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DTSTART;VALUE=DATE:20240425
DTEND;VALUE=DATE:20240520
DTSTAMP:20260729T105115
CREATED:20240415T134834Z
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SUMMARY:Mimi Oritsky: The Wrinkled Wet
DESCRIPTION:Amos Eno Gallery is pleased to present The Wrinkled Wet\, a solo exhibition of new and recent works by Mimi Oritsky\, on view from April 25 to May 19\, 2024. An opening reception will be held on Friday\, April 26\, 2024\, from 6 to 8 p.m. at the gallery’s location at 56 Bogart Street in Brooklyn\, NY. A catalogue of works is also available on Artsy. \nThe Wrinkled Wet includes paintings executed on linen\, wood\, and paper\, dating from 2019 through 2024. Oritsky painted most of this exhibition outside during soft rainfalls. Droplets of water formed at corners of the graphite and gouache that appeared like jewels against the strong rays of sunlight streaming down from the sky. In this sense\, the artist comes completely to terms with her environment and the rhythms of the moving air. \nIt is not always easy to contemplate the visible air. Humidity and dust add a particular reflective quality. The color and texture of the soil becomes airborne\, differing greatly from region to region. Juxtaposition becomes important. When viewed from above\, the elements flatten out and we become more acutely aware of the volume of air between the viewer and the the ground. With speed we encounter the rhythmic reflective qualities of the air. \nOritsky’s paintings become a shared experience as we move quickly across the landscape with a sense of urgency\, beckoning the elements. Oritsky layers paint\, allowing it to dry between applications. She scrapes away areas until she achieves the exact color\, texture\, and marks to blend abstraction with representation. \n​About the Artist \nMimi Oritsky studied painting and sculpture at the Philadelphia College of Art (now the University of the Arts) in Philadelphia\, PA. She studied drawing and anatomy at the Maryland Institute College of Art in Baltimore\, MD\, receiving her B.F.A. in Painting; she received her M.F.A. in Painting and Printmaking from the University of Pennsylvania Graduate School of Fine Arts in Philadelphia\, PA. \nShe currently lives and works in Philadelphia\, PA.
URL:https://artinamericaguide.com/event/mimi-oritsky-the-wrinkled-wet/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240420T140000
DTEND;TZID=America/New_York:20240420T180000
DTSTAMP:20260729T105115
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SUMMARY:Plant Card Reading
DESCRIPTION:Join The Plant Contingent — Ana Fernandez Miranda Texidor PhD\, Maria Patricia Tinajero\, PhD\, Kate Farrington PhD and 2024 IDSVA and doctoral candidate Samantha Jones — as they engage you in new ways of being with plants beyond purely functional or aesthetic approaches. \nThe Plant Contingent explores alternative and emergent methods that combine creative and artistic research guided by other realms of knowledge-cultivation\, such as plant ontology. The dispersed geographies of the Contingent members across the United States and Ecuador become virtual sites for collectively developing works of art\, proposals\, and texts that thrive on collaborations and in association with plants\, soil\, bees\, and mycelium as grounds for thinking-being. \nBased on the concept of corazonar\, or heartening\, the Plant Contingent sprouts radical entanglements. Participants are invited to engage with the tangible and intangible world of plant-being through the communal and interpretive act of Plant Card readings\, while drinking herbal teas and fragrant infusions of plants in an inviting and supportive atmosphere. The cards draw new significance as we share wisdom and exchange insights to unfold these ‘untold-unheard’ stories. Plants nourish and guide\, transcending time and culture. In this space\, under the gentle sway of plant-infused libations\, we tap into our connections with the cards and the natural world\, weaving new narratives for a more resilient future.
URL:https://artinamericaguide.com/event/plant-card-reading/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Event
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DTSTART;VALUE=DATE:20240329
DTEND;VALUE=DATE:20240422
DTSTAMP:20260729T105115
CREATED:20240415T134834Z
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SUMMARY:Praxis and the Artist Philosopher: 2024 IDSVA Graduates
DESCRIPTION:“IDSVA becomes a departure point for individuals to cultivate a praxis that guides the purpose of their lives. Contrary to conventional measures of success or fame\, the praxis emphasizes kindness\, care\, consideration\, listening\, and dialogical encounters. This way of thinking blends reason and poetic consciousness\, which extends beyond the individual\, influencing their interactions with family\, community\, friends\, and colleagues…. IDSVA emerges as a transformative space in this light\, and its graduates become torchbearers\, shaping an envisioned future that has yet to be fully realized.”  \n— George SmithInterview with Dr. Kate Farrington and Dr. María Patricia Tinajero \nAmos Eno Gallery is thrilled to announce the opening of Praxis and the Artist Philosopher\, a group exhibition featuring the latest creations by the talented 2024 graduates of the Institute for Doctoral Studies in Visual Art (IDSVA). The exhibition\, on view in The Project Space at Amos Eno\, will kick off with an opening reception on Friday\, March 29\, from 6 p.m. to 8 p.m. at the gallery’s location at 56 Bogart Street in Brooklyn\, NY. A catalogue of works is also available on Artsy. \n The concept of the “Artist Philosopher\,” as articulated by George Smith in a recent interview\, celebrates the innate curiosity and wonder inherent in human nature. Challenging conventional philosophical frameworks that prioritize scientific knowledge\, the artist-philosopher advocates for a form of thinking grounded in wonderment and a poetic understanding of the world. \n Drawing on the concept of praxis\, which refers to the act of bringing forth new thought and action\, the artists in this exhibition engage in a groundbreaking interplay between scholarship and art making. Despite IDSVA’s distinction as a non-studio-based Ph.D. program\, a significant number of participating scholars are practicing artists who have maintained a prolific creative practice alongside their academic endeavors. Praxis and the Artist Philosopher underscores the vital role of art in philosophical inquiry\, fostering a dynamic dialogue between creative expression and intellectual exploration. \nThis thought-provoking exhibition promises to challenge perceptions and inspire contemplation. Join us for an enriching evening of art and conversation at the opening reception on March 29.
URL:https://artinamericaguide.com/event/praxis-and-the-artist-philosopher-2024-idsva-graduates/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20240329
DTEND;VALUE=DATE:20240422
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SUMMARY:Samantha Jones: Delirious Creatures
DESCRIPTION:“…for surely\, I believe there is sense and reason…not only in all creatures\,but in every part of every particular creature.”\n— Margaret Cavendish\, Observations Upon Experimental Philosophy\, 1666\nAmos Eno Gallery is pleased to present Delirious Creatures\, a solo exhibition of recent works by Samantha Jones. An opening reception will be held on Friday\, March 29 from 6 to 8 p.m. at the gallery’s location at 56 Bogart Street in Brooklyn\, NY. A catalogue of works is also available on Artsy. \nDelirious Creatures is an invitation to encounter material imagination as it dreams and wanders\, slipping in and out of forms\, and propagating new worlds in each gesture. Meaning “madness\,” or to “deviate\, be deranged\,” or literally\, to “go off the furrow\,” delirium offers an agricultural equivalent to the familiar industrial metaphor of “going off the rails.” By going off the furrow of human attention and focus\, delirium opens the threshold of the self as a portal to wandering into other modes of being.  \nIn a universe where nothing comes from nothing\, there is no birth — only rebirth into a new constellation of being. To be remade\, there must be a willingness to become unmade. The “I” loses its potency\, taking flight as an insect\, or a bird that just flew by the window. Thought takes flight along with it\, embracing a feeling of what it must be like to float along in the air\, subject to the slightest shift in the wind. This is more than pure imagination — one’s body takes flight along with the mind\, subject to phantom sensations of feathers\, breath and fur.  \nThese works make visible the traces of other lives as they move through their habitat and through the artist as an illuminator\, resonance chamber\, and conduit. Drawing upon automatic practices such as decalcomania\, ecstatic painting and assemblage\, colors and textures shapeshift to blur distinctions between one another. The inherent energy of material — be it wood\, mushroom\, insect\, mineral\, water\, or light — communicates bewildering messages in its own transmutation. Speculation then becomes a sensual “waking dream” to capture the creative residue of these encounters. These actions are uncomfortable; they feel absurd and without purpose\, and yet they are able to escape the distinctly human need for purpose\, or value. Being\, as vital energy acting through material\, breaks down the boundaries of self-imposed perception\, compelling one to feel through another from the inside out\, and opening one’s own being to care\, perhaps for the first time.  \nJones is a doctoral candidate at the Institute for Doctoral Studies in Visual Art (IDSVA)\, and she invited other 2024 graduates of the program to exhibit in a concurrent show in The Project Space at Amos Eno. The group exhibition\, Praxis and the Artist-Philosopher\, celebrates the innate curiosity and wonder inherent in human nature. Challenging conventional philosophical frameworks that prioritize scientific knowledge\, the artist-philosopher advocates for a form of thinking grounded in wonderment and a poetic understanding of the world. \nAbout the Artist \nSam Jones is a materials-based installation artist living in the coastal woods of Maine. She holds an MFA from Tyler School of Art in Philadelphia\, and a doctorate from the Institute for Doctoral Studies in Visual Art. Her dissertation\, Wild Care: A Vital Surrealist Inquiry on Loss in the Wood\, considers new and vital etho-ecologies within the philosophy of aesthetics. Jones is an Assistant Professor of Art at the University of Maine\, Orono. She has participated in residencies including the Worm Farm Institute\, in WI\, Vermont Studio Center in VT\, and Pinea Linea De Costa in Rota\, Spain. She exhibits her work throughout New England\, New York\, and abroad.
URL:https://artinamericaguide.com/event/samantha-jones-delirious-creatures/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240316T160000
DTEND;TZID=America/New_York:20240316T170000
DTSTAMP:20260729T105115
CREATED:20240222T205958Z
LAST-MODIFIED:20240222T205958Z
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SUMMARY:Special Music Event: Live Score to "Adapt Adopt"
DESCRIPTION:Experience the work of Nishiki Sugawara-Beda while listening to musician Damien Olsen Berdichevsky interpret the art on view through an improvised piano soundtrack. \nIn Adapt Adopt\, her solo exhibition of Sumi ink paintings at Amos Eno Gallery\, Nishiki Sugawara-Beda probes questions around “tradition.” Can we pinpoint the origin of any tradition? Are we confined by traditions\, or do we govern and shape them with our own hands? This exhibition marks a turning point in Sugawara-Beda’s work where she is exploring these questions through not only the visual but the introduction of the aural. \nA companion event\, Live Score to Adapt Adopt\, will take place on Saturday\, March 16th\, from 4 p.m. to 5 p.m. Visitors are invited to view the Sumi ink paintings in Adapt Adopt while listening to artist and musician Damien Olsen Berdichevsky interpret the artwork through this improvised piano soundtrack. Admission is free. \nAdapt Adopt features work from Sugawara-Beda’s ongoing series KuroKuroShiro\, translated to “black-black-white” in Japanese. The title of this series is indicative of her process using Sumi\, a traditional East Asian ink. With the distinctly rich and subtle tones of Sumi\, the artist composes monochromatic yet colorful painted worlds in which the viewer can be immersed and commune with an inner\, quieter spirit. \nBorn and raised in Japan\, Sugawara-Beda was steeped in a poetic Japanese aesthetic valuing symbolic interpretation over direct representation. It is from this lyrical\, and oftentimes philosophical\, Japanese sensibility that Sugawara-Beda creates. After moving to the United States and earning an MFA at an American institution\, Sugawara-Beda’s Japanese sensibilities were in tension with a Western conceptual framework that often emphasized a definitive end goal. Adapting traditional ink to Western language and adopting Western language within her artistic practice that employs Japanese traditions\, the tension initially encountered between these two cultures Sugawara-Beda now cherishes. The images are based on the artist’s own negotiations with traditions she has experienced and the traditions she embodies. \nAbout the Artist \nNishiki Sugawara-Beda is a Japanese-American visual artist focusing on painting and installation\, and actively exhibits her work in solo and group exhibitions and offers lectures nationally and internationally. Connecting across space and time\, she experiments in ancient Japanese materials and techniques including Sumi ink\, Kakejiku landscapes\, and rice paper\, to merge them with abstract and expressive forms familiar to the modern Western aesthetic. \nHer works are in private and public collections including the Dallas Museum of Art (TX) and Dennos Museum (MI). Exhibition venues include the Spartanburg Art Museum (SC)\, Morris Graves Museum of Art (CA)\, Dennos Museum (MI)\, Amos Eno Gallery (NY)\, and Cris Worley Fine Arts (TX). Publications include New American Paintings\, AEQAI\, Athenaeum Review\, London Post\, Art Spiel\, and WhiteHot. Awards including a Seed Grant\, Diversity Fellowship\, International Enhancement Grant\, Idaho Arts Fellowship\, Sam Taylor Fellowship\, Tusen Takk Foundation Residency\, and the Dallas Museum of Art’s Otis and Velma Davis Dozier Travel Fund have supported her artistic research. \nCurrently\, Sugawara-Beda is an Associate Professor of Art at Southern Methodist University in Dallas\, TX. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. It has moved with changing arts neighborhoods over the years to land at its current space at 56 Bogart St. in Brooklyn\, across from the Morgan Ave. L train stop. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. Amos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://artinamericaguide.com/event/special-music-event-live-score-to-adapt-adopt/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240229
DTEND;VALUE=DATE:20240325
DTSTAMP:20260729T105115
CREATED:20240222T205958Z
LAST-MODIFIED:20240222T205958Z
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SUMMARY:Nishiki Sugawara-Beda: "Adapt Adopt"
DESCRIPTION:Amos Eno Gallery\, a non-profit\, artist-run gallery in Bushwick\, Brooklyn\, is pleased to present Adapt Adopt\, a solo exhibition by Nishiki Sugawara-Beda. An opening reception will take place at the gallery’s Bushwick location on Friday\, March 1\, from 6 to 8 p.m. The exhibition will also be on view virtually through the gallery’s Artsy profile. \nAdapt Adopt features work from Sugawara-Beda’s ongoing series KuroKuroShiro\, translated to “black-black-white” in Japanese. The title of this series is indicative of her process using Sumi\, a traditional East Asian ink. With the distinctly rich and subtle tones of Sumi\, the artist composes monochromatic yet colorful painted worlds in which the viewer can be immersed and commune with an inner\, quieter spirit.  \nIn Adapt Adopt\, Sugawara-Beda probes questions around “tradition.” Can we pinpoint the origin of any tradition? Are we confined by traditions\, or do we govern and shape them with our own hands? This exhibition marks a turning point in Sugawara-Beda’s work where she is exploring these questions through not only the visual but the introduction of the aural. \nA companion event\, Live Score to Adapt Adopt\, will take place on Saturday\, March 16th\, from 4 p.m. to 5 p.m. Visitors are invited to view the Sumi ink paintings in Adapt Adopt while listening to artist and musician Damien Olsen Berdichevsky interpret the artwork through this improvised piano soundtrack. Admission is free. \nBorn and raised in Japan\, Sugawara-Beda was steeped in a poetic Japanese aesthetic valuing symbolic interpretation over direct representation. It is from this lyrical\, and oftentimes philosophical\, Japanese sensibility that Sugawara-Beda creates. After moving to the United States and earning an MFA at an American institution\, Sugawara-Beda’s Japanese sensibilities were in tension with a Western conceptual framework that often emphasized a definitive end goal. Adapting traditional ink to Western language and adopting Western language within her artistic practice that employs Japanese traditions\, the tension initially encountered between these two cultures Sugawara-Beda now cherishes. The images are based on the artist’s own negotiations with traditions she has experienced and the traditions she embodies. \nAbout the Artist \nNishiki Sugawara-Beda is a Japanese-American visual artist focusing on painting and installation\, and actively exhibits her work in solo and group exhibitions and offers lectures nationally and internationally. Connecting across space and time\, she experiments in ancient Japanese materials and techniques including Sumi ink\, Kakejiku landscapes\, and rice paper\, to merge them with abstract and expressive forms familiar to the modern Western aesthetic. \nHer works are in private and public collections including the Dallas Museum of Art (TX) and Dennos Museum (MI). Exhibition venues include the Spartanburg Art Museum (SC)\, Morris Graves Museum of Art (CA)\, Dennos Museum (MI)\, Amos Eno Gallery (NY)\, and Cris Worley Fine Arts (TX). Publications include New American Paintings\, AEQAI\, Athenaeum Review\, London Post\, Art Spiel\, and WhiteHot. Awards including a Seed Grant\, Diversity Fellowship\, International Enhancement Grant\, Idaho Arts Fellowship\, Sam Taylor Fellowship\, Tusen Takk Foundation Residency\, and the Dallas Museum of Art’s Otis and Velma Davis Dozier Travel Fund have supported her artistic research.  \nCurrently\, Sugawara-Beda is an Associate Professor of Art at Southern Methodist University in Dallas\, TX. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. It has moved with changing arts neighborhoods over the years to land at its current space at 56 Bogart St. in Brooklyn\, across from Morgan Ave. L subway. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. Amos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com.
URL:https://artinamericaguide.com/event/nishiki-sugawara-beda-adapt-adopt/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20240202
DTEND;VALUE=DATE:20240226
DTSTAMP:20260729T105115
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LAST-MODIFIED:20240202T194937Z
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SUMMARY:Li Xin Li: "Illusions of Being" Solo Show
DESCRIPTION:Amos Eno Gallery is pleased to present “Illusions of Being\,” the first solo exhibition of Li Xin Li at the gallery. An opening reception will take place at the gallery’s Bushwick location at 56 Bogart St.\, on Friday\, February 2\, from 6 to 8 p.m. \n“Illusions of Being” is a journey that unravels the essence of existence. Through the paintings\, explore ideas around philosophy\, memories\, and the meaning to exist. Amidst enigmatic colorful spaces and surreal atmospheres\, explore the profound with the absence of humanity\, through objects\, corners\, perspectives\, and clashes of colors. As the tangible and imaginary converge\, the artist invites you to question\, reflect\, and embrace the extraordinary nature of being. \nAbout the Artist\nLi Xin Li (b.1999) is firstly an art practitioner\, then an artist. One of Li’s guiding principles is encapsulated in his belief that “one cannot simply paint a cloud because they see it; they must feel it.” This notion emphasizes his commitment to infusing his artwork with genuine emotion\, inviting viewers to connect with the work on a deeper level. \nAbout Amos Eno Gallery\nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. It has moved with changing arts neighborhoods over the years to land at its current space at 56 Bogart St. in Brooklyn\, across from the Morgan Ave. L train stop. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com. \nAmos Eno Gallery’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://artinamericaguide.com/event/li-xin-li-illusions-of-being-solo-show/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240119T180000
DTEND;TZID=America/New_York:20240119T200000
DTSTAMP:20260729T105115
CREATED:20240202T194937Z
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SUMMARY:Ryan M. Schroeder: ‘Thin Air and Cinders’
DESCRIPTION:Amos Eno Gallery\, a non-profit artist collective in Bushwick\, Brooklyn\, is pleased to present Thin Air and Cinders\, a solo exhibition by Ryan M. Schroeder. An opening reception will take place at the gallery’s location at 56 Bogart St.\, Brooklyn\, NY\, on Friday\, January 19th\, from 6 to 8 p.m. A virtual gallery of the show is on Artsy.\n\n\n\nThe Show \nThin Air and Cinders\, is an exhibition of recent works by Ryan M. Schroeder. His debut solo exhibition with Amos Eno Gallery features paintings engaging themes of life\, death\, war\, community\, the media\, and reflections on current events. \nThe  Artist \nRyan Schroeder is an artist from Rochester\, New York. His body of work primarily focuses on cultural erasure\, environmental destruction\, and overlooked people in society through oil paintings. Ryan has won numerous art awards and grants\, including two Elizabeth Greenshields Grants\, and has been featured in various art publications. His art has been shown in over 30 exhibitions around the US\, Asia\, and Europe. \nEngaging Reality: People and Spaces\, Schroeder’s most recent solo show\, took place at Space 776\, New York\, NY. The exhibition was featured in Metropolitan Magazine in the December Issue of 2023. Ryan was an artist-in-residence at Shanghai University in China and was twice the artist-in-residence of the Raketensation at the Insel Hombroich Foundation in Germany. He was also selected as a Fulbright Scholar for painting in Düsseldorf and Münster\, Germany. Ryan has previously worked for Jeff Koons and at the Guggenheim Museum on retrospective exhibitions with artists such as Alex Katz that have been featured in the New York Times and Vogue. In 2022\, he was the Featured Artist for the White House Fellows Annual Leadership Conference. Ryan received a Bachelor of Arts from the Maryland Institute College of Art and a Master of Fine Arts from the New York Art Academy. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. It has moved with changing arts neighborhoods over the years to land at its current space at 56 Bogart St. in Brooklyn\, across from the Morgan Ave. L train stop. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. \n​For more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com.
URL:https://artinamericaguide.com/event/ryan-m-schroeder-thin-air-and-cinders/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Event
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DTSTART;VALUE=DATE:20240118
DTEND;VALUE=DATE:20240220
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SUMMARY:Ryan M. Schroeder: ‘Thin Air and Cinders’
DESCRIPTION:Amos Eno Gallery\, a non-profit artist collective in Bushwick\, Brooklyn\, is pleased to present Thin Air and Cinders\, a solo exhibition by Ryan M. Schroeder. An opening reception will take place at the gallery’s location at 56 Bogart St.\, Brooklyn\, NY\, on Friday\, January 19th\, from 6 to 8 p.m. A virtual gallery of the show is on Artsy.\n\n\n\nThe Show \nThin Air and Cinders\, is an exhibition of recent works by Ryan M. Schroeder. His debut solo exhibition with Amos Eno Gallery features paintings engaging themes of life\, death\, war\, community\, the media\, and reflections on current events. \nThe  Artist \nRyan Schroeder is an artist from Rochester\, New York. His body of work primarily focuses on cultural erasure\, environmental destruction\, and overlooked people in society through oil paintings. Ryan has won numerous art awards and grants\, including two Elizabeth Greenshields Grants\, and has been featured in various art publications. His art has been shown in over 30 exhibitions around the US\, Asia\, and Europe. \nEngaging Reality: People and Spaces\, Schroeder’s most recent solo show\, took place at Space 776\, New York\, NY. The exhibition was featured in Metropolitan Magazine in the December Issue of 2023. Ryan was an artist-in-residence at Shanghai University in China and was twice the artist-in-residence of the Raketensation at the Insel Hombroich Foundation in Germany. He was also selected as a Fulbright Scholar for painting in Düsseldorf and Münster\, Germany. Ryan has previously worked for Jeff Koons and at the Guggenheim Museum on retrospective exhibitions with artists such as Alex Katz that have been featured in the New York Times and Vogue. In 2022\, he was the Featured Artist for the White House Fellows Annual Leadership Conference. Ryan received a Bachelor of Arts from the Maryland Institute College of Art and a Master of Fine Arts from the New York Art Academy. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. It has moved with changing arts neighborhoods over the years to land at its current space at 56 Bogart St. in Brooklyn\, across from the Morgan Ave. L train stop. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. \n​For more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com.
URL:https://artinamericaguide.com/event/ryan-m-schroeder-thin-air-and-cinders-2/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20231208T180000
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SUMMARY:Magic Hour: Group Show of 20 Artists
DESCRIPTION:Amos Eno Gallery is pleased to present Magic Hour\, a group exhibition of work by 20 artists. An opening reception will take place at the gallery’s Bushwick location at 56 Bogart St.\, on Friday\, December 8\, from 6 to 8 p.m. \nCurated by gallery director Ellen Sturm Niz\, the exhibition features work by: Damien Olsen Berdichevsky\, Damfino\, Chris Esposito\, Matt Greco\, James Horner\, Grant Johnson\, Sam Jones\, Charleen Kavleski\, Emily Loughlin\, Li Xin Li\, Julianne Nash\, Hiroko Ohno\, Kathy Loev Putnam\, José-Ricardo Presman\, Ryan Schroeder\, Dain Susman\, Christopher Squier\, Philip Swan\, Michelle Thompson Ulerich\, and Aaron Wilder. \n“Coveted by photographers\, ‘magic hour’ is that special moment at sunset when the sun bathes the world in a warm\, otherworldly glow\, but it’s an apt description of all the work in this show\, from sculpture to paintings to drawings\,” Niz says. “Each piece has a quality that connects to this sense of the ephemeral and having captured the alchemy of a place\, time\, or narrative. While viewing each work\, you can’t help but be transported.” \nAnchoring the exhibition on the far wall of the gallery\, Kathy Loev Putnam’s two works on wood panel utilize saturated paint colors\, screen printing\, monotype\, and collage to achieve dream-like compositions with illogical interruptions in forms and patterns. The result of both Party in My Hair (2019) and In Fine Feather (2019)\, both on loan from Stanek Gallery in Philadelphia\, convey joyful innocence and its inevitably fleeting nature. \n“Anchored in a gesture that is both personal and familiar\, my subjects are universal portraits of girls during their formative years\, marked by a vivid internal consciousness\, and at times a sense of social disconnection\,” Putnam says.  \nOther works on view in Magic Hour include sculpture\, paintings\, photographs\, mixed media\, and drawings where reality intertwines with fantasy\, and the ordinary is infused with a touch of the extraordinary. This exhibition not only celebrates the transitory nature of\, well\, everything\, but also invites contemplation on the elusive magic hidden within the everyday\, encouraging observers to rediscover the extraordinary in the ordinary. \nAaron Wilder does just that in the two 24 x 32 inch inkjet prints of his digital photographs\, Details (2017) and Details (2020)\, which celebrate the gorgeousness of textured\, golden-hued surfaces when viewed in extreme close-up. \n“Inspired by the ‘Evidence’ collaboration between Larry Sultan and Mike Mandel as well as Sol LeWitt’s ‘PhotoGrids\,’ Details is a zoomed in exploration of minutiae\, such as marks\, patterns\, and signs of weathering—these are details of human impact and manipulation cut off from context to emphasize the aesthetics of wear and tear that typically go unnoticed in our daily lives\,” Wilder explains. \nSimilarly\, 38°31′30″N 111°45′00″W (Pando) by Emily Loughlin explores the unnoticed beauty hidden in the natural world. Created in residency with the Friends of Pando\, the sculpture — made of bisque-fired stoneware\, wire\, and CMUs and displayed on six cinder blocks — maps the root system of the 106-acre Pando Aspen Tree. A clonal organism\, Pando’s 4\,400 individual stems grow from a single root system\, making it the largest known organism on earth. \nAlternating between references to topography and to organic materials\, Loughlin’s sculptures examine the interplay between geology and biology\, shifting between their vastly different time scales. With clay as her primary medium\, she uses firing temperature to manipulate the work’s longevity\, making topographies and landscapes “temporary” through raw clay and bisque firing\, and organic forms “permanent” through high-fire vitrification. \nMeanwhile\, Hiroko Ohno challenges us to look to the skies and luxuriate in the celestial in her mixed media works Galaxy Event Horizon (2023) and Space II (2018)\, which convey the stunning vastness and eerie beauty of space. \n“My questions about the universe and the world drive me to create artwork. I am interested in time and gravity. I use pigments of minerals\, seashells\, corals\, etc.\, and focus on celestial bodies\,” Ohno says. “Recently\, I have been particularly interested in the Event Horizon Project\, which is investigating black holes. The stars and celestial bodies I depict are based on my physical and mental experiences and memories from my travels around the world\, including Namibia\, Africa\, the Sahara Desert\, and Quebec\, where I saw them on the spot.” \nJames Horner implores us to cherish seemingly mundane moments with loved ones with his petite glazed ceramic sculpture Sleepers in Green Bed (2020). Horner is a gay man whose psychological artworks tell stories of the LGBTQ+ peoples’ lives to help divert discrimination. This sculpture is of Horner and his partner\, Chris\, sleeping together. He created the work after Chris committed suicide during the pandemic to promote suicide awareness among the queer community. \nLi Xin Li also explores the personal and emotional in I Just Want to Rest (2023)\, in which an exhausted figure is draped over a large block\, with his head set neatly below. Who doesn’t want to sever themselves from their incessant stream of thoughts occasionally? Now that would be magic. \nIt’s a “self-consciousness breakdown; a grief over the downfall of ego; a direct translation of the artist’s feeling onto the media itself\,” notes Li of the acrylic on canvas painting that expertly uses both color and form. \nAlso on view in the exhibition is a video of the 16-minute duet dance “Up\, at the moon\,” performed by dancers Michelle Thompson Ulerich and Lydia Soueidan at the gallery on September 16\, 2023. Choreographed by Ulerich in response to “The Golden Rule\,” a solo exhibition by Elena Barenghi\, the dance was inspired by nature and the beautiful balance present in the natural world. Similarly\, Ulerich’s choreography explored the miraculous and harmonious cycles of nature and life\, with the dance emerging from the wall almost as if the dancers were being born out of the mural. \nMagic Hour invites viewers to reflect on the beauty of fleeting moments and the enchantment of discovering the extraordinary in the ordinary. These seven works as well as the 23 others in the exhibition all contribute their own dialogue to the overall message of acknowledging the profound magic of our existence. The works’ diverse perspectives weave together a narrative that celebrates the intricacies of our world\, making it a must-see showcase of artistic perspectives and contemplation. \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. It has moved with changing arts neighborhoods over the years to land at its current space at 56 Bogart St. in Brooklyn\, across from the Morgan Ave. L train stop. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com.
URL:https://artinamericaguide.com/event/magic-hour-group-show-of-20-artists/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20231208T180000
DTEND;TZID=America/New_York:20231208T200000
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SUMMARY:Let's Get Critical
DESCRIPTION:The Project Space at Amos Eno Gallery in Bushwick\, Brooklyn\, is pleased to present Let’s Get Critical\, a group exhibition by seven emerging artists from the New York City area. An opening reception will take place at the gallery’s location at 56 Bogart St.\, Brooklyn\, NY\, on Friday\, December 8\, from 6 to 8 p.m. \nCurated by gallery director Ellen Sturm Niz\, Let’s Get Critical will be on view through January 14. Artists featured are Sazia Afrin\, Naomi Frank\, Leah Harper\, Dustin Oriente\, Lynn Ubell\, Renee Valenti\, and Gail Vachon\, who were participants in Amos Eno’s inaugural critique group\, held over six online sessions this fall. This cohort of artists investigated their artistic practices with each other and with a rotating cast of nine of the gallery’s artists who served as moderators. \n“Artists constantly think critically about their practice and their work\, but outside perspectives and feedback are integral to growth and evolution\,” Niz says. “External viewpoints offer valuable insights that artists might not have considered within the confines of their own creative bubble. At any stage of their career\, constructive criticism and diverse interpretations from peers contribute to an artist’s ability to refine their skills\, broaden their conceptual horizons\, and adapt to changing artistic landscapes.” \nAs an artist-run gallery for almost 50 years\, Amos Eno is dedicated to fostering creative communities in New York City and beyond. The virtual critique group connected local New York City-based artists with each other and with the gallery’s artists from Philadelphia to Dallas to Santa Fe\, NM\, to explore their creative practices. \n“One area of interest in my creative practice is the making and unmaking of identity\, particularly from an immigrant’s perspective\,” says Sazia Afrin “ I use mixed-media and text-based art to revisit memories and family stories\, or to investigate the conflicting process of assimilating into another culture or nationality.” \nAfrin’s Rickshaw Book: A Study\, A Memory (2023) itself makes and unmakes colorful rickshaws as one flips through the cutout papers marked with acrylic gouache and acrylic markers. Bound together\, the collected pages reveal and assemble fragmented forms of the vehicle. \nFurther\, engaging in critical thought about the world and society is a cornerstone of an artist’s practice. By delving into the nuances of social\, political\, and cultural landscapes\, they can distill their observations into visual narratives that resonate with viewers on a profound level.  \n“It’s through this analytical process that artists not only reflect on the current state of affairs but also envision alternative perspectives and possibilities\,” Niz says. “Through their critical engagement with the world\, artists contribute to a collective dialogue\, fostering understanding\, empathy\, and\, at times\, sparking transformative change.” \n“My photographs explore themes of gender identity\, body image\, sexuality and desire through the lens of being a transmasc queer individual\,” says Dustin Oriente\, whose digital photographic prints Sprout (2023) and Decay (2023) are on view. “Using color\, texture and landscape\, I create a visual representation of my body’s appearance changing from testosterone therapy. Through physical transition\, my fear\, shame\, dysphoria\, and feelings of undesirability decay with the dying plants\, and in its place sprouts newfound confidence\, a sense of thriving and belonging as a beautiful part of nature.” \nLeah Harper’s work also investigates nature but through her own critical lens: “My practice centers on experimentation with materials\, such as bioplastics containing algae or seaweed\, and my work often highlights the implications of rising seas by portraying nature overtaking interior space\,” she says. “Drawing inspiration from marine ecosystems\, I create sculptures and installations that explore the balance between nature and the built environment.”  \nHer sculptures Overgrown (2023)  and Stagnant (2023) transform everyday ceramic and glass dishware with the addition of gelatin-based bioplastic and nori seaweed\, as if ocean life is taking back its space and more\, flooding into cupboards to show humans what it feels like to be invaded and polluted. \nMeanwhile\, in Renée Valenti’s recent series of work — of which the oil on canvas paintings Tether (2023) and Give Me Your Awful Parts and I Will Lick Them (2023) are on view in Let’s Get Critical — biomorphic shapes and saturated colors draw from spaces that straddle reality and the imaginary. Her work is heavily influenced by cinema\, low culture\, and the genres of figure painting and early abstraction\, as well as fantastical and outlandish sets and films from artists like John Waters\, David Lynch\, Sofia Coppola\, and sets and performances from opera and drag. \nUltimately\, the interplay between internal reflection and external engagement — with each other and the world around them — forms a crucial foundation for an artist’s continuous development\, ensuring that their creative journey remains dynamic\, relevant\, and resonant. A critical look\, in meaning both analytical and urgently important\, is evident in all 14 of the works from these seven artists who came together through this critique group. \n“Our supportive community is a testament to the belief that artistic expression thrives in a collaborative environment\,” Niz says. “ At Amos Eno\, we recognize that the strength of our gallery lies not only in the individual talents of our artists but in the collective spirit that binds us together.” \nAbout Amos Eno Gallery \nAmos Eno Gallery has been a fixture in the New York art scene since 1974 when it opened in Soho. It has moved with changing arts neighborhoods over the years to land at its current space at 56 Bogart St. in Brooklyn\, across from the Morgan Ave. L train stop. The gallery is open Thursdays through Sundays from noon to 6 p.m. and is run by a small community of professional artists\, both from New York City and across the country\, and a part-time director. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com.
URL:https://artinamericaguide.com/event/lets-get-critical/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTEND;VALUE=DATE:20231204
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SUMMARY:Tulu Bayar: ​Twine
DESCRIPTION:Amos Eno Gallery is pleased to present Twine\, a solo exhibition by Tulu Bayar. An opening reception will take place at the gallery’s Bushwick location at 56 Bogart St.\, on Friday\, November 3\, from 6 to 8 p.m. Concurrently\, an exhibition by Dalit Gurevich will be on view in The Project Space. \nA  limited number of exhibition catalogs signed by the artist will be available during the exhibition with a curatorial essay by Nina Chkareuli-Mdivani. This exhibition catalog is made possible by a grant from the Mellon Confounding Problems in the Public Humanities and Arts. \n“In her new body of work for the exhibition Twine at Amos Eno Gallery\, Turkish-American artist Tulu Bayar visually culls together an identity made up of two\, eastern and western\, paradigms embodying distinct halves of her life\,” writes independent curator\, writer\, and researcher Nina Chkareuli-Mdivani in her curatorial essay\, East and West Entwined: Tulu Bayar at Amos Eno Gallery. “As an immigrant\, Bayar carries the sense of being the Other with her\, not being fully at home either in the U.S. or in Turkey because she simultaneously exists within two historical and geographic continuums. … In Twine we encounter a more nuanced and abstract meditation on the nature of immigrant experience.” \nThe center of Bayar’s exhibition is a series of 18 Citra transfer prints on cotton paper\, which she brushed with pastes made from soil\, sand\, water\, and vegetation collected from various geographical regions of the U.S.A. and Turkey. The images are already exquisite in composition — often with a solitary female figure in the foreground\, surveying a distant landscape — but are rendered even more haunting as a result of both the transfer process and the earth-paste application. Colors are pushed and pulled\, edges are softened\, and textures are enhanced. The resulting prints look as if they were discovered in a long-forgotten trunk\, transporting us to a time and place we aren’t sure ever existed.​ \nBayar’s photo transfer technique symbolizes the imprint of memory on the self. “The images themselves become a collage of moments that have shaped my path\,” she says. “I maintain a multidisciplinary practice that weaves through to produce reflections of immigrant experience.” \nLike many immigrants in the States and elsewhere\, Bayar negotiates her identity on the borderline of two languages and cultures. Her heightened sensitivity to flux and transition opens a gate for a dialectic worldview where she constantly relearns to exist. “Bayar creates urban cityscapes devoid of crowds\, but with hints and outlines of a mysterious feminine figure. By providing us with a reference point of a human body\, Bayar not only gives us a scale of her fantastic synthesized structures\, but also a protagonist\, a human being who is unlikely to inhabit these architectural marvels\, yet\, is presiding over them\,” writes Chkareuli-Mdivani. “The figure is like a hopeful immigrant herself trying to subvert the power of the golden city in the sky\, yet trying to hold onto the reality available to her.” \nBayar’s site-specific installations at Amos Eno Gallery reference and enhance the imagery in her series of prints. A collection of white trays are scattered flat across the wall\, with assortments of Turkish coffee and tea cups with saucers as well as mugs with varying heights jutting out from their surfaces. These drinking vessels mimic the architectural forms on the Citra transfers\, but their perpendicular orientation makes the resulting “floating cities” rather uncomfortable dwellings for anyone approaching from a different perspective — an apt commentary on the immigrant experience. \nMeanwhile\, a trio of giant scrolls cascades vertically down another wall. Hung at staggered heights and curling onto the floor in various sculptural piles\, they reveal information only on the part that is not rolled. Both ends are rolled up\, referencing the hidden past and future\, waiting for an unfold. “I assemble disparate elements\, ranging from salvaged images\, photographs\, photographic films\, old drawings\, and maps to repurposed textiles and cultural belongings\, and imbue them with new life\,” Bayar says. “This process of amalgamation serves as a metaphor for the mosaic of human existence — fragments coming together to form a coherent whole.”​ \nThe circular shapes of the scrolls and their circular motifs reference the white trays and the Citra transfer prints\, all borrowing from Italo Calvino’s “continuous cities.”  Calvino suggests that there is actually one continuous city that does not begin or end. To that end\, exposing the less-obvious differences in the things hiding in plain sight in each cityscape or landscape in that continuity becomes a performative act in Bayar’s Twine exhibition: Material becomes the mirror and she gives materials human traits. The comprehensive effect of Bayar’s prints\, trays\, and scrolls altogether then transform the gallery into a continuous city. \nAbout Tulu Bayar  \nBayar has participated in numerous solo and group exhibitions at museums and galleries in the US as well as in Germany\, Denmark\, UK\, Ireland\, France\, Colombia\, Turkey and China.  Her work is part of public collections including Belfast Exposed Photography\, Samuel Dorsky Museum\, Elgiz Museum of Contemporary Art (Istanbul)\, and the Textile Museum at George Washington University. Her exhibitions have been covered by international media including NPR\, The Irish Times\, Afterimage\, Photography Quarterly\, TRT (National Public Broadcaster of Turkey) and the Bushwick Daily. \n A Fulbright Scholar\, she has also received funding from Esmée Fairbairn Foundation\, Ténot Foundation\, artist-in residency grants from Camac Centre d’Art in France and the Center for Photography at Woodstock funded by the Andy Warhol Foundation as well as William Sackett Fellowship through Virginia Center for Creative Arts. \nBayar received her BA degree in Communications and Journalism from Ankara University and her MFA in Electronic Arts from University of Cincinnati. She is currently Professor of Art and Chair at Bucknell University in Pennsylvania\, where she co-founded the Ekard Artist Residency. \nFor more information\, please contact Gallery Director Ellen Sturm Niz at amosenogallery@gmail.com.
URL:https://artinamericaguide.com/event/tulu-bayar-twine/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTEND;TZID=America/Halifax:20220715T200000
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SUMMARY:Opening Reception\, Root Systems: Artist Collectives in NYC
DESCRIPTION:“Root Systems: Artist Collectives in NYC” examines the enduring legacy of grassroots artist-run collectives ABC No Rio\, Culture Push\, Amos Eno Gallery and Southeast Queens Artist Alliance (SEQAA) through a survey of marketing collateral\, posters\, fine art and oral and written histories documenting each organization’s unique imprint in the New York alongside contemporary artworks from artist members of these organizations. \nWe invite you to the opening reception of this two-week exhibit\, taking place on Friday\, July 15th from 6-8 PM. The exhibition highlights the efforts of the four NYC-based artist collectives — Amos Eno Gallery\, ABC No Rio\, Southeast Queens Artist Alliance and Culture Push– as each collective will have a space in the gallery to present. Organizations are exhibiting works on paper\, paintings\, new media and installation work aligned with their mission\, values and artist members’ studio practice in a manner that is meaningful to their own imprint on the past and dialogue with the present as we move toward a resilient future for artist communities based in New York City’s five boroughs. \nVisitors to the exhibition will encounter materials from the 1970s until today which offer insights into the rich experiences that artist-run spaces and initiatives have contributed to the wider cultural landscape in New York City.
URL:https://artinamericaguide.com/event/opening-reception-root-systems-artist-collectives-in-nyc/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20220506T180000
DTEND;TZID=America/Halifax:20220506T210000
DTSTAMP:20260729T105115
CREATED:20220421T185401Z
LAST-MODIFIED:20220421T185401Z
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SUMMARY:Opening Reception\, Recalling the Chimaera
DESCRIPTION:Amos Eno Gallery is pleased to present Recalling the Chimaera\, works on paper\, parchment\, pellicles and the paper-like\, by artists Candace Jensen (VT)\, Thomas Little (NC) and Coleman Stevenson (OR). \n\nThe chimæra: a myth\, a monster and child of monsters\, a dazzling\, implausible corpus formed of parts unalike and unamicable. Elemental\, untamable\, misunderstood\, or obfuscating understandability. Furs and feathers\, viscera and aetheria. To recall: to remember\, to recognize. Bringing into focus that which haunts from the edges of memory. To come back to\, to open lines of communication once again. Anamnesis. ReCalling the Chimæra includes griffonage\, symbiotic organismic collaborations\, abecedary illuminations\, bestiaries and visual spellwork by three artists whose interdisciplinary practices defy simple categorization\, and deify the rhizomatic\, the mycelial\, the alchemical\, and the holographic. The assemblage of works on view summon the traditions of sigildry\, spellwork\, erasure\, calligraphic illumination\, guerrilla gardening\, biology\, psychology\, recursive systems\, yantras\, poetry\, labyrinths\, embroidery\, mediumship\, folk magic\, and many other pursuits that bridge the above with the below\, contain all\, and bind nothing. \n​ \nAt its simplest\, Recalling the Chimeæra pursues the aesthetics of complex\, polysemic messages\, and seeks to present language as a magical question. This exhibition is a ritual\, a spell\, and likely also a collection of asemic ephemera. The work is nothing more than earth and fibers\, slime mold and hammered sheets of metal which allow light to pass through\, like stained glass. The artists are devotees to the yellow friend\, haphazard sorcerers and cautious Doctors Frankenstein\, making a pass at presenting meaning inherent in their material\, playfully irreverent of some conventions and deadly serious about the rest of them.
URL:https://artinamericaguide.com/event/opening-reception-recalling-the-chimaera/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220401T180000
DTEND;TZID=America/Halifax:20220401T210000
DTSTAMP:20260729T105115
CREATED:20220314T130815Z
LAST-MODIFIED:20220314T130815Z
UID:92883-1648836000-1648846800@artinamericaguide.com
SUMMARY:Sign of Frankenstein Group Exhibition Opening Reception
DESCRIPTION:Amos Eno Gallery is pleased to present Sign of Frankenstein\, an exhibition of some thirty recent paintings by eight New York City based artists.  The artists do not share a singular theme or mode of representation or abstraction.  They are loosely affiliated by their layered practices.  In this show viewers are invited to consider painting as an aggregate media\, to look to what is combined or collected. Curated by artist Robert McCann\, exhibiting artists include Tine Lundsfryd\, Noga Cohen\, Nicole Parcher\, Nancy Baker\, KellyAnne Hanrahan\, Jesse McCloskey\, Charity Baker\, and Adi Rejto.
URL:https://artinamericaguide.com/event/sign-of-frankenstein-group-exhibition-opening-reception/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220304T180000
DTEND;TZID=America/Halifax:20220304T200000
DTSTAMP:20260729T105115
CREATED:20220225T003206Z
LAST-MODIFIED:20220225T003206Z
UID:92293-1646416800-1646424000@artinamericaguide.com
SUMMARY:Opening Reception\, Nishiki Sugawara-Beda: Somewhere Around There
DESCRIPTION:Amos Eno Gallery is pleased to present Somewhere Around There\, a New York debut solo exhibition of work by a Dallas-based artist Nishiki Sugawara-Beda from her latest series KuroKuroShiro\, “black-black-white” in Japanese. The series title is indicative of her process using Sumi\, a traditional East Asian ink\, to compose painted worlds in which to be immersed and commune with an inner\, quieter spirit. \nBorn and raised in Japan\, Sugawara-Beda was steeped in a poetic Japanese aesthetic valuing symbolic interpretation over direct representation. It is from this lyrical\, and oftentimes philosophical\, Japanese sensibility that Sugawara-Beda creates. Employing the landscape as a conceptual framework\, her works negotiate the tension between light and dark\, hard and soft\, abstraction and figuration. Throughout this exhibition\, the artist also considers the relation of past to present\, influenced by traditional Japanese scroll paintings that imply time relative to space. And yet\, her works transcend place and time\, offering no clear suggestion of a narrative or relationship between forms. \nSomewhere Around There features works in varying scale from small\, intimate paintings on handmade gesso-covered panels to hanging scroll works on paper in the Kakejiku tradition. In Sumi ink with its distinctly rich and subtle tones\, the monochromatic compositions are minimal in color and confounding in form\, encouraging reflection\, introspection\, and meditation. And as the viewer encounters and navigates the unknown\, new possibilities emerge. In the process\, the viewer is transported “there\,” referenced to in the exhibition’s title\, a portal in the material providing access to the spiritual. \n​ \nNishiki Sugawara-Beda website: https://nishikibeda.com/ \nNishiki Sugawara-Beda Instagram: \nhttps://www.instagram.com/nishikisugawarabeda.art/ \nNishiki Sugawara-Beda is a Japanese-American visual artist based in painting and installation. She draws upon her Japanese heritage to explore themes related to culture\, language\, and spirituality rooted in Zen Buddhism. Connecting across space and time\, she experiments in ancient Japanese materials and techniques including Sumi ink\, Kakejiku landscapes\, and rice paper\, to merge them with abstract and expressive forms familiar to the modern Western aesthetic. Sugawara-Beda has exhibited her work in venues including the Spartanburg Art Museum (SC)\, Morris Graves Museum of Art (CA)\, Dennos Museum (MI) and Amos Eno Gallery (NY). Publications include New American Paintings\, Expose Art Magazine\, AEQAI\, Athenaeum Review and the London Post. Awards including a Seed Grant\, Diversity Fellow Program\, International Enhancement Grant\, Idaho Arts Fellowship\, Sam Taylor Fellowship\, and Tusen Takk Foundation residency have supported her artistic research. In addition to national conferences\, including the College Art Association\, Sugawara-Beda also gives keynote speeches and workshops to cultural organizations including Pilipino American Unity for Progress\, Inc.\, OCA-Asian Pacific American Advocates\, and Business Council for the Arts\, Dallas. See You There\, a full-color art book surveying her work from 2012 to 2020\, is published by Execute Magazine in 2021.
URL:https://artinamericaguide.com/event/opening-reception-nishiki-sugawara-beda-somewhere-around-there/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211029T180000
DTEND;TZID=America/Halifax:20211029T210000
DTSTAMP:20260729T105115
CREATED:20211029T201315Z
LAST-MODIFIED:20211029T201315Z
UID:89655-1635530400-1635541200@artinamericaguide.com
SUMMARY:Opening Reception: Sur/Reality
DESCRIPTION:Exhibition featuring works by David Olivant\, Nishiki Sugawara-Beda\, Joyce Yamada and Kahori Kamiya on view October 28-November 14 at Amos Eno Gallery. Opening reception includes performance.
URL:https://artinamericaguide.com/event/opening-reception-sur-reality/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211007T220000
DTEND;TZID=America/Halifax:20211024T180000
DTSTAMP:20260729T105115
CREATED:20210930T194615Z
LAST-MODIFIED:20211011T144353Z
UID:88721-1633644000-1635098400@artinamericaguide.com
SUMMARY:Hyper/Reality: Works by Aaron Wilder\, Grant Johnson\, and Ligia Bouton
DESCRIPTION:Hyper/Reality is a Fall 2021 exhibition presented at Amos Eno Gallery that feature works in dialogue with reality and its discontents. Curated by gallery director Audra Lambert\, Hyper/Reality is on view from Oct 7th through October 24th\, and features artworks by Ligia Bouton\, Grant Johnson and Aaron Wilder. The show examines how reality/ies can be skewed and re-interpreted utilizing new media\, photography\, mixed media\, painting\, collage\, sculpture\, installation and performance art.
URL:https://artinamericaguide.com/event/hyper-reality/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210618T180000
DTEND;TZID=America/Halifax:20210618T210000
DTSTAMP:20260729T105115
CREATED:20210607T140016Z
LAST-MODIFIED:20210607T140016Z
UID:81501-1624039200-1624050000@artinamericaguide.com
SUMMARY:Opening Reception\, Chris Esposito "Wall Sandwich"
DESCRIPTION:Amos Eno Gallery proudly presents Wall Sandwich\, an exhibition of new works by Chris Esposito. An opening reception will take place Friday\, June 18th at the gallery from 6-9 PM in our new location in the center hallway at the 56 Bogart Street in Brooklyn\, NY. The solo show presents new work featuring industrial materials at a range of scales\, making visible what is regularly invisible in the surrounding environment.
URL:https://artinamericaguide.com/event/opening-reception-chris-esposito-wall-sandwich/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210521T180000
DTEND;TZID=America/Halifax:20210521T200000
DTSTAMP:20260729T105115
CREATED:20210513T153936Z
LAST-MODIFIED:20210513T153936Z
UID:81115-1621620000-1621627200@artinamericaguide.com
SUMMARY:Opening Reception\, Tulu Bayar: "Traces"
DESCRIPTION:Amos Eno Gallery proudly presents “Traces\,” an exhibition of a mixed-media installation by Tulu Bayar. Join us Friday\, May 21st from 6-8pm to encounter Bayar’s most recent installation\, which draws upon her decade-long exploration of drawing with photographic film\, and utilizes meditative repetition to communicate the idea of oneness: all binary concepts share and are connected to one source. In contrast to an examination of the physical\, Bayar’s work focuses on the spiritual essence of wholeness and mysticism that are deeply rooted in Rumi’s teachings. The artist will be creating ephemeral work for visitors during the opening\, in call and response with Pianist Sezi Seskir\, who will be playing ‘Two Pages’ by Philip Glass\, an early work of his from 1968. Please join us for this unique\, collaborative performance experience.
URL:https://artinamericaguide.com/event/opening-reception-tulu-bayar-traces/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210423T180000
DTEND;TZID=America/Halifax:20210423T210000
DTSTAMP:20260729T105115
CREATED:20210419T154741Z
LAST-MODIFIED:20210419T154741Z
UID:80830-1619200800-1619211600@artinamericaguide.com
SUMMARY:Opening Reception\, "Rosemary Meza-DesPlas: Marching Across Your Lawn\, The Grass is on Fire"
DESCRIPTION:Friday\, April 23\, 20215:30-9 PM EST\n\n\n\nOpening Reception\, “Rosemary Meza-DesPlas: Marching Across Your Lawn\, The Grass is on Fire”\n\n\nOpening Reception with the artist Rosemary Meza-DesPlas \n​Friday\, April 23rd \nVirtual reception from 5:30 PM EST \nIn-person reception from 6-9 pm at Amos Eno Gallery \n56 Bogart Street \n\nFree and open to the public \nAmos Eno Gallery presents\, Marching Across Your Lawn\, The Grass is on Fire\, an exhibition of new works by Rosemary Meza-DesPlas\, on view at the gallery from April 22-May 16\, 2021. A virtual exhibition tour and presentation will take place at 5:30 PM on Friday\, April 23rd via Zoom (link here) followed by an opening reception from 6-9 PM at the gallery’s location on 56 Bogart Street in Brooklyn\, NY.
URL:https://artinamericaguide.com/event/opening-reception-rosemary-meza-desplas-marching-across-your-lawn-the-grass-is-on-fire/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210219T180000
DTEND;TZID=America/Halifax:20210219T210000
DTSTAMP:20260729T105115
CREATED:20210216T155613Z
LAST-MODIFIED:20210216T155613Z
UID:80046-1613757600-1613768400@artinamericaguide.com
SUMMARY:José-Ricardo Presman: "The Illusion That Light Travels" Exhibition Opening
DESCRIPTION:The Illusion That Light Travels\n​\nNew Works by José-Ricardo Presman\n\n\nFebruary 18 – March 14\, 2021 \n​ \nVirtual Tour and Presentation: Friday\, February 19th from 5:30 PM: https://us04web.zoom.us/j/72601204952?pwd=SU1XanErRXpoV08yZllzTVFoZVlqZz09 \n​ \nOpening Reception at Gallery: Friday\, February 19th\, 6-9PM \n​ \n​ \nAmos Eno Gallery presents The Illusion that Light Travels\, an exhibition of new works by long-time gallery member and co-founder José-Ricardo Presman. A virtual exhibition tour and presentation will take place from 5:30 PM on Friday\, February 19th via Zoom (link here) followed by an opening reception from 6-9 PM at the gallery’s location at 56 Bogart Street in Brooklyn\, NY. The artist’s presentation will cover themes such as how the creative mind coordinates with the rational mind in an artistic context.
URL:https://artinamericaguide.com/event/jose-ricardo-presman-the-illusion-that-light-travels-exhibition-opening/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201113T180000
DTEND;TZID=America/Halifax:20201113T200000
DTSTAMP:20260729T105115
CREATED:20201106T183033Z
LAST-MODIFIED:20201106T183033Z
UID:78683-1605290400-1605297600@artinamericaguide.com
SUMMARY:Opening Receptions\, "The Faces of Quarantine" & "Downfall: The Going Under"
DESCRIPTION:Amos Eno Gallery is pleased to present two concurrent exhibitions\, Andre Rubin\, “Downfall: The Going Under” and Hildegard Hsieh Holman\, “The Many Faces of Quarantine\,” two solo exhibitions presented in tandem with new works by artists Andre Rubin and Hildegard Hsieh Holman. This joint exhibition will run at Amos Eno Gallery from November 13 – December 13\, 2020.
URL:https://artinamericaguide.com/event/opening-receptions-the-faces-of-quarantine-downfall-the-going-under/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Exhibition
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GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200327T190000
DTEND;TZID=America/Halifax:20200327T210000
DTSTAMP:20260729T105115
CREATED:20200224T170419Z
LAST-MODIFIED:20200224T170419Z
UID:65587-1585335600-1585342800@artinamericaguide.com
SUMMARY:Candace Jensen: Deep Green Query EcoPoetics Salon
DESCRIPTION:An EcoPoetics Salon will be held as a closing event on Friday\, March 27\, from 7-9 PM. The event will feature readings by guest poets John James\, Lynn Xu and Timothy Donnelly as well as conversation & refreshments. Additional details TBA.
URL:https://artinamericaguide.com/event/candace-jensen-deep-green-query-ecopoetics-salon/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
CATEGORIES:Event
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ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200306T173000
DTEND;TZID=America/Halifax:20200306T193000
DTSTAMP:20260729T105115
CREATED:20200224T170357Z
LAST-MODIFIED:20200224T170357Z
UID:65583-1583515800-1583523000@artinamericaguide.com
SUMMARY:Candace Jensen: Deep Green Query opening reception
DESCRIPTION:Amos Eno Gallery is pleased to present Deep Green Query\, an exhibition of new calligraphic works on paper by Candace Jensen on view March 5 through 30\, 2020. An opening reception will be held on Friday\, March 6\, from 5:30-7:30 PM at 56 Bogart Street in Brooklyn\, NY.
URL:https://artinamericaguide.com/event/candace-jensen-deep-green-query-opening-reception/
LOCATION:Amos Eno Gallery\, 191 Henry Street\, New York\, NY\, 10002\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/02/jensen-amoseno-1-1.jpg
ORGANIZER;CN="Amos Eno Gallery":MAILTO:amosenogallery@gmail.com
GEO:40.7057864;-73.9331373
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Amos Eno Gallery 191 Henry Street New York NY 10002 United States;X-APPLE-RADIUS=500;X-TITLE=191 Henry Street:geo:-73.9331373,40.7057864
END:VEVENT
END:VCALENDAR