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DTSTART;TZID=America/New_York:20250225T110000
DTEND;TZID=America/New_York:20250322T180000
DTSTAMP:20260416T204245
CREATED:20250219T145306Z
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SUMMARY:Deborah Rosenthal: Recent Work
DESCRIPTION:Exhibition Dates: February 25 – March 22\, 2025 \nOpening Reception: Thurs\, February 27\, 2025\, 5PM-8PM \nGallery Hours: Tuesday-Saturday\, 11AM-6PM \nBowery Gallery is pleased to present an exhibition of Deborah Rosenthal’s new paintings in oil and gouache. The exhibition begins on February 25 and continues through March 22. \nDeborah Rosenthal’s essential theme has always been metaphor’s mysterious power. In paintings – as well as drawings\, prints\, and stained glass – she’s shaped signs and symbols that reflect a modern woman’s feelings about experiences near and far\, old and new.  \nIn her recent paintings\, she’s uniting fresh themes with older ones\, ranging from the astral to the pastoral\, from the Biblical stories that have obsessed her for decades to images and ideas gleaned from more recent travels to Rome and Mexico City. Here Rosenthal’s inimitable abstract language – praised for decades in publications ranging from Art in America to The New York Times – finds unexpected accents and intonations as she absorbs into her private world the saturnine profiles of pre-Columbian figures\, the towering mountains of Sung dynasty painting\, and the hyperbolic forms of Borromini’s Baroque architecture. \n  \nBOWERY GALLERY \n547 West 27 Street  Suite 508 \nNew York\, NY   10001 \n646-230-6655 \nwww.bowerygallery.org \n 
URL:https://artinamericaguide.com/event/deborah-rosenthal-recent-work/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250128T110000
DTEND;TZID=America/New_York:20250222T180000
DTSTAMP:20260416T204245
CREATED:20250121T213658Z
LAST-MODIFIED:20250124T155211Z
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SUMMARY:In Black & White: 50 Artists / 50 Works
DESCRIPTION:Exhibition Dates: January 28 – February 22\, 2025 \nOpening Reception: Thurs\, January 30\, 2025\, 5PM-8PM \nClosing Celebration: Sat\, February 22\, 2025\, 4PM-6PM \nGallery Hours: Tuesday-Saturday\, 11PM-6PM \nBowery Gallery is pleased to present In Black and White\, an exhibition focused on the power of these absolute elements in the drawing\, painting\, relief sculpture\, printmaking\, and collage. Fifty artists—current Bowery artists as well as others who have been members of the gallery—have contributed one work apiece. \n  \nThe resulting array of 50 works will take the viewer on a special trip into the artists’ studios.  On an intimate scale—no wider than 24 inches—these images\, with their “limited” palette\, represent a dare for the artists—to make something complete and compelling from the bare bones of picture-making.  In mediums such as pencil or charcoal\, whether executed as jotted-down suggestions from direct perception (à la Bonnard) or from the imagination in fully worked-up\, highly finished compositions (à la Claude Lorrain)\, black and white lets the viewer into the heart of studio practice. The challenge of black-and-white\, not only in drawings but also in other mediums included in the show\, such as gravure\, relief sculpture\, and collage\, is fundamental—within this essential set of coordinates\, the artist can evoke the full extent of our visual experience of the world.  \n  \nBowery Gallery has\, for over 50 years\, represented artists whose allegiance is to formal values and the investigation of our artistic traditions.  \nSolo shows by the 30-odd artists in the gallery have been praised in the pages of The New York Times\, The New Yorker\, Arts\, Modern Painters\, Art in America\, The New Criterion\, and others. \n  \nIn Black and White continues at Bowery Gallery through February 22\, 2025. \n  \nGallery hours are Tuesday-Saturday from 11am to 6pm. \n  \nFor further information on this exhibition and Bowery Gallery\, please send email to: info@bowerygallery.org    \nTelephone:  646.230.6655
URL:https://artinamericaguide.com/event/in-black-white-50-artists-50-works/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241231T110000
DTEND;TZID=America/New_York:20250125T180000
DTSTAMP:20260416T204245
CREATED:20241227T204100Z
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SUMMARY:Dorothy Frey: Close To Home
DESCRIPTION:Exhibition Dates: December 31\, 2024 – January 25\, 2025 \nOpening Reception: Sat\, January 4\, 2025\, 3PM-6PM \nClosing Reception: Sat\, January 25\, 2025\, 3PM-5pm \nGallery Hours: Tuesday-Saturday\, 11PM-6PM  (Closed January 1st.) \nBowery Gallery presents Dorothy Frey’s second solo show\, “Close to Home” from December 31\, 2024\, through January 25\, 2025.                       \nDorothy Frey’s work explores the connection between memory\, place\, and personal history through intimate depictions of home interiors and still life arrangements. This series focuses on spaces that offer solace and familiarity\, capturing vignettes of furniture and keepsakes passed down through generations. These objects—moved from home to home throughout her life—carry deep emotional significance\, inspiring Frey to manipulate light and color to emphasize the relationships between past and present. \nKnown for landscape paintings inspired by her family’s multi-generational farm\, Frey has retreated indoors to document the domestic scenes that define her current environment. Her paintings celebrate the beauty and banality of the everyday\, where heirlooms and collectibles become not only fixtures of the home but symbols of connection\, legacy\, and belonging. Through this body of work\, Frey reflects on the quiet\, enduring presence of personal history within the spaces we inhabit. \nFounded in 1969\, Bowery Gallery has been showing contemporary art of the highest quality for more than six decades.  Bowery Gallery is a cooperative\, founded by artists and directed by the collective decision making of its member artists. From its beginnings\, Bowery Gallery has been a force for the expansion of art’s traditions in a venue unconstrained by commercial pressures.  Named after its original location\, Bowery Gallery is now located in the heart of the Chelsea art district. \nGeneral information: \nBowery Gallery \n547 West 27th Street\, Suite 508 (5th Floor) \nNew York\, NY 10001 \nGallery Hours: Tuesday – Saturday\, 11am – 6pm \n646-230-6655 \ninfo@bowerygallery.org  \nwww.bowerygallery.org \ndorothyfrey.com         
URL:https://artinamericaguide.com/event/dorothy-frey-close-to-home/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241126T110000
DTEND;TZID=America/New_York:20241228T180000
DTSTAMP:20260416T204245
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SUMMARY:Lynette Lombard: In Awe: Late Work\, 2022-23
DESCRIPTION:Exhibition Dates: November 26 – December 28\, 2024 \nOpening Reception: Thurs\, December 5\, 2024\, 5PM-8PM \nClosing Reception: Sat\, December 28\, 2PM-3:30pm \nGallery Hours: Tuesday-Saturday\, 11PM-6PM \nBowery Gallery is pleased to present In Awe\, an exhibition of the last landscape drawings and paintings by Lynette Lombard. This is Lombard’s final solo exhibition at Bowery Gallery\, which has represented her work since 2005.   \nLombard’s career spanned more than five decades.  Perceptually driven landscape painting was the heart of her body of work for past 30 years.  Reflecting on her passion for painting place\, Lombard said: “ The process of manifesting a landscape into paint takes me outside of myself into a physical and perceptual world of immense complexity\, astonishing magnificence\, and awe.” \nIn February 2022\, one month before her most recent solo show at the Bowery Gallery\, Lombard underwent brain surgery and received a terminal diagnosis. Drawing became her focus and her anchor for healing and self-expression. From the moment she left the hospital in Chicago\, she was driven to create colored crayon drawings of the natural world she was inhabiting and witnessing. During 2022 and ’23\, Lombard made drawings of Lake Michigan\, various sites in Chicago\, a final-cut lake at Green Oaks\, Galesburg\, and New York’s Ashokan Reservoir.  These drawings were a continuation of an artistic practice\, in which\, she explained\, she “….became consumed by intervals\, spatial fluxes\, slipping forms and sky\, but also by the tremendous complexity in the way nature is organized.” A few paintings included in the exhibition were started before Lombard’s illness\, but completed in late 2022.  \nLynette Lombard is represented by Bowery Gallery in New York\, Confluence Collective in Spain\, the Midwest Paint Group\, and Seven on Site\, a group of American landscape painters. She has exhibited at the Museum of Modern Art in Mojacar\, Spain\, La Barquilla Gallery\, Sorbas Spain and The Figge Museum\, Davenport\, Iowa. Her work has been reviewed by Lance Esplund (NYSS)\, by John Goodrich in Painting Perceptions\, in Louis Finkelstein’s Fragments of a Language on Painting at the New York Studio School\, and elsewhere. Recent publications about her work include “Palpable Stakes: Paintings by Lynette Lombard\,” a catalogue essay by Jennifer Samet\, and “Unexpected Connections: Lynette Lombard in conversation with Ying Li and Deborah Kirklin\,” in Zeuxis.  Her website is lynettelombard.com.
URL:https://artinamericaguide.com/event/lynette-lombard-in-awe-late-work-2022-23/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241029T110000
DTEND;TZID=America/New_York:20241123T180000
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SUMMARY:Jeremy Long: Paintings & Drawings
DESCRIPTION:Exhibition Dates: October 29 – November 23\, 2024 \nOpening Reception: Thurs\, October 31\, 2024\, 5PM-8PM \nArtist’s Reception: Sat\, November 2\, 2024\, 2PM-6PM \nGallery Hours: Tuesday-Saturday\, 11PM-6PM \n  \nBowery Gallery is pleased to present Jeremy Long’s third solo exhibition featuring paintings depicting domestic scenes of his family as well as images that allude to poetry\, music and dreams. Some of these works and their titles reflect his wry sense of humor and varying moods and concern themselves with the possibilities of parody and wit. In the largest painting Long demonstrates an engagement with art of the past where figures fill the\nspace bringing the past into the present. \nWithin such realized spaces a plasticity undermines the known framework of the historic reincarnation. Long expands his study within a third body of works that are big and small in scale where forms subtly overtake the narrative with rhythms in the constructed space. His talent for depicting the real while playfully abstracting space is nuanced within the colorful shapes\, patterns\, and textures that he created. \nJeremy Long describes his work as “an attempt to expand a figure or object from within so that it can have a profound effect throughout the space of the picture.” The paintings present the appearance of a unique reality with an affinity and sense of place while exploring an idea of perfected balance through structure of their parts. \nContact: \nBowery Gallery \n547 West 27th St\, Suite 508\, New York\, NY 10001 \nbowerygalleryinfo@gmail.com \n646.230.6655 \nbowerygallery.org
URL:https://artinamericaguide.com/event/jeremy-long-paintings-drawings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20241001T110000
DTEND;TZID=America/New_York:20241026T180000
DTSTAMP:20260416T204245
CREATED:20240918T143628Z
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SUMMARY:Timothy King: In Air Landscapes 
DESCRIPTION:Exhibition Dates: October 1 – 26\, 2024  \nOpening Reception: Thurs\, October 3\, 2024\, 5PM-8PM \nGallery Hours: Tuesday-Saturday\, 11PM-6PM \n  \nBowery Gallery presents “In Air Landscapes\,” a solo show of Timothy King’s recent oil and pastel paintings that blend plein air and narrative studio. His pastel drawings and oil paintings surrounding Chicago and Midwest landscapes exude a sense of modernism. He finds a brevity of depth of space by the nature of his shifting planes and light. Through the complex compositional elements of diagonals intersecting verticals and horizontals\, he creates an abstract simplicity of the landscape. \nWhile most of this show is pure landscape\, it includes three large canvases of narrative themes. First is a poignant scene witnessed on the famous Chicago Oak Street Beach\, recalling the dramatic moment of drowning as it’s resolved. The second recounting is a homage to La Grande Jatte\, from urban river habitat\, people experiencing homelessness\, people in recreation and fishing\, fending off territorial wildlife. Third\, a surreal tableau of Dionysius\, inebriated\, riding a panther in a stark black-and-white landscape. \nTimothy King is a midwestern painter from Illinois and a professor of drawing and design. He teaches at the College of Lake County\, McHenry County College\, and Kishwaukee College. \n  \nBowery Gallery was founded in 1969 by a group of New York artists resisting the commercialization of the art world. For 55 years\, Bowery Gallery has shown work by artists who share a consciousness of tradition and a belief in the formal power of art. Bowery Gallery artists have shown in group and solo shows in galleries and museums nationwide. Bowery Gallery exhibitions have been praised in The New York Times\, The New Yorker\, Art in America\, Modern Painters\, The New Republic\, The New Criterion\, and artcritical.com\, among other publications. \n  \nContact: \nBowery Gallery \n547 West 27th St\, Suite 508\, New York\, NY 10001 \nbowerygalleryinfo@gmail.com  \n646.230.6655 \nbowerygallery.org
URL:https://artinamericaguide.com/event/timothy-king-in-air-landscapes/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240903T110000
DTEND;TZID=America/New_York:20240928T180000
DTSTAMP:20260416T204245
CREATED:20240813T192542Z
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SUMMARY:Mark Lewis: City Streets
DESCRIPTION:Exhibition Dates: September 3 – 28\, 2024 \nOpening Reception: Thurs\, September 5\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \nMark Lewis’s recent graphite collages explore city streets\, specifically Tulsa’s city streets. These perceptually based graphite collages are constructed in a tactile way on site with an accumulation of material and daily experiences. \nThe street fiction works explore a mixture of daily life and fictional protests. The larger street fiction pieces are mixed media utilizing a tactile palette of clothing\, canvas\, acrylic paint\, fabric\, afghan fragments\, and found objects. \n“I love the democratic spaces we live in and I enjoy exploring geometry\, light and the human condition through these street scenes.”  —Mark Lewis \nBowery Gallery was founded in 1969 by a group of New York artists resisting the commercialization of the art world. Since then\, the Gallery\, with some 30-odd members\, has shown painters and sculptors\, abstract and figurative\, who share a consciousness of tradition and a belief in the formal power of art. Bowery artists have shown in group and solo shows in galleries and museums nationwide; Bowery exhibitions have been praised in the pages of The New York Times\, The New Yorker\, Art in America\, Modern Painters\, The New Republic\, The New Criterion\, and on artcritical.com\, among other publications.
URL:https://artinamericaguide.com/event/mark-lewis-city-streets/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240730T110000
DTEND;TZID=America/New_York:20240817T180000
DTSTAMP:20260416T204245
CREATED:20240731T185127Z
LAST-MODIFIED:20240731T185140Z
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SUMMARY:Bowery Gallery 33rd Annual Juried Exhibition
DESCRIPTION:Exhibition Dates: July 30 – August 17\, 2024 \nOpening Reception: Thurs\, August 1\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \nJuror: Enrico Riley \nBowery Gallery is pleased to present its 33rd Annual Juried Exhibition of work in two dimensions\, juried this year by Enrico Riley. Bowery’s Annual Juried Exhibition gives Bowery artists and the art-loving public a first look—or a fresh look—at artists young and new to the scene\, as well as midcareer artists. Many of them live and work in the Northeast\, but the show includes artists from diverse parts of the country\, including the South and the Midwest. The show presents 28 works by 26 artists\, in a wide and eclectic range of media\, including oil\, acrylic\, mixed media\, pastel\, and silverpoint. \nThis year’s juror\, Enrico Riley\, is Professor of Studio Art at Dartmouth College. He is the recipient of a Guggenheim Fellowship\, the Rome Prize\, and the American Academy of Arts and Letters Purchase Prize. Among his exhibitions are a solo show at the American Academy in Rome\, and many group shows in venues including the Crystal Bridges Museum of Art\, and the Painting Center in New York. His work is in collections including the Virginia Museum of Fine Arts\, the Studio Museum in Harlem\, and the Hood Museum. He lives and works in Vermont and New Hampshire. \nBowery Gallery was founded in 1969 by a group of New York artists resisting the commercialization of the art world. Since then\, the Gallery\, with some 30-odd members\, has shown painters and sculptors\, abstract and figurative\, who share a consciousness of tradition and a belief in the formal power of art. Bowery artists have shown in group and solo shows in galleries and museums nationwide; Bowery exhibitions have been praised in the pages of The New York Times\, The New Yorker\, Art in America\, Modern Painters\, The New Republic\, The New Criterion\, and on artcritical.com\, among other publications.
URL:https://artinamericaguide.com/event/bowery-gallery-33rd-annual-juried-exhibition/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240709T110000
DTEND;TZID=America/New_York:20240727T180000
DTSTAMP:20260416T204245
CREATED:20240626T145850Z
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SUMMARY:Janet Niewald: Near the Woods
DESCRIPTION:Exhibition Dates: July 9 – 27\, 2024 \nOpening Reception: Thurs\, July 11\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n  \nIn her solo show at Bowery Gallery\, Janet Niewald exhibits a range of oil paintings representing several ongoing themes in her work: landscapes of interlacing trees and piles of detritus\, still lifes of fossils\, shells\, skulls\, and woven textiles\, explore the relationships of natural to human-affected forms and spaces.  Three recent self-portraits show influences from the work of writers and scientists\, including Elizabeth Kolbert\, Sylvia Earle\, and Suzanne Simard. \nThe artist lives in the Virginia mountains where she and her husband\, ceramist David Crane\, built their home and studios.  Niewald exhibits nationally and has had gallery representation in Richmond\, Virginia; Santa Fe\, New Mexico; and Kansas City\, Missouri.  Her work has been included in National Academy of Design invitationals\, exhibitions at the Nelson-Atkins Museum of Art\, the Masur Museum\, the Mint Museum\, and the Taubman Museum\, and in many university gallery/museum exhibitions. Niewald earned her BFA from Kansas City Art Institute and her MFA from Indiana University\, Bloomington.  She taught in the School of Visual Arts at Virginia Tech University where she received the Career Achievement Award from the College of Architecture and Urban Studies.  She is the recipient of a number of awards including a Ford Foundation Grant\, and is a member of the Midwest Paint Group.  \n  \nBowery Gallery \n547 West 27th Street\, Suite 508 (5th Floor) \nNew York\, NY 10001 \nHours: Tuesday – Saturday\, 11am – 6pm \n646-230-6655 \ninfo@bowerygallery.org \nwww.bowerygallery.org
URL:https://artinamericaguide.com/event/janet-niewald-near-the-woods/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240618T110000
DTEND;TZID=America/New_York:20240706T180000
DTSTAMP:20260416T204245
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SUMMARY:John Lee
DESCRIPTION:Exhibition Dates: June 18 – July 6\, 2024 \nOpening Reception: Thurs\, June 20\, 2024\, 6PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n  \nJohn Lee’s show at the Bowery Gallery exhibits a body of paintings inspired by skylight\, natural light\, and the various colors of objects that he has collected. The works are studio meditations\, each painted from direct observation over many months. The subjects\, the views of the studio that he paints\, are primarily ‘discovered’ while spending time in the studio working. The space is primarily painted as he finds it\, with little to no editing or composing of the objects. \nJohn Lee has shown primarily in the eastern United States.  He has taught painting at the College of William & Mary in Williamsburg\, VA since 2008.  John is a past member of the Zeuxis Still Life Association and has shown with the Midwest Paint Group.   \n  \n  \nBowery Gallery \n547 West 27th Street\, Suite 508 (5th Floor) \nNew York\, NY 10001 \nHours: Tuesday – Saturday\, 11am – 6pm \n646-230-6655 \ninfo@bowerygallery.org  \nwww.bowerygallery.org \njohnleepainting.com               \n 
URL:https://artinamericaguide.com/event/john-lee/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240521T110000
DTEND;TZID=America/New_York:20240615T180000
DTSTAMP:20260416T204245
CREATED:20240516T203239Z
LAST-MODIFIED:20240516T210457Z
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SUMMARY:Janet Gorzegno: Soul Retrieval
DESCRIPTION:Exhibition Dates: May 21 – June 15\, 2024 \nOpening Reception: Thurs\, May 23\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n  \nBowery Gallery is pleased to present Janet Gorzegno: Soul Retrieval\, the artist’s sixth solo exhibition with\nthe gallery\, with an opening reception on May 23\, 5-8pm. Gorzegno presents a collection of gouache and\negg tempera paintings for this exhibition. The paintings reflect Gorzegno’s practice of working meditatively\,\nand serve as a conduit to help viewers experience reverie and contemplation. \nThe works are striking\, intimate and iconic\, painted in a spectrum of pure and muted tones. Measuring from\n3 inches square to 18 x 9 inches\, they are presented in singular and triptych formats. The dominant recurring\nfeature in the works is a human head in profile\, symbolic of consciousness. Gorzegno’s paintings possess the\nstillness and otherworldliness of early Renaissance paintings\, though Gorzegno’s heads are not intended as\nrecognizable likenesses. They are imagined—colorful amalgams of spirit and personhood distilled. None are\nknown by the artist in this life. \nA layered ‘quietness’ surrounds the heads\, as if a shift in consciousness has not transpired but is about to.\nGorzegno works with these shifts in mind\, harnessing her intense concentration where imagination and\ndiscovery coalesce in color\, form\, and balance. Recent experiences with loss have led her to reflect on the\npassage of time and life’s mysteries. In a spirit of healing and restoration\, she revisits the visual language of\nformer works\, pulling elements into the present\, and recontextualizing her visual language.\nUp close and personal\, each painting is distinct. Stepping back\, collectively viewing the exhibition\, one\nsenses being part of something familiar as if in the presence of something both ancient and contemporary.\nGorzegno’s paintings invite connection. They are a conduit for contemplation on endings\, awakenings\, and\ntransformations. \nJanet Gorzegno received her MFA in Painting from Yale School of Art\, studied at the New York Studio\nSchool and received her BA from Drew University. Gorzegno has an abiding interest in sacred art forms and\nmusic\, and has studied the traditional art of Icon Writing alongside master practitioners. Gorzegno has also\nbeen a fellow at numerous artist residencies\, from the Moulin à Nef in Auvillar\, France to residencies\nstateside—from northeast Georgia to upstate New York. Gorzegno exhibits her work nationally and\ninternationally. She is a longtime educator of drawing and painting\, currently a Professor of Art for The\nUniversity of Southern Mississippi in Hattiesburg. When not in the studio\, she can be found playing roots\nmusic with friends. \nGallery hours are Tuesday through Saturday\, 11am to 6pm. \nFor more information\, please contact the gallery at 646-230-6655 or info@bowerygallery.org
URL:https://artinamericaguide.com/event/janet-gorzegno-soul-retrieval/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240508T110000
DTEND;TZID=America/New_York:20240508T180000
DTSTAMP:20260416T204245
CREATED:20240404T154046Z
LAST-MODIFIED:20240516T200310Z
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SUMMARY:Monica Bernier: City Views  
DESCRIPTION:Exhibition Dates: April 23 – May 18\, 2024 \nOpening Reception: Thurs\, April 25\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n                                                  \nBowery Gallery presents the recent work of Monica Bernier in a series of paintings of New York City that are all deeply engaged with architectural space and color. Largely they look at the artist’s native home and are all keenly aware of the structures that surround us in that environment.  Often the compositions are conceived of from vantage points on elevated structures like the Metro North platform in Harlem or from Bernier’s eighth floor studio window. From her travels\, she has painted rooftop views of Frida Kahlo’s and Diego Rivera’s studios in Mexico City with striking opposing views.  \n  \nFor further information and images of the works in the exhibition\, please visit www.bowerygallery.org.   \nFor additional images and information\, visit the artist’s website: www.monicabernier.com.  \nContact: 646-230-6655  •  info@bowerygallery.org \n  \nImage: Monica Bernier\, Harlem 125th St. Metro N Platform\, 2020\, 16 in. x 20 in.
URL:https://artinamericaguide.com/event/monica-bernier-city-views/2024-05-08/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240420T110000
DTEND;TZID=America/New_York:20240420T180000
DTSTAMP:20260416T204245
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-20/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240419T110000
DTEND;TZID=America/New_York:20240419T180000
DTSTAMP:20260416T204245
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-19/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/EsmeThompson_Blue-Streak_2023_acrylicwood_53x116in-Esme-thompson-1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240418T110000
DTEND;TZID=America/New_York:20240418T180000
DTSTAMP:20260416T204245
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
UID:107692-1713438000-1713463200@artinamericaguide.com
SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-18/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/EsmeThompson_Blue-Streak_2023_acrylicwood_53x116in-Esme-thompson-1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240417T110000
DTEND;TZID=America/New_York:20240417T180000
DTSTAMP:20260416T204245
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-17/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/EsmeThompson_Blue-Streak_2023_acrylicwood_53x116in-Esme-thompson-1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240416T110000
DTEND;TZID=America/New_York:20240416T180000
DTSTAMP:20260416T204245
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-16/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/EsmeThompson_Blue-Streak_2023_acrylicwood_53x116in-Esme-thompson-1.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240326T110000
DTEND;TZID=America/New_York:20240326T180000
DTSTAMP:20260416T204245
CREATED:20240322T142549Z
LAST-MODIFIED:20240325T154259Z
UID:107517-1711450800-1711476000@artinamericaguide.com
SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-03-26/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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DTSTART;TZID=America/New_York:20240227T110000
DTEND;TZID=America/New_York:20240323T180000
DTSTAMP:20260416T204245
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SUMMARY:Simon Carr: Play Ground: Recent paintings
DESCRIPTION:Exhibition Dates: February 27 – March 23\, 2024 \nOpening Reception: Sat\, March 2\, 2024\, 3PM-6PM \nGallery Talk and Book Launch: Sat\, March 16\, 2024\, 3PM-5PM  Book Launch of Horses on Paper: Drawings by Simon Carr\, Poems by Leonard Schwartz\, published by Chax Press.  Event features a reading by the poet and a short discussion of the exhibition with the artist. \n  \nBowery Gallery presents Play Ground: Recent Paintings by Simon Carr. The exhibition is a series of children playing\, outdoors\, in a park near the artist’s home.   \n“The paintings in this show began with sketches of children playing in our apartment\, just because they looked interesting. Then the drawings got more complicated. Where were the children? What are they doing? What is the drama being enacted? I drew on long memories of generations of children on playgrounds. When children play they can enter a world with each other which by its nature excludes adults. That was the hook that got me: the idea of a world that excludes adults\, a different world\, like the world of paintings and the world of animals. Observing or investigating that new world made the studio begin to come alive with these new paintings.” –Simon Carr \nCarr’s other recent exhibitions have focused on city scenes\, and more recently farm scenes and in particular an intensive study of horses in their environment. Carr’s process begins with drawings. Drawings on the spot note figures\, environments\, details\, he then assembles them\, along with reference photos\, into larger drawn compositions in the studio. The paintings are done from these drawings. The process itself allows for memory and experience to enter the paintings\, worked on for long periods of time\, rather than transcriptions of things seen in a particular moment. \nBowery Gallery is open Tuesday through Saturday from 11 AM to 6PM. 
URL:https://artinamericaguide.com/event/simon-carr-play-ground-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240130T110000
DTEND;TZID=America/New_York:20240224T180000
DTSTAMP:20260416T204245
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SUMMARY:Thaddeus Radell: In my beginning is my end: Recent Paintings
DESCRIPTION:Exhibition Dates: January 30 – February 24\, 2024 \nOpening Reception: Sat\, February 3\, 2024\, 3PM-6PM \nClosing Reception with Performance and Artist Talk: Sat\, February 24\, 2024\, 4PM featuring a cello performance by Robert Reed at 4pm followed a conversation on art between the artist Thaddeus Radell and Mark LaRiviere \nBowery Gallery is pleased to present recent work by Thaddeus Radell\, whose darkly luminous paintings evoke journeys through landscapes of the subconscious. From the artist’s richly layered surfaces—broadly troweled in places\, elsewhere delicately incised— emerge visions of figures that appear and disappear within atmospheric depths. Bits of embedded burlap suggest a ragged dimension beyond paint. The heavy impasto\, set against thinly brushed lines of saturated earth colors\, creates living\, breathing surfaces. \nIn my beginning is my end. So reads the opening line of “East Coker\,” the second poem comprising the “Four Quartets” of T.S. Eliot. Poetry\, and the poems of Eliot in particular\, have marked Radell’s recent paintings\, which bear such titles as “Wandering the Waste Land\,” “Gerontion\,” and “The Hollow Men\,” a group of four large panels. \nThe exhibition includes larger works staggered between a number of small paintings of heads. These roughly hewn portrait studies might very well be\, as Mark Kanter observed in his essay of 2021\, “mugshots for the perpetrators” of the figures populating the larger compositions\, where the heads exist only as masses of color. \nRadell is also currently represented by Thomas Deans Fine Art in Atlanta\, GA and Alice Gauvin Gallery in Washington\, DC.
URL:https://artinamericaguide.com/event/thaddeus-radell-in-my-beginning-is-my-end-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240102T110000
DTEND;TZID=America/New_York:20240127T180000
DTSTAMP:20260416T204245
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SUMMARY:John Goodrich:  The Color’s the Thing: Recent Paintings
DESCRIPTION:Exhibition Dates: January 2-27\, 2024 \nOpening Reception: Thurs\, January 4\, 2024\, 5PM-8PM \nArtist Talk: Sat\, January 20\, 2024\, 3PM \n  \nThe Color’s the Thing: Recent Paintings is John Goodrich’s twelfth exhibition at Bowery Gallery. The solo exhibition includes forty recent landscapes\, figure paintings and still lifes\, all animated by heightened color and incisive brushwork. \nThe paintings reveal how colors and forms can be more than merely descriptive; they can also engage a kind of elemental expression unique to painting. \nThe artist writes:\nWe recognize the objects around us by their visual aspect\, leaping from primal sensations–patterns of light and dark\, warm and cool–to familiar entities: car\, house\, tree. Rarely do we consider the vast perceptual gap in-between. Painting reawakens us to the process of seeing\, providing a singular account of the world\, one intensified through the directing powers of line and the pressures of color. \nJohn Goodrich has exhibited his work in group shows at Lori Bookstein Fine Art\, Elizabeth Harris Gallery and Kouros Gallery in New York City. His work has been favorably mentioned in The New York Times\, The New York Sun and The New York Observer. A writer on art\, he has written for numerous print and online publications.
URL:https://artinamericaguide.com/event/john-goodrich-the-colors-the-thing-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20231128T110000
DTEND;TZID=America/New_York:20231223T180000
DTSTAMP:20260416T204245
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SUMMARY:Ian Tornay: Landscapes
DESCRIPTION:Exhibition Dates: November 28 – December 23\, 2023 \nOpening Reception: Sat\, December 2\, 3PM-6PM \nBowery Gallery is pleased to announce a solo exhibition of new landscape paintings by Ian Tornay. For his ninth exhibition at Bowery Gallery\, Tornay paints exclusively “au plein-air” in eastern Pennsylvania and Rhode Island. Tornay’s broad\, active brushwork captures the elemental forces of nature as wind\, water\, foliage and sky transpose to rhythmic movements in color. His romantic approach brings the viewer in direct contact to nature’s monumental or intimate aspects. In Southern Pennsylvania\, he works in local parks such as the Pennypack Preserve or at Twining Park where an abandoned golf course has been reclaimed by nature. Surrounded by suburban sprawl\, many of the locales demonstrate nature’s resilience even in populated areas. These scenes feature the wooded streams and gentle rolling hills common to Southern Pennsylvania. In North Eastern Pennsylvania’s rural farmland\, the deeper vistas are composed of rugged\, hilly terrain of fields and woodlands\, still majestic despite man’s intrusion.  \nBorn in 1965\, Tornay received an undergraduate degree in architecture from the Cooper Union in 1989 and a graduate degree in Fine Art from Queens College in 1995. Tornay currently teaches architecture and interior design at Community College of Philadelphia and Northampton Community College. He has exhibited regionally and nationally\, including a recent solo exhibition at the Whitemarsh Gallery in Ft. Washington PA. His exhibitions have been reviewed by the New Republic\, the Philadelphia Inquirer and the Chestnut Hill local. \nFounded in 1969\, Bowery Gallery has been showing contemporary art of the highest quality for more than six decades.  Bowery Gallery is a cooperative\, founded by artists and directed by the collective decision making of its member artists.  From its beginnings\, Bowery Gallery has been a force for the expansion of art’s traditions in a venue unconstrained by commercial pressures. Named after its original location\, Bowery Gallery is now located in the heart of the Chelsea art district. \nImage: Ian Tornay\, Peace Valley\, 2020\, oil on canvas\, 20 x 24 in. \nFor more information: \nBowery Gallery \n547 West 27th Street\, Suite 508 \, New York\, NY 10001 \nHours: Tues – Sat\, 11AM-6PM \n(646) 230-6655 \nwww.bowerygallery.org \n 
URL:https://artinamericaguide.com/event/ian-tornay-landscapes/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20231031T110000
DTEND;TZID=America/New_York:20231125T180000
DTSTAMP:20260416T204245
CREATED:20231024T173543Z
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SUMMARY:Kamini Avril: Branches
DESCRIPTION:Exhibition Dates: October 31 – November 25\, 2023 \nOpening Reception: Thurs\, November 2\, 2023\, 5PM-8PM \nKamini Avril’s third exhibit at Bowery Gallery shows two different ways of working; one looks outward\, absorbing information through plein air observation and the other turns inward\, guided by feeling and memory. Both involve responding with paint in the moment without premeditation\, approximating nature’s cohesive chaos.\nPerceptually\, branches are not only their own lines but\, in combination with other trees\, make of their flat designs wondrous dimensional shapes in space. Likewise\, foliage\, flowers of a bush\, twigs\, limbs and trunks of trees\, all visual phenomena\, form gestures and harmonic patterns. Avril\, a Guggenheim Fellow in Painting\, has shown in the US and India. She has taught at New York Studio School and Bard College and is represented by Bowery Gallery\, NY\, and Oxbow Gallery\, Easthampton\, MA. \nImage: Kamini Avril\, October\, oil on canvas\, 40 in. x 40 in.\, 2023. \nFor more information: \nBowery Gallery \n547 West 27th Street\, Suite 508\, New York\, NY 10001 \nHours: Tues – Sat\, 11AM – 6PM \n(646) 230-6655 \nwww.bowerygallery.org \nkaminiavril.com
URL:https://artinamericaguide.com/event/kamini-avril-branches/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231003T110000
DTEND;TZID=America/New_York:20231028T180000
DTSTAMP:20260416T204245
CREATED:20230925T163426Z
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SUMMARY:YOUNGHEE CHOI MARTIN: Recent Paintings
DESCRIPTION:Exhibition Dates: October 3 – 28\, 2023 \nOpening Reception: Sat\, October 7\, 2023\, 3PM-5PM \n   \nBowery Gallery presents Recent Paintings by Younghee Choi Martin: a modern take on Aeschylus’s Oresteia Trilogy. Through a massive play of shape and color\, these highly worked surfaces address both the density and the fresh\, lyric expressiveness of the ancient dramas to reveal a contemporary vision. There is a reductive\, modernist integration of the figurative and landscape elements in these works. Through the continual development of the paint\, the surface\, the composition\, and the texture\, the narrative is never lost. It breathes through the layers to slowly release a pictorial structure and a lyric dimension. \n In “Agamemnon’s Return” (45 in. x 54 in.)\, the weather\, the light at the time of day and year\, and the landscape forms are painterly manifestations of the energy of the conflicting sanctions of the gods which propel Clytaemestra onwards to her act of revenge. The paint itself drives the narrative that\, as in the Aeschylus’s works\, finds its tragic force in the no-win situation for the protagonist and in the imposition of the wills of the Gods over humanity that both deforms and uplifts. It is that simultaneity that Martin’s painting captures at the edge of abstraction and representation. \n In “Orestes’ Trial” (36 in. x 45 in.)\, the chorus of jurors surrounds Orestes to witness the verdict as Athene casts her final vote which will free him from the cycle of vengeance that plagued the house of Atreid for many generations. Simple markings create dark and light shapes moving across laterally\, the forms are punctuated by sharp\, short shapes defining foot here\, boot there; gentle arcs suggest arms\, elbows\, or tree branches opening up to the glowing sky above. It is twilight signifying the end of the trilogy. \nSince the late 1970s\, Younghee Choi Martin has lived and worked in Chelsea\, where she was one of the earliest artists to establish a painting studio. A graduate of the Rhode Island School of Design\, she has been awarded painting fellowships from the National Endowment for the Arts and the NY CAPS program and her works have been exhibited in New York and throughout the United States\, Korea\, Japan\, France\, and Italy.  Over 80 of her paintings and drawings are in collections and museums in the United States\, Korea\, Japan\, and India. \nFor more information: \nBowery Gallery  \n547 West 27th Street\, Suite 508\, New York\, NY 10001     \nHours: Tues – Sat\, 11AM – 6PM \n(646) 230-6655  \nwww.bowerygallery.org \nwww.youngheechoimartin.com \n 
URL:https://artinamericaguide.com/event/younghee-choi-martin-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230905T110000
DTEND;TZID=America/New_York:20230930T180000
DTSTAMP:20260416T204245
CREATED:20230818T170403Z
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SUMMARY:Hearne Pardee: Just Looking
DESCRIPTION:Exhibition Dates: September 5 – 30\, 2023 \nOpening Reception: Thurs\, September 7\, 5PM-8PM \nDance Performance & Gallery Talk: Sat\, September 23\, 4PM \nHearne Pardee expands his visual field by collaging paintings and photographs\, using abstracted landscapes from a local park to expose the infrastructure of our spatial awareness – what we “see” around us when not focused on any object in particular. With his phone\, Pardee records suburban pavement and vegetation along his running path around the park. He enhances the  photographic frames with collages of colored paper and juxtaposes them to generate “Sidewalk Landscapes”. In the same park\, he makes abstracted landscapes from a public art installation of stones aligned with the solstices\, which sets the local space in a cosmic context. In his studio\, Pardee extends the scope of these abstracted environments further by depicting them with rocks and bowls of water in reference to the universal elements of Asian landscape. As it expands visibility\, the transparent bowl becomes an eye that returns our gaze.  \nEnlarged\, printed on vinyl and displayed on the floor\, Pardee’s elemental abstractions will also provide the armature for a dance performance on September 23\, when the gallery will host a work choreographed by Dance Theater Works David Grenke.  The exhibition and performance are free and open to the public. \n  \nImage: Just Looking\, oil on canvas\, 24”x30”\, 2023
URL:https://artinamericaguide.com/event/hearne-pardee-just-looking/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20230801T110000
DTEND;TZID=America/New_York:20230819T180000
DTSTAMP:20260416T204245
CREATED:20230726T223732Z
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SUMMARY:Bowery Gallery 32st Annual Juried Show
DESCRIPTION:Exhibition Dates: August 1 – 19\, 2023 \nOpening Reception: Thurs\, August 3rd\,  5PM–8PM \nDAVID COHEN\, JUROR \nBowery Gallery is pleased to present its Annual National Juried Exhibition\, on view from August 1 through August 19\, 2023. \nThe exhibition consists of two-dimensional works by 22 artists living and working across the United States whose works were selected by juror David Cohen. These artists featured the Bowery Gallery 32st Annual Juried Show are Liz Atlas\, Marcie Bronkar\, Karina Cavat\, Tom Csaszar\, Sarah Dillon\, Katherine Fichthorn\, Jason Guynes\, Teresa Jarznski\, Patrick Jewell\, Elizabeth Johnson\, Matthew Kolodziej\, Bernice Sokol Kramer\, Lucy Lamphere\, Peter Lopez\, Andrew Marcus\, Eileen Mooney\, Jaime Patino-Calvo\, Abbigayle Poirier\, Barbara Rubensohn\, Linn Saffer\, Carolyn Weltman\, and Jenny Wu. \nThese 22 artists work in a range of media\, including oils\, watercolor\, gouache\, graphite\, acrylic\, and mixed media. The eclectic mix of styles—abstract and figurative—reflects the approach that has characterized Bowery Gallery over its more than fifty years in New York City. \nDavid Cohen\, the juror for the 2023 Bowery Gallery Juried Competition\, is an American art critic\, art historian\, curator and publisher. From 2003 to 2008\, Cohen served as art critic and contributing editor at The New York Sun. He is the editor of artcritical.com\, which he founded in 2001. Cohen is also the founder and moderator of The Review Panel\, an ongoing public discussion forum. He has taught at Pratt Institute\, the Pennsylvania\nAcademy of the Fine Arts\, and the Fashion Institute of Technology. \nBowery Gallery exhibitions have been discussed in articles and reviews in publications including The New York\nTimes\, The New Yorker\, The New Republic\, The New Criterion\, artcritical.com\, Art in America\, and Arts. \nFor further information\, please contact the gallery at info@bowerygallery.org or 646-230-6655. \nGallery hours: Tues – Sat 11AM – 6PM \nBowery Gallery\n547 West 27 Street\, Suite 508 (5th Floor)\nNew York\, NY 10001
URL:https://artinamericaguide.com/event/bowery-gallery-32st-annual-juried-show/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20230711T110000
DTEND;TZID=America/New_York:20230729T180000
DTSTAMP:20260416T204245
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SUMMARY:BARBARA GROSSMAN:  Patterning Women
DESCRIPTION:Exhibition Dates: July 11 – 29\, 2023 \nOpening Reception: Thurs\, July 13\,  5PM–8PM \nArtist will be present on Saturdays  2PM–6PM \n  \nBowery Gallery is pleased to present an exhibition of the recent paintings and oil stick drawings by Barbara Grossman. \nGrossman’s imagery is rich with luminous colors\, shifting spaces and complex patterns that interweave with the women who inhabit interiors. Their activity seems to be one involved with music\, singing and sometimes reading.  In the current catalogue that accompanies the exhibition\, the artist and writer John Goodrich says\, “The artist’s spaces are rife with contradictions. Floors become backgrounds\, distant forms feel proximate\, while frontal\, tipped-up elements direct us into the depths.”  \nFor a long time\, Barbara Grossman has been inventing\, using clues from her deep interest in Indian and Middle Eastern imagery. Recent trips to Turkey and Morocco were transformative as she experienced her internal passions. “As Western art history is belatedly dropping the use of ‘decorative’ as an opposite of ‘substantive’ and gaining an appreciation of the significance possible through pattern\, it is a good moment to reflect on the independent-minded achievement that Barbara Grossman’s paintings represent\,” writes artist Christina Kee in the exhibition catalog. \nBarbara Grossman has exhibited extensively in museums and galleries throughout the United States and is in numerous public and private collections including the Arkansas Art Center\, Hood Museum at Dartmouth\, National Academy of Design and the State Museum of Pennsylvania. \nGrossman has received awards including the Henry Ward Ranger Fund Purchase\, two Connecticut Commission on the Arts Grants\, Ingram Merrill Foundation Fellowship Grant\, and a Fulbright Hayes Fellowship to Germany. \nGallery Hours: Tues-Sat\, 11AM-6PM \n(646) 230-6655 \ninfo@bowerygallery.org \nwww.bowerygallery.org
URL:https://artinamericaguide.com/event/barbara-grossman-patterning-women/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20230620T110000
DTEND;TZID=America/New_York:20230708T180000
DTSTAMP:20260416T204245
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SUMMARY:Jane Culp and Molly Porter: Wilderness Work
DESCRIPTION:Exhibition Dates: June 20 – July 8\, 2023 \nOpening Reception: Sat\, June 24\, 3PM-6PM \nLiving and working on site in wilderness terrain\, Molly Porter and Jane Culp bring an ardent\, intuitive vision to a wide range of natural scenes\, from the shores of downeast Maine to the woodlands of Vermont and deserts of Southern California. \n\nWhile building upon a long painterly tradition of formal structure\, the artists’ oil paintings and watercolors empathetically analyze and embrace the various moods of the natural order. Absorbing their movements and spaces\, the viewer is invited to live within the felt forms of nature\, and experience its rapture.\n\nMore information at www.bowerygallery.org\n\nLeft: Jane Culp\, Dick’s Tamarisk Tree #4\, 2023\, oil/board\, 24×20 in.\nRight: Molly Porter\, Looking Down into the Cove\, 2022\, oil/linen board\, 16×20 in
URL:https://artinamericaguide.com/event/jane-culp-and-molly-porter-wilderness-work/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230523T110000
DTEND;TZID=America/Halifax:20230523T180000
DTSTAMP:20260416T204245
CREATED:20230519T135914Z
LAST-MODIFIED:20230519T135914Z
UID:103533-1684839600-1684864800@artinamericaguide.com
SUMMARY:Martha Armstrong: From Arizona to Vermont\, 2023
DESCRIPTION:Exhibition Dates: May 23 – June 17\, 2023 \nOpening Reception: Thurs\, May 25\, 5PM-8PM \nArtist Talk: Sat\, June 3\, 3PM  \nBowery Gallery is pleased to announce a major solo exhibition of new paintings by Martha Armstrong. This exhibition\, From Arizona to Vermont\, is Armstrong’s eighth show at Bowery Gallery. This new work features Armstrong’s distinctive energetic composition in landscape paintings depicting two contrasting environments: the forested hills of Vermont and the deserts of Arizona.  An observational painter\, Armstrong has been painting at the window of her Vermont studio for many years\, observing the changing light and seasons of this New England landscape. More recently\, Armstrong has turned her eye to the Arizona deserts. Each of these landscapes receives Armstrong’s painterly attention and passionate craft\, and as each painting\, in Armstrong’s words\, exhibits its own “intuition\, feeling\, judgment and memory.” \n  \nIn a New York Times review of Armstrong’s 2015 show at Bowery Gallery\, critic Roberta Smith wrote:  \n“She attacks blocky shapes of color that describe one landscape—a hill with some woods and a shack—visible from the window of her Vermont studio that may be her Mont Sainte-Victoire. But her shapes also maintain a nearly sculptural independence….At once improvisational and carefully carpentered\, these paintings explode toward the eye\, like nature on first sight\, at its most welcoming and irrepressible.” \n  \nAbout her new Arizona landscape paintings\, Martha Armstrong says\,  \n“Working on desert paintings\, a wild dangerous place–large animals\, thorns\, snakes-brilliant flowers\, saguaro cacti\, tenacious trees. Tom Hanks said of the desert\, ‘I couldn’t tell where heaven stopped and earth began.’ He was talking about the sun coming up. I am fascinated to be in the desert as the sun goes down. A mysterious event in a huge sky almost every day. We in the East see pieces of sky through tall trees. The drama before the curtain falls on darkness is breathtaking. It takes minutes—seconds–and is gone. I try to capture several changes in one image. That’s the only way it looks real to me. I’m usually painting in complete darkness in my studio trying to remember where colors are on my palette. Then I turn on the light and break the spell and say\, so try another night. It will happen again.” \n  \nBorn in 1940\, Martha Armstrong has had an extensive and noteworthy painting career. She is a 1962 graduate of Smith College\, and received a Master’s Degree from the Rhode Island School of Design in 1963. Armstrong has taught at the Kansas City Art Institute\, Smith\, the Pennsylvania Academy of the Fine Arts\, and Indiana University in Bloomington\, among others. She has exhibited regionally and nationally and is in the permanent collections of The Woodmere Art Museum in Philadelphia\, The Nelson-Atkins Museum of Art in Kansas City\, the State Museum of Pennsylvania in Harrisburg\, the Wharton School at University of Pennsylvania in Philadelphia and many other public and private collections across the country.  \n 
URL:https://artinamericaguide.com/event/martha-armstrong-from-arizona-to-vermont-2023/2023-05-23/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230425T110000
DTEND;TZID=America/Halifax:20230520T180000
DTSTAMP:20260416T204245
CREATED:20230320T150014Z
LAST-MODIFIED:20230320T150014Z
UID:102559-1682420400-1684605600@artinamericaguide.com
SUMMARY:Adrianne Lobel: Reflections on a Pond
DESCRIPTION:Adrianne Lobel: Reflections on a Pond\nExhibition dates:  April 25\, 2023 – May 20\, 2023 \nOpening reception:  April 27\, 2023\, 5 PM – 8 PM \n  \nIn her fourth show at Bowery Gallery\, Adrianne Lobel takes on the classic challenge of abstraction as she distills her experience of nature with carefully honed shapes. Varying color harmonies\, lushly painted\, signal the change of seasons and the time of day. Powerfully composed arrangements bring a tautness of design and a sense of resolution in their clarity.   The resulting paintings are immensely satisfying.  The rich density of deciduous forest\, sharp blue skies\, reflective ponds \, the resplendent color of nature are all packed into these simple squares of painted canvas. \n  \nGeneral information: \nBowery Gallery\, 547 W. 27th Street\, Suite 508\, New York\, NY 10001 \nHours:  Tuesday-Saturday\, 11am-6pm \n(646) 573-8447 \ninfo@bowerygallery.org
URL:https://artinamericaguide.com/event/adrianne-lobel-reflections-on-a-pond/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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