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DTSTART;TZID=America/Halifax:20200220T180000
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SUMMARY:Leidy Churchman | Earth Bound
DESCRIPTION:Matthew Marks is pleased to announce Leidy Churchman: Earth Bound\, the next exhibition in his gallery at 522 West 22nd Street. \nIn Churchman’s work\, no subject is off limits. The scale of these sixteen new paintings varies from a one-foot-tall abstract composition to an interior scene more than eight feet wide. One painting depicts the camera lenses of the newest iPhone arranged like three eyes\, another a bouquet of roses\, while another\, based on a Tantric divination card\, pictures a cloud-covered Earth from space with a new Earth rising up behind it. \nOne of the paintings in the exhibition depicts a monumental sculpture of a reclining Buddha carved into a granite cliff in Sri Lanka during the twelfth century. Churchman’s painting renders not only the statue’s drapery but also the signage and stanchions added to the site in more recent times. This embrace of the literal and the idealized is a central component of Churchman’s work. \nLeidy Churchman was born in Villanova\, Pennsylvania\, in 1979 and lives and works in New York. Their work has been shown at museums including MoMA PS1 and the New Museum in New York\, Museum Brandhorst in Munich\, and the Museum of Contemporary Art in Los Angeles. Last year\, the Hessel Museum at Bard in Annandale-on-Hudson\, New York\, organized the most comprehensive exhibition of Churchman’s work to date\, including more than sixty paintings made in the past decade. \nLeidy Churchman: Earth Bound is on view from February 21 to April 18\, Tuesday through Saturday\, from 10:00 AM to 6:00 PM. For additional information\, please contact Cory Nomura at 212-243-0200 or cory@matthewmarks.com. \n\nImage:\n© Leidy Churchman\nCourtesy of Matthew Marks Gallery.
URL:https://artinamericaguide.com/event/leidy-churchman-earth-bound/
LOCATION:Matthew Marks Gallery 522\, 522 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
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DTSTART;VALUE=DATE:20190502
DTEND;VALUE=DATE:20190616
DTSTAMP:20260501T070924
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SUMMARY:Ron Nagle: Getting to No
DESCRIPTION:Matthew Marks is pleased to announce Ron Nagle: Getting to No\, the next exhibition in his gallery at 522 West 22nd Street. \nThe exhibition features twenty-six new sculptures and fifteen related drawings. Most are no larger than six inches in any dimension\, but at this scale\, Nagle says\, an object “can allude to a much bigger place\, because it’s so small your imagination has to fill in all that space that’s not there.” Nagle makes his exquisitely crafted\, jewel-like sculptures by hand\, and although he works in traditional mediums like ceramic and porcelain\, he combines them with other materials\, including epoxy resin and catalyzed polyurethane\, to create forms that cannot be achieved in clay alone. This merging of incongruous elements also extends to his titles\, which are loaded with puns and wordplay: Egregious Philbin (2017)\, for example\, or Quartersan (2018). “I’m trying to create a hybrid\,” he explains. “You can’t quite put your finger on it.” \nInspiration for Nagle’s work often comes from unusual sources\, like the roadside tombstones of Hawaii\, the custom paint jobs of 1960s hot-rod cars\, or the stucco houses of the San Francisco neighborhood where he grew up. Even a deformed tree or a stain on the sidewalk can spark an idea. But his work is also grounded in tradition. He frequently cites the influence of shibui\, an aesthetic of contrast and balance that is highly prized in Japan. When Nagle makes a sculpture\, the proportion of each color is essential; the most vibrant hue might be confined to a thin stripe along its base. “That’s the zinger\,” he says. “In music they’d call it a hook. Your eye will go there in reference to the other colors.” \nNagle (born 1939) lives and works in San Francisco and began working with ceramics in the 1950s\, while still in high school. He apprenticed to Peter Voulkos in 1961 and later exhibited alongside Voulkos\, Ken Price\, and other innovative West Coast artists working in clay. His first one-person exhibition took place in 1968\, and since then his work has been shown at numerous museums\, including one-person exhibitions at the Saint Louis Art Museum\, the Carnegie Museum of Art in Pittsburgh\, the San Diego Museum of Art\, and the Museum Boijmans Van Beuningen in Rotterdam. Later this year the Fridericianum in Kassel\, Germany\, and the Secession in Vienna will open exhibitions of Nagle’s work. Early next year the Berkeley Art Museum will present a survey of his work\, which will later travel to the ICA in Boston. \nRon Nagle: Getting to No is on view at 522 West 22nd Street from May 2 to June 15\, 2019\, Tuesday through Saturday\, from 10:00 AM to 6:00 PM. \nFor additional information\, please contact Jacqueline Tran at 212-243-0200 or jacqueline@matthewmarks.com.
URL:https://artinamericaguide.com/event/ron-nagle-getting-to-no/
LOCATION:Matthew Marks Gallery 522\, 522 West 22nd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20190209
DTEND;VALUE=DATE:20190407
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SUMMARY:Jasper Johns: Recent Paintings & Works on Paper
DESCRIPTION:Matthew Marks is pleased to announce Jasper Johns: Recent Paintings & Works on Paper\, the next exhibition in his gallery at 522 West 22nd Street. The exhibition includes fifteen paintings and twenty-three works on paper made since 2012. \nTwo 2018 paintings\, as well as a group of new drawings and monotypes\, are based on a photograph of a soldier\, Lance Corporal James Farley\, taken during the Vietnam War by LIFE magazine photographer Larry Burrows. The soldier is seen at the end of a long day\, head in his hands after a failed mission. Stenciled at the top and bottom of both canvases are the words “FARLEY BREAKS DOWN / AFTER LARRY BURROWS.” \nAlso on view are four paintings and two works on paper from the Regrets series\, all completed after the exhibition of the same name at the Museum of Modern Art\, New York\, in 2014. Like the Farley series\, they are based on an image of a man covering his face\, in this case a photograph of Lucian Freud seated on a bed. In the catalogue that accompanies the current exhibition\, Alexi Worth writes that these series both “show Johns breaking what seemed like foundational prohibitions against outright depiction and unguarded emotion.” The artist’s willingness to contradict himself may account for the perpetual surprises in his long career. “I think you can be more than one person\,” Johns has said. “I think I am more than one person. Unfortunately.” \nIn two other new paintings\, Johns revisits his Seasons paintings of the mid-1980s. Like them\, the new canvases feature the artist’s shadow flanked by motifs from his earlier work. In the 2018 paintings\, however\, the shadow is overlaid with a skeleton wearing a hat. Accompanying these paintings are five related works on paper\, including drawings in ink and charcoal on paper or ink on plastic\, as well as several prints. \nIn October 2020\, Johns’s work will be the subject of a major retrospective at the Whitney Museum of American Art in New York and the Philadelphia Museum of Art. Shown at both institutions simultaneously\, it will be the artist’s most comprehensive exhibition to date. \nJasper Johns: Recent Paintings & Works on Paper is on view at 522 West 22nd Street from February 9 to April 6\, 2019\, Tuesday through Saturday\, from 10:00 AM to 6:00 PM. \nFor additional information\, please contact Jacqueline Tran at 212-243-0200 or jacqueline@matthewmarks.com.
URL:https://artinamericaguide.com/event/jasper-johns-recent-paintings-works-on-paper/
LOCATION:Matthew Marks Gallery 522\, 522 West 22nd Street\, New York\, NY\, 10011\, United States
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