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DTSTART;TZID=America/New_York:20250902T110000
DTEND;TZID=America/New_York:20250927T180000
DTSTAMP:20260416T192641
CREATED:20250826T120402Z
LAST-MODIFIED:20250826T120402Z
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SUMMARY:Rachel Siporin: Bathers
DESCRIPTION:Exhibition Dates: September 2 – 27\, 2025 \nOpening Reception: Saturday\, September 6\, 2025\, 2PM-5PM \nOpening Reception: Saturday\, September 27\, 2025\, 2PM-5PM \nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nRachel Siporin’s fourth show at Bowery Gallery\, Bathers\, focuses on figure compositions inspired by bathers at nearby Cotton Hollow’s Nature Preserve’s Roaring Brook. The artist writes “Initially I have no relationship to the people portrayed\, but as I draw\, paint and build the intaglio prints\, a deep connection develops as they become characters in the play. The paintings begin with an application of a color ground that sets the key for the interaction of hue\, value and intensity. Cotton Hollow’s  formidable cliffs\,  huge rocks\, and water that is seldom blue\, but predominantly green and orange\, creates a unique backdrop for the bathers. Bold brushstroke and a painterly approach have been a constant in Siporin’s work over decades. The water at Cotton Hollow establishes the perfect vehicle to explore color\, transparency and layering. \nRachel Siporin is Professor of Art Emeritus at Central Connecticut State University where she taught Painting and Drawing for decades. Siporin has exhibited widely in Massachusetts\, Connecticut and New York and her work has been reviewed in Art New England\, the Hartford Courant\, and the Hartford Advocate.
URL:https://artinamericaguide.com/event/rachel-siporin-bathers-2/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250902T110000
DTEND;TZID=America/New_York:20250902T180000
DTSTAMP:20260416T192641
CREATED:20250826T120402Z
LAST-MODIFIED:20250903T165012Z
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SUMMARY:Rachel Siporin: Bathers
DESCRIPTION:Exhibition Dates: September 2 – 27\, 2025 \nOpening Reception: Saturday\, September 6\, 2025\, 2PM-5PM \nClosing Reception: Saturday\, September 27\, 2025\, 3PM-5PM\, with poetry reading by Alan Shapiro at 3:30PM \nGallery Hours: Tuesday – Saturday\, 11AM-6PM \nRachel Siporin’s fourth show at Bowery Gallery\, Bathers\, focuses on figure compositions inspired by bathers at nearby Cotton Hollow Nature Preserve’s Roaring Brook. The artist writes “Initially I have no relationship to the people portrayed\, but as I draw\, paint and build the intaglio prints\, a deep connection develops as they become characters in the play. The paintings begin with an application of a color ground that sets the key for the interaction of hue\, value and intensity. Cotton Hollow’s formidable cliffs\,  huge rocks\, and water that is seldom blue\, but predominantly green and orange\, creates a unique backdrop for the bathers. Bold brushstroke and a painterly approach have been a constant in Siporin’s work over decades. The water at Cotton Hollow establishes the perfect vehicle to explore color\, transparency and layering. \nRachel Siporin is Professor of Art Emeritus at Central Connecticut State University where she taught Painting and Drawing for decades. Siporin has exhibited widely in Massachusetts\, Connecticut and New York and her work has been reviewed in Art New England\, the Hartford Courant\, and the Hartford Advocate.
URL:https://artinamericaguide.com/event/rachel-siporin-bathers-3/2025-09-02/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250805T110000
DTEND;TZID=America/New_York:20250823T180000
DTSTAMP:20260416T192641
CREATED:20250806T150815Z
LAST-MODIFIED:20250806T150828Z
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SUMMARY:34th Annual Juried Exhibition
DESCRIPTION:Exhibition Dates: August 5 – 23\, 2025 \nOpening Reception: Thursday\, August 7\, 2025\, from 5 PM to 8 PM \nJuror: Elisa Jensen \n  \nBowery Gallery is pleased to present its 34th Annual Juried Exhibition of work in two dimensions\, juried this year by Elisa Jensen. \n  \nThe exhibition features 50 artists: Neyla Arnas\, Irit Baniel\, Cee Cee Belford\, Catherine Bickford\, Robert Brodesky\, Lisa Brody\, Jill Bulitt\, Sagrario Chamorro\, Sunny Chapman\, Irene Cole\, Francie Cook\, Lucy Copper\, Kristen Cormier\, Stephen Dinsmore\, Katherine Fichthorn\, Jill Finsen\, Tom Fitzharris\, Shruti Ghatak\, Paul Goss\, Nicholas Grassi\, Yael Herzog\, Shelley Himmelstein\, Sam Kelly\, Colleen Kelsey\, Ryan Kerr\, David Kuehler\, Lucy Lamphere\, Herbert Steven Lemon\, Patrice Lorenz\, Tucker Love\, Joseph Mann\, Deena Margolis\, quinn mcnichol\, Liam Murphy-Torres\, William Norton\, Holly Overton\, Leo Psaros\, Kyle Ragsdale\, ransome\, Sonia Redfern\, Robin Scully\, Narelle Sissons\, Christine Slevin\, Susan Stillman\, Susan Taverna\, Nathalie Vogel\, Tyler Weeks\, Lenore Wolf\, Amelia Wykes\, and ZOLO. \n  \nBowery Gallery’s annual juried exhibition gives the art-loving public a first look—or a fresh look—at artists young and new to the scene\, as well as mid-career artists. This international group of artists includes many who live and work in the Northeast\, as well as artists from other regions of the United States and abroad.  The show presents work in a wide and eclectic range of media\, including oil\, acrylic\, pastel\, gouache\, flashe\, and mixed media. \n  \nThis year’s juror\, Elisa Jensen\, teaches at the Pratt Institute and the New York Studio School. She has received awards for her work from the New York Foundation for the Arts\, the National Academy Museum\, and the American Academy of Arts and Letters. Her work has been reviewed and featured in Two Coats of Paint\, Hyperallergic\, and The New York Times\, and she has exhibited at David & Schweitzer Contemporary\, the Painting Center\, and the Pamela Salisbury Gallery\, among others.  \n 
URL:https://artinamericaguide.com/event/34th-annual-juried-exhibition/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250624T110000
DTEND;TZID=America/New_York:20250624T180000
DTSTAMP:20260416T192641
CREATED:20250609T140102Z
LAST-MODIFIED:20250609T140102Z
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SUMMARY:Blake Morgan and JohnHenry Tecklenburg: Landscapes and Figures
DESCRIPTION:Exhibition Dates: June 24 – July 12\, 2025 \nReception: Thurs\, June 26\, 2025\, 5PM-8PM \nGallery Hours: Tuesday-Saturday\, 11AM-6PM \nBowery Gallery is pleased to present the invitational exhibition\, Blake Morgan and JohnHenry Tecklenburg: Landscapes and Figures. The exhibition will remain on view from June 24 to July 12\, 2025\, at the gallery.  An opening reception will be held at the gallery on Thursday\, June 16th from 5pm to 8pm. \nBlake Morgan’s paintings are created from observation over weeks\, months\, and\, often into the following year. The time spent immersed in place is an important element in his work. The movement of the sun\, clouds\, and the changing landscape offer opportunities to choose moments\, tinker with space\, and connect the underlying abstraction with observation. \nJohnHenry Tecklenburg is a visual artist from Charleston\, SC. His paintings are a response to the history and tradition of painting\, in terms of its materials\, techniques\, and iconography. Subjects range from landscape\, still-life\, and figurative work. These works are long studies into the nature of perception and space of two-dimensional and three-dimensional forms. \nView more images from the show: https://bowerygallery.org/morgantecklenburg  \nRead the full press release (PDF).
URL:https://artinamericaguide.com/event/blake-morgan-and-johnhenry-tecklenburg-landscapes-and-figures/2025-06-24/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250617T110000
DTEND;TZID=America/New_York:20250621T180000
DTSTAMP:20260416T192641
CREATED:20250609T140102Z
LAST-MODIFIED:20250609T140102Z
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SUMMARY:June Silverberg: On Water and On Land
DESCRIPTION:Exhibition Dates: June 17 – 21\, 2025 \nReception: Thurs\, June 19\, 2025\, 5PM-8PM \nWith conversation and remembrances of the artist at 6:30PM \nGallery Hours: Tuesday-Saturday\, 11AM-6PM \n  \nBowery Gallery is pleased to present a pop-up exhibit\, “June Silverberg: On Water and On Land.” The exhibition will remain on view from June 17 to June 21\, 2025\, at the gallery.  An opening reception will be held at the gallery on Thursday\, June 19th from 5pm to 8pm\, with conversation and remembrances of the artist at 6:30pm. \nSilverberg found her favorite themes locally–the urbanscapes of the East River and of buildings and rooftops in the artist’s Manhattan neighborhood. Over and over\, in all sorts of weather\, at different times of day\, in oil pastel\, pastel and charcoal\, on formats ranging from the small horizontal pages of her sketchbooks to oversized rectangles of rag paper\, Silverberg depicted her neighborhood on the river and on land.  In these works on paper\, Silverberg succeeds in convincing the viewer of the poetry and pulse of these corners of the city where she lived her whole life. \nView more images from the show: https://bowerygallery.org/silverberg2025  \nRead the full press release (PDF).
URL:https://artinamericaguide.com/event/june-silverberg-on-water-and-on-land/2025-06-17/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250614T150000
DTEND;TZID=America/New_York:20250614T163000
DTSTAMP:20260416T192641
CREATED:20250609T140102Z
LAST-MODIFIED:20250609T140102Z
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SUMMARY:Closing Reception: Outside/Inside
DESCRIPTION:At the closing reception of Colleen Franca: “Outside/Inside” on Saturday\, June 14\, at 3PM\, the writers Jennifer Firestone and Thad Rutkowski will read excerpts from their recent work. Jennifer Firestone is the author of five books of poetry\, most recently Story by Ugly Duckling Press.  Thad Rutkowski is the author of seven books\, most recently Tricks of Light\, a poetry collection. \nThe exhibition features the work of Colleen Franca in her second solo exhibition\, on view at Bowery Gallery through June 14\, 2025.   As the title suggests\, the exhibition features landscapes (outside) and still-lifes (inside). The work summons Franca’s gratifying response to nature. \nThis event is free and open to the public.
URL:https://artinamericaguide.com/event/closing-reception-outside-inside/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/06/outside-inside-1.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250522T170000
DTEND;TZID=America/New_York:20250522T200000
DTSTAMP:20260416T192641
CREATED:20250515T161602Z
LAST-MODIFIED:20250515T161602Z
UID:113300-1747933200-1747944000@artinamericaguide.com
SUMMARY:Opening Reception for "Colleen France: Outside/Inside"
DESCRIPTION:Bowery Gallery is pleased to present the work of Colleen Franca in her second solo exhibition\, Outside/Inside\, May 20 through June 14\, 2025.   As the title suggests\, the exhibition features landscapes (outside) and still lifes (inside). The work summons Franca’s gratifying response to nature. \nIn the artist’s words: “Direct observation is very important to me\, it is always the light that draws me in and keeps me searching – illuminating things that are not immediately obvious.” \nThe opening reception on Thursday\, May 22\, from 5PM to 8PM\, is free and open to the public. \nView more images from the show: https://bowerygallery.org/franca2025
URL:https://artinamericaguide.com/event/opening-reception-for-colleen-france-outside-inside/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/outside-inside-cropped-1.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250520T110000
DTEND;TZID=America/New_York:20250614T180000
DTSTAMP:20260416T192641
CREATED:20250515T161531Z
LAST-MODIFIED:20250515T161547Z
UID:113286-1747738800-1749924000@artinamericaguide.com
SUMMARY:Colleen Franca: Outside/Inside
DESCRIPTION:Exhibition Dates: May 20 – June 14\, 2025 \nOpening Reception: Thurs\, May 22\, 2025\, 5PM-8PM \nClosing Reception & Literary Reading: Sat\, June 15\, 2025\, 3PM \nGallery Hours: Tuesday-Saturday\, 11AM-6PM \n  \nBowery Gallery is pleased to present the work of Colleen Franca in her second solo exhibition\, Outside/Inside\, May 20 through June 14\, 2025.   As the title suggests\, the exhibition features landscapes (outside) and still lifes (inside). The work summons Franca’s gratifying response to nature. \nIn the artist’s words: “Direct observation is very important to me\, it is always the light that draws me in and keeps me searching – illuminating things that are not immediately obvious.” \nThe opening reception\, which is free and open to the public\, is on Thursday\, May 22\, from 5PM to 8PM. \nAt the closing reception\, on Saturday\, June 14\, at 3PM\, the writers Jennifer Firestone and Thad Rutkowski will read excerpts from their recent work. Jennifer Firestone is the author of five books of poetry\, most recently Story by Ugly Duckling Press.  Thad Rutkowski is the author of seven books\, most recently Tricks of Light\, a poetry collection. \nView more images from the show: https://bowerygallery.org/franca2025 \nRead the full press release (PDF).
URL:https://artinamericaguide.com/event/colleen-franca-outside-inside/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2025/05/outside-inside-cropped.jpg
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GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T110000
DTEND;TZID=America/New_York:20250517T180000
DTSTAMP:20260416T192641
CREATED:20250411T193434Z
LAST-MODIFIED:20250411T193446Z
UID:112915-1745319600-1747504800@artinamericaguide.com
SUMMARY:Dena Schutzer: Agitation and Retreat
DESCRIPTION:Exhibition Dates: April 22 – May 17\, 2025 \nOpening Reception: Thurs\, April 24\, 2025\, 5PM-8PM \nGallery Hours: Tuesday-Saturday\, 11AM-6PM \n  \nBowery Gallery is pleased to announce Agitation and Retreat\, an exhibition of recent paintings by Dena Schutzer\, in her fifth solo show at the gallery. \nDescribing the work in the show\, the artist says: “Together\, these oil paintings are a chronicle of observed moments in public and private spaces.” \nSchutzer’s imagery reflects this wide-open approach—what has caught her eye ranges from a view of a New York street in the giant shadows of looming new skyscrapers\, to an intimate scene of the artist’s elderly mother taking a bath. Intuiting a kind of drama in these elements of direct perception provides what Schutzer calls the “initial jolt” that impels her to respond in paint. \nFor Schutzer\, this mysterious process—the joy and struggle of proceeding from that first sensation to a new\, composed reality on the canvas–has everything to do with her pleasure in the possibilities of paint itself. Her loose but decisive brushwork and bold color tensions and harmonies—acid greens\, clashing blues\, pervasive violets—don’t let go of the viewer until one has taken in all the oppositions\, juxtapositions\, parallels from which her brushstroke emerges\, still present as a brushstroke\, but also\, finally\, as an essential part of a new and highly personal image. \nThe opening reception will be held on Thursday\, April 24\, 5pm – 8pm.
URL:https://artinamericaguide.com/event/dena-schutzer-agitation-and-retreat/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250325T110000
DTEND;TZID=America/New_York:20250419T180000
DTSTAMP:20260416T192641
CREATED:20250401T165401Z
LAST-MODIFIED:20250401T165401Z
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SUMMARY:Anne Delaney: Looking and Seeing
DESCRIPTION:Exhibition Dates: March 25 – April 19\, 2025 \nOpening Reception: Thurs\, March 27\, 2025\, 6PM-8PM \nGallery Hours: Tuesday-Saturday\, 11AM-6PM \nBowery Gallery is pleased to present Looking and Seeing\, Anne Delaney’s fifth solo show at Bowery Gallery. \nDelaney’s recent paintings and drawings of landscapes and scenes with family members explore themes of connection — between figures\, their surroundings\, and the viewer. All the while\, they embrace the inherent mystery of the medium itself. \nThe artist’s work invites us to see the world coming into being in unique visions balancing representation and abstraction\, observation and interpretation. Through an eager pursuit of the seen\, trees become vertical bands of color evoking sequences of time\, and rocks shift to anchor entire landscapes. \nThe opening reception will be held on Thursday\, March 27\, 6pm – 8pm. \nBOWERY GALLERY \n547 West 27 Street  Suite 508 \nNew York\, NY   10001 \n646-230-6655 \nwww.bowerygallery.org
URL:https://artinamericaguide.com/event/anne-delaney-looking-and-seeing/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250225T110000
DTEND;TZID=America/New_York:20250322T180000
DTSTAMP:20260416T192641
CREATED:20250219T145306Z
LAST-MODIFIED:20250225T165934Z
UID:112195-1740481200-1742666400@artinamericaguide.com
SUMMARY:Deborah Rosenthal: Recent Work
DESCRIPTION:Exhibition Dates: February 25 – March 22\, 2025 \nOpening Reception: Thurs\, February 27\, 2025\, 5PM-8PM \nGallery Hours: Tuesday-Saturday\, 11AM-6PM \nBowery Gallery is pleased to present an exhibition of Deborah Rosenthal’s new paintings in oil and gouache. The exhibition begins on February 25 and continues through March 22. \nDeborah Rosenthal’s essential theme has always been metaphor’s mysterious power. In paintings – as well as drawings\, prints\, and stained glass – she’s shaped signs and symbols that reflect a modern woman’s feelings about experiences near and far\, old and new.  \nIn her recent paintings\, she’s uniting fresh themes with older ones\, ranging from the astral to the pastoral\, from the Biblical stories that have obsessed her for decades to images and ideas gleaned from more recent travels to Rome and Mexico City. Here Rosenthal’s inimitable abstract language – praised for decades in publications ranging from Art in America to The New York Times – finds unexpected accents and intonations as she absorbs into her private world the saturnine profiles of pre-Columbian figures\, the towering mountains of Sung dynasty painting\, and the hyperbolic forms of Borromini’s Baroque architecture. \n  \nBOWERY GALLERY \n547 West 27 Street  Suite 508 \nNew York\, NY   10001 \n646-230-6655 \nwww.bowerygallery.org \n 
URL:https://artinamericaguide.com/event/deborah-rosenthal-recent-work/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250128T110000
DTEND;TZID=America/New_York:20250222T180000
DTSTAMP:20260416T192641
CREATED:20250121T213658Z
LAST-MODIFIED:20250124T155211Z
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SUMMARY:In Black & White: 50 Artists / 50 Works
DESCRIPTION:Exhibition Dates: January 28 – February 22\, 2025 \nOpening Reception: Thurs\, January 30\, 2025\, 5PM-8PM \nClosing Celebration: Sat\, February 22\, 2025\, 4PM-6PM \nGallery Hours: Tuesday-Saturday\, 11PM-6PM \nBowery Gallery is pleased to present In Black and White\, an exhibition focused on the power of these absolute elements in the drawing\, painting\, relief sculpture\, printmaking\, and collage. Fifty artists—current Bowery artists as well as others who have been members of the gallery—have contributed one work apiece. \n  \nThe resulting array of 50 works will take the viewer on a special trip into the artists’ studios.  On an intimate scale—no wider than 24 inches—these images\, with their “limited” palette\, represent a dare for the artists—to make something complete and compelling from the bare bones of picture-making.  In mediums such as pencil or charcoal\, whether executed as jotted-down suggestions from direct perception (à la Bonnard) or from the imagination in fully worked-up\, highly finished compositions (à la Claude Lorrain)\, black and white lets the viewer into the heart of studio practice. The challenge of black-and-white\, not only in drawings but also in other mediums included in the show\, such as gravure\, relief sculpture\, and collage\, is fundamental—within this essential set of coordinates\, the artist can evoke the full extent of our visual experience of the world.  \n  \nBowery Gallery has\, for over 50 years\, represented artists whose allegiance is to formal values and the investigation of our artistic traditions.  \nSolo shows by the 30-odd artists in the gallery have been praised in the pages of The New York Times\, The New Yorker\, Arts\, Modern Painters\, Art in America\, The New Criterion\, and others. \n  \nIn Black and White continues at Bowery Gallery through February 22\, 2025. \n  \nGallery hours are Tuesday-Saturday from 11am to 6pm. \n  \nFor further information on this exhibition and Bowery Gallery\, please send email to: info@bowerygallery.org    \nTelephone:  646.230.6655
URL:https://artinamericaguide.com/event/in-black-white-50-artists-50-works/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241231T110000
DTEND;TZID=America/New_York:20250125T180000
DTSTAMP:20260416T192641
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SUMMARY:Dorothy Frey: Close To Home
DESCRIPTION:Exhibition Dates: December 31\, 2024 – January 25\, 2025 \nOpening Reception: Sat\, January 4\, 2025\, 3PM-6PM \nClosing Reception: Sat\, January 25\, 2025\, 3PM-5pm \nGallery Hours: Tuesday-Saturday\, 11PM-6PM  (Closed January 1st.) \nBowery Gallery presents Dorothy Frey’s second solo show\, “Close to Home” from December 31\, 2024\, through January 25\, 2025.                       \nDorothy Frey’s work explores the connection between memory\, place\, and personal history through intimate depictions of home interiors and still life arrangements. This series focuses on spaces that offer solace and familiarity\, capturing vignettes of furniture and keepsakes passed down through generations. These objects—moved from home to home throughout her life—carry deep emotional significance\, inspiring Frey to manipulate light and color to emphasize the relationships between past and present. \nKnown for landscape paintings inspired by her family’s multi-generational farm\, Frey has retreated indoors to document the domestic scenes that define her current environment. Her paintings celebrate the beauty and banality of the everyday\, where heirlooms and collectibles become not only fixtures of the home but symbols of connection\, legacy\, and belonging. Through this body of work\, Frey reflects on the quiet\, enduring presence of personal history within the spaces we inhabit. \nFounded in 1969\, Bowery Gallery has been showing contemporary art of the highest quality for more than six decades.  Bowery Gallery is a cooperative\, founded by artists and directed by the collective decision making of its member artists. From its beginnings\, Bowery Gallery has been a force for the expansion of art’s traditions in a venue unconstrained by commercial pressures.  Named after its original location\, Bowery Gallery is now located in the heart of the Chelsea art district. \nGeneral information: \nBowery Gallery \n547 West 27th Street\, Suite 508 (5th Floor) \nNew York\, NY 10001 \nGallery Hours: Tuesday – Saturday\, 11am – 6pm \n646-230-6655 \ninfo@bowerygallery.org  \nwww.bowerygallery.org \ndorothyfrey.com         
URL:https://artinamericaguide.com/event/dorothy-frey-close-to-home/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241126T110000
DTEND;TZID=America/New_York:20241228T180000
DTSTAMP:20260416T192641
CREATED:20241112T212226Z
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SUMMARY:Lynette Lombard: In Awe: Late Work\, 2022-23
DESCRIPTION:Exhibition Dates: November 26 – December 28\, 2024 \nOpening Reception: Thurs\, December 5\, 2024\, 5PM-8PM \nClosing Reception: Sat\, December 28\, 2PM-3:30pm \nGallery Hours: Tuesday-Saturday\, 11PM-6PM \nBowery Gallery is pleased to present In Awe\, an exhibition of the last landscape drawings and paintings by Lynette Lombard. This is Lombard’s final solo exhibition at Bowery Gallery\, which has represented her work since 2005.   \nLombard’s career spanned more than five decades.  Perceptually driven landscape painting was the heart of her body of work for past 30 years.  Reflecting on her passion for painting place\, Lombard said: “ The process of manifesting a landscape into paint takes me outside of myself into a physical and perceptual world of immense complexity\, astonishing magnificence\, and awe.” \nIn February 2022\, one month before her most recent solo show at the Bowery Gallery\, Lombard underwent brain surgery and received a terminal diagnosis. Drawing became her focus and her anchor for healing and self-expression. From the moment she left the hospital in Chicago\, she was driven to create colored crayon drawings of the natural world she was inhabiting and witnessing. During 2022 and ’23\, Lombard made drawings of Lake Michigan\, various sites in Chicago\, a final-cut lake at Green Oaks\, Galesburg\, and New York’s Ashokan Reservoir.  These drawings were a continuation of an artistic practice\, in which\, she explained\, she “….became consumed by intervals\, spatial fluxes\, slipping forms and sky\, but also by the tremendous complexity in the way nature is organized.” A few paintings included in the exhibition were started before Lombard’s illness\, but completed in late 2022.  \nLynette Lombard is represented by Bowery Gallery in New York\, Confluence Collective in Spain\, the Midwest Paint Group\, and Seven on Site\, a group of American landscape painters. She has exhibited at the Museum of Modern Art in Mojacar\, Spain\, La Barquilla Gallery\, Sorbas Spain and The Figge Museum\, Davenport\, Iowa. Her work has been reviewed by Lance Esplund (NYSS)\, by John Goodrich in Painting Perceptions\, in Louis Finkelstein’s Fragments of a Language on Painting at the New York Studio School\, and elsewhere. Recent publications about her work include “Palpable Stakes: Paintings by Lynette Lombard\,” a catalogue essay by Jennifer Samet\, and “Unexpected Connections: Lynette Lombard in conversation with Ying Li and Deborah Kirklin\,” in Zeuxis.  Her website is lynettelombard.com.
URL:https://artinamericaguide.com/event/lynette-lombard-in-awe-late-work-2022-23/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241029T110000
DTEND;TZID=America/New_York:20241123T180000
DTSTAMP:20260416T192641
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SUMMARY:Jeremy Long: Paintings & Drawings
DESCRIPTION:Exhibition Dates: October 29 – November 23\, 2024 \nOpening Reception: Thurs\, October 31\, 2024\, 5PM-8PM \nArtist’s Reception: Sat\, November 2\, 2024\, 2PM-6PM \nGallery Hours: Tuesday-Saturday\, 11PM-6PM \n  \nBowery Gallery is pleased to present Jeremy Long’s third solo exhibition featuring paintings depicting domestic scenes of his family as well as images that allude to poetry\, music and dreams. Some of these works and their titles reflect his wry sense of humor and varying moods and concern themselves with the possibilities of parody and wit. In the largest painting Long demonstrates an engagement with art of the past where figures fill the\nspace bringing the past into the present. \nWithin such realized spaces a plasticity undermines the known framework of the historic reincarnation. Long expands his study within a third body of works that are big and small in scale where forms subtly overtake the narrative with rhythms in the constructed space. His talent for depicting the real while playfully abstracting space is nuanced within the colorful shapes\, patterns\, and textures that he created. \nJeremy Long describes his work as “an attempt to expand a figure or object from within so that it can have a profound effect throughout the space of the picture.” The paintings present the appearance of a unique reality with an affinity and sense of place while exploring an idea of perfected balance through structure of their parts. \nContact: \nBowery Gallery \n547 West 27th St\, Suite 508\, New York\, NY 10001 \nbowerygalleryinfo@gmail.com \n646.230.6655 \nbowerygallery.org
URL:https://artinamericaguide.com/event/jeremy-long-paintings-drawings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241001T110000
DTEND;TZID=America/New_York:20241026T180000
DTSTAMP:20260416T192641
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SUMMARY:Timothy King: In Air Landscapes 
DESCRIPTION:Exhibition Dates: October 1 – 26\, 2024  \nOpening Reception: Thurs\, October 3\, 2024\, 5PM-8PM \nGallery Hours: Tuesday-Saturday\, 11PM-6PM \n  \nBowery Gallery presents “In Air Landscapes\,” a solo show of Timothy King’s recent oil and pastel paintings that blend plein air and narrative studio. His pastel drawings and oil paintings surrounding Chicago and Midwest landscapes exude a sense of modernism. He finds a brevity of depth of space by the nature of his shifting planes and light. Through the complex compositional elements of diagonals intersecting verticals and horizontals\, he creates an abstract simplicity of the landscape. \nWhile most of this show is pure landscape\, it includes three large canvases of narrative themes. First is a poignant scene witnessed on the famous Chicago Oak Street Beach\, recalling the dramatic moment of drowning as it’s resolved. The second recounting is a homage to La Grande Jatte\, from urban river habitat\, people experiencing homelessness\, people in recreation and fishing\, fending off territorial wildlife. Third\, a surreal tableau of Dionysius\, inebriated\, riding a panther in a stark black-and-white landscape. \nTimothy King is a midwestern painter from Illinois and a professor of drawing and design. He teaches at the College of Lake County\, McHenry County College\, and Kishwaukee College. \n  \nBowery Gallery was founded in 1969 by a group of New York artists resisting the commercialization of the art world. For 55 years\, Bowery Gallery has shown work by artists who share a consciousness of tradition and a belief in the formal power of art. Bowery Gallery artists have shown in group and solo shows in galleries and museums nationwide. Bowery Gallery exhibitions have been praised in The New York Times\, The New Yorker\, Art in America\, Modern Painters\, The New Republic\, The New Criterion\, and artcritical.com\, among other publications. \n  \nContact: \nBowery Gallery \n547 West 27th St\, Suite 508\, New York\, NY 10001 \nbowerygalleryinfo@gmail.com  \n646.230.6655 \nbowerygallery.org
URL:https://artinamericaguide.com/event/timothy-king-in-air-landscapes/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240903T110000
DTEND;TZID=America/New_York:20240928T180000
DTSTAMP:20260416T192641
CREATED:20240813T192542Z
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SUMMARY:Mark Lewis: City Streets
DESCRIPTION:Exhibition Dates: September 3 – 28\, 2024 \nOpening Reception: Thurs\, September 5\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \nMark Lewis’s recent graphite collages explore city streets\, specifically Tulsa’s city streets. These perceptually based graphite collages are constructed in a tactile way on site with an accumulation of material and daily experiences. \nThe street fiction works explore a mixture of daily life and fictional protests. The larger street fiction pieces are mixed media utilizing a tactile palette of clothing\, canvas\, acrylic paint\, fabric\, afghan fragments\, and found objects. \n“I love the democratic spaces we live in and I enjoy exploring geometry\, light and the human condition through these street scenes.”  —Mark Lewis \nBowery Gallery was founded in 1969 by a group of New York artists resisting the commercialization of the art world. Since then\, the Gallery\, with some 30-odd members\, has shown painters and sculptors\, abstract and figurative\, who share a consciousness of tradition and a belief in the formal power of art. Bowery artists have shown in group and solo shows in galleries and museums nationwide; Bowery exhibitions have been praised in the pages of The New York Times\, The New Yorker\, Art in America\, Modern Painters\, The New Republic\, The New Criterion\, and on artcritical.com\, among other publications.
URL:https://artinamericaguide.com/event/mark-lewis-city-streets/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240730T110000
DTEND;TZID=America/New_York:20240817T180000
DTSTAMP:20260416T192641
CREATED:20240731T185127Z
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SUMMARY:Bowery Gallery 33rd Annual Juried Exhibition
DESCRIPTION:Exhibition Dates: July 30 – August 17\, 2024 \nOpening Reception: Thurs\, August 1\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \nJuror: Enrico Riley \nBowery Gallery is pleased to present its 33rd Annual Juried Exhibition of work in two dimensions\, juried this year by Enrico Riley. Bowery’s Annual Juried Exhibition gives Bowery artists and the art-loving public a first look—or a fresh look—at artists young and new to the scene\, as well as midcareer artists. Many of them live and work in the Northeast\, but the show includes artists from diverse parts of the country\, including the South and the Midwest. The show presents 28 works by 26 artists\, in a wide and eclectic range of media\, including oil\, acrylic\, mixed media\, pastel\, and silverpoint. \nThis year’s juror\, Enrico Riley\, is Professor of Studio Art at Dartmouth College. He is the recipient of a Guggenheim Fellowship\, the Rome Prize\, and the American Academy of Arts and Letters Purchase Prize. Among his exhibitions are a solo show at the American Academy in Rome\, and many group shows in venues including the Crystal Bridges Museum of Art\, and the Painting Center in New York. His work is in collections including the Virginia Museum of Fine Arts\, the Studio Museum in Harlem\, and the Hood Museum. He lives and works in Vermont and New Hampshire. \nBowery Gallery was founded in 1969 by a group of New York artists resisting the commercialization of the art world. Since then\, the Gallery\, with some 30-odd members\, has shown painters and sculptors\, abstract and figurative\, who share a consciousness of tradition and a belief in the formal power of art. Bowery artists have shown in group and solo shows in galleries and museums nationwide; Bowery exhibitions have been praised in the pages of The New York Times\, The New Yorker\, Art in America\, Modern Painters\, The New Republic\, The New Criterion\, and on artcritical.com\, among other publications.
URL:https://artinamericaguide.com/event/bowery-gallery-33rd-annual-juried-exhibition/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240709T110000
DTEND;TZID=America/New_York:20240727T180000
DTSTAMP:20260416T192641
CREATED:20240626T145850Z
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SUMMARY:Janet Niewald: Near the Woods
DESCRIPTION:Exhibition Dates: July 9 – 27\, 2024 \nOpening Reception: Thurs\, July 11\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n  \nIn her solo show at Bowery Gallery\, Janet Niewald exhibits a range of oil paintings representing several ongoing themes in her work: landscapes of interlacing trees and piles of detritus\, still lifes of fossils\, shells\, skulls\, and woven textiles\, explore the relationships of natural to human-affected forms and spaces.  Three recent self-portraits show influences from the work of writers and scientists\, including Elizabeth Kolbert\, Sylvia Earle\, and Suzanne Simard. \nThe artist lives in the Virginia mountains where she and her husband\, ceramist David Crane\, built their home and studios.  Niewald exhibits nationally and has had gallery representation in Richmond\, Virginia; Santa Fe\, New Mexico; and Kansas City\, Missouri.  Her work has been included in National Academy of Design invitationals\, exhibitions at the Nelson-Atkins Museum of Art\, the Masur Museum\, the Mint Museum\, and the Taubman Museum\, and in many university gallery/museum exhibitions. Niewald earned her BFA from Kansas City Art Institute and her MFA from Indiana University\, Bloomington.  She taught in the School of Visual Arts at Virginia Tech University where she received the Career Achievement Award from the College of Architecture and Urban Studies.  She is the recipient of a number of awards including a Ford Foundation Grant\, and is a member of the Midwest Paint Group.  \n  \nBowery Gallery \n547 West 27th Street\, Suite 508 (5th Floor) \nNew York\, NY 10001 \nHours: Tuesday – Saturday\, 11am – 6pm \n646-230-6655 \ninfo@bowerygallery.org \nwww.bowerygallery.org
URL:https://artinamericaguide.com/event/janet-niewald-near-the-woods/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240618T110000
DTEND;TZID=America/New_York:20240706T180000
DTSTAMP:20260416T192641
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SUMMARY:John Lee
DESCRIPTION:Exhibition Dates: June 18 – July 6\, 2024 \nOpening Reception: Thurs\, June 20\, 2024\, 6PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n  \nJohn Lee’s show at the Bowery Gallery exhibits a body of paintings inspired by skylight\, natural light\, and the various colors of objects that he has collected. The works are studio meditations\, each painted from direct observation over many months. The subjects\, the views of the studio that he paints\, are primarily ‘discovered’ while spending time in the studio working. The space is primarily painted as he finds it\, with little to no editing or composing of the objects. \nJohn Lee has shown primarily in the eastern United States.  He has taught painting at the College of William & Mary in Williamsburg\, VA since 2008.  John is a past member of the Zeuxis Still Life Association and has shown with the Midwest Paint Group.   \n  \n  \nBowery Gallery \n547 West 27th Street\, Suite 508 (5th Floor) \nNew York\, NY 10001 \nHours: Tuesday – Saturday\, 11am – 6pm \n646-230-6655 \ninfo@bowerygallery.org  \nwww.bowerygallery.org \njohnleepainting.com               \n 
URL:https://artinamericaguide.com/event/john-lee/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240521T110000
DTEND;TZID=America/New_York:20240615T180000
DTSTAMP:20260416T192641
CREATED:20240516T203239Z
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SUMMARY:Janet Gorzegno: Soul Retrieval
DESCRIPTION:Exhibition Dates: May 21 – June 15\, 2024 \nOpening Reception: Thurs\, May 23\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n  \nBowery Gallery is pleased to present Janet Gorzegno: Soul Retrieval\, the artist’s sixth solo exhibition with\nthe gallery\, with an opening reception on May 23\, 5-8pm. Gorzegno presents a collection of gouache and\negg tempera paintings for this exhibition. The paintings reflect Gorzegno’s practice of working meditatively\,\nand serve as a conduit to help viewers experience reverie and contemplation. \nThe works are striking\, intimate and iconic\, painted in a spectrum of pure and muted tones. Measuring from\n3 inches square to 18 x 9 inches\, they are presented in singular and triptych formats. The dominant recurring\nfeature in the works is a human head in profile\, symbolic of consciousness. Gorzegno’s paintings possess the\nstillness and otherworldliness of early Renaissance paintings\, though Gorzegno’s heads are not intended as\nrecognizable likenesses. They are imagined—colorful amalgams of spirit and personhood distilled. None are\nknown by the artist in this life. \nA layered ‘quietness’ surrounds the heads\, as if a shift in consciousness has not transpired but is about to.\nGorzegno works with these shifts in mind\, harnessing her intense concentration where imagination and\ndiscovery coalesce in color\, form\, and balance. Recent experiences with loss have led her to reflect on the\npassage of time and life’s mysteries. In a spirit of healing and restoration\, she revisits the visual language of\nformer works\, pulling elements into the present\, and recontextualizing her visual language.\nUp close and personal\, each painting is distinct. Stepping back\, collectively viewing the exhibition\, one\nsenses being part of something familiar as if in the presence of something both ancient and contemporary.\nGorzegno’s paintings invite connection. They are a conduit for contemplation on endings\, awakenings\, and\ntransformations. \nJanet Gorzegno received her MFA in Painting from Yale School of Art\, studied at the New York Studio\nSchool and received her BA from Drew University. Gorzegno has an abiding interest in sacred art forms and\nmusic\, and has studied the traditional art of Icon Writing alongside master practitioners. Gorzegno has also\nbeen a fellow at numerous artist residencies\, from the Moulin à Nef in Auvillar\, France to residencies\nstateside—from northeast Georgia to upstate New York. Gorzegno exhibits her work nationally and\ninternationally. She is a longtime educator of drawing and painting\, currently a Professor of Art for The\nUniversity of Southern Mississippi in Hattiesburg. When not in the studio\, she can be found playing roots\nmusic with friends. \nGallery hours are Tuesday through Saturday\, 11am to 6pm. \nFor more information\, please contact the gallery at 646-230-6655 or info@bowerygallery.org
URL:https://artinamericaguide.com/event/janet-gorzegno-soul-retrieval/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240508T110000
DTEND;TZID=America/New_York:20240508T180000
DTSTAMP:20260416T192641
CREATED:20240404T154046Z
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SUMMARY:Monica Bernier: City Views  
DESCRIPTION:Exhibition Dates: April 23 – May 18\, 2024 \nOpening Reception: Thurs\, April 25\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n                                                  \nBowery Gallery presents the recent work of Monica Bernier in a series of paintings of New York City that are all deeply engaged with architectural space and color. Largely they look at the artist’s native home and are all keenly aware of the structures that surround us in that environment.  Often the compositions are conceived of from vantage points on elevated structures like the Metro North platform in Harlem or from Bernier’s eighth floor studio window. From her travels\, she has painted rooftop views of Frida Kahlo’s and Diego Rivera’s studios in Mexico City with striking opposing views.  \n  \nFor further information and images of the works in the exhibition\, please visit www.bowerygallery.org.   \nFor additional images and information\, visit the artist’s website: www.monicabernier.com.  \nContact: 646-230-6655  •  info@bowerygallery.org \n  \nImage: Monica Bernier\, Harlem 125th St. Metro N Platform\, 2020\, 16 in. x 20 in.
URL:https://artinamericaguide.com/event/monica-bernier-city-views/2024-05-08/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240420T110000
DTEND;TZID=America/New_York:20240420T180000
DTSTAMP:20260416T192641
CREATED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-20/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240419T110000
DTEND;TZID=America/New_York:20240419T180000
DTSTAMP:20260416T192641
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-19/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240418T110000
DTEND;TZID=America/New_York:20240418T180000
DTSTAMP:20260416T192641
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-18/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/EsmeThompson_Blue-Streak_2023_acrylicwood_53x116in-Esme-thompson-1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240417T110000
DTEND;TZID=America/New_York:20240417T180000
DTSTAMP:20260416T192641
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-17/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/EsmeThompson_Blue-Streak_2023_acrylicwood_53x116in-Esme-thompson-1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240416T110000
DTEND;TZID=America/New_York:20240416T180000
DTSTAMP:20260416T192641
CREATED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-16/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240326T110000
DTEND;TZID=America/New_York:20240326T180000
DTSTAMP:20260416T192641
CREATED:20240322T142549Z
LAST-MODIFIED:20240325T154259Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-03-26/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240227T110000
DTEND;TZID=America/New_York:20240323T180000
DTSTAMP:20260416T192641
CREATED:20240306T170346Z
LAST-MODIFIED:20240306T170346Z
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SUMMARY:Simon Carr: Play Ground: Recent paintings
DESCRIPTION:Exhibition Dates: February 27 – March 23\, 2024 \nOpening Reception: Sat\, March 2\, 2024\, 3PM-6PM \nGallery Talk and Book Launch: Sat\, March 16\, 2024\, 3PM-5PM  Book Launch of Horses on Paper: Drawings by Simon Carr\, Poems by Leonard Schwartz\, published by Chax Press.  Event features a reading by the poet and a short discussion of the exhibition with the artist. \n  \nBowery Gallery presents Play Ground: Recent Paintings by Simon Carr. The exhibition is a series of children playing\, outdoors\, in a park near the artist’s home.   \n“The paintings in this show began with sketches of children playing in our apartment\, just because they looked interesting. Then the drawings got more complicated. Where were the children? What are they doing? What is the drama being enacted? I drew on long memories of generations of children on playgrounds. When children play they can enter a world with each other which by its nature excludes adults. That was the hook that got me: the idea of a world that excludes adults\, a different world\, like the world of paintings and the world of animals. Observing or investigating that new world made the studio begin to come alive with these new paintings.” –Simon Carr \nCarr’s other recent exhibitions have focused on city scenes\, and more recently farm scenes and in particular an intensive study of horses in their environment. Carr’s process begins with drawings. Drawings on the spot note figures\, environments\, details\, he then assembles them\, along with reference photos\, into larger drawn compositions in the studio. The paintings are done from these drawings. The process itself allows for memory and experience to enter the paintings\, worked on for long periods of time\, rather than transcriptions of things seen in a particular moment. \nBowery Gallery is open Tuesday through Saturday from 11 AM to 6PM. 
URL:https://artinamericaguide.com/event/simon-carr-play-ground-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240130T110000
DTEND;TZID=America/New_York:20240224T180000
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SUMMARY:Thaddeus Radell: In my beginning is my end: Recent Paintings
DESCRIPTION:Exhibition Dates: January 30 – February 24\, 2024 \nOpening Reception: Sat\, February 3\, 2024\, 3PM-6PM \nClosing Reception with Performance and Artist Talk: Sat\, February 24\, 2024\, 4PM featuring a cello performance by Robert Reed at 4pm followed a conversation on art between the artist Thaddeus Radell and Mark LaRiviere \nBowery Gallery is pleased to present recent work by Thaddeus Radell\, whose darkly luminous paintings evoke journeys through landscapes of the subconscious. From the artist’s richly layered surfaces—broadly troweled in places\, elsewhere delicately incised— emerge visions of figures that appear and disappear within atmospheric depths. Bits of embedded burlap suggest a ragged dimension beyond paint. The heavy impasto\, set against thinly brushed lines of saturated earth colors\, creates living\, breathing surfaces. \nIn my beginning is my end. So reads the opening line of “East Coker\,” the second poem comprising the “Four Quartets” of T.S. Eliot. Poetry\, and the poems of Eliot in particular\, have marked Radell’s recent paintings\, which bear such titles as “Wandering the Waste Land\,” “Gerontion\,” and “The Hollow Men\,” a group of four large panels. \nThe exhibition includes larger works staggered between a number of small paintings of heads. These roughly hewn portrait studies might very well be\, as Mark Kanter observed in his essay of 2021\, “mugshots for the perpetrators” of the figures populating the larger compositions\, where the heads exist only as masses of color. \nRadell is also currently represented by Thomas Deans Fine Art in Atlanta\, GA and Alice Gauvin Gallery in Washington\, DC.
URL:https://artinamericaguide.com/event/thaddeus-radell-in-my-beginning-is-my-end-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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