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SUMMARY:Stature | Rodrigo Valenzuela
DESCRIPTION:Rodrigo Valenzuela’s work in photography\, video and installation constructs narratives\, scenes\, and stories\, which point to the tensions found between the individual and communities. He utilizes autobiographical threads to inform larger universal fields of experience. Gestures of alienation and displacement are both the aesthetic and subject of much of his work. Often using landscapes and tableaus with day laborers or himself\, Valenzuela explores the way an image is inhabited\, and the way that spaces\, objects and people are translated into images. His work serves as an expressive and intimate point of contact between the broader realms of subjectivity and political contingency. Through his videos and photographs\, Valenzuela makes images that feel at the same time familiar yet distant. He engages the viewer in questions concerning the ways in which the formation and experience of each work is situated—how they exist in and out of place. \n\nImage:\nRodrigo Valenzuela\nStature No. 1\, 2020\, Photogravure\, 31″ x 35.25″\, Edition of 8 plus 2AP\nInquire \n\nRodrigo Valenzuela’s work in photography\, video and installation constructs narratives\, scenes\, and stories\, which point to the tensions found between the individual and communities. He utilizes autobiographical threads to inform larger universal fields of experience. Gestures of alienation and displacement are both the aesthetic and subject of much of his work. Often using landscapes and tableaus with day laborers or himself\, Valenzuela explores the way an image is inhabited\, and the way that spaces\, objects and people are translated into images. His work serves as an expressive and intimate point of contact between the broader realms of subjectivity and political contingency. Through his videos and photographs\, Valenzuela makes images that feel at the same time familiar yet distant. He engages the viewer in questions concerning the ways in which the formation and experience of each work is situated—how they exist in and out of place. \nValenzuela (b. 1982\, Santiago\, Chile) completed an art history degree at the University of Chile (2004)\, then worked in construction while making art over his first decade in the United States. He holds a BA in Philosophy from Evergreen State College and an MFA at University of Washington (2012). He is a professor of art at University of California Los Angeles. Valenzuela’s many residencies include Light Work in Syracuse\, NY; a Core Fellowship at the Museum of Fine Arts\, Houston\, TX; Skowhegan\, ME; Bemis Center\, NE and the Center for Photography at Woodstock\, NY. In addition to his upcoming exhibition at Asya Geisberg Gallery\, solo exhibitions include OCMA in Santa Ana\, CA; Portland Art Museum\, OR; Klowden Mann\, Los Angeles; Laurence Miller Gallery\, New York; the McColl Center\, Charlotte; Galerie Lisa Kandlhofer\, Vienna; Frye Art Museum\, Seattle and Museo de Arte Contemporaneo\, Santiago. Accolades include a 2017 Painters and Sculptors Grant from the Joan Mitchell Foundation\, an Artist Trust Arts Innovator Award and inclusion in Open Sessions 10 at The Drawing Center\, New York.
URL:https://artinamericaguide.com/event/stature-rodrigo-valenzuela/
LOCATION:Asya Geisberg Gallery\, 537B W. 23rd St\,\, New York\, New York\, 10011
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20200912
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SUMMARY:From The Ashes | Julie Schenkelberg
DESCRIPTION:Julie Schenkelberg grew up in the post-industrial landscape of Cleveland\, Ohio. Her mixed-media installations start with furniture\, dishware\, textiles\, and marble\, combined with concrete\, resin\, and construction materials\, to transform notions of domesticity\, and engage with the American Rust Belt’s legacy of abandonment and decay. Using the home as a playground for formal and conceptual subversions\, the work aggressively disrupts cohesion within the physical sphere. Familiar furnishings rekindle memories or premonitions of collapse\, suggesting both the utter destruction of war\, calamities\, or urban decay\, but also the uncanny juxtapositions of fragile substances such as cloth and china\, with industrial materials such as rusty metal\, heavy concrete\, and tool-made marks such as drilled holes and chain-sawed indentations. \n\nImage:\nJulie Schenkelberg\nLemurian Shift\, 2015\nVintage molding\, porch ceilings\, chairs\, lathe\, barrel parts\, vintage boat sails- painted\,  folded painted fabric bundles\, carrara marble\, plaster cast vintage punch cups\, scrap metal from cars\, industrial waste\, bed springs.\nInquire \n\nJulie Schenkelberg grew up in the post-industrial landscape of Cleveland\, Ohio. Her mixed-media installations start with furniture\, dishware\, textiles\, and marble\, combined with concrete\, resin\, and construction materials\, to transform notions of domesticity\, and engage with the American Rust Belt’s legacy of abandonment and decay. Using the home as a playground for formal and conceptual subversions\, the work aggressively disrupts cohesion within the physical sphere. Familiar furnishings rekindle memories or premonitions of collapse\, suggesting both the utter destruction of war\, calamities\, or urban decay\, but also the uncanny juxtapositions of fragile substances such as cloth and china\, with industrial materials such as rusty metal\, heavy concrete\, and tool-made marks such as drilled holes and chain-sawed indentations. \nJulie Schenkelberg received a BA in Art History at the College of Wooster\, OH\, and an MFA at the School of Visual Arts\, NY\, with additional studies at SAIC at Oxbow\, MI\, Pont Aven School of Contemporary Art\, France\, and the Institute of European Studies\, Vienna. Her large-scale installations have been displayed in solo exhibitions at The Sculpture Center\, Cleveland\, OH\, the Mattress Factory Museum of Contemporary Art\, Pittsburgh\, PA\, the University of Akron Meyers School of Art\, Akron\, OH\, Beeler Gallery\, OH\, Plug Projects\, MO\, and UNTITLED Miami Beach\, FL. Schenkelberg won the 2014 ArtPrize Installation Juried Award for her installation “Symptomatic Constant”\, and has received four National Endowment for the Arts Grants\, the Efroymson Contemporary Arts Fellowship\, and a Harpo Foundation Grant. She has been awarded residencies at The Bemis Center for Contemporary Arts\, Omaha\, NE\, Art Omi\, Ghent\, NY\, Projekstom Normanns\, Norway\, and most recently the Red Bull House of Art\, Detroit\, MI. Press includes Artforum\, The New Yorker\, PBS\, Bloomberg\, Hyperallergic\, The Brooklyn Rail\, Art F City\, The Huffington Post\, Beautiful Decay and Ground Magazine. She lives and works in Detroit.
URL:https://artinamericaguide.com/event/julie-schenkelberg/
LOCATION:Asya Geisberg Gallery\, 537B W. 23rd St\,\, New York\, New York\, 10011
CATEGORIES:Exhibition
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