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DTSTART;TZID=America/New_York:20240521T110000
DTEND;TZID=America/New_York:20240615T180000
DTSTAMP:20260419T062931
CREATED:20240516T203239Z
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SUMMARY:Janet Gorzegno: Soul Retrieval
DESCRIPTION:Exhibition Dates: May 21 – June 15\, 2024 \nOpening Reception: Thurs\, May 23\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n  \nBowery Gallery is pleased to present Janet Gorzegno: Soul Retrieval\, the artist’s sixth solo exhibition with\nthe gallery\, with an opening reception on May 23\, 5-8pm. Gorzegno presents a collection of gouache and\negg tempera paintings for this exhibition. The paintings reflect Gorzegno’s practice of working meditatively\,\nand serve as a conduit to help viewers experience reverie and contemplation. \nThe works are striking\, intimate and iconic\, painted in a spectrum of pure and muted tones. Measuring from\n3 inches square to 18 x 9 inches\, they are presented in singular and triptych formats. The dominant recurring\nfeature in the works is a human head in profile\, symbolic of consciousness. Gorzegno’s paintings possess the\nstillness and otherworldliness of early Renaissance paintings\, though Gorzegno’s heads are not intended as\nrecognizable likenesses. They are imagined—colorful amalgams of spirit and personhood distilled. None are\nknown by the artist in this life. \nA layered ‘quietness’ surrounds the heads\, as if a shift in consciousness has not transpired but is about to.\nGorzegno works with these shifts in mind\, harnessing her intense concentration where imagination and\ndiscovery coalesce in color\, form\, and balance. Recent experiences with loss have led her to reflect on the\npassage of time and life’s mysteries. In a spirit of healing and restoration\, she revisits the visual language of\nformer works\, pulling elements into the present\, and recontextualizing her visual language.\nUp close and personal\, each painting is distinct. Stepping back\, collectively viewing the exhibition\, one\nsenses being part of something familiar as if in the presence of something both ancient and contemporary.\nGorzegno’s paintings invite connection. They are a conduit for contemplation on endings\, awakenings\, and\ntransformations. \nJanet Gorzegno received her MFA in Painting from Yale School of Art\, studied at the New York Studio\nSchool and received her BA from Drew University. Gorzegno has an abiding interest in sacred art forms and\nmusic\, and has studied the traditional art of Icon Writing alongside master practitioners. Gorzegno has also\nbeen a fellow at numerous artist residencies\, from the Moulin à Nef in Auvillar\, France to residencies\nstateside—from northeast Georgia to upstate New York. Gorzegno exhibits her work nationally and\ninternationally. She is a longtime educator of drawing and painting\, currently a Professor of Art for The\nUniversity of Southern Mississippi in Hattiesburg. When not in the studio\, she can be found playing roots\nmusic with friends. \nGallery hours are Tuesday through Saturday\, 11am to 6pm. \nFor more information\, please contact the gallery at 646-230-6655 or info@bowerygallery.org
URL:https://artinamericaguide.com/event/janet-gorzegno-soul-retrieval/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240508T110000
DTEND;TZID=America/New_York:20240508T180000
DTSTAMP:20260419T062931
CREATED:20240404T154046Z
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SUMMARY:Monica Bernier: City Views  
DESCRIPTION:Exhibition Dates: April 23 – May 18\, 2024 \nOpening Reception: Thurs\, April 25\, 2024\, 5PM-8PM \nGallery Hours: Tues – Sat 11AM-6PM \n                                                  \nBowery Gallery presents the recent work of Monica Bernier in a series of paintings of New York City that are all deeply engaged with architectural space and color. Largely they look at the artist’s native home and are all keenly aware of the structures that surround us in that environment.  Often the compositions are conceived of from vantage points on elevated structures like the Metro North platform in Harlem or from Bernier’s eighth floor studio window. From her travels\, she has painted rooftop views of Frida Kahlo’s and Diego Rivera’s studios in Mexico City with striking opposing views.  \n  \nFor further information and images of the works in the exhibition\, please visit www.bowerygallery.org.   \nFor additional images and information\, visit the artist’s website: www.monicabernier.com.  \nContact: 646-230-6655  •  info@bowerygallery.org \n  \nImage: Monica Bernier\, Harlem 125th St. Metro N Platform\, 2020\, 16 in. x 20 in.
URL:https://artinamericaguide.com/event/monica-bernier-city-views/2024-05-08/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20240420T110000
DTEND;TZID=America/New_York:20240420T180000
DTSTAMP:20260419T062931
CREATED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-20/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240419T110000
DTEND;TZID=America/New_York:20240419T180000
DTSTAMP:20260419T062931
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-19/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240418T110000
DTEND;TZID=America/New_York:20240418T180000
DTSTAMP:20260419T062931
CREATED:20240322T142549Z
LAST-MODIFIED:20240322T142549Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-04-18/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240326T110000
DTEND;TZID=America/New_York:20240326T180000
DTSTAMP:20260419T062931
CREATED:20240322T142549Z
LAST-MODIFIED:20240325T154259Z
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SUMMARY:Esmé Thompson: Recent Paintings
DESCRIPTION:Exhibition Dates: March 26 – April 20\, 2024 \nOpening Reception: Thurs\, March 28\, 2024\, 5PM-8PM \nClosing Salon: Sat\, April 20\, 3PM-5PM\, featuring an artist talk by Esmé Thompson\, a reading by Jen Stock\, and music by Molly Thompson and ensemble \n  \nBowery Gallery is pleased to present the latest evolution of painted\, shaped\, and layered panels by Esmé Thompson.  Grouped in lively rapport on gallery walls\, the exhibition is a thoughtfully choreographed dance of color and design.  Surprising intersections and overlaps intrigue the eye from afar\, while varying surfaces invite closer inspection.  From any distance and at any scale\, Thompson’s alchemy of design\, pattern\, and color reveals itself like layers of treasure\, animated throughout by energy and invention. \n  \nThe visual vocabulary of this work feels both historically familiar yet contemporary.  Its abstraction is universal\, while its touch and sources are distinctly personal.  Thompson develops beautifully intricate color relationships without losing her exuberance of spirit.  Moments of delicate balance are interrupted by vigorous squiggle\, solid surfaces are punctuated by open air\, and complex relationships of two-and three-dimensional space are relieved by a dash of whimsy. Structure and impulse complement each other\, guided by a disciplined eye and demanding intent.  \n  \nThompson says:  \n“I have designed this new body of work to have a topography of stacked wooden shapes that weave and wind\, connecting and disconnecting throughout and implying natural forces both large and small.  Whether it be the shifting tides or winds found in nature (Coriolis)\, or the unfolding of a flower (Helianthus)\, the paintings are intended to animate and move across the wall\, interacting with each other.  I seek to make paintings that blur the boundaries between high and low art and celebrate objects people have made throughout time and across cultures.  My work represents possibility and embodies change. The repeated\, interrelated images are meant to allow for a cyclical and cumulative\, rather than linear\, reading.  The experience of viewing the painting becomes a journey that continues to unfold\, reminiscent of an ongoing pattern of organic growth.”  \nThompson’s travels inform and enliven her art.  She has been a resident of the Rockefeller Foundation and the Bogliasco Foundation in Italy studying medieval painting and decorative arts.  She has travelled to Morocco to study ceramic and fiber art\, Ireland to study Celtic manuscripts and lacemaking and Australia to view aboriginal art in Kakadu and Uluru. Thompson lives in New Hampshire and is Emeritus Professor of Studio Art at Dartmouth College.      \n  \nImage: Blue Streak\, acrylic on wood\, 53″ x 116″\, 2023
URL:https://artinamericaguide.com/event/esme-thompson-recent-paintings/2024-03-26/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240227T110000
DTEND;TZID=America/New_York:20240323T180000
DTSTAMP:20260419T062931
CREATED:20240306T170346Z
LAST-MODIFIED:20240306T170346Z
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SUMMARY:Simon Carr: Play Ground: Recent paintings
DESCRIPTION:Exhibition Dates: February 27 – March 23\, 2024 \nOpening Reception: Sat\, March 2\, 2024\, 3PM-6PM \nGallery Talk and Book Launch: Sat\, March 16\, 2024\, 3PM-5PM  Book Launch of Horses on Paper: Drawings by Simon Carr\, Poems by Leonard Schwartz\, published by Chax Press.  Event features a reading by the poet and a short discussion of the exhibition with the artist. \n  \nBowery Gallery presents Play Ground: Recent Paintings by Simon Carr. The exhibition is a series of children playing\, outdoors\, in a park near the artist’s home.   \n“The paintings in this show began with sketches of children playing in our apartment\, just because they looked interesting. Then the drawings got more complicated. Where were the children? What are they doing? What is the drama being enacted? I drew on long memories of generations of children on playgrounds. When children play they can enter a world with each other which by its nature excludes adults. That was the hook that got me: the idea of a world that excludes adults\, a different world\, like the world of paintings and the world of animals. Observing or investigating that new world made the studio begin to come alive with these new paintings.” –Simon Carr \nCarr’s other recent exhibitions have focused on city scenes\, and more recently farm scenes and in particular an intensive study of horses in their environment. Carr’s process begins with drawings. Drawings on the spot note figures\, environments\, details\, he then assembles them\, along with reference photos\, into larger drawn compositions in the studio. The paintings are done from these drawings. The process itself allows for memory and experience to enter the paintings\, worked on for long periods of time\, rather than transcriptions of things seen in a particular moment. \nBowery Gallery is open Tuesday through Saturday from 11 AM to 6PM. 
URL:https://artinamericaguide.com/event/simon-carr-play-ground-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240130T110000
DTEND;TZID=America/New_York:20240224T180000
DTSTAMP:20260419T062931
CREATED:20240307T161945Z
LAST-MODIFIED:20240307T161945Z
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SUMMARY:Thaddeus Radell: In my beginning is my end: Recent Paintings
DESCRIPTION:Exhibition Dates: January 30 – February 24\, 2024 \nOpening Reception: Sat\, February 3\, 2024\, 3PM-6PM \nClosing Reception with Performance and Artist Talk: Sat\, February 24\, 2024\, 4PM featuring a cello performance by Robert Reed at 4pm followed a conversation on art between the artist Thaddeus Radell and Mark LaRiviere \nBowery Gallery is pleased to present recent work by Thaddeus Radell\, whose darkly luminous paintings evoke journeys through landscapes of the subconscious. From the artist’s richly layered surfaces—broadly troweled in places\, elsewhere delicately incised— emerge visions of figures that appear and disappear within atmospheric depths. Bits of embedded burlap suggest a ragged dimension beyond paint. The heavy impasto\, set against thinly brushed lines of saturated earth colors\, creates living\, breathing surfaces. \nIn my beginning is my end. So reads the opening line of “East Coker\,” the second poem comprising the “Four Quartets” of T.S. Eliot. Poetry\, and the poems of Eliot in particular\, have marked Radell’s recent paintings\, which bear such titles as “Wandering the Waste Land\,” “Gerontion\,” and “The Hollow Men\,” a group of four large panels. \nThe exhibition includes larger works staggered between a number of small paintings of heads. These roughly hewn portrait studies might very well be\, as Mark Kanter observed in his essay of 2021\, “mugshots for the perpetrators” of the figures populating the larger compositions\, where the heads exist only as masses of color. \nRadell is also currently represented by Thomas Deans Fine Art in Atlanta\, GA and Alice Gauvin Gallery in Washington\, DC.
URL:https://artinamericaguide.com/event/thaddeus-radell-in-my-beginning-is-my-end-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240102T110000
DTEND;TZID=America/New_York:20240127T180000
DTSTAMP:20260419T062931
CREATED:20231222T195635Z
LAST-MODIFIED:20231222T195635Z
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SUMMARY:John Goodrich:  The Color’s the Thing: Recent Paintings
DESCRIPTION:Exhibition Dates: January 2-27\, 2024 \nOpening Reception: Thurs\, January 4\, 2024\, 5PM-8PM \nArtist Talk: Sat\, January 20\, 2024\, 3PM \n  \nThe Color’s the Thing: Recent Paintings is John Goodrich’s twelfth exhibition at Bowery Gallery. The solo exhibition includes forty recent landscapes\, figure paintings and still lifes\, all animated by heightened color and incisive brushwork. \nThe paintings reveal how colors and forms can be more than merely descriptive; they can also engage a kind of elemental expression unique to painting. \nThe artist writes:\nWe recognize the objects around us by their visual aspect\, leaping from primal sensations–patterns of light and dark\, warm and cool–to familiar entities: car\, house\, tree. Rarely do we consider the vast perceptual gap in-between. Painting reawakens us to the process of seeing\, providing a singular account of the world\, one intensified through the directing powers of line and the pressures of color. \nJohn Goodrich has exhibited his work in group shows at Lori Bookstein Fine Art\, Elizabeth Harris Gallery and Kouros Gallery in New York City. His work has been favorably mentioned in The New York Times\, The New York Sun and The New York Observer. A writer on art\, he has written for numerous print and online publications.
URL:https://artinamericaguide.com/event/john-goodrich-the-colors-the-thing-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20231128T110000
DTEND;TZID=America/New_York:20231223T180000
DTSTAMP:20260419T062931
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SUMMARY:Ian Tornay: Landscapes
DESCRIPTION:Exhibition Dates: November 28 – December 23\, 2023 \nOpening Reception: Sat\, December 2\, 3PM-6PM \nBowery Gallery is pleased to announce a solo exhibition of new landscape paintings by Ian Tornay. For his ninth exhibition at Bowery Gallery\, Tornay paints exclusively “au plein-air” in eastern Pennsylvania and Rhode Island. Tornay’s broad\, active brushwork captures the elemental forces of nature as wind\, water\, foliage and sky transpose to rhythmic movements in color. His romantic approach brings the viewer in direct contact to nature’s monumental or intimate aspects. In Southern Pennsylvania\, he works in local parks such as the Pennypack Preserve or at Twining Park where an abandoned golf course has been reclaimed by nature. Surrounded by suburban sprawl\, many of the locales demonstrate nature’s resilience even in populated areas. These scenes feature the wooded streams and gentle rolling hills common to Southern Pennsylvania. In North Eastern Pennsylvania’s rural farmland\, the deeper vistas are composed of rugged\, hilly terrain of fields and woodlands\, still majestic despite man’s intrusion.  \nBorn in 1965\, Tornay received an undergraduate degree in architecture from the Cooper Union in 1989 and a graduate degree in Fine Art from Queens College in 1995. Tornay currently teaches architecture and interior design at Community College of Philadelphia and Northampton Community College. He has exhibited regionally and nationally\, including a recent solo exhibition at the Whitemarsh Gallery in Ft. Washington PA. His exhibitions have been reviewed by the New Republic\, the Philadelphia Inquirer and the Chestnut Hill local. \nFounded in 1969\, Bowery Gallery has been showing contemporary art of the highest quality for more than six decades.  Bowery Gallery is a cooperative\, founded by artists and directed by the collective decision making of its member artists.  From its beginnings\, Bowery Gallery has been a force for the expansion of art’s traditions in a venue unconstrained by commercial pressures. Named after its original location\, Bowery Gallery is now located in the heart of the Chelsea art district. \nImage: Ian Tornay\, Peace Valley\, 2020\, oil on canvas\, 20 x 24 in. \nFor more information: \nBowery Gallery \n547 West 27th Street\, Suite 508 \, New York\, NY 10001 \nHours: Tues – Sat\, 11AM-6PM \n(646) 230-6655 \nwww.bowerygallery.org \n 
URL:https://artinamericaguide.com/event/ian-tornay-landscapes/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20231031T110000
DTEND;TZID=America/New_York:20231125T180000
DTSTAMP:20260419T062931
CREATED:20231024T173543Z
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SUMMARY:Kamini Avril: Branches
DESCRIPTION:Exhibition Dates: October 31 – November 25\, 2023 \nOpening Reception: Thurs\, November 2\, 2023\, 5PM-8PM \nKamini Avril’s third exhibit at Bowery Gallery shows two different ways of working; one looks outward\, absorbing information through plein air observation and the other turns inward\, guided by feeling and memory. Both involve responding with paint in the moment without premeditation\, approximating nature’s cohesive chaos.\nPerceptually\, branches are not only their own lines but\, in combination with other trees\, make of their flat designs wondrous dimensional shapes in space. Likewise\, foliage\, flowers of a bush\, twigs\, limbs and trunks of trees\, all visual phenomena\, form gestures and harmonic patterns. Avril\, a Guggenheim Fellow in Painting\, has shown in the US and India. She has taught at New York Studio School and Bard College and is represented by Bowery Gallery\, NY\, and Oxbow Gallery\, Easthampton\, MA. \nImage: Kamini Avril\, October\, oil on canvas\, 40 in. x 40 in.\, 2023. \nFor more information: \nBowery Gallery \n547 West 27th Street\, Suite 508\, New York\, NY 10001 \nHours: Tues – Sat\, 11AM – 6PM \n(646) 230-6655 \nwww.bowerygallery.org \nkaminiavril.com
URL:https://artinamericaguide.com/event/kamini-avril-branches/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20231003T110000
DTEND;TZID=America/New_York:20231028T180000
DTSTAMP:20260419T062931
CREATED:20230925T163426Z
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SUMMARY:YOUNGHEE CHOI MARTIN: Recent Paintings
DESCRIPTION:Exhibition Dates: October 3 – 28\, 2023 \nOpening Reception: Sat\, October 7\, 2023\, 3PM-5PM \n   \nBowery Gallery presents Recent Paintings by Younghee Choi Martin: a modern take on Aeschylus’s Oresteia Trilogy. Through a massive play of shape and color\, these highly worked surfaces address both the density and the fresh\, lyric expressiveness of the ancient dramas to reveal a contemporary vision. There is a reductive\, modernist integration of the figurative and landscape elements in these works. Through the continual development of the paint\, the surface\, the composition\, and the texture\, the narrative is never lost. It breathes through the layers to slowly release a pictorial structure and a lyric dimension. \n In “Agamemnon’s Return” (45 in. x 54 in.)\, the weather\, the light at the time of day and year\, and the landscape forms are painterly manifestations of the energy of the conflicting sanctions of the gods which propel Clytaemestra onwards to her act of revenge. The paint itself drives the narrative that\, as in the Aeschylus’s works\, finds its tragic force in the no-win situation for the protagonist and in the imposition of the wills of the Gods over humanity that both deforms and uplifts. It is that simultaneity that Martin’s painting captures at the edge of abstraction and representation. \n In “Orestes’ Trial” (36 in. x 45 in.)\, the chorus of jurors surrounds Orestes to witness the verdict as Athene casts her final vote which will free him from the cycle of vengeance that plagued the house of Atreid for many generations. Simple markings create dark and light shapes moving across laterally\, the forms are punctuated by sharp\, short shapes defining foot here\, boot there; gentle arcs suggest arms\, elbows\, or tree branches opening up to the glowing sky above. It is twilight signifying the end of the trilogy. \nSince the late 1970s\, Younghee Choi Martin has lived and worked in Chelsea\, where she was one of the earliest artists to establish a painting studio. A graduate of the Rhode Island School of Design\, she has been awarded painting fellowships from the National Endowment for the Arts and the NY CAPS program and her works have been exhibited in New York and throughout the United States\, Korea\, Japan\, France\, and Italy.  Over 80 of her paintings and drawings are in collections and museums in the United States\, Korea\, Japan\, and India. \nFor more information: \nBowery Gallery  \n547 West 27th Street\, Suite 508\, New York\, NY 10001     \nHours: Tues – Sat\, 11AM – 6PM \n(646) 230-6655  \nwww.bowerygallery.org \nwww.youngheechoimartin.com \n 
URL:https://artinamericaguide.com/event/younghee-choi-martin-recent-paintings/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230905T110000
DTEND;TZID=America/New_York:20230930T180000
DTSTAMP:20260419T062931
CREATED:20230818T170403Z
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SUMMARY:Hearne Pardee: Just Looking
DESCRIPTION:Exhibition Dates: September 5 – 30\, 2023 \nOpening Reception: Thurs\, September 7\, 5PM-8PM \nDance Performance & Gallery Talk: Sat\, September 23\, 4PM \nHearne Pardee expands his visual field by collaging paintings and photographs\, using abstracted landscapes from a local park to expose the infrastructure of our spatial awareness – what we “see” around us when not focused on any object in particular. With his phone\, Pardee records suburban pavement and vegetation along his running path around the park. He enhances the  photographic frames with collages of colored paper and juxtaposes them to generate “Sidewalk Landscapes”. In the same park\, he makes abstracted landscapes from a public art installation of stones aligned with the solstices\, which sets the local space in a cosmic context. In his studio\, Pardee extends the scope of these abstracted environments further by depicting them with rocks and bowls of water in reference to the universal elements of Asian landscape. As it expands visibility\, the transparent bowl becomes an eye that returns our gaze.  \nEnlarged\, printed on vinyl and displayed on the floor\, Pardee’s elemental abstractions will also provide the armature for a dance performance on September 23\, when the gallery will host a work choreographed by Dance Theater Works David Grenke.  The exhibition and performance are free and open to the public. \n  \nImage: Just Looking\, oil on canvas\, 24”x30”\, 2023
URL:https://artinamericaguide.com/event/hearne-pardee-just-looking/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20230801T110000
DTEND;TZID=America/New_York:20230819T180000
DTSTAMP:20260419T062931
CREATED:20230726T223732Z
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SUMMARY:Bowery Gallery 32st Annual Juried Show
DESCRIPTION:Exhibition Dates: August 1 – 19\, 2023 \nOpening Reception: Thurs\, August 3rd\,  5PM–8PM \nDAVID COHEN\, JUROR \nBowery Gallery is pleased to present its Annual National Juried Exhibition\, on view from August 1 through August 19\, 2023. \nThe exhibition consists of two-dimensional works by 22 artists living and working across the United States whose works were selected by juror David Cohen. These artists featured the Bowery Gallery 32st Annual Juried Show are Liz Atlas\, Marcie Bronkar\, Karina Cavat\, Tom Csaszar\, Sarah Dillon\, Katherine Fichthorn\, Jason Guynes\, Teresa Jarznski\, Patrick Jewell\, Elizabeth Johnson\, Matthew Kolodziej\, Bernice Sokol Kramer\, Lucy Lamphere\, Peter Lopez\, Andrew Marcus\, Eileen Mooney\, Jaime Patino-Calvo\, Abbigayle Poirier\, Barbara Rubensohn\, Linn Saffer\, Carolyn Weltman\, and Jenny Wu. \nThese 22 artists work in a range of media\, including oils\, watercolor\, gouache\, graphite\, acrylic\, and mixed media. The eclectic mix of styles—abstract and figurative—reflects the approach that has characterized Bowery Gallery over its more than fifty years in New York City. \nDavid Cohen\, the juror for the 2023 Bowery Gallery Juried Competition\, is an American art critic\, art historian\, curator and publisher. From 2003 to 2008\, Cohen served as art critic and contributing editor at The New York Sun. He is the editor of artcritical.com\, which he founded in 2001. Cohen is also the founder and moderator of The Review Panel\, an ongoing public discussion forum. He has taught at Pratt Institute\, the Pennsylvania\nAcademy of the Fine Arts\, and the Fashion Institute of Technology. \nBowery Gallery exhibitions have been discussed in articles and reviews in publications including The New York\nTimes\, The New Yorker\, The New Republic\, The New Criterion\, artcritical.com\, Art in America\, and Arts. \nFor further information\, please contact the gallery at info@bowerygallery.org or 646-230-6655. \nGallery hours: Tues – Sat 11AM – 6PM \nBowery Gallery\n547 West 27 Street\, Suite 508 (5th Floor)\nNew York\, NY 10001
URL:https://artinamericaguide.com/event/bowery-gallery-32st-annual-juried-show/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20230711T110000
DTEND;TZID=America/New_York:20230729T180000
DTSTAMP:20260419T062931
CREATED:20230628T193413Z
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SUMMARY:BARBARA GROSSMAN:  Patterning Women
DESCRIPTION:Exhibition Dates: July 11 – 29\, 2023 \nOpening Reception: Thurs\, July 13\,  5PM–8PM \nArtist will be present on Saturdays  2PM–6PM \n  \nBowery Gallery is pleased to present an exhibition of the recent paintings and oil stick drawings by Barbara Grossman. \nGrossman’s imagery is rich with luminous colors\, shifting spaces and complex patterns that interweave with the women who inhabit interiors. Their activity seems to be one involved with music\, singing and sometimes reading.  In the current catalogue that accompanies the exhibition\, the artist and writer John Goodrich says\, “The artist’s spaces are rife with contradictions. Floors become backgrounds\, distant forms feel proximate\, while frontal\, tipped-up elements direct us into the depths.”  \nFor a long time\, Barbara Grossman has been inventing\, using clues from her deep interest in Indian and Middle Eastern imagery. Recent trips to Turkey and Morocco were transformative as she experienced her internal passions. “As Western art history is belatedly dropping the use of ‘decorative’ as an opposite of ‘substantive’ and gaining an appreciation of the significance possible through pattern\, it is a good moment to reflect on the independent-minded achievement that Barbara Grossman’s paintings represent\,” writes artist Christina Kee in the exhibition catalog. \nBarbara Grossman has exhibited extensively in museums and galleries throughout the United States and is in numerous public and private collections including the Arkansas Art Center\, Hood Museum at Dartmouth\, National Academy of Design and the State Museum of Pennsylvania. \nGrossman has received awards including the Henry Ward Ranger Fund Purchase\, two Connecticut Commission on the Arts Grants\, Ingram Merrill Foundation Fellowship Grant\, and a Fulbright Hayes Fellowship to Germany. \nGallery Hours: Tues-Sat\, 11AM-6PM \n(646) 230-6655 \ninfo@bowerygallery.org \nwww.bowerygallery.org
URL:https://artinamericaguide.com/event/barbara-grossman-patterning-women/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230620T110000
DTEND;TZID=America/New_York:20230708T180000
DTSTAMP:20260419T062931
CREATED:20230614T183145Z
LAST-MODIFIED:20230614T183145Z
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SUMMARY:Jane Culp and Molly Porter: Wilderness Work
DESCRIPTION:Exhibition Dates: June 20 – July 8\, 2023 \nOpening Reception: Sat\, June 24\, 3PM-6PM \nLiving and working on site in wilderness terrain\, Molly Porter and Jane Culp bring an ardent\, intuitive vision to a wide range of natural scenes\, from the shores of downeast Maine to the woodlands of Vermont and deserts of Southern California. \n\nWhile building upon a long painterly tradition of formal structure\, the artists’ oil paintings and watercolors empathetically analyze and embrace the various moods of the natural order. Absorbing their movements and spaces\, the viewer is invited to live within the felt forms of nature\, and experience its rapture.\n\nMore information at www.bowerygallery.org\n\nLeft: Jane Culp\, Dick’s Tamarisk Tree #4\, 2023\, oil/board\, 24×20 in.\nRight: Molly Porter\, Looking Down into the Cove\, 2022\, oil/linen board\, 16×20 in
URL:https://artinamericaguide.com/event/jane-culp-and-molly-porter-wilderness-work/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230523T110000
DTEND;TZID=America/Halifax:20230523T180000
DTSTAMP:20260419T062931
CREATED:20230519T135914Z
LAST-MODIFIED:20230519T135914Z
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SUMMARY:Martha Armstrong: From Arizona to Vermont\, 2023
DESCRIPTION:Exhibition Dates: May 23 – June 17\, 2023 \nOpening Reception: Thurs\, May 25\, 5PM-8PM \nArtist Talk: Sat\, June 3\, 3PM  \nBowery Gallery is pleased to announce a major solo exhibition of new paintings by Martha Armstrong. This exhibition\, From Arizona to Vermont\, is Armstrong’s eighth show at Bowery Gallery. This new work features Armstrong’s distinctive energetic composition in landscape paintings depicting two contrasting environments: the forested hills of Vermont and the deserts of Arizona.  An observational painter\, Armstrong has been painting at the window of her Vermont studio for many years\, observing the changing light and seasons of this New England landscape. More recently\, Armstrong has turned her eye to the Arizona deserts. Each of these landscapes receives Armstrong’s painterly attention and passionate craft\, and as each painting\, in Armstrong’s words\, exhibits its own “intuition\, feeling\, judgment and memory.” \n  \nIn a New York Times review of Armstrong’s 2015 show at Bowery Gallery\, critic Roberta Smith wrote:  \n“She attacks blocky shapes of color that describe one landscape—a hill with some woods and a shack—visible from the window of her Vermont studio that may be her Mont Sainte-Victoire. But her shapes also maintain a nearly sculptural independence….At once improvisational and carefully carpentered\, these paintings explode toward the eye\, like nature on first sight\, at its most welcoming and irrepressible.” \n  \nAbout her new Arizona landscape paintings\, Martha Armstrong says\,  \n“Working on desert paintings\, a wild dangerous place–large animals\, thorns\, snakes-brilliant flowers\, saguaro cacti\, tenacious trees. Tom Hanks said of the desert\, ‘I couldn’t tell where heaven stopped and earth began.’ He was talking about the sun coming up. I am fascinated to be in the desert as the sun goes down. A mysterious event in a huge sky almost every day. We in the East see pieces of sky through tall trees. The drama before the curtain falls on darkness is breathtaking. It takes minutes—seconds–and is gone. I try to capture several changes in one image. That’s the only way it looks real to me. I’m usually painting in complete darkness in my studio trying to remember where colors are on my palette. Then I turn on the light and break the spell and say\, so try another night. It will happen again.” \n  \nBorn in 1940\, Martha Armstrong has had an extensive and noteworthy painting career. She is a 1962 graduate of Smith College\, and received a Master’s Degree from the Rhode Island School of Design in 1963. Armstrong has taught at the Kansas City Art Institute\, Smith\, the Pennsylvania Academy of the Fine Arts\, and Indiana University in Bloomington\, among others. She has exhibited regionally and nationally and is in the permanent collections of The Woodmere Art Museum in Philadelphia\, The Nelson-Atkins Museum of Art in Kansas City\, the State Museum of Pennsylvania in Harrisburg\, the Wharton School at University of Pennsylvania in Philadelphia and many other public and private collections across the country.  \n 
URL:https://artinamericaguide.com/event/martha-armstrong-from-arizona-to-vermont-2023/2023-05-23/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230425T110000
DTEND;TZID=America/Halifax:20230520T180000
DTSTAMP:20260419T062931
CREATED:20230320T150014Z
LAST-MODIFIED:20230320T150014Z
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SUMMARY:Adrianne Lobel: Reflections on a Pond
DESCRIPTION:Adrianne Lobel: Reflections on a Pond\nExhibition dates:  April 25\, 2023 – May 20\, 2023 \nOpening reception:  April 27\, 2023\, 5 PM – 8 PM \n  \nIn her fourth show at Bowery Gallery\, Adrianne Lobel takes on the classic challenge of abstraction as she distills her experience of nature with carefully honed shapes. Varying color harmonies\, lushly painted\, signal the change of seasons and the time of day. Powerfully composed arrangements bring a tautness of design and a sense of resolution in their clarity.   The resulting paintings are immensely satisfying.  The rich density of deciduous forest\, sharp blue skies\, reflective ponds \, the resplendent color of nature are all packed into these simple squares of painted canvas. \n  \nGeneral information: \nBowery Gallery\, 547 W. 27th Street\, Suite 508\, New York\, NY 10001 \nHours:  Tuesday-Saturday\, 11am-6pm \n(646) 573-8447 \ninfo@bowerygallery.org
URL:https://artinamericaguide.com/event/adrianne-lobel-reflections-on-a-pond/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230425T110000
DTEND;TZID=America/Halifax:20230425T180000
DTSTAMP:20260419T062931
CREATED:20230320T150510Z
LAST-MODIFIED:20230320T150510Z
UID:102533-1682420400-1682445600@artinamericaguide.com
SUMMARY:Adrianne Lobel: Reflections on a Pond
DESCRIPTION:Adrianne Lobel: Reflections on a Pond\n\nExhibition dates:  April 25\, 2023 – May 20\, 2023 \nOpening reception: April 27\, 2023\, 5PM – 8PM \n\n\n\nIn her fourth show at the Bowery Gallery Adrianne Lobel takes on the classic challenge of abstraction as she distills her experience of nature with carefully honed shapes. Varying color harmonies\, lushly painted\, signal the change of seasons and the time of day. Powerfully composed arrangements bring a tautness of design and a sense of resolution in their clarity.   The resulting paintings are immensely satisfying.  The rich density of deciduous forest\, sharp blue skies\, reflective ponds \, the resplendent color of nature are all packed into these simple squares of painted canvas. \n\n  \nGeneral information: \nBowery Gallery\, 547 W. 27th Street\, Suite 508\, New York\, NY 10001 \nHours:  Tuesday-Saturday\, 11 AM – 6PM \nPhone: (646) 573-8447 \ninfo@bowerygallery.org
URL:https://artinamericaguide.com/event/adrianne-lobel-reflections-on-a-pond-2/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230328T110000
DTEND;TZID=America/Halifax:20230422T180000
DTSTAMP:20260419T062931
CREATED:20230314T215125Z
LAST-MODIFIED:20230314T215125Z
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SUMMARY:Gael Mooney: BECOMING LIGHT: Gisants and Trees
DESCRIPTION:  \nGael Mooney \nBECOMING LIGHT: Gisants and Trees \n  \nExhibition dates:  March 28\, 2023 – April 22\, 2023 \nOpening reception:  Thursday\, March 30\, 2023\, 5-8 PM \nGallery Talk:    In Conversation with Fr. Paul Anel: \nSaturday\, April 22\, 2023\, 4 PM \n  \nBowery Gallery is pleased to present this exhibition of recent drawings\, paintings and pastels by artist Gael Mooney.  The exhibition explores two series of works: one inspired by the interior of a Gothic cathedral in France—the Saint-Denis Basilica—and its medieval tomb effigies known as gisants—and the other based upon two trees in New York’s Central Park. \nMooney’s work on the cathedral premises is focused on capturing the ephemeral\, iridescent colors and light reflecting from stained glass as they transform the architecture and sculpture and the metaphor that this mysterious process of transformation embodies\, as stone which is solid is seemingly dissolved and dematerialized.   Mooney sees a similar process present in nature\, as represented by the series of trees in this exhibition.  Her work reflects upon the paradox between solidity and dissolution\, opacity and transparency\, form and formlessness as light transforms appearances to lift our gaze from the earthly to the spiritual plane of existence.  Rather than capturing a fleeting moment in time\, her aim is to immerse herself in these changes that are occurring moment by moment to see where they may lead. Her work invites the viewer to reflect upon the tenuous division between the seen and the unseen and the meaning that this paradox embodies. \n  \nMooney has shown her work in the United States and France.  Her work at the Saint-Denis Basilica has been featured in national radio and television broadcasts in France.  Writing for The New Republic in 2004\, art critic Jed Perl praised Mooney’s “delicately painted\, prismatically colored impressions of the interior of the Basilica of Saint-Denis\,” citing it as one of the best shows of the season. \n  \nExhibition Catalogue:  Becoming Light: Gisants and Trees (with essays by the artist and Fr. Paul Anel) \n  \nGeneral information: \nBowery Gallery\, 547 W. 27th Street\, Suite 508\, New York\, NY 10001 \nHours:  Tuesday-Saturday\, 11am-6pm \n(646) 573-8447 \ninfo@bowerygallery.org
URL:https://artinamericaguide.com/event/gael-mooney-becoming-light-gisants-and-trees-2/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230328T110000
DTEND;TZID=America/Halifax:20230422T180000
DTSTAMP:20260419T062931
CREATED:20230314T215025Z
LAST-MODIFIED:20230314T215025Z
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SUMMARY:Gael Mooney: BECOMING LIGHT: Gisants and Trees
DESCRIPTION:  \nGael Mooney \nBECOMING LIGHT: Gisants and Trees \n  \nExhibition dates:  March 28\, 2023 – April 22\, 2023 \nOpening reception:  Thursday\, March 30\, 2023\, 5-8 PM \nGallery Talk:    In Conversation with Fr. Paul Anel: \nSaturday\, April 22\, 2023\, 4 PM \n  \nBowery Gallery is pleased to present this exhibition of recent drawings\, paintings and pastels by artist Gael Mooney.  The exhibition explores two series of works: one inspired by the interior of a Gothic cathedral in France—the Saint-Denis Basilica—and its medieval tomb effigies known as gisants—and the other based upon two trees in New York’s Central Park. \nMooney’s work on the cathedral premises is focused on capturing the ephemeral\, iridescent colors and light reflecting from stained glass as they transform the architecture and sculpture and the metaphor that this mysterious process of transformation embodies\, as stone which is solid is seemingly dissolved and dematerialized.   Mooney sees a similar process present in nature\, as represented by the series of trees in this exhibition.  Her work reflects upon the paradox between solidity and dissolution\, opacity and transparency\, form and formlessness as light transforms appearances to lift our gaze from the earthly to the spiritual plane of existence.  Rather than capturing a fleeting moment in time\, her aim is to immerse herself in these changes that are occurring moment by moment to see where they may lead. Her work invites the viewer to reflect upon the tenuous division between the seen and the unseen and the meaning that this paradox embodies. \n  \nMooney has shown her work in the United States and France.  Her work at the Saint-Denis Basilica has been featured in national radio and television broadcasts in France.  Writing for The New Republic in 2004\, art critic Jed Perl praised Mooney’s “delicately painted\, prismatically colored impressions of the interior of the Basilica of Saint-Denis\,” citing it as one of the best shows of the season. \n  \nExhibition Catalogue:  Becoming Light: Gisants and Trees (with essays by the artist and Fr. Paul Anel) \n  \nGeneral information: \nBowery Gallery\, 547 W. 27th Street\, Suite 508\, New York\, NY 10001 \nHours:  Tuesday-Saturday\, 11am-6pm \n(646) 573-8447 \ninfo@bowerygallery.org
URL:https://artinamericaguide.com/event/gael-mooney-becoming-light-gisants-and-trees/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230228T110000
DTEND;TZID=America/Halifax:20230326T180000
DTSTAMP:20260419T062931
CREATED:20230216T234251Z
LAST-MODIFIED:20230314T214221Z
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SUMMARY:Uptown Paintings – Michael Louis Johnson | Tony Serio
DESCRIPTION:February 28 – March 25\, 2023 \nOpening Reception: Thursday\, March 2\, 5pm – 8pm \nArtist Talk: Saturday\, March 11\, 3pm \nBowery Gallery is pleased to present the urban cityscapes of Michael Louis Johnson and Tony Serio. Johnson and Serio’s paintings explore upper Manhattan\, through incidental views from a window or dense groups of trees in Hudson River Park with their undergrowth which are common themes in their work. The work reveals unexpected relationships as observations of natural and man-made forms as they are translated to the flat surface. The calm sense of place that belies the urgent painting process as Johnson and Serio use their work to reconsider once-familiar shapes and intervals. \nMichael Louis Johnson \nWhere it begins with this show’s work is the idea that we all live in our own bubbles. Group bubbles\, family bubbles\, neighborhood bubbles. Sometimes\, one of those bubbles springs a leak and begins to fizzle or alternately bursts. I had this happen in May of 2021. The leak and the burst. A marriage bubble. \nBy January 2022 it was fully disassembled\, and I no longer lived or worked in the same space I’d been in since 1999. With my wife gone\, and the place sold\, I shifted over to a second-floor apartment in a quieter part of the same Hudson Heights neighborhood. It’s an older building. An antique garden out my front room window looked up at me those first January days and I started to paint it with its odd incline and the box-like surrounding walls. It was remarkably different from the panoramic views I had been staring at for 20+ years. I was now closer to the ground. The individual shapes were bigger and simpler. The stone and brick wall suggested a free-for-all of mark making and finger painting that sustained me from that very first January day. The works on canvas or linen in this show are front window views of that garden space as the scene changes through the seasons. \nThe show’s works on paper are my pinball style alternates\, self-portraits\, plein air trees\, and back window views. \nTony Serio \nInspired by the old masters and their grasp of trees and masses of foliage\, I started to spend time studying complex tree groupings and undergrowth in Hudson River Park in 2020. My intention was to bring greater depth to the backgrounds of my larger more ambitious figurative works. After focusing on the dense foliage on the periphery of the park\, I zoomed out to focus on the park’s occupants and their activity. \nThe volleyball players\, as subject\, began when I found myself doing quick sketches of the players on my way home from a plein-air painting session. I soon found that I had to recreate their poses from memory\, as they were in constant motion. The sketches eventually turned into a large painting in the studio where I introduced the figure’s action into my park scenes. I did several studies of the court and its surroundings for reference as I continued to recreate the scene indoors on the larger painting over two summers. \nAside from Hudson River Park\, the Lillie Brown Playground and Fort Tryon Park are city parks that have held my interest for many years. The playground paintings are from the perspective of my studio window\, which looks down into the park. I’ve revisited Fort Tryon Park after five years to work on an older studio painting of the park’s iconic archway. That painting is now in its third iteration. And recently\, I have turned to the sky in some of my window views\, letting the atmosphere dominate with only the strip of land across the river as an anchor at the bottom. 
URL:https://artinamericaguide.com/event/uptown-paintings-michael-louis-johnson-tony-serio/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230131T110000
DTEND;TZID=America/Halifax:20230225T180000
DTSTAMP:20260419T062931
CREATED:20230125T153835Z
LAST-MODIFIED:20230125T153835Z
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SUMMARY:David Bradford:  Cities
DESCRIPTION:Exhibition Dates: January 31 – February 25\, 2023 \nReception:  Thursday\, February 2nd\, 5-8 PM \nGallery Talk:  Saturday\, February 25th\, 4PM \nBowery Gallery is pleased to present recent paintings by David Bradford. \nHis recent works are executed in acrylic and burlap on panel. They use a language of color/light\, compressed space\, scale changes\, and frontality. Building from these abstract elements\, they reference cities\, gardens\, landscapes\, and objects. The paintings seek\, to quote Cezanne\, “A harmony that is parallel to nature”.  \n  \n“The use of burlap as a pictorial element helps me to work in an improvisational way – sometimes by merging objects and space\, or by redefining the boundaries of objects\, or by breaking up objects entirely. There is a tension between things observed in nature and the need to improvise\, to transform\, to invent.” \n                                                               – David Bradford \n  \nDavid Bradford has taught painting at Skidmore College\, Springfield College\, and Western CT State University.  He has shown his work regularly at Bowery Gallery and also at the Flynn Gallery in Greenwich CT\, the Washington Art Association Gallery in Washington\, CT\, and the White Plains Public Library Gallery.  He lives in upstate NY.
URL:https://artinamericaguide.com/event/david-bradford-cities/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230103T110000
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260419T062931
CREATED:20221206T221317Z
LAST-MODIFIED:20221206T221402Z
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SUMMARY:Robert Braczyk: A Vocabulary of Trees
DESCRIPTION:Exhibition Dates: January 3 – 28\, 2023 \nOpening Reception: Thursday\, January 5\, 2023\, 5pm – 8pm \nArtist Talk: January 14\, 4pm – 5pm at Bowery Gallery \nThese recent wood constructions further Mr. Braczyk’s exploration of form in space. In them he considers the efflorescent forces of tree growth and the structures they produce. Like their inspiration\, the pieces have both internal and external space and are emphatically three dimensional. They are meant to be viewed from varying distances\, with two eyes\, in real time. There are no unconsidered views. \nMr. Braczyk reconfigures tree branches through insights gained from a lifetime studying nature and the human figure. In these sculptures he balances his foundational experiences growing up in rural Massachusetts in a family of wood workers and a lifetime in the art world with the opinions that the tree elements themselves present. Not surprisingly\, then\, each is a true dialogue with nature. \nThough not a part of their original concept\, there is inevitably an element of environmentalism.  Without being didactic\, the artist feels that this body of work is part of a rising awareness of the importance of the natural world and\, in particular\, trees. \nHours: Tuesday – Saturday\, 11am – 6pm
URL:https://artinamericaguide.com/event/robert-braczyk-a-vocabulary-of-trees-2/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230103T110000
DTEND;TZID=America/Halifax:20230128T180000
DTSTAMP:20260419T062931
CREATED:20221206T220641Z
LAST-MODIFIED:20221206T220641Z
UID:100816-1672743600-1674928800@artinamericaguide.com
SUMMARY:Robert Braczyk: A Vocabulary of Trees
DESCRIPTION:Exhibition Dates: January 3 – 28\, 2023 \nOpening Reception: Thursday\, January 5\, 2023\, 5pm – 8pm \nArtist Talk:  January 14\, 4pm – 5pm \nThese recent wood constructions further Mr. Braczyk’s exploration of form in space. In them he considers the efflorescent forces of tree growth and the structures they produce. Like their inspiration\, the pieces have both internal and external space and are emphatically three dimensional. They are meant to be viewed from varying distances\, with two eyes\, in real time. There are no unconsidered views. \nMr. Braczyk reconfigures tree branches through insights gained from a lifetime studying nature and the human figure. In these sculptures he balances his foundational experiences growing up in rural Massachusetts in a family of wood workers and a lifetime in the art world with the opinions that the tree elements themselves present. Not surprisingly\, then\, each is a true dialogue with nature. \nThough not a part of their original concept\, there is inevitably an element of environmentalism.  Without being didactic\, the artist feels that this body of work is part of a rising awareness of the importance of the natural world and trees in particular. \n 
URL:https://artinamericaguide.com/event/robert-braczyk-a-vocabulary-of-trees/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221129T110000
DTEND;TZID=America/Halifax:20221230T180000
DTSTAMP:20260419T062931
CREATED:20221111T202348Z
LAST-MODIFIED:20221111T202348Z
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SUMMARY:Rita Baragona:  Seen Through Time
DESCRIPTION:Rita Baragona:  Seen Through Time\n\nExhibition dates: November 29\, 2022 – December 30\, 2022\n\nOpening Reception: Saturday\, December 3\, 2022\, 3:00-6:00 p.m.\n\nArtist Talk: Rita Baragona and Naomi Nemtzow in Conversation with Ro Lohin\, Dec. 10\, 2022\, 3:00 p.m in the gallery\n\n\n\n\n\n\nBowery Gallery is pleased to present Rita Baragona’s recent paintings  and drawings of oceans\, flower-based still lifes and gardens. These are highly energetic\, exquisitely sensitive paintings\, alive with luminous color and lyrical lines which create rhythmic spatial movement.\n\n Some of the current works are painted directly from nature in a moment-to-moment conversation between Baragona’s eye\, her subject\, and the painting surface. In other works\, direct perception is combined with memories accrued over the years of working with her subjects. Most recently Baragona has created complex compositions by combining paintings done of the same place but at different times. In these works\, Baragona walks the viewer through the ever-changing appearance of the natural world. \n \nBaragona’ curiosity about scientific ideas such as the relationship between energy and matter and the neurology of perception help inform  her vision. With color and brushstroke\, she makes visible to the viewer the conundrum of energetic impermanence within the appearance of solidity. As she explains\, “My colors become a metaphor for the energy that underlies mass\, and my rhythmic marks indicate the ongoing changes which I perceive in nature.” In her single flower drawings\, she observes flowers unfolding slowly\, so slowly that\, time expands. On the other hand\, the dynamic flux of the waves in her ocean pictures flow quickly and dynamically. Time passing coalesces into aesthetic visual harmonies. \n\n“Even Baragona’s tiniest subjects feel large. Incisive marks and notes of color impart a remarkable presence. …Taking in these intense images\, we may find our senses elasticized\, our awareness deepened by the artist’s perceptions. This is what it means to see.”\n–John Goodrich\, The Eye’s Mind\, 2015 
URL:https://artinamericaguide.com/event/rita-baragona-seen-through-time/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221129T110000
DTEND;TZID=America/Halifax:20221230T180000
DTSTAMP:20260419T062931
CREATED:20221111T202315Z
LAST-MODIFIED:20221111T202315Z
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SUMMARY:Naomi Nemtzow: Elsewhere
DESCRIPTION:Exhibition Dates: November 29\, 2022 – December 30\, 2022 \nOpening Reception: Saturday\, December 3\, 2022\, 3 p.m. – 6 p.m. \nArtist Talk:  In Conversation with Ro Lohin and Rita Baragona\, Saturday\, December 10\, 2022\, 3 p.m. at Bowery Gallery \nNemtzow’s current work is a departure from the urban landscapes for which she is best known. Separated from the outside world by the coronavirus pandemic\, Nemtzow turned inward to create compositions from imagination. Here we see suggestions of worlds other than our own\, where shapes and lines give way to odd unnamed structures and creatures\, connected to each other by an assortment of pathways. A sense of landscape remains\, but what place is this? \n  \nThe show includes 3-dimensional wall constructions and energetically shaped 2-dimensional pieces\, as well as more conventionally formatted works. Throughout\, lively arrangements of abstract shapes underlie graphic elements which connect and elaborate upon those shapes. A sense of celebration and gentle humor pervade much of the work\, although at moments one might also catch a whiff of impending catastrophe.
URL:https://artinamericaguide.com/event/naomi-nemtzow-elsewhere/2022-11-29/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221101T110000
DTEND;TZID=America/Halifax:20221126T180000
DTSTAMP:20260419T062931
CREATED:20221010T152343Z
LAST-MODIFIED:20221018T161513Z
UID:99768-1667300400-1669485600@artinamericaguide.com
SUMMARY:Downeast: New Work by Iris Osterman
DESCRIPTION:Downeast \nNew Work by Iris Osterman \nExhibition Dates:  November 1 – 26\, 2022 \nOpening Reception: Saturday\, November 5\, 2022 3-6 PM \n  \nIn this body of work\, Osterman returns to a familiar subject: the coastline of New England. Using this rocky landscape embedded in memory\, from decades of living near the ocean\, she has produced a new series of paintings\, gouaches\, and monotypes.
URL:https://artinamericaguide.com/event/downeast-new-work-by-iris-osterman/2022-11-01/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/RockyShore1-scaled.jpg
ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bowery Gallery 547 W 27TH ST Suite 508 New York NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=547 W 27TH ST Suite 508:geo:-74.0047021,40.7493621
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221101T110000
DTEND;TZID=America/Halifax:20221126T180000
DTSTAMP:20260419T062931
CREATED:20221010T152305Z
LAST-MODIFIED:20221018T161419Z
UID:99780-1667300400-1669485600@artinamericaguide.com
SUMMARY:Rachel Siporin:  Murals in the Marketplace
DESCRIPTION:November 1 – 26\, 2022 \nOpening Reception: Saturday\, November 5\, 2022\, 3:00-6:00 PM \nRecently discovered negatives from her father\, Mitchell Siporin’s trip to Mexico in 1939 provided the inspiration for the paintings and intaglio prints in Murals in the Marketplace. \n The photographs follow a pilgrimage of Depression-era Federal Arts Project muralists\, contemporary Mexican artists\, and their companions\, as they pay tribute to the great 1920’s Mexican murals that inspired and informed their WPA murals. \n  \nRachel Siporin describes: “My process begins with sketchbook ink drawings and multiple state etchings and aquatints. As I juxtapose figures\, architecture\, and landscape\, the narrative emerges. Bystanders\, incidental tiny actors in the distance\, discovered through enlarging the photographs’ sections\, shape the narrative.”  The paintings on panel in “Murals in the Marketplace” are executed in Flashe. Siporin is attracted by the quality and range of color of Flashe.  The choice of the colored ground in each painting is essential\, as it provides the foundation for the color choices in the individual works. \n 
URL:https://artinamericaguide.com/event/rachel-siporin-murals-in-the-marketplace/2022-11-01/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220906T110000
DTEND;TZID=America/Halifax:20221001T180000
DTSTAMP:20260419T062931
CREATED:20220819T141341Z
LAST-MODIFIED:20220819T141341Z
UID:96838-1662462000-1664647200@artinamericaguide.com
SUMMARY:Dorothy Frey: Studio Farm
DESCRIPTION:Exhibition dates: September 6 – October 1\, 2022 \nOpening Reception: Thursday\, September 8\, 2022\, 5:00-8:00pm \nArtist Talk: Saturday\, September 10\,  2022\, 2pm.  \n  \nBowery Gallery is pleased to present “Studio Farm” by Dorothy Frey. The exhibition runs from September 6 – October 1 with a reception for the artist on Thursday\, September 8 from 5-8pm. The artist will give a talk on her work on Saturday\, September 10 at 2pm at the gallery. This is Frey’s first solo exhibition at Bowery Gallery. \n  \nDorothy Frey is a painter who works from perception and invention\, examining sense of place at her Lancaster County\, Pennsylvania farmstead. Subject matter in her paintings stems from day-to-day living on and tending a multigenerational farm. Working onsite and in the studio\, colors develop as intuitive fusions of weather events\, seasons\, memories and various times of day. Cool tranquil shadows ground the compositions. Luminous pathways weave through the well-trodden land. Trees reach for one another creating protective arched canopies. \n  \n“Dorothy Frey’s paintings are not the nomadic paintings of a landscape painter setting up their easel here or there long enough to complete a painting and move on. Frey is dug in. From Hans Herr\, the first Mennonite Bishop to immigrate to America in the early 1700s to her own young son (who makes an appearance in at least one of these paintings)\, this area of Lancaster County\, Pennsylvania has been cultivated and storied in her family for 10+ generations. Frey’s paintings are living participants in this persistent generational story\, laying bare their content through poetic weight found in painterly momentum and rhythms of trees; planes of grass\, sky\, and fields; and pockets of memory suspended in time as vignettes under boughs of trees.” \n-Jay Noble\, Artist\, Executive Director\, Mount Gretna School of Art \n  \nDorothy Frey also shows at Lancaster Galleries\, Lancaster\, PA. Her work has been included in shows at the Demuth Museum in Lancaster\, PA; Stein Galleries in Dayton\, OH; Art at Kings Oaks\, Newtown\, PA; Jessie Wilson Gallery\, Anderson\, IN; and Gross McCleaf Gallery in Philadelphia\, PA. \n  \nAbout Bowery Gallery:   \nFounded in 1969\, Bowery Gallery has been showing contemporary art of the highest quality for more than six decades. Bowery Gallery is a cooperative\, founded by artists and directed by the collective decision making of its member artists. From its beginnings\, Bowery Gallery has been a force for the expansion of art’s traditions in a venue unconstrained by commercial pressures. Named after its original location\, Bowery Gallery is now located in the heart of the Chelsea art district. \n  \nGeneral information: \nBowery Gallery \n547 West 27th Street\, Suite 508 \nNew York\, NY 10001 \n  \nHours: Tuesday-Saturday\, 11am-6pm \nAll visitors to the gallery must wear a mask. \n  \ninfo@bowerygallery.org  \n646-230-6655 \nwww.bowerygallery.org             
URL:https://artinamericaguide.com/event/dorothy-frey-studio-farm/
LOCATION:Bowery Gallery\, 547 W 27TH ST Suite 508\, New York\, NY\, 10001\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Bowery Gallery":MAILTO:info@bowerygallery.org
GEO:40.7493621;-74.0047021
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