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SUMMARY:Anthony Sonnenberg: Cannons Buried in Flowers
DESCRIPTION:When folks individually and collectively defy the limiting sex and gender roles prescribed by prejudicial societies to enact authentic self-expression\, their queerness is resistant and performative. But can objects be queer? The answer—a resounding yes—can be found in Anthony Sonnenberg’s solo exhibition Cannons Buried in Flowers at GAVLAK Los Angeles\, on view from May 20 – July 1\, 2023. \nThe opening reception will be held Saturday\, May 20th\, from 4 – 7pm.
URL:https://artinamericaguide.com/event/anthony-sonnenberg-cannons-buried-in-flowers/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
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SUMMARY:Braxton Garneau: Procession
DESCRIPTION:GAVLAK Los Angeles is pleased to announce Braxton Garneau’s solo exhibition with the gallery\, Procession. Garneau’s work is based in collecting and researching materials\, culture and history. Focusing on harvested and hand-processed materials\, he explores the sociocultural history of his Caribbean heritage. In Procession\, Garneau will present a new series of works focused on ritual and costuming through the complex history of Canboulay\, and the characters of present day Carnival. Procession will be on view at GAVLAK Los Angeles from May 20th through July 1\, 2023.  \nThere will be an opening reception on Saturday\, May 20th\, from 4 – 7 pm.
URL:https://artinamericaguide.com/event/braxton-garneau-procession/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Event,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230408T160000
DTEND;TZID=America/Los_Angeles:20230408T180000
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CREATED:20230405T193939Z
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SUMMARY:Luke O'Halloran: Going\, going\, gone.
DESCRIPTION:GAVLAK Los Angeles is pleased to announce Luke O’Halloran’s premier solo exhibition with the gallery\, Going\, going\, gone.  O’Halloran is known for his oil paintings that suspend a moment in time: playing cards midair\, slot machines spinning endlessly\, a house of cards teetering on completion or collapse\, and magic tricks. Within these still frames exists the drama and anticipation we find in games and life. O’Halloran will be presenting eight new paintings and one sculptural element for this exhibition.  Going\, going\, gone. will be on view at GAVLAK Los Angeles from April 8th through May 13th\, 2023.
URL:https://artinamericaguide.com/event/luke-ohalloran-going-going-gone/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Los_Angeles:20230211T100000
DTEND;TZID=America/Los_Angeles:20230211T180000
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SUMMARY:Think Pinker
DESCRIPTION:GAVLAK Los Angeles is thrilled to announce the group exhibition\, Think Pinker\, curated by Beth Rudin DeWoody. The show opens on February 11 and will continue through March 25\, 2023. An open house will take place Saturday\, February 11\, 2023 starting at 10am\, followed by an opening reception from 3pm to 6pm.⁠  \nThink Pinker is a revisitation of the exhibition and collaboration between Beth Rudin DeWoody and Sarah Gavlak\, Think Pink\, which took place in 2010. Thirteen years later\, we will highlight the color in another immersive installation\, this time in Los Angeles. ⁠ \nDeWoody says\, “Ever since I curated Think Pink at Gavlak Gallery\, Palm Beach in 2010\, I’ve been thinking about doing a sequel. When Sarah and I decided to curate Think Pinker at her Los Angeles gallery this year\, I  was excited to see how many artists are still working in that color. Pink is bright\, fun\, and playful—the perfect color to express a more positive\, rosy picture of the world today.” \nSarah Gavlak says\, “It is no mystery that pink is my favorite color. It is feminine and feminist. Pink has its own rainbow of hues from light to dark\, powder to powerful\, bubble gum to shocking Schiaparelli. From pussy bows to pussy riot\, pink has finally become an acceptable hue in the greater culture since the Think Pink exhibition Beth curated in 2010. I am absolutely tickled pink that Beth and I could collaborate again on this ambitious exhibition.” \nFor this iteration artists include: Tunji Adeniyi-Jones\, Jose Alvarez (D.O.P.A.)\, Sadie Barnette\, Jennifer Bartlett\, Gina Beavers\, Larry Bell\, Lynda Benglis\, Megan Bogonovich\, Andrew Brischler\, Deborah Brown\, Tammi Campbell\, Nacho Carbonell\, Kelly Chuning\, Jake Clark\, Gisela Colón\, Cooper Cox\, József Csató\, Aaron Curry\, E.V. Day\, Rory Devine\, Fred Eversley\, Ryan Flores\, Jean Alexander Frater\, FriendsWithYou\, John Geary\, Aaronel deRoy Gruber\, Alteronce Gumby\, The Haas Brothers\, Marcia Hafif\, Channing Hansen\, David Hicks\, Sara Issakharian\, Xylor Jane\, Jay Kvapil\, Rachel Lachowicz\, Steven and William Ladd\, Mathieu Lehanneur\, Steve Locke\, Charles Lutz\, Yassi Mazandi\, Kim McCarty\, Matt Momchilov\, Maynard Monrow\, Ron Nagle\, Kenneth Noland\, Minga Opazo\, Rachel Owens\, Irving Penn\, Paola Pivi\, Michele Pred\, Jackie Rines\, Donald Robertson\, Brian Rochefort\, Neal Rock\, Robert Russell\, Ebony Russell\, Marty Schnapf\, David Benjamin Sherry\, Anthony Sonnenberg\, Alice Tippit\, Vadis Turner\, Leo Villareal\, Andy Warhol\, Pae White\, Brittney Leeanne Williams\, Rob Wynne\, Rosha Yaghmai\, Seungjin Yang\, Jason Yarmosky\, Ye Qin Zhu\, and Monsieur Zohore\, among others. ⁠ \n  \nBeth Rudin DeWoody\, art collector and curator\, resides between Los Angeles\, New York City\, and West Palm Beach. She is President of The Rudin Family Foundations and Executive Vice President of Rudin Management. Her Board affiliations include the Whitney Museum of American Art\, Hammer Museum\, The New School\, The Glass House\, Empowers Africa\, New Yorkers for Children\, and The New York City Police Foundation. She is an Honorary Trustee at the Brooklyn Academy of Music and on the Photography Steering Committee at the Norton Museum of Art in West Palm Beach. DeWoody has curated numerous exhibitions\, and the Collection has been the subject of exhibitions featured at the Rebuild Foundation\, Chicago; Norton Museum of Art\, West Palm Beach; Parrish Museum\, Southampton; and the Taubman Museum of Art\, Roanoke\, among other institutions. In 2017\, DeWoody opened The Bunker Artspace\, a private exhibition space for her collection in West Palm Beach\, Florida. 
URL:https://artinamericaguide.com/event/think-pinker/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210918T100000
DTEND;TZID=America/Halifax:20211030T180000
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SUMMARY:Candida Alvarez: Palimpsest
DESCRIPTION:GAVLAK Los Angeles is pleased to present Candida Alvarez: Palimpsest\, the\nartist’s second solo exhibition with the gallery.
URL:https://artinamericaguide.com/event/candida-alvarez-palimpsest/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20210918
DTEND;VALUE=DATE:20211031
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SUMMARY:Paul Stephen Benjamin: Black Is A Color
DESCRIPTION:GAVLAK Los Angeles is pleased to present Atlanta-based artist Paul Stephen Benjamin in his first solo exhibition with the gallery\, Black Is A Color.
URL:https://artinamericaguide.com/event/paul-stephen-benjamin-black-is-a-color/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210612T100000
DTEND;TZID=America/Halifax:20210814T180000
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SUMMARY:Andrew Brischler: Monster
DESCRIPTION:The convergence of meaning and memory is the foundation for a new body of work by the Brooklyn-based artist Andrew Brischler. Monster features a selection of works on paper\, each presenting a unique depiction of the word MONSTER. Composed almost entirely of colored pencil on uniformly sized sheets of drawing paper\, the works vary widely in style and composition; some letters trail long dribbles of bright yellow\, reminiscent of hastily sprayed aerosol paint\, while others waver within queasy\, radiating haloes of deep green and peach. Brischler has produced an immersive experience for his fifth exhibition with GAVLAK\, enveloping the viewer in a cocoon of drawings that wrap the gallery’s walls. Monster opens June 12 and will be on view through August 14 within GAVLAK Los Angeles’s project space. To accompany the works in the exhibition\, Andrew Brischler has published a limited-edition artist book\, the second of an ongoing series\, which is available for free.
URL:https://artinamericaguide.com/event/andrew-brischler-monster/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210612
DTEND;VALUE=DATE:20210815
DTSTAMP:20260526T084803
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SUMMARY:Betty Tompkins: Some Sex\, Lots of Talking
DESCRIPTION:GAVLAK Los Angeles is pleased to present Some Sex\, Lots of Talking\, Betty Tompkins’ third solo exhibition with the gallery. Presented concurrently with the artist’s first international survey\, Betty Tompkins: Raw Material\, at MO.CO Montpellier Contemporain from June 26 to September 5\, Some Sex\, Lots of Talking is comprised of new works which expand the artist’s critical practice\, exploring iconic depictions of women in classical art and commercial photography to interrogate their coercive and objectifying representational modes. Also featured are new additions to Tompkins’s longstanding series\, Fuck\, Sex and Cunt Paintings\, which collectively make up the centerpiece of her Montpellier survey\, and in which pornographic and otherwise censorial images of women’s bodies are refashioned through the artist’s restrained acrylic grisaille. Some Sex\, Lots of Talking opens June 12 and will be on view through August 14 at GAVLAK Los Angeles.
URL:https://artinamericaguide.com/event/betty-tompkins-some-sex-lots-of-talking/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210501
DTEND;VALUE=DATE:20210606
DTSTAMP:20260526T084803
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SUMMARY:Beverly Fishman: Love Letter to L.A.
DESCRIPTION:GAVLAK is pleased to announce Love Letter to L.A.\, the Los Angeles gallery’s first solo presentation of new work by Beverly Fishman. The exhibition’s declaration of affection signals a pivot to the personal in Fishman’s new body of work\, for which she has developed a distinctive color palette for objects that occupy a liminal position between two and three dimensions\, subtly acknowledging a debt to styles with California roots\, including the Light and Space and Finish Fetish movements. The enticing and deceptive optical effects the new works produce also expand upon Fishman’s long-standing investigations of how physical and mental states with no fixed visual forms of their own—namely\, pain and wellness—are articulated in the marketing of pharmaceutical conglomerates to an increasingly medicated general public. Love Letter to L.A. opens May 1 and will be on view through June 5\, 2021 at GAVLAK Los Angeles. \nFishman’s compositions evoke alternative histories of Minimalism\, beyond the hard-edged austerity that dominated on the East Coast. They conjure to mind the surprisingly bright palette of Eva Hesse’s early work\, before she abandoned color entirely\, and the vaporous hues of the wall reliefs of Craig Kauffman\, who never gave it up. A vital aspect of Fishman’s works is produced not by the raised\, sculptural paintings themselves\, but by the effects they produce on the white walls around them. The bright hues of urethane paint circumscribing each shape enhaloes them in a soft\, pseudo-neon glow\, encompassing the space of the gallery within the totality of the work. In the paintings Untitled (Pain\, Anxiety\, Anxiety) (2020) and Untitled (Pain\, Asthma\, Anxiety) (2021)\, Fishman’s deft handling of both matte and satin finishes produces the illusion of three-dimensionality within the compositions as well as confusion over whether the forms are convex or concave. This muddling of positive and negative reflects the increasingly ubiquitous practice of polypharmacy\, in which an individual patient is prescribed a regimen of multiple pharmaceuticals with potentially deleterious combined effects. \nWhile the polymer sheen and half-moon and ovoid shapes of certain of Fishman’s paintings may directly evoke tablets and capsules divided and dosed\, their beguiling forms more importantly demonstrate how both sickness and health are abstractions marketed through slickly seductive gambits. The rosy hues suffusing the works nod to the ways in which women are particularly vulnerable to pharmaceutical campaigns that gender their targets\, even as they dangerously misdiagnose them; for example\, the documented phenomenon of women’s heart \nattacks being misidentified as anxiety. Taking into account the real impact of intent and anticipation on the wellness of individuals in the thrall of the placebo effect\, Fishman proposes that the transformative effects of viewing art produce similarly inexplicable shifts in wellbeing. \nBeverly Fishman (b. 1955\, Philadelphia\, Pennsylvania) lives and works in Detroit\, Michigan. Her work resides in the permanent collections of the Detroit Institute of Arts\, Detroit\, Michigan; the Miami Art Museum\, Miami\, Florida; and the Istanbul Art Centre\, Istanbul\, Turkey. Recent solo exhibitions include presentations for Miles McEnery Gallery\, New York (2020); Ronchini Gallery\, London (2019); Kavi Gupta Gallery\, Chicago (2018); Kravets Wehby Gallery\, New York (2017); and DOSE\, curated by Nick Cave\, CUE Art Foundation\, New York (2017). Her work was featured prominently in recent group exhibitions including the Cranbrook Museum of Art\, Bloomfield Hills\, Michigan (2020); Columbus of Museum of Art\, Columbus\, Ohio (2019); Lehmann Maupin\, New York (2019); Front International\, Cleveland Triennial for Contemporary Art\, Cleveland\, Ohio (2018); Borusan Contemporary Art Collection\, Istanbul\, Turkey (2017); and Jack Shainman Gallery\, (2017).
URL:https://artinamericaguide.com/event/beverly-fishman-love-letter-to-l-a/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210313T100000
DTEND;TZID=America/Halifax:20210424T180000
DTSTAMP:20260526T084803
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SUMMARY:Jose de Jesus Rodriguez: Back on the Inside
DESCRIPTION:GAVLAK is proud to present Back on the Inside\, the gallery’s first solo presentation of the work of Brooklyn-based artist José de Jesus Rodriguez. Four new paintings (all 2021) demonstrate Rodriguez’s facility in styles ranging from abbreviated line drawing to mimetic realism. The coexistence of these distinct approaches within the same picture plane serves as a reminder that all images\, no matter how simple or sophisticated\, compel belief.
URL:https://artinamericaguide.com/event/jose-de-jesus-rodriguez-back-on-the-inside/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210313T100000
DTEND;TZID=America/Halifax:20210424T180000
DTSTAMP:20260526T084803
CREATED:20210303T212625Z
LAST-MODIFIED:20210303T212625Z
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SUMMARY:Traces on the Surfaces of the World
DESCRIPTION:GAVLAK is pleased to announce Traces on the Surfaces of the World\, a group exhibition featuring Cristine Brache\, Henry Chapman\, Alex Chitty\, Gisela Colón\, Amalie Jakobsen\, and Dean Sameshima. The exhibition opens on March 13th and will be on view through April 24th.
URL:https://artinamericaguide.com/event/traces-on-the-surfaces-of-the-world/
LOCATION:Gavlak Los Angeles\, 1700 S Santa Fe Ave #440\, LOS ANGELES\, CA\, 90021\, United States
CATEGORIES:Exhibition
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END:VEVENT
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