BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://artinamericaguide.com
X-WR-CALDESC:Events for Art in America Guide
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
TZID:America/Halifax
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20220313T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20221106T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20230312T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20231105T050000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240906T080000
DTEND;TZID=America/New_York:20241019T170000
DTSTAMP:20260502T160902
CREATED:20240902T171528Z
LAST-MODIFIED:20240902T171528Z
UID:109817-1725609600-1729357200@artinamericaguide.com
SUMMARY:Tecla Tofano: Esa Munda Macha
DESCRIPTION:The artist Tecla Tofano (b. March 5\, 1927\, in Naples\, Italy\, d. October 20\, 1995\, in Caracas\, Venezuela) was a critical figure in the Latin American feminist movement\, carving a voice in an extremist socio-political atmosphere in Venezuela. This special presentation highlights an important group of ceramics from the 60s and 70s\, expanding upon the gallery’s November 2023 exhibition\, Tecla Tofano: This Body of Mine. A voracious maker\, the artist channeled her ideas most notably through ceramics\, though she was also an adept draftswoman\, a metalsmith\, and a writer. Tofano embraced rough\, hand-built surfaces\, as evidenced in her uncompromising works\, which range from extruded body parts to fantastical figurines and elaborately formed vessels. \nTofano is featured in Crafting Modernity\, Design in Latin America\, 1940–1980 through September 22\, 2024 at MoMA\, New York. \nJames Cohan has published the first-ever monograph dedicated to the artist\, co-edited by Gabriela Rangel and Luis Felipe Farías. It features an essay by Rangel\, a detailed chronology by Farías\, and translations of Tofano’s poetry and writing by Lucía Hinojosa Gaxiola.
URL:https://artinamericaguide.com/event/tecla-tofano-esa-munda-macha/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/09/a30c4877755284dcd35752575eaa87b8.jpeg
ORGANIZER;CN="James Cohan - Tribeca":MAILTO:info@jamescohan.com
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240621T180000
DTEND;TZID=America/New_York:20240726T180000
DTSTAMP:20260502T160902
CREATED:20240429T174800Z
LAST-MODIFIED:20240620T151125Z
UID:108028-1718992800-1722016800@artinamericaguide.com
SUMMARY:Mother Lode: Material and Memory
DESCRIPTION:James Cohan is pleased to present a group exhibition\, “Mother Lode\,”  at 48 Walker Street & 52 Walker Street.\n\nJames Cohan is pleased to present Mother Lode: Material and Memory\, organized by Abigail Ross Goodman\, Molly Epstein\, and Ellen Langan\, on view from June 21 through July 26\, 2024\, at 48 and 52 Walker Street. The gallery will host an opening reception on Friday\, June 21 from 6-8pm.\n“Mother lode” is a term used to indicate the primary vein of a valuable resource\, or\, more colloquially\, to point to the real or imagined origin of something of great import or abundance. Plumbing the possibilities of this linguistic trope\, this exhibition brings together more than forty artistic practices\, choreographed in chapters as a collective cohabitation that offers myriad ruminations on beginnings. The artists included deploy both memory and material as generative forces\, probing ideas of land as Mother Earth\, the bonds of mother and child\, the physical accumulation of experience\, and the tending nature of ongoing diaristic pursuits. From the development of personal mythologies to processes laid bare through the cycles of extraction and regeneration\, the works in this exhibition span form and medium\, dating from the late 1960s to the present day. They capture the universality of lineage that unfurls in the activities of making and the inherent truths discovered in process.\n\nThe exhibition posits the questions: How do artists engage with their own origins\, their own “primary vein”? How does the accretion of material experimentation in itself birth an unfolding story as told by the artist’s hand? How do artistic practices pay homage to the notions of care\, both physical and emotional\, of this abundant material world and the humans who mingle with and mine from it?\n\nMother Lode: Material and Memory features work by Kelly Akashi\, Alma Allen\, Mark Bradford\, Richard Van Buren\, Kathy Butterly\, Sarah Charlesworth\, Ann Craven\, Abraham Cruzvillegas\, N. Dash\, Moyra Davey\, Leonardo Drew\, Bracha Ettinger\, Rochelle Feinstein\, LaToya Ruby Frazier\, Nancy Graves\, Reggie Burrows Hodges\, Gary Hume\, Lotus L. Kang\, Clementine Keith-Roach\, Antonia Kuo\, Mernet Larsen\, Heidi Lau\, June Leaf\, Yasue Maetake\, Wallen Mapondera\, Teresa Margolles\, Nick Mauss\, Tuan Andrew Nguyen\, Gabriel Orozco\, Julia Phillips\, Howardena Pindell\, Marianna Pineda\, Garnett Puett\, Ronny Quevedo\, Maja Ruznic\, Grace Schwindt\, Joan Semmel\, Erin Shirreff\, Rose B. Simpson\, Michelle Stuart\, Antonio Tarsis\, Sara VanDerBeek\, Willa Wasserman\, Emmi Whitehorse\, and Yu-Wen Wu.
URL:https://artinamericaguide.com/event/mother-lode/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/04/e942d2caec426350caf3ad9e3d6445fd.jpeg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240517T100000
DTEND;TZID=America/New_York:20240726T180000
DTSTAMP:20260502T160902
CREATED:20240429T174800Z
LAST-MODIFIED:20240429T174800Z
UID:108026-1715940000-1722016800@artinamericaguide.com
SUMMARY:Anima
DESCRIPTION:James Cohan is pleased to present Anima\, an exhibition of new works by ceramicist Ranti Bam\, on view from May 17 through July 26\, 2024\, at the gallery’s 291 Grand Street location. This marks the artist’s New York debut and first solo exhibition with James Cohan. The gallery will host an opening reception with the artist on Friday\, May 17 from 5-7 PM at 291 Grand Street. \n  \nBritish-Nigerian artist Ranti Bam (b.1982\, Lagos\, Nigeria) creates vessels made of clay whose gestures evoke vulnerability. By blending elements of abstraction and figuration\, light and darkness\, and spirit and form\, Bam elicits a dialogue between the literal and the metaphorical. \n  \nAn artist led walkthrough will take place on Saturday\, May 18 at 2 PM. RSVP is not required.
URL:https://artinamericaguide.com/event/anima/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/04/BAM_Hard-Soft_2023_credit-GeorgMayer008.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240511T100000
DTEND;TZID=America/New_York:20240615T180000
DTSTAMP:20260502T160902
CREATED:20240429T174800Z
LAST-MODIFIED:20240507T154036Z
UID:108024-1715421600-1718474400@artinamericaguide.com
SUMMARY:From One Place to Another
DESCRIPTION:James Cohan is pleased to present From One Place to Another\, an exhibition of new paintings by Yun-Fei Ji\, on view from May 11 through June 15\, 2024. This is the artist’s sixth solo exhibition with the gallery. The gallery will host a talk with the artist and John Yau on Saturday\, May 11 at 3 PM\, followed by an opening reception from 4-6 PM. \nThis exhibition features oil paintings and acrylic on paper studies that chart a material exploration for the artist while expanding upon his longstanding interest in issues of migration and labor\, both in the US and China. Ji brings a poetic visual sensibility to his depictions of the lived realities of communities and individuals often absent from mainstream narratives of China’s development. Each composition is an act of resistance grounded in the artist’s profound empathy for his subjects and a recognition of the resilience of those uprooted in the name of progress.
URL:https://artinamericaguide.com/event/from-one-place-to-another/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/04/JCG16054-image-1.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240503T100000
DTEND;TZID=America/New_York:20240615T180000
DTSTAMP:20260502T160902
CREATED:20240426T182416Z
LAST-MODIFIED:20240426T182416Z
UID:108022-1714730400-1718474400@artinamericaguide.com
SUMMARY:Language of Tears
DESCRIPTION:James Cohan is pleased to present Language of Tears\, an exhibition of new paintings by Baltimore-based artist Jerrell Gibbs\, on view from May 3 through June 15\, 2024\, at the gallery’s 52 Walker Street location. This marks the artist’s New York debut and first solo exhibition with James Cohan. \nJerrell Gibbs creates luminously rendered\, expressionistic oil paintings that synthesize a wide range of art\nhistorical and cultural references to mine the elliptical contours of memory. His allegorical and autobiographical compositions explore themes of Black masculinity\, fatherhood\, legacy\, and remembrance\, complicating and subverting visual stereotypes and misrepresentations. Often working from archival family photographs\, Gibbs creates tender\, emotionally evocative vignettes that highlight moments of quiet joy and sorrow\, rest\, and mundane beauty while engaging deeply with the materiality of his process. \nThe inspiration for the body of work in this exhibition came from the artist’s viewing of the 1977 Ralph Nelson\nfilm A Hero Ain’t Nothin’ but a Sandwich\, which centers on the struggles of a young boy in South Central Los Angeles following the abandonment of his biological father. This film sparked a period of self-examination and painterly exploration for Gibbs\, bringing to the surface his own experience of losing his father at a young age. For Gibbs\, the canvas becomes a space within which he can parse the gaps and ruptures of personal memory to create works that provide portals into universal human emotional experiences. \nWhile the figures that populate Gibbs’ paintings are often drawn from personal life\, he situates them within domestic interiors and fictive nonspaces that create cinematic moments of narrative ambiguity. Building up his surfaces in a process of accumulative brushstrokes\, the artist imbues his scenes with a mixture of the familiar\nand the imaginative. Windows and mirrors frequently appear in his work\, as both a metaphoric invocation of\nthe variable experience of memory and a device to allow the artist to manipulate multidirectional light sources\nwith painterly finesse. In My worst fear is…tragedy on news\, 2024\, a mirror’s reflection casts a familiar scene of family gathered on the couch in front of the television into a realm of slightly destabilizing distortion\, suggesting the jarring impact of what might be unfolding before them in primetime. \nIn this new body of work\, Gibbs has begun experimenting with compositional disruptions that reinforce the psychological interiority of his figures. In Like father like son\, 2024\, a small canvas depicting the artist as a young child is affixed to a portrait of his father. Head bowed in profile as he listens to music on headphones\, his beloved record collection surrounds him. This use of separate surfaces highlights the distance between the father who is gone and the son who has remained. Yet the color relationships across the two canvases suggest that\, for the artist\, music–like painting– can function as a bridge or point of connection across time and loss. In Inheritance\, 2024\, Gibbs depicts his father as a young man new to fatherhood and filled with its attendant joys\, holding his infant son. A black void eclipses the child’s face. The artist notes\, “This void is my own experience of the moment\, which I only experience as a photograph.” The painting becomes a way to both pay intimate tribute to his father’s visible joy and to grapple with\, on a broader level\, what it means to build an identity as a father and a man when the memory of those who came before you is incomplete. \nWhat happens when the dream falls apart\, 2024\, and Two peas in a pod\, 2024\, introduce new physical material into the artist’s oeuvre. Gibbs limns these figures with flattened appliques of imitation gold leaf\, transforming contemporary family portraits into 21st century icons that build upon the rich art historical tradition of illuminated divinity. The artist’s choice of imitation gold leaf is significant\, functioning as a metaphor for the resourcefulness with which his family and his community in Baltimore have repeatedly built and rebuilt their lives with what little they had and were given. \nJerrell Gibbs (b. 1988; Baltimore\, Maryland) graduated with an MFA from the Maryland Institute College of\nArt\, Baltimore\, in 2020. He has been the subject of solo exhibitions at Mariane Ibrahim\, Chicago\, and Paris; and featured in exhibitions at the Reginald F. Lewis Museum\, Baltimore\, and The Gallery at Howard University\, Washington\, D.C. His first solo museum exhibition\, No Solace in the Shade\, will be on view at the Brandywine Museum of Art from September 27\, 2025\, through March 1\, 2026\, following the institution’s recent acquisition of a landmark painting by Gibbs. The accompanying scholarly publication will feature an essay by guest curator\, writer\, and art historian Angela N. Carroll; a conversation between Gibbs and Jessica Bell Brown\, Curator and Department Head of Contemporary Art at the Baltimore Museum of Art; a discussion between Gibbs and Larry Ossei-Mensah\, curator and cultural critic; and a lyrical response by filmmaker and poet NIA JUNE. Gibbs’ work is included in the permanent collection of institutions including the Brandywine Museum of Art; Baltimore Museum of Art; Columbus Museum of Art; Los Angeles Museum of Art; CC Foundation\, and the X Museum Beijing. The artist’s official portrait of the late civil rights activist and United States Representative Elijah E. Cummings is on permanent display in the U.S. Capitol. \nFor inquiries regarding Jerrell Gibbs\, please contact Emily Ruotolo at eruotolo@jamescohan.com or 212.714.9500.\nFor press inquiries\, please contact Sarah Stengel at sstengel@jamescohan.com or 212.714.9500.
URL:https://artinamericaguide.com/event/language-of-tears/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/04/GIBBS_My-worst-fear-is-one-day._2024_JCG17298_credit-PhoebedHeurle_v01-scaled.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240428T100000
DTEND;TZID=America/New_York:20240504T180000
DTSTAMP:20260502T160902
CREATED:20240426T182445Z
LAST-MODIFIED:20240426T182445Z
UID:108020-1714298400-1714845600@artinamericaguide.com
SUMMARY:Twe Vaa
DESCRIPTION:James Cohan is pleased to present Twe Vaa\, an exhibition of mixed media paintings by Kenyan artist Kaloki\nNyamai\, on view from March 28 through May 4\, 2024\, at 48 Walker Street. This marks the artist’s New York\ndebut and first solo exhibition with the gallery. \nTwe Vaa means “We are here” in the artist’s ancestral language of Kikamba. The phrase signifies a declaration of presence\, a reclamation of a collective agency. Nyamai questions where it is that society has landed in turbulent times. In the ten intricately layered paintings from Nyamai’s ongoing series Dining in Chaos\, he draws inspiration from life in Nairobi\, weaving collective memories that emerge and recede from legibility. His paintings are composites of multiple canvases and materials\, literally stitching together the fabric of a community scarred by the legacy of colonization. In each work\, Nyamai juxtaposes news accounts of political unrest with depictions of people at leisure\, allowing multiple narratives to unfold simultaneously. He photo-transfers newsprint and images capturing pivotal and often violent moments in Kenyan history and other parts of Africa directly onto the surface of his paintings; binding the past and the present. These figures fade in and out of view\, much like a memory\, revealing themselves\nthrough layers of paper and paint. \nHis interest lies in generating dichotomous worlds\, where play and moments of respite can take shape even in the midst of chaos. Silhouetted figures are rendered mid-action\, engaged in everyday communal activities–dancing\, swimming\, embracing\, and gathering for a meal. They are illuminated in vivid shades of color\, materializing from a mixture of dense acrylic paint\, sisal rope\, and burnt rubber yarn. The artist suggests\, “We started from where we began” as a framework for reading his paintings\, recalling the cyclical nature of history.\nUltimately\, Nyamai’s paintings act as tokens of remembrance\, emphasizing that our present is inextricably\nlinked to our shared past. We bear witness to post-election protests in the 1960s and 70s\, when Kenya had just\noverthrown British colonial rule and was attempting to regain its cultural footing. In the artist’s words: “We are\nhere now; we have arrived. How do we move on from here?” \nKaloki Nyamai (b. 1985\, Kitui\, Kenya) pursued formal training at the BiFa Institute of Fine Arts in Nairobi\,\nKenya. He has been the subject of solo exhibitions at numerous international venues including; Galerie Barbara\nThumm in Berlin\, Germany\, Septieme Gallery\, Paris\, France\, Circle Art Gallery\, Nairobi\, Kenya\, Kuona Trust Art Centre\, Nairobi\, Kenya and Oriel Plas Glyn Y Weddw Gallery\, Wales\, UK. His work is in the public collection of the Dallas Museum of Art\, Dallas\, Texas and SAFFCA (Southern African Foundation for Contemporary Art)\, Brussels\, Belgium. Nyamai was one of four artists included in the Kenyan Pavilion at the 59th Venice Biennale (2022)\, and in 2023\, he debuted Dining in Chaos (2023)\, a monumental triptych at Art Basel Unlimited. He launched Kamene Art Residency in 2023\, with a focus on artistic growth and cross-cultural collaboration in the heart of Nairobi. \nFor inquiries regarding Kaloki Nyamai\, please contact Audrée Anid at aanid@jamescohan.com or 212.714.9500. \nFor press inquiries\, please contact Sarah Stengel at sstengel@jamescohan.com or 212.714.9500.
URL:https://artinamericaguide.com/event/twe-vaa/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/04/NYAMAI_Twe-Vaa_2024_48-Walker_credit-PhoebedHeurle_005-scaled.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240323T180000
DTEND;TZID=America/New_York:20240427T180000
DTSTAMP:20260502T160902
CREATED:20240319T162131Z
LAST-MODIFIED:20240319T162131Z
UID:107492-1711216800-1714240800@artinamericaguide.com
SUMMARY:Si Lewen
DESCRIPTION:James Cohan is pleased to present Si Lewen\, curated by Art Spiegelman\, on view at the gallery’s 52 Walker Street location from March 23 through April 27\, 2024. Polish-born artist Si Lewen (1918-2016) is best known for The Parade\, an epic cycle of sixty-three black and white drawings that contends with the horrors the artist witnessed during the liberation of the Buchenwald concentration camp in 1945. Lewen served in the United States Army during the Second World War as part of the Ritchie Boys\, a specialized force of native German-speaking G.I.s\, some of whom were Jewish refugees who immigrated to the US fleeing Nazi persecution.  This strikingly modern and profoundly resonant work is presented at James Cohan alongside important works from Lewen’s oeuvre dating from the early 1950s to the mid-2000s\, the majority of which have not been seen for four decades. \n  \nThis exhibition marks the first time that the full suite of The Parade has been shown in New York\, following an exhibition at the Menil Collection in Houston in 2023. \n  \nArt Spiegelman writes: \n  \n“I found a copy of The Parade by Si Lewen about thirty years ago\, when I was researching the wordless picture stories that briefly flourished between the two World Wars. They were precursors to today’s graphic novels\, but unlike the comic books on the lower branches of my medium’s family tree\, those books were highly admired by intelligent adult readers. Si’s work was a late and almost unseen entry in that relatively obscure genre. It was drawn and published in a small edition in 1957\, after the genre’s heyday\, but conceived on World War Two’s frontlines. Working with a Modernist vocabulary\, The Parade is a haunting free-jazz dirge that decries the eternally recurring madness of war. Soon after finding the book\, I found the then 94-year-old artist in a Quaker retirement community in Pennsylvania\, still alive and dizzyingly prolific. He was a dynamo: a charming and elfin man\, frail but bubbling with enthusiasm\, wry humor\, and unorthodox opinions. He was working on what was to be his last work: well over a hundred shroud-like canvases\, called Ghosts. Some of these as well as several other works from his long and varied oeuvre will accompany the full suite of 63 drawings for The Parade in this show.”
URL:https://artinamericaguide.com/event/si-lewen/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2024/03/c63a2c02ba91e32aa809d574a0fbe7ac.png
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240320T100000
DTEND;TZID=America/New_York:20240420T180000
DTSTAMP:20260502T160902
CREATED:20240319T162132Z
LAST-MODIFIED:20240322T143612Z
UID:107490-1710928800-1713636000@artinamericaguide.com
SUMMARY:Interplay
DESCRIPTION:James Cohan is delighted to present Toshiko Takaezu: Interplay\, a special viewing room presentation of works by the late artist\, on view from March 20 through April 20\, 2024\, at 48 Walker Street and online. \n  \nAmerican master ceramicist Toshiko Takaezu (b. 1922\, Pepeekeo\, Hawaii – d. 2011\, Honolulu\, Hawaii) had a prolific career that spanned five decades. Her aesthetic approach was influenced by Abstract Expressionism and the traditions of East Asia\, including ink painting and the Japanese tea ceremony. Takaezu’s ceramics not only demonstrate her masterful capabilities in crafting form through clay\, but also manage to surpass classification\, hovering between pottery\, sculpture and painting; revealing exceptional control of color in a medium that often is at the whim of the kiln. \n  \nThis focused exhibition is presented on the occasion of the first nationally touring retrospective of Takaezu’s work in over twenty years\, opening on March 20\, 2024 at The Isamu Noguchi Foundation and Garden Museum.
URL:https://artinamericaguide.com/event/interplay/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/f4f7cc5f68adf2dd1406f093b5cda93f.jpeg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240222T100000
DTEND;TZID=America/New_York:20240511T180000
DTSTAMP:20260502T160902
CREATED:20240319T162237Z
LAST-MODIFIED:20240426T165649Z
UID:107488-1708596000-1715450400@artinamericaguide.com
SUMMARY:H20
DESCRIPTION:“Since Luke Howard first created a nomenclature for clouds in 1803\, the efforts to comprehend and quantify clouds have been both beautiful and quixotic\, and clouds always seem to stay one step ahead of human understanding.”\n– Spencer Finch \n  \nJames Cohan is pleased to present H2O\, an exhibition of new and historic work by Spencer Finch\, on view from February 22 through May 11\, 2024\, at the gallery’s 291 Grand Street location. This is Finch’s fifth solo exhibition with James Cohan. The gallery will host an opening reception with the artist on Thursday\, February 22 from 6-8 PM. \n  \nPerception\, the memory of visual phenomena\, and the impossible attempts to precisely describe them are central to Spencer Finch’s installation work. This exhibition centers on Cloud (H2O)\, 2006\, one of the earliest examples of this important facet of the artist’s practice. Hundreds of light bulbs hang from the ceiling in a cloud-like formation\, the bulbs functioning as models of the chemical formula of water – two hydrogen atoms and a single oxygen atom. Finch’s translation of a cloud broken down into its chemical state hints at water’s natural ability to exist in solid\, liquid and gaseous states all at once\, and serves as a potent reminder of the phenomenal possibilities of nature. Cloud (H2O) illustrates Finch’s interest in the dichotomy between abstraction and representation\, perception and imagination\, physical and ephemeral. Like many of Finch’s works\, the installation presents an alternative notion of representation – one that is simultaneously scientific and symbolic. \n  \nIn addition to this early Molecule light installation\, H2O features a new textile work and a series of new drawings. Together\, these works deepen Finch’s investigations into light\, reflection\, water\, and the impermanence of human perception. The drawings\, titled Sunlight on the Gowanus Canal\, use gold leaf on paper to capture the reflections of light upon the water’s surface. Usuyuki III (I must go in\, the fog is rising)\, 2021\, uses hanging fabric to create a material representation of extreme weather conditions. Taken together\, these works represent a dynamic expression of Finch’s enduring interest in the ways in which matter and light are translated into a formal vocabulary rooted in minimalism\, yet harnessed to an expressive and immersive effect. \n  \nThis exhibition is accompanied by a special presentation in the gallery’s back room featuring new paintings and works on paper based on Finch’s deep explorations of the color of Georges Seurat’s iconic work A Sunday on La Grande Jatte\, 1884-86.
URL:https://artinamericaguide.com/event/h20/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/03/2024_FINCH_H20_291-Grand_credit-PhoebedHeurle_05-scaled.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240215T100000
DTEND;TZID=America/New_York:20240316T180000
DTSTAMP:20260502T160902
CREATED:20240319T162132Z
LAST-MODIFIED:20240319T162132Z
UID:107486-1707991200-1710612000@artinamericaguide.com
SUMMARY:Thinking about Cézanne
DESCRIPTION:James Cohan is pleased to present Thinking About Cézanne\, an exhibition of new paintings and works on paper by Mernet Larsen\, on view from February 15 through March 16\, 2024\, at the gallery’s 52 Walker Street location. This is Larsen’s fourth solo exhibition with James Cohan. \nOver six decades of art-making\, Mernet Larsen has developed a distinctive dialogue with art history drawing from traditional 13th-century narrative Japanese scrolls\, the 18th-century Royal paintings of Udaipur\, India\, and the non-objective paintings of the Russian Constructivist El Lissitzky. Larsen harnesses their unlikely geometries to depict our everyday reality\, populating her vertiginous and uncanny world with characters that reflect contemporary angst and humor in equal measure. For this exhibition\, Larsen looks back on her lifelong fascination with the work of Paul Cézanne. \nLarsen recalls\, “When I was in my late twenties\, I was obsessed with Cézanne. I felt his work represented a true revolution in what ‘realistic’ painting should be\, reflecting seeing as a constructive act\, built out of a roving eye – scanning the motif\, piecing it together\, building an image that seemed the essence of what was seen.” Over fifty years later Larsen revisits this formative influence\, wondering\, “how have I changed? How has the world changed?” \nEight new paintings and related studies reflect Larsen’s generative and ongoing “conversation with Cézanne\,” yet remain completely her own. Larsen reexamines his most canonical imagery – bathers\, the French countryside\, his family members – to expose and animate their underlying and essential frameworks. Larsen moves and multiplies the physical place from which Cézanne stood in relation to the subject at hand\, going beyond his singular and frontal point of observation. In this way\, she becomes omnipresent within the scene\, untethered by traditional perspective or gravity. Her images are comprehensive and panoramic\, inclusive of numerous and discordant locations\, timelines\, and sightlines.
URL:https://artinamericaguide.com/event/thinking-about-cezanne/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240112T100000
DTEND;TZID=America/New_York:20240210T180000
DTSTAMP:20260502T160902
CREATED:20240319T162132Z
LAST-MODIFIED:20240319T162132Z
UID:107484-1705053600-1707588000@artinamericaguide.com
SUMMARY:Arcadia and Elsewhere
DESCRIPTION:James Cohan is pleased to present Arcadia and Elsewhere\, an expansive group exhibition celebrating the breadth and complexity of contemporary landscape painting practices across geographies and generations. For the first time\, this exhibition will unfold across all three of the gallery’s spaces\, 48 & 52 Walker Street and 291 Grand Street\, from January 12 through February 10\, 2024. The gallery will host an opening reception on Friday\, January 12 from 4-6 PM at its 291 Grand Street location and from 6-9 PM at its 48 and 52 Walker Street spaces. \n  \nArcadia and Elsewhere anchors landscape painting in the myriad portrayals of Arcadian landscapes\, which portray nature as an idealized foil to the torrents of human civilization\, stretching back into antiquity. The exhibition highlights the enduring prevalence of the landscape in contemporary painting\, building connections between both established and emerging artists furtively engaged in the depiction of our natural surroundings as enduring sites of significance\, while expanding and complicating the loaded ways in which landscape manifests as a form unto itself.
URL:https://artinamericaguide.com/event/arcadia-and-elsewhere/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231109T100000
DTEND;TZID=America/New_York:20231216T180000
DTSTAMP:20260502T160902
CREATED:20231018T175135Z
LAST-MODIFIED:20231018T175135Z
UID:105646-1699524000-1702749600@artinamericaguide.com
SUMMARY:Tecla Tofano: This Body of Mine
DESCRIPTION:Gallery exhibition at 291 Grand Street
URL:https://artinamericaguide.com/event/tecla-tofano-this-body-of-mine/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/10/JCG15375-image-2-1.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231102T100000
DTEND;TZID=America/New_York:20231222T180000
DTSTAMP:20260502T160902
CREATED:20231018T175159Z
LAST-MODIFIED:20231018T175159Z
UID:105642-1698919200-1703268000@artinamericaguide.com
SUMMARY:Josiah McElheny: Geometries for an Imagined Future
DESCRIPTION:Gallery Exhibition at 52 Walker Street
URL:https://artinamericaguide.com/event/josiah-mcelheny-geometries-for-an-imagined-future/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/10/JCG13190-image.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231101T100000
DTEND;TZID=America/New_York:20231111T180000
DTSTAMP:20260502T160902
CREATED:20231018T175159Z
LAST-MODIFIED:20231018T175159Z
UID:105644-1698832800-1699725600@artinamericaguide.com
SUMMARY:Kathy Butterly: A beloved collection\, 1994-2022
DESCRIPTION:Gallery exhibition at 48 Walker Street
URL:https://artinamericaguide.com/event/kathy-butterly-a-beloved-collection-1994-2022/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://artinamericaguide.com/wp-content/uploads/2023/10/Screenshot-2023-10-07-at-11.12.45-AM-1.png
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231026T100000
DTEND;TZID=America/New_York:20231222T180000
DTSTAMP:20260502T160902
CREATED:20231018T175159Z
LAST-MODIFIED:20231018T175159Z
UID:105638-1698314400-1703268000@artinamericaguide.com
SUMMARY:Yinka Shonibare CBE: Boomerang: Returning to African Abstraction
DESCRIPTION:Gallery Exhibition at 48 Walker Street
URL:https://artinamericaguide.com/event/yinka-shonibare-cbe-boomerang-returning-to-african-abstraction/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/10/SHONIBARE_Abstract-Spritual-IX_2023_JCG15701_credit-StephenWhite_1-scaled.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230908T100000
DTEND;TZID=America/New_York:20231021T180000
DTSTAMP:20260502T160902
CREATED:20231013T190146Z
LAST-MODIFIED:20231017T202756Z
UID:105578-1694167200-1697911200@artinamericaguide.com
SUMMARY:Eamon Ore-Giron: Talking Shit
DESCRIPTION:Gallery Exhibition at 52 Walker Street
URL:https://artinamericaguide.com/event/eamon-ore-giron-talking-shit/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/10/JCG15462-image-1-scaled.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230801T100000
DTEND;TZID=America/New_York:20231021T180000
DTSTAMP:20260502T160902
CREATED:20230803T194535Z
LAST-MODIFIED:20230803T194535Z
UID:104677-1690884000-1697911200@artinamericaguide.com
SUMMARY:Jesse Mockrin
DESCRIPTION:48 Walker Street \nNew York\, NY 10013
URL:https://artinamericaguide.com/event/jesse-mockrin/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/08/ceb7bf8b1e1fd82fd97747a15cfc6df9-1.jpeg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230629T100000
DTEND;TZID=America/Halifax:20230728T180000
DTSTAMP:20260502T160902
CREATED:20230413T184827Z
LAST-MODIFIED:20230419T181527Z
UID:102862-1688032800-1690567200@artinamericaguide.com
SUMMARY:Michelle Grabner
DESCRIPTION:Gallery Exhibition at 48 Walker Street
URL:https://artinamericaguide.com/event/michelle-grabner/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/04/JCG8081-image-crop.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230519T100000
DTEND;TZID=America/Halifax:20230624T180000
DTSTAMP:20260502T160902
CREATED:20230308T185006Z
LAST-MODIFIED:20230413T203540Z
UID:102076-1684490400-1687629600@artinamericaguide.com
SUMMARY:Alison Elizabeth Taylor: These Days
DESCRIPTION:Gallery Exhibition at 48 Walker Street
URL:https://artinamericaguide.com/event/alison-elizabeth-taylor/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/image-01.jpeg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230512T100000
DTEND;TZID=America/Halifax:20230617T180000
DTSTAMP:20260502T160902
CREATED:20230308T185006Z
LAST-MODIFIED:20230308T185006Z
UID:102074-1683885600-1687024800@artinamericaguide.com
SUMMARY:Federico Herrero
DESCRIPTION:Gallery Exhibition at 52 Walker Street
URL:https://artinamericaguide.com/event/federico-herrero-2/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/03/image-02.jpeg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230401T100000
DTEND;TZID=America/Halifax:20230510T180000
DTSTAMP:20260502T160902
CREATED:20230216T185750Z
LAST-MODIFIED:20230324T201105Z
UID:101692-1680343200-1683741600@artinamericaguide.com
SUMMARY:TIGHTROPE: አረንጔዴ ነው (IT IS GREEN)
DESCRIPTION:Gallery Exhibition at 48 Walker Street
URL:https://artinamericaguide.com/event/elias-sime/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/02/SIME_Tightrope_2022_JCG13700_Ph.-Credit-Izzy-Leung-scaled.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20230225T100000
DTEND;TZID=America/Halifax:20230325T180000
DTSTAMP:20260502T160902
CREATED:20221107T211443Z
LAST-MODIFIED:20230216T185750Z
UID:100322-1677319200-1679767200@artinamericaguide.com
SUMMARY:Bill Viola
DESCRIPTION:GALLERY EXHIBITION AT 48 WALKER STREET
URL:https://artinamericaguide.com/event/bill-viola/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ORGANIZER;CN="James Cohan - Tribeca":MAILTO:info@jamescohan.com
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230106
DTEND;VALUE=DATE:20230216
DTSTAMP:20260502T160902
CREATED:20220727T134334Z
LAST-MODIFIED:20230216T190907Z
UID:95142-1672963200-1676505599@artinamericaguide.com
SUMMARY:Elsa Gramcko: The Invisible Plot of Things
DESCRIPTION:GALLERY EXHIBITION AT 48 WALKER STREET
URL:https://artinamericaguide.com/event/elsa-gramcko/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/07/bf1026b738f78b2dd8f1a974dfcf69fc1.jpeg
ORGANIZER;CN="James Cohan - Tribeca":MAILTO:info@jamescohan.com
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221027
DTEND;VALUE=DATE:20221222
DTSTAMP:20260502T160902
CREATED:20220727T134355Z
LAST-MODIFIED:20221020T150857Z
UID:95138-1666828800-1671667199@artinamericaguide.com
SUMMARY:Firelei Báez:  Americananana
DESCRIPTION:GALLERY EXHIBITION AT 48 WALKER STREET
URL:https://artinamericaguide.com/event/firelei-baez-3/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/07/bcdaec4792bf774a77067a62bcf151111.jpeg
ORGANIZER;CN="James Cohan - Tribeca":MAILTO:info@jamescohan.com
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220910
DTEND;VALUE=DATE:20221016
DTSTAMP:20260502T160902
CREATED:20220712T183826Z
LAST-MODIFIED:20220915T204514Z
UID:94731-1662768000-1665878399@artinamericaguide.com
SUMMARY:Matthew Ritchie: A Garden in the Machine
DESCRIPTION:GALLERY EXHIBITION AT 48 WALKER STREET
URL:https://artinamericaguide.com/event/matthew-ritchie/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/07/afd3fe0bbad7a275fe8175bc94b38544j.jpeg
ORGANIZER;CN="James Cohan - Tribeca":MAILTO:info@jamescohan.com
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220623
DTEND;VALUE=DATE:20220806
DTSTAMP:20260502T160902
CREATED:20220617T190559Z
LAST-MODIFIED:20220622T175542Z
UID:94092-1655942400-1659743999@artinamericaguide.com
SUMMARY:Monir Shahroudy Farmanfarmaian: The Language of Symbols
DESCRIPTION:James Cohan is pleased to present Monir Shahroudy Farmanfarmaian: The Language of Symbols\, an exhibition of drawings and related sculptural works by Monir Shahroudy Farmanfarmaian\, on view from June 23 through August 5 at 48 Walker Street. The gallery will host an opening reception celebrating its summer exhibitions at 48 and 52 Walker on Thursday\, June 23 from 6-9 PM. \nOver a career spanning six decades\, the Iranian artist Monir Shahroudy Farmanfarmaian (1922 – 2019) looked to geometric forms as the basis for a rigorously structured and endlessly inventive exploration of the possibilities of line and space. This exhibition explores the ways in which drawing lies at the heart of Monir’s multivalent practice\, bringing together never-before-seen expressive early works on paper with later geometric drawings to demonstrate the medium’s significance as a place for the artist to exercise spatial thinking and create her own language of symbols on a singular plane.
URL:https://artinamericaguide.com/event/monir-shahroudy-farmanfarmaian-the-language-of-symbols/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/06/JCG12735-image-1.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220514T100000
DTEND;TZID=America/Halifax:20220618T180000
DTSTAMP:20260502T160902
CREATED:20220509T162730Z
LAST-MODIFIED:20220511T160908Z
UID:93499-1652522400-1655575200@artinamericaguide.com
SUMMARY:Naudline Pierre: Enter the Realm
DESCRIPTION:James Cohan is pleased to present Enter the Realm\, an exhibition of new work by Naudline Pierre\, on view from May 14 through June 11. This expansive presentation\, which extends across the gallery’s 48 and 52 Walker Street spaces\, includes paintings\, drawings\, and sculptures. This is Pierre’s first solo exhibition with James Cohan. The gallery will host an opening reception with the artist on Saturday\, May 14\, from 10-4 PM. \nIn Enter the Realm\, Pierre conceives of an alternate universe populated with jewel-toned celestial figures that dance\, writhe\, and soar across her fantastical scenes. Brilliant and impactful color continues to illuminate this parallel world\, forging links between Pierre’s various media and her recurring cast of characters. The works on view are an exquisite and extensive tale of becoming\, shaped by an intensely cultivated internal fantasy life and the acknowledgment that change and metamorphosis\, however uncomfortable they may be\, are often necessary to reach new heights.
URL:https://artinamericaguide.com/event/naudline-pierre-enter-the-realm/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/05/JCG13106-image.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220412T100000
DTEND;TZID=America/Halifax:20220507T180000
DTSTAMP:20260502T160902
CREATED:20220407T152753Z
LAST-MODIFIED:20220407T152753Z
UID:93211-1649757600-1651946400@artinamericaguide.com
SUMMARY:Tuan Andrew Nguyen: Unburied Sounds
DESCRIPTION:James Cohan is pleased to present Unburied Sounds\, an exhibition of new work by Tuan Andrew Nguyen\, on view from April 12 through May 7 at the gallery’s 52 Walker Street location. This is Nguyen’s second solo exhibition at James Cohan. In Unburied Sounds\, Nguyen explores the ways in which material contains memory and holds potential for transformation\, reincarnation\, and healing.
URL:https://artinamericaguide.com/event/tuan-andrew-nguyen-unburied-sounds/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/04/UXO-Film-2022-Stills-15.jpeg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220402T100000
DTEND;TZID=America/Halifax:20220507T180000
DTSTAMP:20260502T160902
CREATED:20220407T152810Z
LAST-MODIFIED:20220407T152810Z
UID:93209-1648893600-1651946400@artinamericaguide.com
SUMMARY:Jordan Nassar: To Light The Sky
DESCRIPTION:James Cohan is pleased to present To Light The Sky\, an exhibition of new work by Jordan Nassar\, on view from April 2 through May 7 at 48 Walker Street. This is the artist’s second solo exhibition with James Cohan. Jordan Nassar’s multivalent art practice engages with a variety of crafts to explore ideas centered on heritage and homeland.
URL:https://artinamericaguide.com/event/jordan-nassar-to-light-the-sky/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/04/nassar-saved-as-legacy.jpg
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220304
DTEND;VALUE=DATE:20220403
DTSTAMP:20260502T160902
CREATED:20220120T190054Z
LAST-MODIFIED:20220225T193822Z
UID:91027-1646352000-1648943999@artinamericaguide.com
SUMMARY:Christopher Myers: The Hands of Strange Children
DESCRIPTION:James Cohan gallery is pleased to present Christopher Myers\, coming up at our 52 Walker Street space. \n\nImage:\nCHRISTOPHER MYERS\nSarah Forbes Bonetta as Omoba Aina as Persephone\, 2021\nAppliqué textile\n108 x 408 in.\n274.3 x 1036.3 cm
URL:https://artinamericaguide.com/event/christopher-myers/
LOCATION:James Cohan\, 291 Grand Street\, New York\, 10002
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/01/JCG12553-image.jpg
ORGANIZER;CN="James Cohan":MAILTO:info@jamescohan.com
GEO:40.7191834;-74.0034917
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=James Cohan 291 Grand Street New York 10002;X-APPLE-RADIUS=500;X-TITLE=291 Grand Street:geo:-74.0034917,40.7191834
END:VEVENT
END:VCALENDAR