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SUMMARY:Rico Gatson: Ghosts
DESCRIPTION:NEW YORK\, NEW YORK – MILES McENERY GALLERY is pleased to announce an exhibition of new paintings and works on paper by Rico Gatson. The exhibition\, Ghosts\, will open on 19 November at 520 West 21st Street and remain on view until 19 December 2020. Ghosts is accompanied by a fully illustrated publication featuring an essay by Antwaun Sargent. \nOver the course of the last three decades\, Rico Gatson has developed a language that includes painting\, sculpture\, collage\, and video and that has been chiefly concerned with the icons and symbols of history\, race and power. He developed his interest in color and geometric symbols while studying Graphic Design and Fine Art as an undergraduate in the 1980s. While he began experimenting with the formal simplicity of Minimalism and Constructivism\, his most recent works are rooted in abstract mysticism. \nGatson employs a limited and specific repertoire of lines\, colors\, and geometric representations. His language of color and shape is drawn from an African-American sensibility to create optical\, repeated patterns. “There’s a fast and slow thing that occurs within the work\,” notes the artist. “The pattern and color are spatially active to the point that I hope the loudness produces a focus that slows the viewer down.” \nGatson’s exploration of the transformative possibility of color and shape is evident in his ongoing series of works on paper\, Icons (2007–). The series pays homage to what he calls “Black Cultural Beacons” and goes beyond their political and cultural meaning. In this body of work\, Gatson extracts monochrome images of civil rights leaders\, musicians\, actors\, and writers from found photographs and recreates them juxtaposed against mesmerizing rays of color\, as if they were suns at the center of their own universes. \nRICO GATSON (b. 1966 in Augusta\, GA) received his Bachelor of Fine Arts degree from Bethel College in 1989 and his Master of Fine Arts degree from Yale School of Art in 1991. \nRecent solo exhibitions include Miles McEnery Gallery\, New York\, NY; “My Eyes Have Seen\,” Ronald Feldman Gallery\, New York\, N Y; “Rico Gatson: 2007-2017\,” The Studio Museum in Harlem\, New York\, N Y; “Power Lines\,” Samsøñ Projects\, Boston\, MA; “Rico Gatson: When She Speaks\, ” Studio 10\, Brooklyn\, N Y; “ The Promise of Light \, ” Ronald Feldman Fine Arts\, New York\, N Y; “2013 Ginsberg Artist in Residence\, Rico Gatson\,” Wright Museum of Art \, Beloit College\, Beloit \, WI; “RICO GATSON: Three Trips Around the Block\,” Exit Art\, New York\, NY and “History Lessons\,” Suzanne Lemberg Usdan Gallery\, Bennington College\, Benning ton\, VT. \nRecent group exhibitions include “ True Lines\,” Over The Influence\, Los Angeles\, CA; “New Symphony of Time\,” Mississippi Museum of Art \, Jackson\, MS; “Historicity\,” Ochi Projects\, Los Angeles\, C A; “Art + Activism: Drawing the Line\,” Children’s Museum of Art \, New York\, N Y; “Jazz and Love\, ” La Viellie Chartié\, Marseille\, France; “Identity Document \, ” Gallery Bergen\, Bergen Community College\, Paramus\, NJ; “We the People\,” Minnesota Museum of American Art\, St. Paul\, MN; “1967: Parallels in Black Art and Rebellion\,” Charles H. Wright Museum of African American History\, Detroit\, MI; “Phantom\,” OSMOS\, New York\, NY; “Accumulation: 5000 Years of Objects\, Fictions\, and Conversations\, ” Mead Art Museum\, Amherst College\, Amherst \, M A; “Every Five Minutes\,” Columbus State University\, Columbus\, G A; “Language Product \, ” Boston Arts Academy\, Boston\, M A; “ When Artists Speak Truth. . . \, ” The 8th Floor\, New York\, NY and “Magic Objects” (curated by Rico Gatson)\, 99 Cent Plus Gallery\, New York\, NY. \nHis work is included in the permanent collections of The Studio Museum in Harlem\, New York\, NY; Smithsonian American Art Museum\, Washington D.C.; Minneapolis Institute of Arts\, Minneapolis\, MN; Bethel College\, St. Paul\, MN; Cheekwood Museum of Art\, Nashville\, TN; Denver Art Museum\, Denver CO; Kempner Museum\, Kansas City\, MO; Malcolm X Institute\, Wabash College\, Crawfordsville\, IN; Mead Art Museum\, Amherst\, MA; Peter Norton Family Foundation\, Santa Monica\, CA and Yale University Art Gallery\, New Haven\, CT. \nHe is the recipient of many awards including the Louis Comfort Tiffany Foundation Biennial Award for Visual Artists; Prized Pieces Video Award from the National Black Programming Consortium; Oil Bar Ltd. Award for Excellence in Sculpture from Yale School of Art and the Pew Charitable Trust Graduate Fellowship. \nRico Gatson lives and works in Brooklyn\, NY.
URL:https://artinamericaguide.com/event/rico-gatson-ghosts/
LOCATION:Miles McEnery Gallery\, 520 W. 21st St.\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20201015
DTEND;VALUE=DATE:20201115
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SUMMARY:Ryan McGinness: Mindscapes
DESCRIPTION:NE W YORK\, NE W YORK – MILES McENER Y GALLER Y is pleased to announce Mindscapes— a presentation of 72 new paintings by Ryan McGinness. The exhibition\, marking the artist’s first New York solo show in five years\, will open on 15 October at 520 West 21st Street and remain on view through 14 November 2020. Mindscapes is accompanied by a fully illustrated publication featuring an essay by Jori Finkel and an interview with Eric Shiner. \n\n\n\nMindscapes—a singular installation comprising a painting of paintings— points to the artist’s interest in exploring the tension between the site- specificity of murals and the commodification of canvas painting that began in the 17th century. McGinness is versed in both indoor and outdoor installations\, and with Mindscapes\, he experiments with at once immersing the viewer in the mural and liberating the mural from its architectural confines. As Jori Finkel notes in her catalogue essay Ryan McGinness and his Micro-Macro Canvas Mural\, “He has found a way to have his mural cake and eat it—or slice it up…—too.” \nThe installation reveals the dichotomy between an exuberant and irrepressible universe that exists beneath the relatively serene superficial. Materialized in pearlescent and fluorescent paints overlaid with metal leaf\, it forces a high-fidelity in-person viewing experience of the work. Manifested on an architectural scale\, the 72 different canvases displayed in nine standard sizes share common motifs and colors in a cohesive 127-foot-long composition. In conceptualizing Mindscapes\, McGinness left no detail unattended. The number 72 reflects the year of his birth; the height of six feet parallels his own height\, causing an augmented physiological recognition for viewers of the installation; and the 127-foot-long length represents the site-specificity of the gallery space. \n\n\n\n\nMcGinness grew up in the skate and surf culture of Virginia Beach where he learned to silkscreen in high school. While at Carnegie Mellon University in Pittsburgh\, he further developed his interest in screen-painting as a curatorial assistant at The Andy Warhol Museum. Materially rooted in the Warholian tradition\, McGinness distinguishes his own acrylic on canvas painting practice with the reminder that while Warhol was interested in anti-art\, he\, conversely\, is acutely interested in art itself. He continually seeks the essential truth within his original iconic drawings\, freed from both the artist and spectator. \nThe Mindscapes’ dense\, hyperactive\, street-art inspired imagery features a profusion of images pulled from the artist’s vast lexicon of symbols: figures\, hands\, flowers\, album covers\, studio tools and psychedelic images. Resembling how our minds work—as random access memories\, McGinness calls this system “a periodic table” and regularly combines visual elements to create his final composition. Similar to the alchemy visible in Hieronymous Bosch’s Garden of Earthly Delights\, McGinness intends for the works to have high impact when viewed from afar. They simultaneously reveal themselves to be particularly rewarding when viewed up close\, a standpoint from which the viewer is able to get lost in a world of details. \n\n\n\nRYAN McGINNESS (b. 1972 in Virginia Beach\, VA) received his Bachelor of Fine Arts degree from Carnegie Mellon University in Pittsburgh\, PA. He also worked as a curatorial assistant at the Andy Warhol Museum in Pittsburgh\, PA. \nRecent solo exhibitions include “Warhol Flower Icons\,” Baldwin Gallery\, Aspen\, CO; “Mother & Child\,” Harper’s Books\, East Hampton\, NY; “Warhol Flower Icons\,” Nanzuka\, Hong Kong\, China\, and Bangkok\, Thailand; “Studio Views\,” Cranbrook Art Museum\, Bloomfield Hills\, MI; “Ocular Evidence\,” Quint Gallery\, San Diego\, CA; “#metadata\,” Kohn Gallery\, Los Angeles\, CA and “Figure Drawings\,” Pace Prints\, New York\, NY. \n\n\n\nHis work is included in the permanent collections of The Metropolitan Museum of Art\, New York\, NY Museum of Modern Art\, New York\, NY; Virginia Museum of Fine Arts\, Richmond\, VA; Museum of Contemporary Art\, San Diego\, CA; Albright-Knox Art Gallery\, Buffalo\, NY; MUSAC\, Museo de Arte Contemporáneo de Castilla y León\, León\, Spain; Taguchi Art Collection\, Tokyo\, Japan; Charles Saatchi Collection\, London\, United Kingdom; Cranbrook Art Museum\, Bloomfield Hills\, MI; Pizzuti Collection\, Columbus\, OH; Saastamoinen Foundation\, EMMA – Espoo Museum of Modern Art\, Espoo\, Finland; New York Public Library\, New York\, NY; Peter Norton Family Foundation\, Santa Monica\, CA; Cincinnati Art Museum\, Cincinnati\, OH; UBS Art Collection\, New York\, NY; JPMorgan Chase Art Collection\, New York\, NY; MTV Networks\, New York\, NY; Neuberger Berman Collection\, New York\, NY; Hallmark Art Collection\, Kansas City\, MO; Schwab Family Collection\, San Francisco\, CA; Sammlung Plum & AkzoNobel Art Foundation\, Amsterdam\, Netherlands; Richard E. Jacobs Group Collection\, Westlake\, OH; The Shockey Family Collection; Cora Diamond Corporation\, New York\, NY; Phillip Schrager Collection of Contemporary Art\, Omaha\, NE. \n\n\n\nRyan McGinness lives and works in New York\, NY.
URL:https://artinamericaguide.com/event/ryan-mcginness-mindscapes/
LOCATION:Miles McEnery Gallery\, 520 W. 21st St.\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20200910
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SUMMARY:Daniel Rich: Back to the Future
DESCRIPTION:NEW YORK\, NEW YORK – MILES MCENERY GALLERY is pleased to announce an exhibition of new paintings by Daniel Rich. Back to the Future will open on 10 September at 520 West 21st Street and remain on view until 10 October 2020. Back to the Future is accompanied by a fully illustrated publication featuring essays by Emily McDermott and Ara H. Merjian. \nDaniel Rich’s reticulated cityscapes and slick façades appear at first glance to be quite literally superficial. Whether it is a geometric exterior pressed close to the picture plane or a cluster of multiple structures glimpsed from a distance\, we experience architecture in his painting as a wholly exteriorized phenomenon— looming close up or made smaller through a bird’s-eye view. \nHis process-oriented paintings offer windows to different parts of the world— some figuratively\, others much more literally—and can evoke a distorted experience of temporality for the viewer. Like compositions by Bernd and Hilla Becher or Andreas Gursky\, Rich’s artworks offer clinical\, complex architectural views onto the world that are filled with subtleties. However\, Rich differs from Becher or Gursky in his painstaking\, intricate process of translating found images into painting. The works also evoke early 20th century European Modernism\, recalling Giorgio de Chirico’s metaphysical cityscapes and Germany’s Neue Sachlichkeit (New Objectivity) artists of the 1920s and 1930s. \nArchitecture\, as it is commonly understood\, is designed and implemented to house the human and is itself the manifestation of our constructed realities. When all signs of life are missing from buildings and spaces\, as in Rich’s paintings\, the result is an unsettling subversion that upends and questions what we have come to expect of both architectural spaces and the organized linearity of time. Rich probes viewers to consider what lies beyond the surface. \nRich also uses his anonymous architectural imagery to talk about history and politics. He speaks of his scenes as “failed utopias” and “changing political power structures.” In their seeming permanence\, the fixed and rigid edifices that populate his work speak to a late capitalist urbanism that sees its monuments not as contingent\, but as immovable and eternal. \nDANIEL RICH (b. 1977 in Ulm\, Germany) received his Bachelor of Fine Art degree in 2001 at the Atlanta College of Art in Atlanta\, GA. He received his Master of Fine Art degree in 2004 at Tufts University in Medford\, MA and the School of the Museum of Fine Arts in Boston\, MA. He also studied at the Skowhegan School of Painting and Sculpture in Skowhegan\, ME in 2004. \nRecent solo and two-person exhibitions include Miles McEnery Gallery\, New York\, NY; “Never Forever\,” Peter Blum Gallery\, New York\, NY; “On a Boat\, Looking for Land: Gil Heitor Cortesao & Daniel Rich\,” Carbon 12\, Dubai\, United Arab Emirates; “Systematic Anarchy\,” Peter Blum Gallery\, New York\, NY; “Platforms of Power\,” Museum of Fine Arts\, Boston\, MA; “Berlin: Daniel Rich and Wieland Speck\,” Horton Gallery\, New York\, NY; “1989-2009: Paintings of the Berlin Airports 20 Years after the Fall of the Wall\,” Andrew Rafacz Gallery\, Chicago\, IL; “Downburst\,” Perry Rubenstein Gallery\, New York\, N Y; and “Black Sunday\,” SUNDAY\, New York\, NY. \nRecent group exhibitions include “Mensch in Moll\,” Inter Port\, Berlin\, Germany; “Geometric Heat\,” GR Gallery\, New York\, NY; “Invisibli\,” Anna Marra Contemporanea\, Rome\, Italy; “Set for the Sun\,” (curated by Jenne Grabowski)\, Lobe Block\, Berlin\, Germany; “#” (curated by Markus Linnenbrink)\, Cindy Rucker Gallery\, New York\, NY; “In My Room: Artists Paint the Interior\, 1950-Now\,” Fralin Museum of Art at The University of Virginia\, Charlottesville\, VA; “After the Fall\,” Peter Blum Gallery\, NewYork\, NY; “Urbanopolis\,” Galerie LJ\, Paris\, France; “Postcard from New York\,” Anna Marra Contemporanea\, Rome\, Italy; “Summer Group Show\,” Joshua Liner Gallery\, New York\, NY. \nRich is the recipient of the Traveling Scholars Grant\, School of the Museum of Fine Arts\, Boston\, MA; NYFA Painting Fellow\, New York Foundation for the Arts\, New York\, NY; Keyholder Residency Award\, Lower East Side Printshop\, New York\, NY; Marie Walsh Sharpe\, The Space Program\, New York\, NY; Bemis Center for Contemporary Arts\, Omaha\, NE; Full Fellowship\, Skowhegan School of Painting and Sculpture\, Skowhegan\, ME; Travel Grant\, School of the Museum of Fine Arts\, Boston\, MA; Graduate Fellowship\, School of the Museum of Fine Arts\, Boston\, MA; Ben Shute Scholarship for Excellence in Representational Art\, Atlanta College Art\, Atlanta\, GA; and the Dragon Foundation Scholarship\, Atlanta College of Art\, Atlanta\, GA. \nHis work is included in the permanent collections of Cornell Museum at Rollins University\, Winter Park\, FL; Fidelity Investments; Maramotti Collection\, Reggio Emilia\, Italy; Museum of Fine Arts\, Boston\, MA; and Wellington Management. \nDaniel Rich lives and works in Berlin\, Germany.
URL:https://artinamericaguide.com/event/daniel-rich-back-to-the-future/
LOCATION:Miles McEnery Gallery\, 520 W. 21st St.\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20200716
DTEND;VALUE=DATE:20200829
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SUMMARY:Esteban Vicente
DESCRIPTION:NEW YORK – MILES McENERY GALLERY is pleased to announce an exhibition of paintings by Esteban Vicente. The show will open on 16 July at 520 West 21st Street and will remain on view through 29 August 2020. The exhibition is accompanied by a fully illustrated publication featuring a text by Angela H. Brown. \nThe late paintings of Esteban Vicente epitomize the continued influence of his native Spain through his time spent in Bridgehampton\, New York. He closely studied shape\, light and the possibilities of pigment in his flower garden\, at his beloved home since 1964. \nThe paintings selected for this exhibition are significant examples of his use of color to illustrate perceived landscapes and light. Vaguely defined forms frame his canvases\, while hazy veils of blue\, deep oranges and subtle yellows introduce a sense of depth and place. The grouping is an affirmation of Vicente’s pursuit of abstraction and his desire to revisit and rework forms until his final days. \nAs Angela H. Brown notes in her scholarly essay Accumulations of Experience: Color\, Camouflage\, and Esteban Vicente’s Abstract Legacy\, “Vicente was adamant about two things: the close observation of color\, and the creation of a unique visual language. He wanted his students to be able to capture the hues and tones around them in order to produce new and productive vocabularies.” \nAdditionally\, Angela H. Brown writes\, “Vicente’s teaching offered a generation of students access to the blurry zone between color and object\, between academic formalism and the almost magical way in which the canvas can become a dispositif of lived experience.” He was among the faculty at Black Mountain College\, Black Mountain\, NC; the New York Studio School of Drawing\, Painting and Sculpture\, New York\, NY; the University of California\, Berkeley\, CA and the University of Puerto Rico\, San Juan\, PR. \nESTEBAN VICENTE is regarded as one of the leading figures of Abstract Expressionsim. He had a long and prosperous career\, living and working with multiple generations of artists and painting well into his 90’s at his home in Bridgehampton\, New York. He received numerous prestigious awards throughout his lifetime including the Gold Medal of Honor in the Fine Arts awarded by King Juan Carlos and Queen Sofia in 1991. The Museo de Arte Contemporáneo Esteban Vicente\, was opened in Segovia\, Spain in 1998. His works can be found in major museum collections including the Metropolitan Museum of Art\, New York\, NY; Museum of Modern Art\, New York\, NY; Whitney Museum of American Art\, New York\, NY; Solomon R. Guggenheim Museum\, New York\, NY; the Los Angeles County Museum of Art\, Los Angeles\, CA and the Art Institute of Chicago\, Chicago\, IL among others.
URL:https://artinamericaguide.com/event/esteban-vicente/
LOCATION:Miles McEnery Gallery\, 520 W. 21st St.\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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SUMMARY:Roy Dowell
DESCRIPTION:NEW YORK – MILES McENERY GALLERY is pleased to announce a presentation of new paintings by Roy Dowell. The exhibition will open 20 February at 520 West 21st Street and remain on view through 28 March. A public opening reception will be held of the artist on Thursday 20 February from 6:00pm to 8:00pm. The exhibition is accompanied by a fully illustrated publication featuring an essay by Amy Gerstler. \nRoy Dowell possesses the unique ability to incorporate fragments of diverse textures\, and shapes to utilize various dialects of abstraction. Using a configuration of seemingly simple elements\, Dowell combines patterns and identifiable images\, producing assorted linear kaleidoscopes and electrifying motifs. Geometric silhouettes create elaborate asymmetrical designs\, while Dowell’s precision and compositional intention remains visible. Zigzags\, pinwheels\, and dots\, overlap across the textured canvas\, creating organic diagrams intended to be decoded. \nDowell’s use of everyday imagery urges viewers to form an identifiable connection to the painting\, all while bringing their own context to the artist’s untitled works. This quality gives Dowell’s works a distinct sense of intimacy. Amy Gerstler remarks\, “As meditation aids\, I believe these paintings are meant to throw us back into long-ago associations\, impressions\, exuberances\, and depths from which we first formed our relationship with shapes\, colors\, thought forms\, and letter forms.” \n\n\nROY DOWELL (b. 1951 in Bronxville\, NY) studied at the California College of Arts and Crafts and received both his Bachelor of Fine Arts and Master of Fine Arts degrees from the California Institute of the Arts in Valencia\, CA. \nDowell has had numerous solo exhibitions internationally. Recent solo exhibitions include “Found in Translation\,” Bolsky Gallery\, Otis College of Art and Design\, Los Angeles\, CA; “Some of Me and the Sum of Others\,” as-is.la\, Los Angeles\, CA; Tif Sigfrids Gallery\, Los Angeles\, CA; 1969 Gallery\, New York\, NY; “Roy Dowell: Mosaics\,” Tif Sigfrids Gallery\, Los Angeles\, CA; “Little Tree\,” Proxy Paris Gallery @ Galerie Ygrec\, Paris\, France; “Roy Dowell: New Work\,” James Harris Gallery\, Seattle\, WA; “Roy Dowell\, New Work\,” Lennon\, Weinberg\, Inc.\, New York\, NY; James Harris Gallery\, Seattle\, WA; Various Small Fires\, Los Angeles\, CA; and Proxy Gallery\, Culver City\, CA. \nRecent group exhibitions include “FEEDBACK\,” (curated by Helen Molesworth)\, Jack Shainman Gallery: The School\, Kinderhook\, NY; “Constellations\,” Lennon/Weinberg Inc.\, New York\, NY; “The American Academy Invitational Exhibition of Visual Art\,” American Academy of Arts and Letters\, New York\, NY; “Make/ Work” (curated by Jenene Nagy)\, Los Angeles Valley College\, Van Nuys\, CA; “ Vision Valley” (curated by Adam Miller)\, Brand Library & Art Center\, Glendale\, CA; “Synchronicity: a State of Painting\,” Lennon/Weinberg\, New York\, NY; “Memory Theater\,” (curated by Srijon Cowdhury)\, Portland\, OR; “A Few Days\,” Lennon\, Weinberg\, Inc.\, New York\, NY; “Salon du Dessin\,” Lennon\, Weinberg\, Inc.\, New York\, NY; and “Death Ship\,” (curated by Adam Miller and Devon Oder)\, The Pit\, Glendale\, CA. \nHis work is included in many collections including the Hammer Museum\, Los Angeles\, CA; Nora Eccles Harrison Museum\, State University of Utah\, Logan\, Utah; Los Angeles County Museum of Art\, Los Angeles\, CA; Museum of Contemporary Art\, Los Angeles\,CA; Museum of Contemporary Art\, San Diego\, CA; Orange County Museum of Art\, Newport Beach\, CA; Phoenix Museum of Art\, Phoenix\, AZ; San Francisco Museum of Modern Art \, San Francisco\, CA; Santa Barbara Museum of Art\, Santa Barbara\, CA; TheWeatherspoon Museum of Art\, Greensboro\, North Carolina. \nDowell lives and works in Los Angeles\, CA.
URL:https://artinamericaguide.com/event/roy-dowell/
LOCATION:Miles McEnery Gallery\, 520 W. 21st St.\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
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