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DTSTAMP:20260630T122419
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SUMMARY:Exit Art Benefit Print Portfolios Retrospective 1998 – 2009
DESCRIPTION:Exit Art Benefit Print Portfolios Retrospective 1998 – 2009 \nOpening and Reception \nDeborah Colton Gallery had a rare opportunity to host Exit Art\, a critically acclaimed New York non-profit art institution\, for an exhibition and benefit on January 6th\, from 6-8pm.  The exhibit will be up through January 16\, and is a collection of amazing portfolios mixing today’s preeminent artists with emerging artists.  The portfolios are collected by major institutions including The Museum of Modern Art\, Whitney Museum of American Art\, and the Metropolitan Museum of Art.  Over the past 30 years Exit Art has become known for cutting edge programs and discovering the next generation of major artists. Some of the artists who generously donate works to the portfolios are Marina Abramovic\, Donald Baechler\, Louise Bourgeois\, Sol LeWitt\, Julie Mehretu\, Yigal Ozeri\, Kiki Smith\, Nancy Spero\, and Carrie Mae Weems to mention a few. The portfolio covers are designed by Co-founder and Artistic Director of Exit Art\, Papo Colo. \n  \nPortfolios are available for sale to benefit Exit Art\, please contact Ms. Christensen audrey@exitart.org or call the gallery 713-869-5151 for more information. \n  \nA post Gallery celebration was held in the home of Carolyn Farb honoring board members and out of town guests: Board Chair Charles and Naomie Kremer\, Co-Founder and Director Jeanette Ingberman\, Fairfax Dorn\, and Mark Epstein.  Those in attendance at the Gallery were CAM Director Bill Arning\, Galveston Arts Center’s Clint Willour\, Andrew Abendshein and Eloise Frischkkorn\, Gallery artists and photographers Jay Rusovich\, Nathaniel Donnet\, and Michael Meazell. Others in attendance were Reggie and Leigh Smith\, Angelica Chapman\, Kristy Phillips and Rob Taylor\, Chris Kelly\, Don Hooper and Rachel Ann Palmer\, Jim and Jo Furr\, Marthann Masterson and Mike Weaber\, Kent Shaffer and Leanna Tran and Terrence Hodby.  An evening of art\, philanthropy\, and meaningful collaborations was enjoyed by all.  Guests enjoyed the music of Rom Ryan and a menu of Mexican Fare created by Kitty Bailey of Abuso Catering.  The out of towners enjoyed spicy shrimp nachos\, Sunshine Margaritas\, jack cheese enchiladas\, topped off with scrumptious pineapple coconut cake.
URL:https://artinamericaguide.com/event/exit-art-benefit-print-portfolios-retrospective-1998-2009/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
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SUMMARY:Michael Rees: Model Behavior
DESCRIPTION:Michael Rees  \nModel Behavior \nSeptember 19th\, 2009 to November 7th\, 2009 \nOpening Reception: Saturday\, September 19th\, 6:00 to 9:00 PM \nArtist’s Talk: Saturday\, September 19th\, 2:00 PM \n  \nDeborah Colton Gallery is pleased to announce the opening of Model Behavior. Model Behavior is an exhibition of Michael’s new work and includes sculpture\, drawings\, animation\, photographs\, and interactive media. The ideas hinge on the word model. The first sense of this word is an ideal\, an aspiration or an inspiration. At the same time to model something is to map it\, make a simulation of it or to emulate it. To model something is to give it form\, to reify it. Models are the first steps in the evolution of a product; they carry the original intent of a thing and lay out the constituent parts. \nAdding the word behavior emphasizes the ideal quality of the endeavor and creates an equivalency that is reiterated in the sculptures. The equivalency refers to the distance between a model (a concept) and a behavior (an action). For Rees this distance is a generative space where works begin to bifurcate formally and semantically. Through iteration and reiteration\, these experiences take form upon the crystalline structure of the sculptures’ material. These options are contained within that material. The options speak to different impulses and layers of a piece\, creating a valence of meanings. There is humor and conflict in this show: some of the works would never be considered an ideal of anything. They are play oriented puzzles\, riddles of stability and instability. Through the process of combining and recombining themes and objects there is at once stasis and fluidity. The act of making these works is like breathing or walking. They are basic\, held close to automatic processes and to liminal space. \nTo mine this mental to physical space and to extract from it potential and even ethical implications of action is to participate in mimetic culture. Making is a process that can be transferred through objects to others though communication. It can open up possibilities\, potentials\, and meanings. It can play in the unwinding of human experience. For Rees\, this takes place through the consonance and dissonance of the works in Model Behavior. \nRees investigates aspects of a language\, body\, and humor dynamic in works that are physical\, virtual\, figurative and abstract. He has exhibited his work throughout Europe and the United States\, both in private and public venues. The institutions Michael Rees is collected by include the Whitney Museum of American Art and the Edelman Foundation in Luzern\, Switzerland. He has won a Creative Capital Grant\, a National Endowment for the Arts Grant\, and a New Jersey Council on the Arts Grant. He is a Media Arts Fellow of the Tribeca Film Institute funded by the Rockefeller Foundation and the Ford Foundation. In June 2009\, He will open large scale work at the Zentrum fur Medien Kunst in Karlsruhe curated by Peter Weibel and will do a project space at the Chelsea Art Museum called Social Object: sculpture and Software. \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance and conceptual future media installations. The gallery aspires to provide a forum through connecting Texas\, national and international artists to make positive change.
URL:https://artinamericaguide.com/event/michael-rees-model-behavior/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
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SUMMARY:Maripol: Little Red Riding Hood
DESCRIPTION:Maripol \nLittle Red Riding Hood \n  \nAugust 19\, 2009 through September 12\, 2009 \nPublic Opening Reception: Saturday\, August 22\, from 6:00 to 9:00 pm \n  \nDeborah Colton Gallery is pleased to announce debut of Little Red Riding Hood an exhibition of works by Maripol. The public opening reception will be Saturday\, August 22\, 2009 from 6:00 to 9:00 pm. \nFor the first time\, Maripol will be using diverse media such as canvas\, clothing\, photography\, and paint. This most recent body of work draws influence from her past and her varied career as both an artist and as a fashionista\, a role she developed ever since her childhood. After rummaging through her family albums\, Maripol discovered hidden photographs of her grandmother\, whose own style introduced her to the world of fashion and continues to influence her today. Maripol even shares her middle name with her grandmother’s name\, Mathilde. Maripol has always felt her grandmother’s presence since she passed away and is proud of the similarities found between them. Maripol’s attraction to fashion and jewelry\, which began when stealing her mother’s dresses and high heels\, made her a natural model. Yet\, the myths and legends that she treasured during her childhood in combination with her love of fashion culminated in her success as the winner of a costume contest when she modeled an outfit inspired by Little Red Riding Hood\, the protagonist of the famous children’s folktale. \nWhen she landed in New York\, she was fresh out of art school and unsure of being just an artist. Serendipitously\, she was discovered by a talent scout from the famous Fiorucci house for her skill at transforming industrial objects into wearable sculpture and jewelry. Textures\, fabrics\, and scents were not unfamiliar to the little girl who grew up in Africa\, eager to go to the market and admire the craftsmanship of the locals’ beading\, tapestry\, or goldsmithing. Once in New York\, the city became her new playground and the blueprint of her unconscious exploded. Her designs have permeated the art\, music and fashion of these past three decades. The art pieces presented here represent the tenacity of the innocent little red riding hood thrown into the fast world of the big bad wolves…. \n  \nMaripol’s work as an art director\, designer\, and film producer has influenced popular movements in music\, fashion and art since the early 1980s. She was the founder of Maripolitan Popular Objects Ltd.\, a fashion accessories company which also designed merchandising for Madonna’s “Like a Virgin” tour. She directed the documentary “Crack is Wack” on Keith Haring for French television\, as well as other shorts\, and has directed films by Marcus Nispel\, and Abel Ferrara\, and music videos for Cher\, D’Angelo\, Elton John\, Luther Vandross\, and others. She has produced films including “Downtown 81”\, directed by Edo Bertoglio and written by Glenn O’Brien. Maripol has been exhibited at P.S.1 Contemporary Art Center\, Deitch Projects\, Musee Maillol\, and the Museum of Fine Arts\, Houston. She has been published in The New York Times Magazine\, WWD\, Time Out New York\, ELLE\, i-D\, Numero Japan\, and Rolling Stone Italy. Maripol’s books include Maripolarama (powerHouse Books\, 2005)\, New York Beat: The Making of Downtown 81 (Petit Grand\, 2001) and Mes Polas: 1977-90s (Art Random\, 1990). Maripol’s work is currently in traveling exhibitions around the world in Tokyo\, Hong Kong\, Milan\, Berlin\, Paris\, and London. \n  \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance and conceptual\, future media installations. The gallery aspires to provide a forum through connecting Texas\, national and international artists to make positive change.
URL:https://artinamericaguide.com/event/maripol-little-red-riding-hood/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20090509T080000
DTEND;TZID=America/Halifax:20090727T170000
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SUMMARY:Lowell Boyers: Emerge
DESCRIPTION:Lowell Boyers \nEmerge \nMay 9\, 2009 through June 27\, 2009 \nOpening Reception: Saturday\, May 9\, from 6:00 to 9:00 pm \n  \nDeborah Colton Gallery is pleased to announce Emerge\, its second solo exhibition of paintings by Lowell Boyers. The artist’s work was first seen at the Deborah Colton Gallery in the 2004 group exhibition Touch and Temperature: Art in the Age of Cybernetic Totalism\, curated by Michael Rees and last seen in his 2006 solo exhibition Awakening.  \n Emerge opens Saturday\, May 9\, 2009 with a reception for the artist from 6:00 to 9:00 pm. \nIn Emerge\, Lowell’s paintings explore the phenomena of the creative imagination\, a field where the spark of the artist’s impulse stems from. His paintings have an energetic nature that pours and seeps into the world we adhere ourselves to in our everyday lives\, portraying the true nature of self as uncontained by the shell of flesh and bone. They offer a passageway that pulls us inward and alters the fabric of everyday reality. Through the sweeping pours of acrylic resins and the dilations of spectral colored inks\, Lowell’s paintings shift how we see the narrative activity and dimensions possible in figure painting. In this series of works\, the secret world of the figures merge with the relative physical world to create an experience of simultaneity. This modern conflation of time and space and perception is rarely\, if ever\, so beautifully realized in contemporary painting. \n  \nLowell says that “The creative impulse can cut through habitual phenomena\, how we see things\, feel things\, our perception of self\, our notion of body\, birth and death\, of appearance”. His creativity has successfully cut through that mundaneness and turned what seems like boundaries into springboards to liberty. Lowell states\, “I see the creative imagination as a birthright belonging to every being\, and my work is fundamentally a textural portrayal of the unfolding blossoming of various stages of awakening to that active nature.” \n  \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. The Gallery aspires to provide a forum through connecting Texas\, national and international artist s to make positive change.
URL:https://artinamericaguide.com/event/lowell-boyers-emerge/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20090314T080000
DTEND;TZID=America/Halifax:20090507T170000
DTSTAMP:20260630T122420
CREATED:20190419T223047Z
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SUMMARY:Molly Gochman: Spring
DESCRIPTION:Molly Gochman \nSpring\nMarch 14 – May 7 2009\nOpening Reception: Saturday\, March 14\, from 6:00 to 9:00 pm\nPerformances: Amy Granat\, Jacob Kassay and Mai Ueda\, Saturday\, March 14\, 9:00pm \nDeborah Colton Gallery is pleased to premier Spring\, a conceptual project by Houston artist Molly Gochman. That same evening New York-based artists Amy Granat\, Jacob Kassay and Mai Ueda will also perform at the gallery. \nSpring focuses on a series of large-scale images derived from Kodachrome slides of Molly Gochman’s mother. Gochman revisits images and memories of her childhood\, exploring the difference between the surviving photographs and her own reminiscences. She looks at the past from today’s perspective and develops a project that is abstract and philosophical while at the same time profoundly personal.  Gochman is fascinated by the concepts of time and change: the stains or cleansing that time imposes on images\, on memory\, and on the human self. She turns her images into extraordinary artworks that also become metaphors of time’s impact on matter. They are monuments to loss\, but also to optimism. The title of the exhibition can be read as a reference to when the original images were taken and when the exhibition takes place. It speaks of the possibility for change and rebirth. \nDuring the opening\, a memory collage will be built with documents provided by those who attend. The collage will be built through the process of scanning and projecting documents kindly brought to the opening by visitors. To participate\, please bring any images or other documents relating to memories in your life that you would like to add to the collage. Photographic images\, texts\, drawings\, found pieces of paper or other very thin objects that measure less than 9″ x 9″ will be the easiest to incorporate. Your document will be returned to you after it has been scanned. \nIn the last five years\, Gochman’s work has been exhibited as far away as the Sara Roney Gallery in Sydney\, Australia\, and in various galleries throughout her home state of Texas\, including Barbara Davis Gallery\, DiverseWorks\, and her own space in Houston\, Commune. In August of 2008\, Gochman inaugurated Deborah Colton Gallery’s new location with the opening of Release: Give-Away III. Last year Gochman had an installation/performance at chashama and took part in the group exhibition ‘Engendered’ at Lincoln Center\, both in New York. \nPerformances by artists Amy Granat and Mai Ueda will pre-feature a group exhibition\, InCoherence\, curated by Liutauras Psibilskis\, that will take place at Deborah Colton Gallery in November – December 2009.  Amy Granat is a filmmaker and multimedia artist who exhibited at such venues as Swiss Institute\, White Columns and PS1; she took part in Whitney Biennale 2008\, Whitney Museum of American Art\, New York. She is a co-founder of Cinema Zero\, a collective that fosters collaborations between artists from different mediums. Mai Ueda is a performance and multimedia artist. She showed at Lyon Biennale 2001\, Lyon\, France\, Palais De Tokyo\, Paris\, PS1\, New York\, Fargfabriken\, Stockholm\, Sweden; she used to be part of Electronic Orphanage in Los Angeles. Molly Gochman will also be an artist featured in InCoherence \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. The Gallery aspires to provide a forum through connecting Texas\, national and international artist s to make positive change.
URL:https://artinamericaguide.com/event/molly-gochman-spring/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20090124T080000
DTEND;TZID=America/Halifax:20090228T170000
DTSTAMP:20260630T122420
CREATED:20190419T222641Z
LAST-MODIFIED:20190423T175731Z
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SUMMARY:Yang Jin Long: Seasons of Love
DESCRIPTION:Yang Jin Long \nSeasons of Love \n  \nJanuary 24\, 2009 through February 28\, 2009 \nOpening Reception: Saturday\, January 24\, from 6:00 to 9:00 pm \n  \nDeborah Colton Gallery is pleased to present\, Seasons of Love by artist Yang Jin Long. This is Yang’s second solo at the Deborah Colton Gallery\, his first being in 2007. Seasons of Love opens Saturday\, January 24\, 2009 with a reception for the artist 6:00 to 9:00 pm. \n  \nChina began to expand its economic boundaries when Hong Kong was returned from British sovereignty in 1997\, thus fostering widespread technological growth. In turn\, contemporary Chinese art has reflected not just industrial development but the permeation of Western ideology. Yang’s compositions reflect this change by their saturation of symbolic imagery. Influenced by the formal structure in Chinese watercolors and calligraphy early in his academic career\, Yang strived to develop a concept of working that would allow him to explore relationships between the living and the constructed. He laments the loss of traditional culture to the material existence of modern society\, but understands\, and proves in his paintings\, that each can feed the other as a rich source of inspiration. \n  \nYang Jin Long’s work evokes an Eastern spirit but calls upon Western forms wherein he often pairs hypermodern and fabled human figures with the detritus of pop culture iconography in surreal situations that defy immediate logic. One is as likely to find industrial debris of society as one is to observe exquisitely rendered figures in biomorphic\, fluid forms displays as a psychological distortion of environment. His paintings are\, in a sense\, mental tableaux\, documenting and expanding the notion of his experience. \n  \nWhile Yang hails from China\, his themes are undeniably universal. The imagery of the works in Seasons of Love transcends cultures\, breaking apart the mind’s eye into scattered fragments of representation that form a cohesive unit that is neither one civilization’s nor another’s. With a focus on color\, cultural influences eroticism\, and industry\, Yang constructs tangible dreamscapes that blur the lines between the illusory and the genuine that exist in both the human imagination and the human condition. It is Yang’s technical and imaginative skill that allows these pictorial unions to succeed and speak to a broad audience on a more universal and spiritual level. \n  \nSeasons of Love marks an important occasion for Yang as he recently immigrated to the United States and has now been a resident of Houston for two years. Born in Zhenjiang\, China\, in 1960\, Yang has been exhibiting internationally since 1998. After graduating from college in 1985\, Yang accepted the position of Director of the Art Department at Zhenjiang University in his hometown. Yang’s major international solo exhibitions include the prestigious Pacific Cultural Foundation Art Center in Taipei\, Taiwan. He has also received numerous awards in China and has works placed in many prominent collections. He is scheduled for a solo exhibition at The Crow Collection of Asian art in January – April of 2010. \nDeborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide\, whose diverse practices include painting\, works on paper\, sculpture\, video\, photography\, performance\, conceptual future media and public space installations. The Gallery aspires to provide a forum through connecting Texas\, national and international artist s to make positive change.
URL:https://artinamericaguide.com/event/yang-jin-long-seasons-of-love/
LOCATION:Deborah Colton Gallery\, 2445 North Boulevard\, Houston\, 77098\, United States
CATEGORIES:Exhibition
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