as a significant force in contemporary art. \nIn this series\, Hewlett draws inspiration from the esoteric and vividly surreal world of tarotica\, \nbuilding upon Alejandro Jodorowsky’s reinterpretation of the Tarot de Marseille—a deck \nJodorowsky regards as the quintessential Tarot. Hewlett’s 22 oversized tarot cards marry \nJodorowsky’s psycho-shamanic vision with Hewlett’s own irreverent and audacious style. \nThe series features Hewlett’s signature characters in unexpected roles; for example\, in “La Roue \nDe Fortune”\, whimsical creatures traverse the card\, while “L’Amoureux” captures the poignant \nemotional complexity of its subject. In a playful twist\, a trademark monkey takes the place of the \ntraditional dog in “Le Mat.” \nHewlett’s success lies in his seamless integration of comic book art\, animation\, and music \nvisuals\, creating culturally resonant and influential works. His ability to bridge diverse artistic \ndisciplines continues to shape and inspire contemporary art and pop culture. \nPlease join us this Fall for an exploration of Jamie Hewlett’s imaginative and boundary-pushing \nTAROT series\, exclusively online at Woodward Gallery\, and the virtual ARTSY.net Viewing Room.
URL:https://artinamericaguide.com/event/jamie-hewlett-tarot/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240422T100000
DTEND;TZID=America/New_York:20240731T170000
DTSTAMP:20260525T014615
CREATED:20240422T150718Z
LAST-MODIFIED:20240422T150718Z
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SUMMARY:12 in 24
DESCRIPTION:12 in 24  \nGroup Exhibition \nWoodward Gallery  \n60 Pine Street\, NYC at the Down Town Association \nApril – July 2024 \n  \n  \nWoodward Gallery presents 12 in 24\, a powerful selection of work by 12 artists\, in the year 2024. For the first time\, this respected group will be exhibited together\, at the Down Town Association (60 Pine Street\, NYC). On a clockface\, there are 12 numbers\, with a total of 24 hours in a day. Through painting\, collage\, and sculpture\, the temporal pattern that unites these artworks together is how each Artist\, during a particular moment in their lives\, developed their art. By encouraging viewers to further examine their creations\, up close\, each of the 12 Artists reveal a hidden message for the curious to find. \n  \nBy 1985\, Richard Hambleton found creative control of the weather with this magnificent\, fiery-red sunset\, over a stormy seascape. From his studio window\, he envisioned rain on a canvas\, developing a new painting technique to make weather last forever. \n  \nSwedish Artist and comedian\, Peter Apelgren\, reveals his wit by the early 1990s. He satires a figure\, all alone at a wedding\, in a tropical location. \n  \nIn the mid-1990s\, Dupont and Medvedz produced an exquisite corpse\, starting with a tapestry design of scenery\, leading to signal fires\, emanating from a village of homes and hope\, in one area\, with a radiant sun. This could be Anywhere. \n  \nEarly in his art career\, Robert Medvedz combined design elements for the viewer to invent a narrative of their own\, from his relationship of painted symbols and collage.  \n  \nSusan Breen initiated a series of work in 2007\, focusing on the universal need to heal and a visual representation of what that could look like. Influenced by Mandalic symbology\, botany\, physics\, Eastern philosophy\, and medicine\, her oil paintings encourage possibility and optimism\, where neither comes too freely. \n  \nIn the late 2000s\, Robert Indiana wanted to encourage the next generation to stay strong in the face of the global challenges ahead. The word\, “HOPE\,” was a symbolic catalyst for change. With its forward-leaning “O\,” the word\, “HOPE\,” represents perseverance and pushing ahead toward a brighter future.  \n  \nSabina Forbes II was inspired by the vitality\, development\, and the habitat of New York City life. Her combination of vivid color\, intricate patterns\, and dynamic texture evokes the endurance of positivity. \n  \nIn 2016\, for muralist BK Foxx’s first solo gallery exhibition\, she painted a swan\, floating across the canvas with its wings confidently extended\, like a prize fighter. She’s a Featherweight. \n  \nWhile in isolation\, during the 2020 global pandemic\, Moody hand-painted geometric abstractions. His joined circuits symbolically keep us connected\, even when we’re physically apart. \n  \n Cosbe conveys the emotional complexity of understanding and accepting his child’s permanent health concerns\, through his signature\, frenetic style of instinctive painting. \n  \nInspired by the six-fingered drawings of Andy Warhol and Sharon Stone’s infamous leg-crossing scene in the film\, Basic Instinct\, Alex Racine continued his study of the language of palmistry and incorporated these ideas into sculpted hands. \n  \nJose Aurelio Baez’s still-life flowers preserve his new memories of starting a family. \n  \nThis exhibition of 12 Contemporary and Urban Artists brings to focus small moments in time that led to big changes. Please visit us\, in-person by appointment\, at our 60 Pine Street location\, online at WoodwardGallery.net\, and through a virtual Exhibition Viewing Room on ARTSY.net.
URL:https://artinamericaguide.com/event/12-in-24/
LOCATION:Woodward Gallery at Downtown Association\, 60 Pine Street\, NYC\, 60 Pine Street\, 3rd Floor\, New York\,\, NY\, 10005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240118
DTEND;VALUE=DATE:20240401
DTSTAMP:20260525T014615
CREATED:20240119T150410Z
LAST-MODIFIED:20240130T152431Z
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SUMMARY:Daniel Rosenbaum: Inner Guardians\, Outer Explorers
DESCRIPTION:Woodward Gallery presents Daniel Rosenbaum: Inner Guardians\, Outer Explorers\, a Solo Exhibition at our 132A Eldridge Street location and continuing with large-scale works at our 60 Pine Street space. Thought-provoking gestural paintings ponder the question of whether an ancient relationship between humans and the cosmos exists. \nPoured and brushed paint and the artist’s hands and body integrate within Rosenbaum’s meditative painting process to unite earthly and astral sources. Paint asserts itself through natural spirals on his canvas surface. A form appears in his spontaneous expressions\, perhaps representing the curious\, to guide us away from here and now. Daniel Rosenbaum’s repetitive and introspective process of layering thick and thin acrylics in translucent coats helps guide him to unplanned images. \n\n\n\n\nRosenbaum isn’t afraid of vibrant colors that flow unconstrained in his canvases. The artist is influenced by the East while living in the West\, and looks to the sky for inspiration\, in a celestial awareness with limitless boundaries. \nHis paintings seek to understand the soul of the universe with a freedom and vigor that charge that inquiry. \nPlease come along on Daniel Rosenbaum’s creative journey at Woodward Gallery by appointment\, online at WoodwardGallery.net\, and in a virtual Exhibition Viewing Room on ARTSY.net.
URL:https://artinamericaguide.com/event/daniel-rosenbaum-inner-guardians-outer-explorers/2024-01-18/
LOCATION:Woodward Gallery at Downtown Association\, 60 Pine Street\, NYC\, 60 Pine Street\, 3rd Floor\, New York\,\, NY\, 10005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231207
DTEND;VALUE=DATE:20240401
DTSTAMP:20260525T014615
CREATED:20231206T223052Z
LAST-MODIFIED:20240328T181308Z
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SUMMARY:Margaret Morrison Objects of Desire
DESCRIPTION:Woodward Gallery celebrates this Winter Season with Margaret Morrison’s newest one-woman exhibition\, Objects of Desire\, marking the gallery’s return to its secondary location and launching its 30th Anniversary year! Oil paintings\, some previously exhibited in museums around the world\, are gathered for this solo exhibition\, together for the very first time. \nTuscany is Margaret Morrison’s second home and place of great inspiration. Nearly every summer\, Morrison wanders through the antique markets of Arezzo\, Cortona\, and Lucca\, Italy searching for inspiration. She often finds tables laden with sumptuous offerings of silver\, crystal\, and collectibles. Morrison explains that there are tables piled high with forgotten trinkets and discarded items that fascinate her with their accidental beauty. Monumental paintings from her Antiques series inspired by these observations will premiere in Objects of Desire. \nMargaret Morrison’s oil paintings are so realistic that they appear to be photographs. Her large-scale works are chock full of detail to behold. Shiny treasures reflect within one another or glisten with sugary lusciousness in her unique table settings. \nConsidering life from a child’s point of view\, Morrison believes that life becomes mysterious and magical all over again. Previously featured at the Art in Embassy program\, in Tel Aviv\, Israel\, and at the NYU Kimmel Vitrines in Manhattan\, New York\, larger-than-life marbles from her joyous Playtime series will be presented as part of Objects of Desire. \nMorrison’s decadent sweet treats have been featured at the Imperial Centre Museum\, in Rocky Mount\, North Carolina. Lightheartedly\, Margaret Morrison blames her father for her sweet tooth. She recalls her youth time family visits to the drive-in movie theater including ritual stops at the local drug store where her father would purchase several bags of candy. She vividly remembers the shiny wrappers\, the seductive packaging\, and the incalculable thrill of sweet pleasure. Indulge in delights from this Candy series\, premiering in New York City for Objects of Desire.
URL:https://artinamericaguide.com/event/margaret-morrison-objects-of-desire/2023-12-07/
LOCATION:Woodward Gallery at Downtown Association\, 60 Pine Street\, NYC\, 60 Pine Street\, 3rd Floor\, New York\,\, NY\, 10005\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230915
DTEND;VALUE=DATE:20231112
DTSTAMP:20260525T014615
CREATED:20231011T133826Z
LAST-MODIFIED:20231011T133826Z
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SUMMARY:Famous Faces
DESCRIPTION:Undoubtedly\, Autumn is the best time to reflect upon the past. As we look back this Fall season\, Woodward Gallery’s latest exhibition\, Famous Faces\, features the portraits of iconic individuals who influenced American culture. On display are the memorable countenances of Marilyn Monroe\, Jean-Michel Basquiat\, Dick Tracy\, Richard Hambleton\, Albert Einstein\, Georgia O’Keeffe\, and Pablo Picasso\, which honor the unmatched creativity of both the subjects of each work of art and the talented artists who depict them. Prior to the modern\, instantaneous era of social media\, these figures impacted the world by challenging the unsolvable questions of their times and pioneering their individual fields of work for the better. \nHuman connection is often made through eye contact. Andy Warhol’s extraordinary portrait of Pablo Picasso is featured in this exhibition\, for all to engage with. Find yourself face-to-face with these fabulous portraits at the Woodward Gallery windows\, from September to October 2023\, or online\, through our virtual exhibition room on Artsy and our official gallery website\, WoodwardGallery.net.
URL:https://artinamericaguide.com/event/famous-faces/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230701
DTEND;VALUE=DATE:20230901
DTSTAMP:20260525T014615
CREATED:20230626T170653Z
LAST-MODIFIED:20230626T170653Z
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SUMMARY:Summer Garden
DESCRIPTION:Summer is finally here— and Eldridge Street is abloom! Planted by twelve Artists\, a Summer Garden is beautifully cultivated with flowers and vegetables in Manhattan’s urban ecosystem. The magnificence of Jose Aurelio Baez’s floral mural on our Project Space extends to Woodward Gallery’s interior with a variety of still life paintings\, colorful collages and intricate works on paper. Each artist’s interpretation of life and nature seeds our garden with diversity. Michael Alan\, Jose Aurelio Baez\, Susan Breen\, Deborah Claxton\, Michael De Feo\, BK Foxx\, Richard Hambleton\, Margaret Morrison\, Lady Pink\, Jaggu Prasad\, JM Rizzi\, and Swoon flourish together in this exhibition\, offering a fresh vitality to the neighborhood. \nCome view our Summer Garden\, this July and August\, on Eldridge Street\, on our website\, by appointment\, and on Artsy.net. Jose Aurelio Baez’s vibrant Eldridge Garden mural is located on Woodward Gallery’s Project Space and Summer Garden is featured in Woodward Gallery\, all on Eldridge Street between Broome and Delancey\, NYC.
URL:https://artinamericaguide.com/event/summer-garden/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230321
DTEND;VALUE=DATE:20230529
DTSTAMP:20260525T014615
CREATED:20230320T145938Z
LAST-MODIFIED:20230320T145938Z
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SUMMARY:GROUP SEVEN
DESCRIPTION:Woodward Gallery presents GROUP SEVEN\, an exhibition focusing on seven artists and their varied techniques of painting. Though AI and NFT art production has captured quite a bit of public speculation\, we are taking a closer look at more traditional\, yet compelling techniques for making tangible art. Specifically\, Woodward Gallery’s current exhibition\, GROUP SEVEN\, features the painted work of Jose Aurelio Baez\, Deborah Claxton\, Cosbe\, RH DOAZ\, Mark Mastroianni\, Daniel Rosenbaum\, and Francesco Tumbiolo and their varied methods. \nTogether\, these artists modernize the traditional artistic mediums of painting with exciting\, contemporary twists. Jose Aurelio Baez collages advertisements and wallpaper to create urban-styled paintings. Deborah Claxton’s hand-cuts numerous bits of tiny pieces of paper under a magnifying glass to construct her almost photographic image. Cosbe harnesses his raw emotions onto found objects to create striking works of art. RH DOAZ is a known street\, public\, and mural Artist who contemplates humanity and the natural world in his work. Similarly\, Mark Mastroianni has mastered Casein paint to achieve a smooth surface with natu- ral shapes and patterns found in stone\, granite\, and ice. Abstract painter Daniel Rosenbaum imagines an unnatural environment conjuring a new reality. Francesco Tumbiolo paints ambiguous gestural figures in primary colors\, inviting the viewer to participate. Each Artist in GROUP SEVEN presents their own style of painting technique in contrast to the absurd notion that tangible art has lost its relevancy. \n\n\n\n\nGROUP SEVEN is on view in Woodward Gallery’s street-level windows from March to May 2023. Please plan to visit in person 24/7 from our street level exhibition windows\, and by private appointment.  It is available with a full color catalogue on our website and also online on Artsy.net.
URL:https://artinamericaguide.com/event/group-seven/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230117
DTEND;VALUE=DATE:20230301
DTSTAMP:20260525T014615
CREATED:20230117T210440Z
LAST-MODIFIED:20230117T210440Z
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SUMMARY:Gregory Corn\, Alex Racine: Gravity & Grace
DESCRIPTION:Happy New Year! Woodward Gallery springs into 2023 with a two-person\, dynamic\, three-dimensional exhibition by Sculptors\, Gregory Corn and Alex Racine. The human condition is modeled in\nmetal\, ceramic\, and gravity. Corn’s three “dancers” spin in juxtaposition to their heavy medium and weightlessness. Racine’s expressive hands offer graceful gestures and cultural commentary. \nAlex Racine’s ceramic sculptures employ the power of words and palmistry. The human palm has lines in it that represent language\, so the artist naturally thought to sculpt words. The openings in his elegant hands encourage the viewer to also explore the inside\, consider how hands articulate\, and how we may interpret character from the lines and configurations of the palm of a person’s hand. Walkie-Talkie and Basic Instinct are after the human body. The fingers become a blend of leg and arm anatomy. The crossed fingers in Basic Instinct conjure the iconic cultural moment in the 1992 film of the same title. \nFor Racine\, his Dog is reminiscent of youthful shadow puppets. Conversely\, God is the mischievous\, fun relationship with the shadow puppet and his play on its letters. Love is the hand gesture for sign language. Kindness is two hands joined creating one heart— especially relevant at this time when more kindness is needed. Incorporating a sixth finger as an optical illusion\, Racine nods to early Warhol drawings\, saying\, “When I close my eyes\, I feel like I have a 6th finger. I like that the sculpture becomes something and does something…it is like a third eye.” \nGregory Corn’s sculptures utilize metal\, stone\, and wire to harness the delicate balance between highly- dense materials and gravity. Tall\, sturdy\, steel structures are held together\, masterfully\, by smaller pieces. Heavy objects dangle from wires and gently sway. When knocked on\, each piece also “sings” differently\, as Corn describes. Corn’s three sister pieces\, Yellow Dancer\, Orange Dancer\, and Red Dancer exemplify human behavior\, symbolizing the complex inner mechanisms of bodies\, minds\, and spirits. Like real dancers\, each of the three sculptures are physically sound —strong— and yet\, incredibly graceful. The fourth piece\, Marionette\, resembles a puppet. A heavy mountain-shaped stone is held off the ground by a complex array of cable wires\, latches\, and steel bars. Large\, red-detailed\, rectangular beams act like bones for the larger sculpture. This balance\, Gregory Corn explains\, represents humanity\, as\, in his own words: “The weight we carry holds us together.” \nFrom January throughout February 2023\, this exhibition is presented at Woodward Gallery in our street- level windows 24/7\, by private appointment\, and as an online exhibition and Viewing Room on Artsy.net.
URL:https://artinamericaguide.com/event/gregory-corn-alex-racine-gravity-grace/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221110
DTEND;VALUE=DATE:20230101
DTSTAMP:20260525T014615
CREATED:20221111T202315Z
LAST-MODIFIED:20221111T202315Z
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SUMMARY:Winter Mix
DESCRIPTION:The holidays are here! As dry\, autumn leaves grace the New York City pavement and daylight grows dim\, the seasons change. Woodward Gallery’s current group exhibition\, Winter Mix\, explores this seasonal transition in the form of artistic expression. Gallery Director\, John Woodward\, curates work from Artists Robert Indiana\, Susan Breen\, Knox Martin\, Terence Netter\, Keith Haring\, LA2\, Rupert Jasen Smith\, and Kenji Nakayama. This selection tells the classic\, yet exciting\, tale of the natural transformation from Fall to Winter. \nAs the days become shorter and more frigid in climate\, emotional warmth is expressed\, artistically. These artists utilize primary colors (red\, yellow\, blue)\, sharp or curving shapes\, and recognizable images\, such as Robert Indiana’s “LOVE\,” Keith Haring’s dancing figure\, and Susan Breen’s icy snowflake. Themes such as love\, passion\, religion\, and celebration unite these diverse works of art\, illustrating what “mixes” together to form the season. Through Winter darkness\, these Artists offer illumination. \nThis exhibition is presented at Woodward Gallery in our street-level windows 24/7\, by private appointment\, and as an online exhibition on our website (WoodwardGallery.net)\, Artsy.net\, and Widewalls.ch. Happy holidays!
URL:https://artinamericaguide.com/event/winter-mix/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221110
DTEND;VALUE=DATE:20230101
DTSTAMP:20260525T014615
CREATED:20221111T202315Z
LAST-MODIFIED:20221111T202315Z
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SUMMARY:Winter Mix
DESCRIPTION:The holidays are here! As dry\, autumn leaves grace the New York City pavement and daylight grows dim\, the seasons change. Woodward Gallery’s current group exhibition\, Winter Mix\, explores this seasonal transition in the form of artistic expression. Gallery Director\, John Woodward\, curates work from Artists Robert Indiana\, Susan Breen\, Knox Martin\, Terence Netter\, Keith Haring\, LA2\, Rupert Jasen Smith\, and Kenji Nakayama. This selection tells the classic\, yet exciting\, tale of the natural transformation from Fall to Winter. \nAs the days become shorter and more frigid in climate\, emotional warmth is expressed\, artistically. These artists utilize primary colors (red\, yellow\, blue)\, sharp or curving shapes\, and recognizable images\, such as Robert Indiana’s “LOVE\,” Keith Haring’s dancing figure\, and Susan Breen’s icy snowflake. Themes such as love\, passion\, religion\, and celebration unite these diverse works of art\, illustrating what “mixes” together to form the season. Through Winter darkness\, these Artists offer illumination. \nThis exhibition is presented at Woodward Gallery in our street-level windows 24/7\, by private appointment\, and as an online exhibition on our website (WoodwardGallery.net)\, Artsy.net\, and Widewalls.ch. Happy holidays!
URL:https://artinamericaguide.com/event/winter-mix-2/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Woodward Gallery 132A Eldridge Street New York City NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=132A Eldridge Street:geo:-73.9915203,40.7188679
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220702
DTEND;VALUE=DATE:20220901
DTSTAMP:20260525T014615
CREATED:20220715T132952Z
LAST-MODIFIED:20220715T132952Z
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SUMMARY:Sabina Forbes II- Heat Wave
DESCRIPTION:It is about to heat up in New York City this summer at Woodward Gallery! Hot\, vibrant colors sizzle urban cityscapes in artist Sabina Forbes II’s premier solo exhibition entitled\, HEAT WAVE. Forbes ignites her canvases with patterns\, textures\, and brilliant fluorescent hues as she imagines the urban skyline brought to life by the hard-working hands that build the towers and by the people dwelling within their concrete walls. Her dynamic style of neon painting is a pulsating\, sweltering celebration of color\, channeling the collective spirit which vibrates around us and emanates from all creations. Ultimately\, this electric body of work evokes the endurance of hope\, even when the world seems hellish. \n  \nVisual heat emanates from Forbes’ reconceived landmarks made of textural two-dimensional fluorescent paint on canvas. Blocks\, bricks\, and even shapes that resemble roads all come together to highlight the unavoidable unification of people in a busy urban community. Although a metropolis may feel alienating\, Forbes’ precise brush strokes and lined layers of paint invite the exploration of communal\, urban stability. These inspired architectural structures simmer with their own light and joyful energy. \n  \n\n\n\n\n“The best is yet to come” was a sentiment that Forbes’s grandfather\, Malcolm Forbes\, often expressed throughout her childhood and one which became an inspirational force behind her art. Each of Forbes’ paintings is a manner of portraiture whether from the singularity of the individual form\, an element of nature\, or the perceived sterile neutrality of a building punctuating a city skyline. Walking around the city to explore this vitality\, Forbes taps into the overall human spirit through flaming color\, intricate patterns\, and dynamic textures animating her notable building structures. \n  \nWatch the heat index climb this July and August and witness Forbes’ refreshing\, original works from the Woodward Gallery street-level exhibition windows at 132A Eldridge Street\, NYC\, in the digital catalog on WoodwardGallery.net  and also presented on Artsy.net.
URL:https://artinamericaguide.com/event/sabina-forbes-ii-heat-wave/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220127T080000
DTEND;TZID=America/Halifax:20220318T170000
DTSTAMP:20260525T014615
CREATED:20220127T171658Z
LAST-MODIFIED:20220127T171743Z
UID:91578-1643270400-1647622800@artinamericaguide.com
SUMMARY:New in 22
DESCRIPTION:Happy New Year! Woodward Gallery welcomes 2022 with fresh\, never-before-seen works of art by artists: Jose Baez\, Susan Breen\, Cosbe\, RH DOAZ\, Tommy Flynn\, Sabina Forbes II\, Val Kilmer\, Moody\, Margaret Morrison\, Alex Racine\, JM Rizzi\, Daniel Rosenbaum\, Matt Siren\, and DM Weeks. Despite being isolated once again in 2021\, these artists were busy creating on canvas\, metal\, wood\, acrylic\, and more. The year\, 2022\, in the Chinese zodiac\, is represented by the Tiger\, a symbol of strength\, power\, and bravery; a sentiment fully realized by this body of work. \nWoodward Gallery’s exhibition\, New in 22 features bursts of bright colors\, fuller compositions\, and a leap of courage for each artist. This dynamic group exhibition depicts the roaring emotional pressure that current political\, social\, and environmental factors force upon each artist. After over two years of painful sacrifice\, various expressive mediums\, such as painting\, sculpture\, jewelry\, and photography\, speak to the core of each artist in this current moment. A blend of Abstract\, Figurative and Street art\, large and small paintings\, as well as bright and dark colors all unite to face change and celebrate the challenge of carrying on. Pounce on this opportunity to visit Woodward Gallery from January to March 2022 for a fierce exhibition of artistic might. \nPlease visit New in 22  in person at Woodward Gallery’s street level exhibition windows 24/7; online on WoodwardGallery.net\, on Artsy.net\, and the virtual Artsy Viewing Room. A full color digital catalogue\, published to coincide with this exhibition\, is available for free online.
URL:https://artinamericaguide.com/event/new-in-22/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210516T003000
DTEND;TZID=America/Halifax:20210725T170000
DTSTAMP:20260525T014615
CREATED:20210608T133628Z
LAST-MODIFIED:20210608T133628Z
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SUMMARY:Moody Direct Current
DESCRIPTION:In the shocking era of the 1980s\, the streets were where art was made. There\, on the blank\, concrete canvases of New York City\, street artist\, Moody\, developed his technique. Moody perfected his style alongside other street artists\, back in a time when there were no legal spaces to show off their work\, forcing many to operate in secrecy. After connecting with other street artists and\, subsequently\, earning their respect\, Moody refined a successful studio practice\, where he continues to create work today. This summer\, Woodward Gallery presents Moody’s paintings in the all-new solo exhibition\, Direct Current. This body of work\, stems from his knowledge of electricity and circuitry\, charging the outlet for human connectivity.
URL:https://artinamericaguide.com/event/moody-direct-current/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201005
DTEND;VALUE=DATE:20201231
DTSTAMP:20260525T014615
CREATED:20201006T201610Z
LAST-MODIFIED:20201006T201610Z
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SUMMARY:Margaret Morrison Home
DESCRIPTION:Tuscany is Margaret Morrison’s second home. Nearly every summer\, she roams through the antique markets of Arezzo\, Cortona\, and Lucca looking for inspiration and finds tables laden with sumptuous offerings of silver\, crystal and collectables which dazzle the eye.  In addition to the gentrified\, high end antiques\, there are tables piled high with cast off trinkets and broken lamps that fascinate Morrison with their accidental beauty. Upon returning to Athens\, Georgia\, Morrison began painting in her elegant\, in-town studio with high ceilings and state-of-the-art lighting. \nHowever\, once the pandemic hit\, Morrison started working from home\, leading her to rediscover her old home studio\, the studio that she had abandoned eleven years earlier. She describes how her old space was “haunted by the ghosts of previous paintings.”   And like the attic full of dusty draped furniture from a Hollywood movie\, she brought her home studio back to life. Morrison says\, “It felt safe and familiar and healing. I felt at home…. at home painting the antique markets of my other home\, all the while thinking of my lovely Italian friends who were passing through their own dark time.” \nThis season\, please join us at Woodward Gallery for Margaret Morrison’s latest exhibition\, Home. The glistening images Margaret Morrison has brought together for Home draw from a mixture of her past and present works of art. This latest show at Woodward Gallery\, conjures her love of everything from Barbie dolls to sweets to silver. Visitors are invited to get lost in the immense detail of Morrison’s exquisite paintings\, not just once but multiple times\, since one viewing is simply not enough to fully discover their treasures. \nConcurrently\, Margaret Morrison has two Museum exhibitions underway. The first exhibition\, A La Carte\, featuring her sweet themed larger than life food paintings\, is now on view at The Abroms-Engel Institute for the Visual Arts in Birmingham\, Alabama from September 8\, 2020 to December 12\, 2020. The second exhibition\, Margaret Morrison Paintings\, consisting of sterling silver and pristine porcelain objects painted on large scale canvases\, can be seen at The Georgia Museum of Art in Athens\, Georgia\, from August 31st\, 2020 to January 17th\, 2021. \nSafely visit Margaret Morrison: Home from the street level windows at Woodward Gallery\, New York from October to December 2020\, on our website\, through our Artsy.net Viewing Room\, and by private appointment.
URL:https://artinamericaguide.com/event/margaret-morrison-home/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200715
DTEND;VALUE=DATE:20200913
DTSTAMP:20260525T014615
CREATED:20200804T203204Z
LAST-MODIFIED:20200804T203204Z
UID:71806-1594771200-1599955199@artinamericaguide.com
SUMMARY:Brad Robson | DELI Paintings
DESCRIPTION:Woodward Gallery is pleased to present Brad Robson’s original paintings of food this Summer season. \nThese days as we wait on longer check-out lines\, we focus on our selection at the local deli or grocery store. Brad Robson emphasizes our essential food items in this series.  His magnified paintings of meat\, fish\, veggies and fruit represent the nourishment we seek especially now for our minds\, bodies and souls. Robson’s confident application of paint to canvas has an immediacy\, reinvigorating the traditional still life genre. His surreal deli imagery is easily identifiable\, yet Robson’s choice of bright colors and loose forms also hint at abstract or action painting. \nRobson lives and works in Sydney\, Australia. He is a self-taught fine artist who had a career in Graphic Design and Advertising. Robson became a teacher on Album Sleeve Designs for a college in Sydney while continuously pursing his painting career. His studio paintings and street art murals have been featured in cities around the world. Robson’s large-scale cityscape canvases were exhibited at the historic Four Seasons Restaurant in NYC.
URL:https://artinamericaguide.com/event/brad-robson-deli-paintings/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20200401
DTEND;VALUE=DATE:20200902
DTSTAMP:20260525T014615
CREATED:20200618T155619Z
LAST-MODIFIED:20200618T155619Z
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SUMMARY:WashYourHands.art
DESCRIPTION:WashYourHands.art\nOnline Exclusive Group Exhibition\nPresented by Woodward Gallery\nOpening April 1\, 2020 \nWoodward Gallery asks Artists to respond to the COVID-19 crisis with artwork to address their feelings\, concerns\, hopes and reactions. We are reaching out to our global art community in order to stress the importance of remaining socially responsible— specifically\, by keeping our hands clean. \nWoodward Gallery is launching the virtual exhibition\, WashYourHands.art\, that will be updated often with artistic contributions from all over the world. Please stay home\, stay safe wherever you are\, and follow along as we combat this pandemic together with our call to creativity. \nArtists are welcome to submit an image of one work of art with full details (name\, title\, medium\, size\, signature location) to Art@WoodardGallery.net to be considered for the show. We will consider the artist’s personal response to the crisis—How they are affected? What are they feeling now\, as the ramifications of the pandemic are coming into focus? How they are reacting to it? And what message do they want to put out into the world right now? \nWashYourHands.art serves as a global platform for artists to express their creativity about the worldwide COVID-19 pandemic. The specific guidelines for our open call to artists are simple: What is the individual artist’s interpretation of the directive “Wash Your Hands\,” and how will they respond to the crisis through their art to help propagate this life-saving message? \nWith respect to current practices of social distancing\, this exhibition will only be available online. Visit WashYourHands.art to take part in this ever-growing virtual art conversation. \nWoodward Gallery urges everyone to support their local artists who are struggling during these uncertain times. Remember: we are all in this together!
URL:https://artinamericaguide.com/event/washyourhands-art/
CATEGORIES:Event,Virtual Events + Viewing Rooms
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ORGANIZER;CN="Woodward Gallery":MAILTO:art@woodwardgallery.net
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END:VCALENDAR