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DTSTART;VALUE=DATE:20211103
DTEND;VALUE=DATE:20211216
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CREATED:20211028T181916Z
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SUMMARY:Unicum: A Print Group Show
DESCRIPTION:Anders Wahlstedt Fine Art is pleased to announce Unicum\, an exhibition featuring eleven works\, seven artists\, and five approaches to print-making. The show unites skilled print-makers – Mark Tobey\, Frank Stella\, Jim Dine\, Elizabeth Murray\, John Zurier\, Kenny Scharf\, and James Brown – to highlight the category of unique prints. Monotypes\, trial proofs\, and lithographs with hand-coloring are three of the techniques included in the exhibition.
URL:https://artinamericaguide.com/event/unicum-a-print-group-show/
LOCATION:Anders Wahlstedt Fine Art\, 548 W. 28th St\, Suite 636\, New York\, NY\, 10001
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210708T110000
DTEND;TZID=America/Halifax:20210828T180000
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SUMMARY:Shaping Color
DESCRIPTION:Anders Wahlstedt Fine Art is pleased to present “Shaping Color\,” the gallery’s second solo exhibition with Jason Stewart. \nIn this exhibition\, Stewart “has achieved a new marriage of color and form\, of architecture and color\, and of geometry and space…the paintings seem to transpose geometric architectural form into pictorial space. Perhaps this geometry would seem to belie the dominance and importance of color in these paintings. Yet color holds the arcs; the arcs hold color. The more one looks at these works\, the more one observes the paradox between color and form. And the more elusive the paintings become.” – Claudia Carr Levy
URL:https://artinamericaguide.com/event/shaping-color/
LOCATION:Anders Wahlstedt Fine Art\, 548 W. 28th St\, Suite 636\, New York\, NY\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210520
DTEND;VALUE=DATE:20210701
DTSTAMP:20260525T024735
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LAST-MODIFIED:20210520T201920Z
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SUMMARY:Frank Stella's Imaginary Places
DESCRIPTION:Anders Wahlstedt Fine Art is pleased to present an exhibition of ten circular prints from Frank Stella’s celebrated “Imaginary Places” series. The selected works on view are from 1996 – 1998 and are rendered in vivid – often fluorescent – colors. Stella employs a variety of techniques in this series\, including engraving\, aquatint\, relief\, lithography\, screenprint\, etching\, and computer design. The labor-intensive\, complex prints each refer to an encyclopedic entry in Alberto Manguel and Gianni Guadalupi’s The Dictionary of Imaginary Places. The book catalogues the geography and culture of fictional places from literature\, and offered an ideal source material for Stella’s abstracted worlds.
URL:https://artinamericaguide.com/event/frank-stellas-imaginary-places/
LOCATION:Anders Wahlstedt Fine Art\, 548 W. 28th St\, Suite 636\, New York\, NY\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210205
DTEND;VALUE=DATE:20210307
DTSTAMP:20260525T024735
CREATED:20210210T214837Z
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SUMMARY:Female Sensibility
DESCRIPTION:Group exhibition featuring Joan Snyder\, Cecily Brown\, Mary Frank\, Nancy Graves\, Miriam Schapiro\, Judith Rothschild\, Nancy Spero\, Rachel Rickert\, and Katarina Riesing.\n\nImage credits\, left to right: \n1. Joan Snyder\n…and acquainted with grief\, 1998\nColor etching\, aquatint\, woodcut\, and linocut\, hand-inked by the artist\n44 3/4 x 63 inches framed\nTrial proof outside of the edition of 10\nSigned lower right\nCourtesy of Wahlstedt Fine Art\nInquire \n2. Mary Frank\nHead with Ferns\, 1975\nTerracotta in two parts\n16 x 17 x 10 inches\nCourtesy of Wahlstedt Fine Art\nInquire \n3. Judith Rothschild\nUntitled\, 1992\nCollage with acrylic and ink on paper\n25 1/2 x 31 3/4 inches framed\nSigned lower left\nCourtesy of Wahlstedt Fine Art\nInquire
URL:https://artinamericaguide.com/event/female-sensibility/
LOCATION:Anders Wahlstedt Fine Art\, 548 W. 28th St\, Suite 636\, New York\, NY\, 10001
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200211
DTEND;VALUE=DATE:20200328
DTSTAMP:20260525T024735
CREATED:20200206T161752Z
LAST-MODIFIED:20200206T162158Z
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SUMMARY:Joan Mitchel and Grace Hartigan at the Tiber Press
DESCRIPTION:Anders Wahlstedt Fine Art is pleased to announce an exhibit of silkscreen prints by Joan Mitchell and Grace Hartigan during their time at the Tiber Press in the late 1950’s. \nOn view are some rare proofs by Joan Mitchell and prints by Grace Hartigan from “Salute”\, a collaboration between the artist and poet James Schuyler. Also on display are photographs of Joan Mitchell working in the Tiber Press printing studio and some of the acetate sheets painted by the artist before printing the silkscreens. \nFloriano Vecchi and Richard Miller founded the Tiber Press in 1953\, specializing in very fine silkscreen print making techniques. Vecchi received widespread acclaim in the New York Art scene in 1962 following his work with Andy Warhol on a screen made out of a dollar bill Warhol had drawn. Vecchi worked with Warhol to redraw the bill on mylar and instructed Warhol in the screen-printing process\, which Warhol promptly introduced in his studio. \nGrace Hartigan was a well-known New York School painter\, who began her professional career in the early 1950’s\, working in multiple mediums. Hartigan began making screen prints in the early 50’s\, working with the prominent literary magazines View and Folder\, pioneering printmaking projects from that time period. Her early works of graphic art were often conceived and presented in association with poetry\, such as her work with poet James Schuyler shown in this exhibition. Hartigan was influenced by William De Kooning and Franz Kline\, shown through her development of a more painterly abstract manner\, using energetic swaths of dripping house paint and collage. Her work is in permanent collections at the Museum of Modern Art\, NY\, The Guggenheim Museum\, NY\, the Art Institute of Chicago and many others. \nJoan Mitchell began working with the printers at Tiber Press to produce works in the late 50’s and early 60’s. Regarded as a leading female figure in the New York School of abstract expressionists by the early 1950’s\, Mitchell\, also influenced by De Kooning and Kline\, often painted in brilliant colors juxtaposed to the chaotic marks of black and motionless voids of the bare canvas. Several years later\, from 1960-64\, the artist concentrated her forms to more densely packed masses of black with some sombre colors. The silkscreens in this show are Mitchell’s first mature prints. Mitchell created multiple proofs depicting her interpretation of the poems by John Ashbury. The poet\, editor\, and Mitchell herself then selected the most appropriate images for print in the book based on the feelings evoked from each proof. \nJoan Mitchell is the subject of a major retrospective for 2020\, starting at the Baltimore Museum of Art in April of 2020 and traveling to San Fransisco Museum of Modern Art\, followed by the Guggenheim Museum in New York in February of 2021. \nThe exhibition will be on view February 11 through March 27\, 2020. A reception will be held on Thursday\, March 5th from 5-8pm. \n\nImage:\nJoan Mitchell\, “Untitled\,” ca. 1959\nScreenprint\n17 3/8 by 16 inches\nNumber 9 on verso
URL:https://artinamericaguide.com/event/joan-mitchel-and-grace-hartigan/
LOCATION:Anders Wahlstedt Fine Art\, 548 W. 28th St\, Suite 636\, New York\, NY\, 10001
CATEGORIES:Exhibition
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