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DTSTART;VALUE=DATE:20210218
DTEND;VALUE=DATE:20210411
DTSTAMP:20260503T132215
CREATED:20210114T172133Z
LAST-MODIFIED:20210114T172854Z
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SUMMARY:Paul McCarthy: A&E Sessions
DESCRIPTION:Celebrated American artist Paul McCarthy continues to mine the depths of contemporary society in an exhibition of new drawings\, paintings\, and sculpture that confront and interrogate the entrenched psychological and emotional complexities of power and politics. Central to the exhibition will be large-scale drawings from McCarthy’s most recent project\, “A&E.” An acronym for Adolf & Eva\, Adam & Eve\, and Arts & Entertainment\, “A&E” evolved out of the artist’s film project “NV Night Vader” (2019-). Based on Liliana Cavani’s sadomasochistic erotic drama The Night Porter (1974)\, the work continues McCarthy’s critical delve into the origins of fascism\, Hollywood\, the contemporary art world\, and the current political climate. \n\nImage:\nPaul McCarthy: A&E\, EXXA\, Santa Anita session(detail)\, 2020; at Hauser & Wirth\, New York. © Paul McCarthy. Photo Fredrik Nilsen.
URL:https://artinamericaguide.com/event/paul-mccarthy-ae-sessions/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20200325
DTEND;VALUE=DATE:20200401
DTSTAMP:20260503T132215
CREATED:20200330T222348Z
LAST-MODIFIED:20200330T223244Z
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SUMMARY:Dispatches | Louise Bourgeois. Drawings 1947 - 2007
DESCRIPTION:Hauser & Wirth recently launched Dispatches\, a new series of original video\, online features and experiences. \nAs part of Dispatches\, we recently launched our first ever online exhibition Louise Bourgeois. Drawings 1947 – 2007\, a selection of drawings by the celebrated French-American artist Louise Bourgeois. It features 14 images from the span of six decades including incredible early works that have rarely been seen. Bourgeois worked at home in her studio for periods of her life so this seemed an apt choice. She described drawing as ‘thought feathers.’ \nYou can find a direct link to the online presentation here.  \n\n \nLouise Bourgeois. Drawings 1947 – 2007\nHauser & Wirth online exhibition\n© The Easton Foundation/VAGA at ARS\, NY\nCourtesy The Easton Foundation and Hauser & Wirth \n\nImage:\nLouise Bourgeois\nUntitled\n1974\nPencil and watercolor on paper\n21.9 x 61.9 cm / 8 5/8 x 24 3/8 in\nPhoto: Christopher Burke\nLouise Bourgeois\n© The Easton Foundation/VAGA at ARS\, NY\nCourtesy The Easton Foundation and Hauser & Wirth
URL:https://artinamericaguide.com/event/dispatches-louise-bourgeois-drawings-1947-2007/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190601T120000
DTEND;TZID=America/Halifax:20190601T130000
DTSTAMP:20260503T132215
CREATED:20190529T193912Z
LAST-MODIFIED:20190529T193912Z
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SUMMARY:Piero Manzoni ‘Materials of His Time’ and ‘Lines’ Exhibition Walkthrough
DESCRIPTION:Please join us and Massimiliano Gioni for a tour of ‘Materials of His Time’ ‘Lines\,’ two concurrent exhibitions of work by Piero Manzoni\, on view at Hauser & Wirth New York 22nd Street through 26 July. \nWe will meet on the second floor of Piero Manzoni. ‘Materials of His Time’. \nMassimiliano Gioni is the Artistic Director of the New Museum in New York. \nHe has curated numerous international exhibitions\, including the 55th Venice Biennale (2013)\, the 8th Gwangju Biennale (2010)\, the inaugural New Museum Triennial (2009)\, the 4th Berlin Biennale (2006) and Manifesta 5 (2004). \nAt the New Museum Gioni has curated many solo exhibitions\, including surveys shows by Sarah Lucas\, Chris Ofili\, Raymond Pettibon\, Pipilotti Rist\, Anri Sala\, Nari Ward\, and many others. \nHis group shows at the New Museum include ‘The Keeper’\, 2016\, ‘Here and Elsewhere’\, 2014\, ‘NYC 1993: Experimental Jet Set\, Trash and No Star’\, 2013\, ‘Ghosts in the Machine’\, 2013\, ‘After Nature’\, 2008. \nSince 2003 Gioni directs the Nicola Trussardi Foundation\, a mobile museum which organizes public art projects and major exhibitions in public spaces\, ancient palazzos\, forgotten monuments\, and abandoned spaces in the city of Milan. \nHis upcoming projects include: ‘Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons\, Even’ at Museo Jumex in Mexico City opening in May and ‘The Warmth of Other Suns’ at the Phillips Collection\, in Washington DC\, opening in June.
URL:https://artinamericaguide.com/event/piero-manzoni-materials-of-his-time-and-lines-exhibition-walkthrough/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190529T183000
DTEND;TZID=America/Halifax:20190529T183000
DTSTAMP:20260503T132215
CREATED:20190409T194916Z
LAST-MODIFIED:20190529T185517Z
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SUMMARY:In Conversation: Piero Manzoni ‘Materials’ & ‘Lines’
DESCRIPTION:On the occasion of the ongoing exhibition ‘Materials of His Time’ ‘Lines\,’ two concurrent exhibitions of work by Piero Manzoni\, please join us in the Hauser & Wirth Publisher Bookshop for a conversation moderated by Choghakate Kazarian\, with Brett Littman\, Jack McGrath\, and Richard Tuttle. \nThe panel will discuss the life\, artwork\, and process of Piero Manzoni\, highlighting the recently published catalogue ‘Piero Manzoni. Materials’ & ‘Piero Manzoni. Lines’. \nAbout ‘Piero Manzoni. Materials & Lines’\nThe two-volume publication highlights two key threads in the work of artist Piero Manzoni (1933–63). ‘Materials’ covers Manzoni’s years of prolific creation leading up to his untimely death in which he experimented with a wide variety of media in his paintings\, including sewn cloth\, cotton wool\, fiberglass\, synthetic and natural fur\, straw\, cobalt chloride\, stones\, fluorescent polystyrene\, pellets\, packaging\, and more. ‘Lines’ delves into the eponymous body of work of fundamental importance to his well-known Achromes—paintings without color\, which aimed to striped his work of any expression. Extensively illustrated\, both volumes feature several art historical essays alongside a host of archival material\, making this one of the most comprehensive sources on the artist to date. \nAbout the Participants \nChoghakate Kazarian is a curator and art historian. She has been a curator at Musée d’Art moderne de la Ville de Paris from 2011 to 2018 and has taught at the Ecole du Louvre. Her exhibitions include ‘Lucio Fontana\, rétrospective’; ‘Henry Darger\, 1892–1973’; ‘Karel Appel\, l’art est one fête !’ and ‘Piero Manzoni\, Achrome’. She has edited several exhibition catalogs and published various essays on post-war art. \nBrett Littman has been the Director of the Isamu Noguchi Foundation and Garden Museum in Long Island City\, New York since May 2018. He was Executive Director of The Drawing Center from 2007–2018; Deputy Director of MoMA PS1 from 2003–2007; Co-Director of Dieu Donné Papermill from 2001–2003 and Associate Director of Urban Glass from 1996–2001. \nLittman’s interests are multi-disciplinary: he has overseen more than seventy-five exhibitions and personally curated more than 20 exhibitions over the last decade\, dealing with visual art\, outsider art\, craft\, design\, architecture\, poetry\, music\, science\, and literature. He was named the curator of Frieze Sculpture at Rockefeller Center (2019 – 2020) and is also an art critic and lecturer and an active essayist for museum and gallery catalogues\, in addition to writing articles for a wide range of U.S. and international art\, fashion\, and design magazines. \nA native New Yorker\, Brett Littman received a Chevalier of the Order of Arts and Letters from France in 2017 and his B.A. in Philosophy from the University of California\, San Diego. \nJack McGrath is an art historian based in New York. He has taught art history and critical theory at Barnard College\, Columbia University School of the Arts\, Cooper Union\, Parsons the New School for Design\, and Yeshiva College. His writing has appeared in Frieze\, October Files\, and Piero Manzoni: Nuovi Studi. In 2017 he curated the exhibition Visual Notes for an Upside-Down World at PPOW Gallery in New York. He is currently at work on a monograph of Piero Manzoni based on his doctoral dissertation. \nRichard Tuttle‘s direct and seemingly simple deployment of objects and gestures reflects a careful attention to materials and experience. Rejecting the rationality and precision of Minimalism\, Tuttle embraced a handmade quality in his invention of forms that emphasize line\, shape\, color\, and space as central concerns. He has resisted medium-specific designations for his work\, employing the term drawing to encompass what could otherwise be termed sculpture\, painting\, collage\, installation\, and assemblage. Overturning traditional constraints of material\, medium\, and method\, Tuttle’s works sensitize viewers to their perceptions. His working process\, in which one series begets the next\, is united by a consistent quest to create objects that are expressions of their own totality. \n– \nThe event is free and open to the public. Space is limited\, RSVP is required.
URL:https://artinamericaguide.com/event/in-conversation-piero-manzoni-materials-of-his-time-and-lines/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
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DTSTART;TZID=America/Halifax:20190425T180000
DTEND;TZID=America/Halifax:20190425T200000
DTSTAMP:20260503T132215
CREATED:20190409T195402Z
LAST-MODIFIED:20190409T195402Z
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SUMMARY:Opening reception: ‘Lorna Simpson. Darkening’
DESCRIPTION:Join us for the opening reception of works by Lorna Simpson in New York. Over the past 30 years\, Simpson has continued to probe questions about the nature of representation\, identity\, gender\, race\, and history\, while expanding her oeuvre to encompass various media including film and video\, painting\, drawing\, and\, most recently\, sculpture. Her powerful works entangle viewers in an equivocal web of meaning: what is unseen and left unsaid is equally important as that which the artist does disclose. In this exhibition of new paintings\, collages\, and sculptures\, Simpson continues to engage viewers with layers of paradox\, threading dichotomies of figuration and abstraction\, destruction and creation\, past and present.
URL:https://artinamericaguide.com/event/opening-reception-lorna-simpson-darkening/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190425
DTEND;VALUE=DATE:20190727
DTSTAMP:20260503T132215
CREATED:20190409T195221Z
LAST-MODIFIED:20190409T195221Z
UID:50903-1556150400-1564185599@artinamericaguide.com
SUMMARY:Lorna Simpson: Darkening
DESCRIPTION:Over the past 30 years\, Lorna Simpson has continued to probe questions about the nature of representation\, identity\, gender\, race\, and history\, while expanding her oeuvre to encompass various media including film and video\, painting\, drawing\, and\, most recently\, sculpture. Her powerful works entangle viewers in an equivocal web of meaning: what is unseen and left unsaid is equally important as that which the artist does disclose. In this exhibition of new paintings and collages\, Simpson continues to engage viewers with layers of paradox\, threading dichotomies of figuration and abstraction\, destruction and creation\, past and present.
URL:https://artinamericaguide.com/event/lorna-simpson-darkening/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190425
DTEND;VALUE=DATE:20190727
DTSTAMP:20260503T132215
CREATED:20190409T194424Z
LAST-MODIFIED:20190409T194424Z
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SUMMARY:Piero Manzoni: Lines + Materials of His Time
DESCRIPTION:Hauser & Wirth New York is pleased to present two concurrent exhibitions devoted to Piero Manzoni\, a seminal figure of postwar Italian Art and progenitor of Conceptualism. During a brief but influential career that ended upon his untimely death in 1963\, Manzoni evolved from a self-taught abstract painter into an artistic disruptor. Curated by Rosalia Pasqualino di Marineo\, director of the Piero Manzoni Foundation in Milan\, the exhibitions ‘Piero Manzoni. Materials of His Time’ and ‘Piero Manzoni. Lines’ unfold over two floors and focus on Manzoni’s most significant bodies of work: his Achromes (paintings without color) and Linee (Lines) series. \nOn view in the second-floor gallery\, ‘Materials of His Time’ features more than 70 of Manzoni’s radical Achromes and surveys the artist’s revolutionary approach to unconventional materials\, such as sewn cloth\, cotton balls\, fiberglass\, bread rolls\, synthetic and natural fur\, straw\, cobalt chloride\, polystyrene\, stones\, and more. Travelling from Hauser & Wirth Los Angeles\, the exhibition situates Manzoni as a peer of such artists as Lucio Fontana and Yves Klein\, whose experiments continue to influence contemporary art-making today. ‘Materials of His Time’ also presents\, for the first time in New York\, the items on a wish list Manzoni outlined in a 1961 letter to his friend Henk Peeters: a room all in white fur\, and another coated in fluorescent paint\, totally immersing the visitor in white light. \nThe presentation of Manzoni’s work continues on the third floor with ‘Lines\,’ an exhibition of over 35 works that constitute his most considered and serialized explorations. Developed in parallel with his production of Achromes\, Manzoni began his Linee series in 1959. Ranging from short\, simple bands traversing rectangular sheets of paper to increasingly long traces created with a roller on strips of paper\, the artist produced a total of 90 Linee works of varying meters\, which he then sealed in cylindrical containers. The series culminated in 1960 with ‘Linea lunga 7.200 metri’ (Line 7200 Meters Long)\, made in Herning\, Denmark. In addition to Manzoni’s cylindrical wooden sculpture ‘Linea di lunghezza infinita’ (Line of Infinite Length) (1960)\, a purely conceptual work\, Hauser & Wirth is pleased to feature ‘12 Linee\,’ a reconstruction of the artist’s exhibition originally staged in 1959 for the opening of the illustrious Azimut gallery in Milan\, as well as the short film ‘Le lunghe linee\,’ presented for the first time with new audio and music. Despite the extraordinary importance of the series for the artist\, this is the first time a major exhibition has been staged around the Linee. \nThe exhibitions are designed by Stephanie Goto and are complemented by a special presentation of archival material from the collection of Guido and Gabriella Pautasso. Books\, documents\, and typewritten manuscripts authored by Manzoni shed light on his methodology. Curated by Guido Pautasso and Irene Stucchi\, the display of archival materials that accompanied Manzoni’s practice adds another dimension to his life\, tracing the artist’s biography reanimating his personal and creative journey for a contemporary audience. \nOn the occasion of ‘Materials of His Time’ and ‘Lines\,’ Hauser & Wirth Publishers has released a box set of two new catalogues providing a comprehensive historical-critical analysis of Manzoni’s two major bodies of work.
URL:https://artinamericaguide.com/event/piero-manzoni-lines-materials-of-his-time/
LOCATION:Hauser & Wirth\, 22nd St\, 548 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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