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DTSTART;TZID=America/New_York:20231019T080000
DTEND;TZID=America/New_York:20231119T170000
DTSTAMP:20260501T232026
CREATED:20231009T142250Z
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SUMMARY:Alexis Teplin: Come\, stare\, she makes a gesture.
DESCRIPTION:GAVLAK Palm Beach is pleased to present Alexis Teplin’s solo exhibition\, Come\, stare\, she makes a gesture. Raised in the Bay Area\, and currently based in London\, Teplin examines the complexities of place\, gender\, and diaspora through painting composed in correspondence with a multigenerational lineage of artists and writers. Teplin\, informed by an investigation of Californian history\, utilizes the stitched\, warm palette of feminized interior spaces within images of the West’s dramatic topography. In this exhibition of new work\, Teplin investigates her origins\, creating vivid\, earthy abstractions that probe conceptions of the frontier.
URL:https://artinamericaguide.com/event/alexis-teplin-come-stare-she-makes-a-gesture/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20230616T170000
DTEND;TZID=America/New_York:20230616T190000
DTSTAMP:20260501T232026
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SUMMARY:Tupelo Honey
DESCRIPTION:GAVLAK Palm Beach is excited to announce the group exhibition\, Tupelo Honey\, curated by Eloise Janssen and Bethani Wells. The exhibition explores southern summer as it ebbs and flows from day to night. The front gallery explores the dreamy feeling of summer days\, while the back gallery space is a rumination on dark coastal nights. The exhibition presents works by artists Lindsay Adams\, Jose Alvarez (D.O.P.A.)\, Andrew Brischler\, Deborah Brown\, Taina Cruz\, Marc Dennis\, Judith Eisler\, Braxton Garneau\, Manuela Gonzalez\, Taha Heydari\, Nir Hod\, Nancy Lorenz\, Maynard Monrow\, Anthony Sonnenberg\, Awilda Sterling\, Alexis Teplin\, Betty Tompkins\, T.J. Wilcox\, and Rob Wynne. Tupelo Honey will be on view from June 16 – October 5\, 2023. The opening reception will occur on Friday\, June 16\, from 5 – 7 pm.
URL:https://artinamericaguide.com/event/tupelo-honey/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230415T170000
DTEND;TZID=America/Halifax:20230415T190000
DTSTAMP:20260501T232026
CREATED:20230411T194557Z
LAST-MODIFIED:20230419T181952Z
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SUMMARY:Awilda Serling: Unbound Rhythms
DESCRIPTION:GAVLAK Palm Beach is proud to announce the solo exhibition for Puerto Rican artist Awilda Sterling\, Unbound Rhythms. Awilda Sterling is an acclaimed painter\, performance artist\, and dancer who explores themes of identity\, gender\, diaspora\, language\, and migration\, challenging conventional notions of culture\, national\, and gendered boundaries.  Unbound Rhythms is Sterling’s premier exhibition at a U.S. art gallery and will showcase her new works\, including\, “. . . blindfolded\,” her most ambitious and impactful work to date.  The exhibition will be on view from April 15 through June 1\, 2023.  The opening reception for Unbound Rhythms will take place on Saturday April 15th\, 2023 from 5 – 7 pm.   \nThe Whitney Biennale 2022: Quiet as It’s Kept\, featured Awilda Sterling’s work\, “…blindfolded”\, that was created at the museum\, on site.  This work is part of ongoing series of dance-drawings\, fusing Afro-Caribbean dance\, music\, drawing\, and performance.  During the performance of “. . . blindfolded”\, she blindfolded herself while listening to improvisational jazz\, composed by Miguel Zenón\, one of the most influential and innovative jazz musicians of his generation.  Moving freely\, she translates the music through her body into dance movements on the surface of the paper with sharp actions and a sense of playfulness.   \nThe dance-drawings resonate with life\, visually expanding and exploding with different colors\, lines\, textures\, and depth. Marks of bright pastel extrude past the boundaries of the black construction paper onto the walls.  The abstract choreography of pastels act as a kinetic record that utilizes the imaginary.   \n“In the moment\, while making those images\, I don’t have a sense of what I am doing\, but I am enjoying grasping the concept. Abstraction gives me that openness and that freedom; from there\, I can go further\, be riskier in how I work. I have been forcing my brain to push ideas for so long that I don’t need to see what I am doing. To me\, this is what is most abstract. Precisely because this information is encapsulated in my body\, I don’t have to see what I am building on. I just have to feel it first.”   \n–    Awilda Sterling \nAwilda Sterling’s work is deeply informed by her experience as a woman of color and her Afro-Caribbean upbringing in Puerto Rico. Improvisation and abstraction are key elements in her work. She does what feels honest\, and centers herself in a vocabulary rooted in traditional Afro-Caribbean dances\, cultures\, and religions.  She aims to bring these traditions into a more contemporary focus. Building from these traditional religious dances\, she creates a vocabulary of movement and gestures that translates to active abstraction filled with joy.  \nUnbound Rhythms expresses the playful nature in Awilda Sterling’s work while cementing her connection from her home in Puerto Rico.  Her dance-drawings are a refreshing take on abstract expressionism\, where the spirit of Afro-Caribbean culture prevails. Sterling continues adding to the legacy of great Abstract Expressionists like Joan Mitchell\, Helen Frankenthaler\, Elaine DeKooning\, and Olga Albizu.   \nAWILDA STERLING  \n1947 – San Juan\, PR\nVive y trabaja | Lives and works: San Juan\, PR  \nAwilda Sterling Duprey es una artista experimental\, independiente y multidisciplinar. Su práctica y estudios incorporan técnicas de trabajo corporal y una mezcla de cinestésica contemporánea y experimental. Sus trabajos artísticos más recientes fusionan el expresionismo abstracto\, la danza caribeña\, la animación\, la performance\, el sonido y el video.  \nEs miembro fundadora de Pisotón\, el primer colectivo de danza experimental en Puerto Rico.  \n  \nAwilda Sterling Duprey is an experimental\, independent\, and multidisciplinary artist. Her practice and studies incorporate bodywork techniques and a mix of contemporary and experimental kinesthetics. Her most recent artistic endeavors fuse abstract expressionism\, Caribbean dance\, animation\, performance\, sound\, and video.  \nShe is a founding member of Pisotón\, the first experimental dance collective in Puerto Rico. 
URL:https://artinamericaguide.com/event/awilda-serling-unbound-rhythms/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20230308T160000
DTEND;TZID=America/New_York:20230411T180000
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SUMMARY:Nancy Lorenz: Gilded Matter
DESCRIPTION:GAVLAK Palm Beach is proud to announce Nancy Lorenz’s solo exhibition\, Gilded Matter.  Lorenz’s work is characterized by her innovative use of materials and techniques. For Gilded Matter\, she experiments with gold leaf\, silver leaf\, cardboard\, burlap\, and jute. Gilded Matter will be on view from March 8th through April 11th\, 2023.  An opening reception will take place on March 8th from 5:00 to 7:00 PM.
URL:https://artinamericaguide.com/event/nancy-lorenz-gilded-matter/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230218T160000
DTEND;TZID=America/New_York:20230218T180000
DTSTAMP:20260501T232026
CREATED:20230215T203625Z
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SUMMARY:Taha Heydari: Loom
DESCRIPTION:GAVLAK Palm Beach is pleased to announce Loom\, a solo exhibition of new paintings by Taha Heydari. Loom represents the culmination of Heydari’s engagement with Persian rugs as a paradoxical embodiment of transcendental authority and quotidian materiality. Displaced from their conventional settings\, Heydari’s ornately painted rugs appear suspended in a dystopian twilight in which they unravel\, revealing narratives which had been lost between the fibers. An artist talk with Taha Heydari and Asma Naeem\, the Dorothy Wagner Wallis Director at the Baltimore Museum of Art will take place on Saturday\, February 18th at 4 pm\, coinciding with the opening reception for the exhibition from 4 to 6 pm. Loom will be on view from February 9 – March 5\, 2023 at GAVLAK’s Palm Beach location. \nWith the Persian rug\, Heydari returns to the site where he spent much of his life as a child and young adult living in Iran. The rug literally grounds the lives of individuals\, families\, and Iran itself\, embedding and sealing these memories within its warps and wefts. It is mundane in its ubiquity across all spaces of Iranian life\, yet mystified in its status as a historically loaded and culturally revered object. As Heydari learned as a young student of classical Persian miniature painting\, traditional crafts are performed under highly structured processes. These objects transcend their own materiality and become sacred and impenetrable. Heydari understands this transcendence as a product of ideology\, which conceals its own construction in the overlooked details of the everyday. \nIn Loom\, interwoven threads of meticulously painted rugs emulate the texture of the canvas itself\, insisting on the rugs’ fragile materiality in spite of their storied cultural history and enduring presence in Iran. But the detailed quality of these surfaces also evokes the immaterial. Aligning weaving with coding\, their geometric patterns and grids—typical of traditional gabbeh textiles—recall eight-bit video game graphics. Warps and wefts operate like zeroes and ones. Still\, in keeping with the “glitched” imagery that is the consistent hallmark of Heydari’s painting practice\, these codes seem to break down\, producing tatters and loose threads which take on an uncanny bodiliness. \nBy performing an “autopsy” on the Persian rug\, Heydari reveals its internal structure and breaks the illusion of wholeness which similarly enshrines ideology. In his paintings\, some rugs appear partially intact while others have been reduced to shreds. Bodies begin to emerge from behind these fragments\, in some instances becoming entangled in their sinewy fibers. The flatness of the painted rugs interrupts the nebulous depth which envelopes the figures and drags them downward. These scenes seem to pour out from the splintering threads\, much like dust and detritus beaten out from rugs that have been strung up for cleaning. The obscured yet recurring motif of crawling infants signals a new\, constantly unfolding present and a critical shift in perspective. Under the looming weight of time\, Heydari’s painted rugs crumble and unravel. \nWritten by Maura Callahan
URL:https://artinamericaguide.com/event/taha-heydari-loom/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20211031
DTEND;VALUE=DATE:20211129
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SUMMARY:No Soft Edges: Women in Minimalism
DESCRIPTION:No Soft Edges questions the conventional relationship between gender and minimalism with an intergenerational exhibition dedicated to the often overlooked women working within the field of minimalist theory and practice. Focusing on the works of six artists—Karen Carson\, Alex Chitty\, Gisela Colón\, Linda Daniels\, Beverly Fishman\, and Anne Truitt—the exhibition covers nearly sixty years of contributions by women to a realm of artistic production historically dominated by men\, with the intention of redefining a canon that continues to grow and develop.
URL:https://artinamericaguide.com/event/no-soft-edges-women-in-minimalism/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210922T080000
DTEND;TZID=America/Halifax:20211015T170000
DTSTAMP:20260501T232026
CREATED:20210927T180441Z
LAST-MODIFIED:20210927T180441Z
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SUMMARY:Deborah Brown: Return to Forever
DESCRIPTION:Palm Beach – GAVLAK is pleased to present Return to Forever\, a selection of recent paintings by New York-based artist Deborah Brown. On view from September 22–October 17\, 2021\, this show marks the artist’s first solo exhibition with the gallery\, following the inclusion of her work in the group show\, Nasty Women\, at GAVLAK Los Angeles in 2020.
URL:https://artinamericaguide.com/event/deborah-brown-return-to-forever/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210825
DTEND;VALUE=DATE:20210927
DTSTAMP:20260501T232026
CREATED:20210825T132310Z
LAST-MODIFIED:20210825T132310Z
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SUMMARY:NEW WAVE presents: Estelle Maisonett\, Joiri Minaya\, Renzo Ortega and Asser Saint-Val
DESCRIPTION:GAVLAK Palm Beach is delighted to present a group show comprising recent work from New Wave’s 2020-2021 artists-in-residence\, Estelle Maisonett\, Joiri Minaya\, Renzo Ortega\, and Asser Saint-Val—the first four artists invited to be in residence with the program. Each working in South Florida for six to eight weeks\, the artists included in Maisonett\, Minaya\, Ortega\, Saint-Val: Selections from the New Wave Residents manipulate conventions of form and media in their renderings of both individual and communal narratives. In a multifaceted exploration of identity\, transformation\, migration and belonging\, the politics of representation is a current that runs throughout the exhibition\, on view from August 25 through September 26. \nNew Wave—founded by Sarah Gavlak in 2018—supports emerging artists from marginalized communities\, reflecting New Wave’s mission to cultivate dialogue and foster understanding across avenues of difference. In nurturing the practices of artists from historically underrepresented backgrounds\, New Wave breaks down barriers faced due to gender\, sexuality\, race\, and immigration status\, emphasizing the work of LGBTQ+ and BIPOC artists. As a recent but already impactful fixture of Florida’s art scene\, New Wave provides a critical bridge between the South Florida region and broader art-world currents\, elevating the compelling ideas emerging from beyond traditional art-world centers. A portion of the proceeds from the show will benefit New Wave’s residency program and public programming. \n“New Wave’s world-class artist-in-residence program was born out of a desire to transform South Florida’s creative landscape with newfound support for emerging artists and a platform for radical ideas\,” said New Wave Founder Sarah Gavlak. “Since launching the residency in 2019\, we’ve combined the strengths of collectors\, community stakeholders\, and art-world players to fashion generative residencies\, resulting in a number of new works that we look forward to unveiling in our Palm Beach group show.” \n“In anticipation of the fourth edition of New Wave Art Wknd this December\, we’re thrilled to showcase the recent work of our first four artists-in-residence\,” said New Wave Program Director Sarah Haimes. “Rich with personal\, political\, and pop culture references\, the works in the exhibition reflect on each artist’s individual exploration of identity through inventive imagery and compelling narratives.” \nLima-born\, North Carolina-based artist Renzo Ortega\, whose practice is informed by the artist’s informed by the artist’s immigrant journey\, paints in acrylic and incorporates other materials such as rain water and beach sand—sourced during his residency—resulting in multidimensional renderings imbued with a sense of regeneration and transformation. Embracing the metaphorical charges of the sea as a site of rebirth and dynamism\, Ortega’s vibrant Mar Bravo series alludes to what the artist describes as the “potluck of possibilities” that results from equal access and opportunity. Regarding paintings as historical documents\, Ortega’s at times abstract forms suggest the richness that results from cultural exchange in a diverse society. \nBronx-based Mexican Peurto-Rican artist Estelle Maisonett\, who primarily works with found objects\, photography\, and sourced clothing\, constructs tableaus that offer an intimate exploration of how identity is informed by locations and materials. Maisonett’s creative process centers upon the artist’s rumination on her own identity and the communities to which she belongs\, in these recent works seeking to unearth how particular objects and landscapes\, with which the body interacts\, come to be invested with sociocultural meaning. Depictions of the human body itself are noticeably absent from Maisonett’s life-size genre scenes\, prompting reflection on the imagined figures suggested by the fabric and printed imagery affixed to the canvas. \nThrough the manipulation of found garments\, Dominican-United Statesian artist Joiri Minaya unseats the sanitized images of Caribbean life dominant in the colonial imagination. For the works in this exhibition\, Minaya sourced tropical-print shirts from thrift stores\, noting their overlapping visual themes despite differences in material\, time of production\, and circumstance. With an air of romanticization\, these textiles depict the Caribbean as\, in the words of the artist\, “a space constructed of carefully chosen fantasies\, repeated ad nauseam\, dissolving any original meaning or cultural contributions into a watered-down\, decontextualized capitalist production.” With her interventions into printed landscapes\, hibiscus flowers drip blood and US navy ships pepper the ocean\, disrupting those enduring representational modes which seek to erase violent histories. \nHaiti-born\, South Florida-based artist Asser Saint-Val’s recent works from his current series titled Magickal Entities reflect the artist’s interest in biological processes and their effects on self-consciousness. Of particular interest to the artist is Neuromelanin\, a term coined by psychiatrist Richard King to refer to the manifestation of African spirituality in embodied practices\, and the pineal gland\, which is believed to shape the imagination and subconscious. Through multi-sensory\, immersive installations strongly rooted within Surrealist traditions\, Saint-Val guides viewers through experiences meant to enhance a sense of self-awareness and connection with one’s own identity. \nIn the exhibition\, the New Wave artists survey diverse strategies for amplifying cutting-edge cultural\, social\, and political discourse. Including works created over the course of these residencies\, the show exemplifies the rich potential of New Wave’s programming\, displaying great strength in addressing complex subject matter through a lens that is as nuanced as it is visionary. Showcasing the important work of these talented emerging artists\, Maisonett\, Minaya\, Ortega\, Saint-Val: Selections from the New Wave Residents opens a door to rigorous practices that will only continue to grow as they further their contributions to the critical conversations of our time.\n\nABOUT THE NEW WAVE ARTIST-IN-RESIDENCE PROGRAM \nNew Wave’s mission is to foster a vital dialogue around diversity\, inclusivity\, immigration\, and equal rights for women\, BIPOC\, and LGBTQ+ communities through public programs\, and by hosting an artist-in-residence program for emerging artists from marginalized communities at Rosemary Square in West Palm Beach. Founded in 2019\, New Wave’s residency program offers exposure to some of the nation’s top collectors and art world players\, an apartment and studio space for 6 weeks\, as well as unrestricted funds of $5\,000. The first four artists selected for the residency comprise Renzo Ortega\, Estelle Maisonett\, Joiri Minaya\, and Asser Saint-Val—further reading about each artist can be found on ​​www.newwave.art​​.
URL:https://artinamericaguide.com/event/new-wave-presents-estelle-maisonett-joiri-minaya-renzo-ortega-and-asser-saint-val/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210609T080000
DTEND;TZID=America/Halifax:20210725T170000
DTSTAMP:20260501T232026
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SUMMARY:Anthony Sonnenberg: I'm not here. This isn't happening.
DESCRIPTION:In this new body of sculpture work\, Sonnenberg reveals an excitement about process and spontaneity of firing\, with inspiration ranging from tombstones and funerary masks to the accumulated surfaces of Meissen and Sèvres porcelain.
URL:https://artinamericaguide.com/event/anthony-sonnenberg-im-not-here-this-isnt-happening/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210422T080000
DTEND;TZID=America/Halifax:20210605T170000
DTSTAMP:20260501T232026
CREATED:20210411T211954Z
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SUMMARY:Marc Dennis: Love in the Time of Corona
DESCRIPTION:GAVLAK is pleased to announce Love in the Time of Corona\, the gallery’s first solo presentation of work by Brooklyn-based painter\, Marc Dennis. The exhibition features a selection of new paintings in Dennis’ signature hyperrealist style\, all produced during the prolonged period of social isolation experienced by people around the world\, uncannily reflecting a near-universal state of existence in which work\, leisure\, and communications have been collapsed into a vast\, seamless universe of images. By co-opting imagery from celebrated paintings of centuries past\, including works by Caravaggio and Ingres\, Dennis’ works find new meaning in the hallowed lineage of Old Master painting to explore contemporary questions of artistic ownership\, pictorial representation\, and the consumption of images. Love in the Time of Corona opens on April 22 and will be on view through June 5\, 2021 at GAVLAK Palm Beach
URL:https://artinamericaguide.com/event/marc-dennis-love-in-the-time-of-corona/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210324T100000
DTEND;TZID=America/Halifax:20210418T180000
DTSTAMP:20260501T232026
CREATED:20210318T191034Z
LAST-MODIFIED:20210318T191034Z
UID:80477-1616580000-1618768800@artinamericaguide.com
SUMMARY:Viola Frey: The Space Just Between: Sculpture and Works on Paper 1970 - 1989
DESCRIPTION:GAVLAK is pleased to present Viola Frey: The Space Just Between: Sculpture and Works on Paper 1970 – 1989\, a showcase of the astonishing range of an artist best known for her vibrant\, monumental figures in clay. Frey’s solo exhibition at the Whitney Museum of American Art in 1984 established her national reputation as an artist and activated a whirlwind of collectors eager to acquire her brilliant ceramic sentinels. This exhibition facilitates a broad view of Frey’s artistic output as a gesamtkunstwerk in which works on paper\, both monumentally- and modestly-scaled ceramics\, and a lesser known work in bronze are mutually informative of one another. This presentation marks GAVLAK’s first in a series of gallery exhibitions showcasing Frey’s extensive oeuvre. Viola Frey: The Space Just Between: Sculpture and Works on Paper 1970 – 1989 opens on March 24th and will be on view through April 18th.
URL:https://artinamericaguide.com/event/viola-frey-the-space-just-between-sculpture-and-works-on-paper-1970-1989/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210224T080000
DTEND;TZID=America/Halifax:20210321T170000
DTSTAMP:20260501T232026
CREATED:20210217T204757Z
LAST-MODIFIED:20210217T204757Z
UID:80108-1614153600-1616346000@artinamericaguide.com
SUMMARY:Forrest Kirk: Blind Tiger
DESCRIPTION:GAVLAK is pleased to announce Los Angeles-based artist Forrest Kirk’s first solo exhibition with the gallery at its Palm Beach location. Blind Tiger consists of seven paintings that present the findings of Forrest’s exhaustive research into the secret and obscured histories of Palm Beach. This responsive visual chronicle scrapes back the layers that constitute the town’s glamorous façade to uncover communities hiding in plain sight. An opening reception will be held on Wednesday\, February 24 between 12:00 and 6:00 p.m. \nForrest’s investigations into Palm Beach’s past revealed a parallel with his personal history; when Forrest was a child his stepfather operated several gambling sites concealed within the shells of legitimate businesses. In the late 19th century Palm Beach was home to a predominantly Black settlement called The Styx\, which included a network of speakeasies disguised as legal establishments known as “blind tigers.” Behind hidden entrances the pulse of a vital circuit of nightlife and entertainment throbbed; Forrest in turn was inspired to repurpose a familiar form as the vessel for images that manifest for those who know to look for them.
URL:https://artinamericaguide.com/event/forrest-kirk-blind-tiger/
LOCATION:Gavlak Palm Beach\, 340 Royal Poinciana Way\, PALM BEACH\, FL\, 33480\, United States
CATEGORIES:Exhibition
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END:VEVENT
END:VCALENDAR