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DTSTART;VALUE=DATE:20220316
DTEND;VALUE=DATE:20220814
DTSTAMP:20260505T185527
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SUMMARY:Brian Maguire: In the Light of Conscience
DESCRIPTION:This exhibition unites several recent bodies of work made by Irish artist Brian Maguire—his Aleppo paintings\, Arizona series\, and ongoing work about migration in Europe and Mexico. \nMaguire’s work is united by atrocity. As a storyteller\, he bears witness to this atrocity\, traveling to the locales where injustice has taken place and meeting with eyewitnesses to draw attention to marginalized voices by occupying a role as facilitator. \nHe shares graphic images to highlight circumstances and issues that have been disregarded\, and to provoke responsibility within each of us. Maguire states\, “all of my work is about public outrage.” \n  \nIn 2020\, Maguire was invited by the Missoula Art Museum to participate in an Emily Hall Tremaine Curatorial Research project investigating how MAM might present an exhibition around the epidemic of Missing and Murdered Indigenous People (MMIP). \n  \nMaguire was a 2021 Fulbright Scholar at MAM\, during which he traveled to several reservations and Indigenous communities in Montana\, meeting with the families who have lost someone to the MMIP epidemic. He will share these portraits in a 2023 exhibition at MAM focused on MMIP. \n  \nMaguire (b. 1951\, Dublin) is an Irish artist whose work stems from his involvement in the civil rights movement of Northern Ireland in the 1970s. In his work\, Maguire draws attention to marginalized voices by occupying a role as facilitator\, which he is uniquely careful not to exploit. This overview of Maguire’s human rights-focused paintings include important loans from Christian Groenke and Gulia Bruckman\, the TIA Foundation in Sante Fe\, New Mexico\, the Rhona Hoffman Gallery in Chicago\, the Kerlin Gallery in Dublin\, the Fergus McCaffery Gallery in New York City\, and Gallerie Christophe Gaillard In Paris.
URL:https://artinamericaguide.com/event/brian-maguire-in-the-light-of-conscience/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20220315
DTEND;VALUE=DATE:20220717
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SUMMARY:Marcus Amerman: Indian Country
DESCRIPTION:This exhibition takes its title from one of Amerman’s (Choctaw) popular ‘photobeadalist’ travel-inspired artworks to declare that the exhibition and\, indeed\, all of America is Indian Country. Included are sensuous blown- and sand-carved vessels made in collaboration with Tlingit artist Preston Singletary\, an assortment of shields made from repurposed hubcaps\, and a series of collages made from rock n’ roll backstage passes—all of which reaffirm contemporary Indigenous presence and vital culture. \nMarcus Amerman (Choctaw) was born in Phoenix\, Arizona\, and grew up in the Pacific Northwest. He divides his time between Kooskia\, Idaho\, and Santa Fe\, New Mexico. He received a BA in Fine Art at Whitman College in Walla Walla\, Washington\, with additional art study at the Institute of American Indian Arts in Santa Fe. \nAmerman is widely renowned for his beadwork. He credits the Plateau region and its wealth of talented bead artists with introducing him to the “traditional” art form of beadwork. He quickly made this art form his own\, however\, by creating a new genre of bead artistry in which beads are stitched down\, one by one\, to create realistic\, pictorial images\, not just large color fields or patterns. \nAmerman draws upon a wide range of influences to create strikingly original works that reflect his background of having lived in three different regions with strong artistic traditions\, his academic introduction to pop art and social commentary\, and his inventive exploration of the potential artistic forms and expressions using beads. Although he is best known for his bead art\, he is also a multimedia artist\, painter\, performance artist (his character “Buffalo Man” can be seen on the cover of the book Indian Country)\, fashion designer\, and glass artist\, as well.
URL:https://artinamericaguide.com/event/marcus-amerman-indian-country/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20220304
DTEND;VALUE=DATE:20220529
DTSTAMP:20260505T185527
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SUMMARY:Ellen Ornitz: Burnt Fossils
DESCRIPTION:Former curator of exhibitions and education at the Emerson Center for Arts and Culture in Bozeman\, Ornitz is now a full-time artist. Most well-known as a sculptor\, she renewed her practice during the pandemic with this series of ceramic vessels. Created with a primitive fire technique her palette is limited to the color of the clay and influences of smoke during the firing process. The vessels are intended\, as she says\, “to look unearthed\, time-scoured and fossilized.” This fascination carries over from her sculptures\, inspired by preserved human bodies of Pompeii and Iron Age “bog” people found in northern European peat bogs\, their organic material preserved by tannins. She is an avid gardener who enjoys having her hands covered in earth\, and her vessels often reveal the imprint of leaves and plants. In Ornitz’s work\, there is a connection between ash\, peat bog\, earth\, mud\, and clay. This series is about transience and transition\, and embodiment of mortality\, and mediating fears and anxieties about the pandemic. \n  \nEllen Ornitz has been a practicing ceramic and mixed media artist for nearly fifty years in the Gallatin Valley. She earned a B.A. in Painting and Printmaking from the University of California\, Santa Cruz and a Masters in Secondary Art Education from the University of Indiana\, Bloomington. She studied ceramics and sculpture with post-graduate work at Montana State University with John Buck and Akio Takamori. \nShe has exhibited her work at the Missoula Art Museum\, University of Montana\, Yellowstone Art Museum\, Holter Museum of Art\, Paris Gibson Square Museum of Art\, Aunt Dofe’s Hall of Recent Memory\, Turman-Larison Gallery\, Blackwood Salon and Radius Gallery. She was a finalist for the Contemporary Northwest Art Awards at the Portland Art Museum in Oregon. \nOrnitz has served on the Board of the Montana Arts Council\, the Museum and Art Gallery Directors Association (MAGDA) and as an advisor to the Bozeman Sculpture Park. She also served as a juror for the Yellowstone Art Museum’s annual art auction and for numerous student exhibits at Montana State University and the University of Montana.
URL:https://artinamericaguide.com/event/ellen-ornitz-burnt-fossils/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20220209
DTEND;VALUE=DATE:20220612
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SUMMARY:Romey Stuckart: Within and Without
DESCRIPTION:Rosemary “Romey” Stuckart (1955–2020)\, like most Westerners\, enjoyed access to natural spaces. Born in Oregon and schooled at Gonzaga University in Spokane and the University of Iowa\, she moved to northern Idaho in 1987. There\, she began to make paintings of the forest in the Cabinet Mountains wilderness adjacent to the towns of Hope and Sandpoint. In 1992\, she was awarded both the Guggenheim Fellowship and Idaho Commission for the Arts State Fellowship\, followed quickly by a National Endowment of the Arts visual artist fellowship in 1993. This level of support provoked a shift in her work that reflected her interest in the energy underlying the natural world. Stuckart meditated on this shift\, noting\, “The paintings recognize the nature of reality as participatory; individual perception reflecting not an objective truth but an inner reality.” \nStuckart sought to embody the underlying energy and potential of a place or thing rather than recording their outward appearance. She explained: “There is more of a marriage between concept and method—the process of painting mimicking rather than describing the process of nature (life) as energy\, change\, movement\, and transformation revealing an inherent underlying interconnectedness.” \nThe work bridges the divide between abstraction and representation\, reflecting what Curator of Exhibitions at the Salt Lake Art Center Jim Edwards said in 2003\, that it was “suggesting natural processes in states of transformation.” \nThe exhibition is accompanied by a catalog with an essay by Ben Mitchell. Catalog support comes from A.R.T. and Hope Circle\, LLC. Romey passed away while this exhibition was being planned\, and MAM is proud to honor her memory.
URL:https://artinamericaguide.com/event/romey-stuckart-within-and-without/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20211020T100000
DTEND;TZID=America/Halifax:20220129T170000
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CREATED:20211105T150303Z
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SUMMARY:Andrea Joyce Heimer: Pastime
DESCRIPTION:Andrea Joyce Heimer was born in Billings\, Montana\, and lives in Bellingham\, Washington. Heimer’s narrative painting and drawing practice investigates the subject of loneliness—largely informed by autobiographical stories such as her own adoption—in order to examine how humans experience feeling alone. Her work has been covered in outlets including Art in America\, Wall Street Journal\, New York Times\, The New Yorker\, New American Paintings\, and Huffington Post.  \nHeimer uses masking to create detailed and collage-like paintings. She created this body of work in early 2021 upon reflecting on memories of her youth. “I made a list of memories from back then\, of what exactly I did to pass the time when there was seemingly nothing to do\,” the artist wrote in a statement about the exhibit. “In hindsight\, I can see these pastimes aren’t just silly games born from never-ending free time and the absence of responsibility… I see the list [of memories] for what it is: a string of plotlines just starting\, many of which I continue now.” These memories are borne out through the longer titles of her paintings\, which set the scene for the viewer. \nShe received an MFA from the New Hampshire Institute of Art and has taught at the Oregon College of Art and Craft\, Emily Carr University of Art and Design\, and Western Washington University. Heimer was a 2019 recipient of the Joan Mitchell Foundation Painters & Sculptors Grants\, a 2019 Betty Bowen Award finalist\, and a 2018 Neddy Award finalist in painting\, a 2015 recipient of the 5790projects Award\, and a 2013 Neddy Award finalist in painting. \n  \nHeimer is represented by Nino Mier Gallery in Los Angeles. Her work has been included in international shows at Almine Rech in Paris\, Pinakotheke der Moderne in Munich\, and Nino Mier in Brussels. In 2017\, Heimer was one of 55 artists selected to participate in the 15th Istanbul Biennial. She is currently pursuing doctoral studies on alternative pedagogies and feminization of post-secondary art education. \nThis exhibit is sponsored by Clyde Coffee.
URL:https://artinamericaguide.com/event/andrea-joyce-heimer-pastime/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20211001T100000
DTEND;TZID=America/Halifax:20220301T170000
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SUMMARY:Jodi Lightner: Gathered Coherence
DESCRIPTION:Billings-based artist Jodi Lightner presents a series of intricate drawings and a 30-foot site-specific installation in the atrium of the museum. Gathered Coherence draws on selections from her MAGDA exhibit Straight There and Back while focusing on her detailed architectural responses. \nJodi Lightner is an associate professor of art and chair of the art department at Montana State University\, Billings where she teaches courses that involve pencils\, paint\, and presses and oversees the foundation courses. She received her MFA in painting from Wichita State University\, Kansas\, and continues her studio practice in Montana while exploring the Northern Rocky Mountains and freeing the wild West. Lightner enjoys artist residencies focused on studio practice and has spent time at the International School of Painting\, Drawing\, and Sculpture in Monte Castello di Vibio\, Italy; Vermont Studio Center in Johnson\, Vermont; Ucross Fellowship\, Wyoming; and as an emerging artist in residency at Penn State Altoona.
URL:https://artinamericaguide.com/event/jodi-lightner-gathered-coherence/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20211001T100000
DTEND;TZID=America/Halifax:20220226T170000
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CREATED:20211102T165123Z
LAST-MODIFIED:20211102T165123Z
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SUMMARY:Below the Bark: Artworks of Disturbance Ecology
DESCRIPTION:Below the Bark exemplifies the Missoula Art Museum’s commitment to exhibits that combine societal and environmental phenomena with art. Three artists and a local scientist from the University of Montana created this exhibit in response to the bark beetle infestation\, deforestation\, and climate change. This infestation has commercial\, recreational\, and environmental impacts within western Montana and the greater North American forest ecosystems. The term “bark beetle” is typically used as a catchall for over 600 species of weevils that bore through the interior bark of trees to feed and reproduce. Tunnels can be “read” like human handwriting and give insight into the lifespan and needs of each individual beetle. This show focuses on pine and spruce bark beetles\, which have destroyed millions of acres of forests in recent years. Shifting climate patterns\, like milder winters\, allow for the proliferation of these beetles to kill off massive swaths of trees. \nThis exhibit is a collaboration between artists Jim Frazer\, Tim Musso\, and Suze Woolf. The works presented are strongly influenced by not only artistic inspiration and practice but by scientific research and philosophy. This exhibit includes linocut and woodcut prints\, photography\, handmade books\, and climate charts. \nThis exhibit is sponsored by the Holiday Inn Downtown.
URL:https://artinamericaguide.com/event/below-the-bark-artworks-of-disturbance-ecology/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210831T100000
DTEND;TZID=America/Halifax:20220226T170000
DTSTAMP:20260505T185527
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SUMMARY:Neal Ambrose-Smith: Where Are You Going?
DESCRIPTION:With a dual exhibition title in Séliš and English\, artist Neal Ambrose-Smith queries our present\, collective situation and expresses the anxieties and uncertainties of contemporary life. Ambrose-Smith\, a descendent of the Confederated Salish and Kootenai Nations\, created this body of work over the past four years to address the seismic political and cultural shifts that have taken place. His work is typified by fluency in the mediums of printmaking\, painting\, drawing\, sculpture\, and neon\, well as a fluency in the currency of our times—popular culture. Ambrose-Smith wears his humor on his sleeve\, even as his heart is in his throat. He cares deeply about the present state of humanity and manifests this concern through these expressive artworks. Ambrose-Smith says\, “As a nation\, we face a reckoning seen the rise in anger\, racism\, hatred\, destruction of the planet\, and illness. As human beings\, we have to find a way to work together.” \n  \nIn this exhibition\, the artist uses the metaphor of multiple realities (through the use of black light\, references to Alice in Wonderland\, and Star Trek’s map of the known universe) to point out the fundamental problem with fixed solutions. A postmodern artist\, Ambrose-Smith moves between mediums and embodies the postmodern tenants of appropriation\, juxtaposition\, recontextualization\, globalization\, and hybridity. His work mixes concepts of Indigenous identity and pop culture\, with existential questions about contemporary society. He takes on large\, complicated themes such as the arc of human existence\, our interdependence with one another\, and the future direction of the planet in an accessible\, tongue-in-cheek way that connects to audiences.
URL:https://artinamericaguide.com/event/neal-ambrose-smith-where-are-you-going/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210806T100000
DTEND;TZID=America/Halifax:20211231T170000
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SUMMARY:Anne Appleby: A Hymn for the Mother
DESCRIPTION:Observing and responding to her the forest surrounding her home and studio outside of Jefferson City\, Montana\, artist Anne Appleby distills her perceptions of natural elements as they perpetually alter throughout their life cycles. In this new series of works\, Appleby addresses the collective angst we are experiencing\, consciously or not\, regarding the rapidly changing climate. Through a subtle approach employing various mediums and imagery\, the exhibition examines the romantic ideas we hold culturally in relation to the reality and effects of a warming planet. Appleby states “I have spent the last twenty-three years painting the landscape of my Montana home\, in a reductive language observing the cyclical nature of trees and plants. I use this language in the exhibition but also explore a traditional style of romantic landscape painting.” \n“As an elegy to Mother Earth in face of unprecedented environmental destruction\, A Hymn for the Mother may be best understood through the lens of forward-thinking conservation practices and legislation and the development of the environmental movement in Montana. Usually\, contemporary art falls on one end of a spectrum while environmental policy and activism lie elsewhere\, unrelated\, but Appleby manages to create a body of work that bridges this traditional division. This is not to say that Appleby’s work is overtly political. Rather\, the environmental movement in Montana works as an armature to support deeper engagement and a better understanding of the artist’s practice and her work.” —Brandon Reintjes\, senior curator at MAM. \nThis exhibit is sponsored by The Wren and Ruth & Kim Reineking.
URL:https://artinamericaguide.com/event/anne-appleby-a-hymn-for-the-mother/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Denver:20200201T170000
DTEND;TZID=America/Denver:20200201T213000
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CREATED:20191210T231119Z
LAST-MODIFIED:20191218T201630Z
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SUMMARY:Missoula Art Museum 2020 Benefit Art Auction
DESCRIPTION:The 2020 Benefit Art Auction for the Missoula Art Museum will be held on February 1 at the UC Ballroom at the University of Montana in Missoula from 5 to 9:30 PM MST. MAM invites the public to celebrate 45 years of exhibitions\, programming and arts education at this marquee event\, which will feature two silent auction rounds and a dynamic live auction. \nThe auction will feature over 80 works of art including sculpture\, prints\, paintings\, glasswork and more. Artists from all over the United States have donated at least 50% of the sale price of these pieces\, which will support the next year of contemporary art programming at MAM.
URL:https://artinamericaguide.com/event/missoula-art-museum-2020-benefit-art-auction/
LOCATION:Missoula Art Museum\, 335 North Pattee Street\, Missoula\, MT\, 59802\, United States
CATEGORIES:Event
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