BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://artinamericaguide.com
X-WR-CALDESC:Events for Art in America Guide
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Halifax
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20190310T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20191103T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20200308T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20201101T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20210314T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20211107T050000
END:STANDARD
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210907
DTEND;VALUE=DATE:20211011
DTSTAMP:20260504T112145
CREATED:20210908T194744Z
LAST-MODIFIED:20210908T194744Z
UID:87423-1630972800-1633910399@artinamericaguide.com
SUMMARY:Gracie DeVito: Recent Paintings
DESCRIPTION:The New York Studio School is pleased to announce its first solo presentation of works by Los Angeles-based artist Gracie DeVito. Gracie DeVito\, Recent Paintings includes new paintings from 2020 and 2021. The exhibition will be on show from September 7 to October 10\, 2021. \nDeVito’s recent works recall a sort of painterliness that has historically been founded on two key precepts: the understanding of painting as a form of primary process thinking and the practice of transcription. With regards to the former notion\, Donald Kuspit writes about the paintings of Leon Kossoff—an important source of inspiration for DeVito’s work—that they “inflame our subconscious.” In addition to being a proponent of the sort of “gestalt-free” painting alluded to by Kuspit here\, Kossoff was also an avid practitioner of transcription. Neither copying nor reinterpretation\, the practice of transcription that Kossoff swore by—as does now DeVito—was technical and analytical. It was a process of reverse engineering carried out for the sake of the betterment of the transcriber as a painter. \nThe paintings included in the present exhibition are not transcriptions\, but they engage with the history of painting in a similar way. Hectic churns of blues and greens recall the use of metaphors of aquatic depth and organic growth in modernist abstraction. Yet\, in DeVito’s paintings\, any allusion to the metaphysical is shot through with flashes of silliness and banality. While very rarely figurative in the traditional sense of the term\, they are littered with little jokes. A cosmic swirl is punctuated by a spillage that can only be described as unedifying. The virtuosity of the handling of color and paint is undercut by the intermittent use of familiar devices and effects. \nThe inner experience mobilized by these paintings is a contaminated one\, and the titles of the paintings serve as hints as to by what. They liken the vertiginous depths with which the paintings confront us to the vortexes of meandering Reddit-threads and free-wheeling podcasts. They compare the catharsis toward which the paintings seem to prod us to the sort of transformations one might experience when following a three-day juice diet\, physical and psychological. This is the sensibility and contingency that DeVito brings to the tradition of painterliness that she operates within and beyond. \nDeVito (b. 1985) lives and works in Los Angeles. Her work has been the subject of solo exhibitions at Tif Sigfrids\, Overduin and Co. and Nicelle Beauchene and has been reviewed in Artforum and The New York Times. She received her MFA from CalArts in 2012 and has been participating in classes at The New York Studio School since 2003. \n-Niels Henriksen\, August 2021 \n\nImage: Gracie DeVito\, Situationist Hiker\, 2020\, Oil on panel\, 26 x 21 1/2 in.
URL:https://artinamericaguide.com/event/gracie-devito-recent-paintings/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/09/Situationist-Hiker-2020-Oil-on-panel-26-x-21-12-in.jpg
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200130T180000
DTEND;TZID=America/Halifax:20200130T200000
DTSTAMP:20260504T112145
CREATED:20200115T184820Z
LAST-MODIFIED:20200115T184820Z
UID:63600-1580407200-1580414400@artinamericaguide.com
SUMMARY:Roger Tibbetts: Recto/Verso Opening Reception
DESCRIPTION:The New York Studio School presents recent works by Roger Tibbetts in Recto/Verso\, January 27 – March 1\, 2020\, with an Opening Reception Thursday\, January 30\, 6-8pm. The paintings of Roger Tibbetts at first insist a poetic\, hard edge finality\, but closer inspection reveals their weathered\, shifting surfaces; geometric painting that survived battle. \nThe worked acrylic surfaces present silky\, meditative fields\, punctuated by moments where Tibbetts snaps us back to the reality of the making; with constellations of drawn lines\, dots\, and physical holes. Large shapes of color are balanced with these thin\, mathematical components\, exposed amongst the layers. The linear elements reinforce the flatness of the surface\, while also creating illusions of prisms and oblongs in space. \nTibbetts works\, which range from ten inches to almost ten feet\, are created with expanses of muted colors built up by limited palettes. Black and white often dominate the entire surface\, with touches of reds\, pinks\, blues\, and purples. The areas of color may seem singular\, but the compounding of decisions builds milky films of fluctuating color and opacity. \nRecto/ Verso includes Tibbetts’ drawings and works on paper that reveal more directly the architectural line work and unlikely prisms layered in the paintings. They provide a key to the mysterious schematics revealed between and on top of the stratum of built up color\, while still not giving away the structures they map. Pencil\, ink\, and acrylic are worked into plastic and paper with a combination of precision and chance. \nRoger Tibbetts received an MFA from Yale University School of Art (1975)\, as well as completing studies at the Chelsea School of Art\, London\, England (1972) and Wolverhampton College of Art\, England (1971). Exhibitions of his work include solo and group shows at Bannister Gallery Rhode Island College\, The Museum of Fine Arts Boston\, Bernard Toale Gallery\, Boston\, Mercer Street Gallery NYC\, Ruggiero Gallery NYC\, and the Bakalar and Paine Galleries at MassArt. Tibbetts is the recipient of a Guggenheim Fellowship (1999)\, a Louis Comfort Tiffany Grant (1986)\, and grants from the Connecticut Commission on the Arts\, and from the National endowment for the Arts. Public collections include the Museum of Fine Arts\, Boston\, Cleveland Museum of Art\, Davison Art Center\, Wesleyan University\, Fogg Museum\, Harvard University\, Rhode Island School of Design Museum\, Rose Art Museum\, Hood Museum of Art Dartmouth College\, and the Yale Art Museum. Tibbetts is based in Connecticut and currently teaches at the Massachusetts College of Art & Design.
URL:https://artinamericaguide.com/event/roger-tibbetts-recto-verso-opening-reception/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/01/1.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200115T183000
DTEND;TZID=America/Halifax:20200115T193000
DTSTAMP:20260504T112145
CREATED:20200106T171833Z
LAST-MODIFIED:20200106T171833Z
UID:63058-1579113000-1579116600@artinamericaguide.com
SUMMARY:Pat Passlof: Fifty Years on Paper\, Gallery Talk with Curator Geoffrey Dorfman
DESCRIPTION:Join us for a Gallery Talk with curator Geoffrey Dorfman to discuss Pat Passlof: Fifty Years on Paper\, on Wednesday\, January 15\, at 6:30pm. This event is free & open to the public. \nPat Passlof: Fifty Years on Paper\, on view through January 19\, 2020.
URL:https://artinamericaguide.com/event/pat-passlof-fifty-years-on-paper-gallery-talk-with-curator-geoffrey-dorfman/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2020/01/Pat-Passlof-Gallery-Talk-Evite.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191212T180000
DTEND;TZID=America/Halifax:20191212T200000
DTSTAMP:20260504T112145
CREATED:20191118T174135Z
LAST-MODIFIED:20191118T174135Z
UID:61767-1576173600-1576180800@artinamericaguide.com
SUMMARY:Pat Passlof: Fifty Years on Paper\, Opening Reception
DESCRIPTION:Pat Passlof: Fifty Years on Paper\nCurated by Geoffrey Dorfman\nPresented by the Milton Resnick and Pat Passlof Foundation\nDecember 9\, 2019 – January 19\, 2020\nOpening Reception: Thursday\, December 12\, 2019 \nThe art of Pat Passlof (1928 —2011) is being featured this year in three separate exhibitions\, of which this one at the New York Studio School — the last — focuses on her work on paper and vellum. Firstly there are the early drawings she made as a twenty-year-old prodigy\, and protégé of Willem de Kooning. They can be roughly dated to 1949 or 1950 and have never been shown before. These are coupled with the main body of the show\, gouaches (sometimes enhanced with more intensely pigmented acrylic\,) painted in the 1980’s. All the work in the show is figurative. \nPat’s sensibility was inimitable\, impossible to mistake for another’s. As is so evident in her early drawings\, she already could boast natural facility\, an exacting eye\, and an educated\, deft line which\, as evident in her pencil study of her hands\, is frankly worthy of Ingres. But as a mature painter in her fifties\, and especially on paper\, she tended to court the fey\, fanciful\, and whimsical aspects of her art\, in which the brush appeared to create diaphanous effects seemingly by chance. \nI’ve chosen to concentrate on dream landscapes\, often peopled and sporting not a few wild horses. Pat had strong feelings for animals\, and a fascination with the American Indian\, on which she had amassed a small library\, boasting of books going back to the 1840’s. Her little summer house and studio in the Shawangunk mountains where many of these gouaches were made or begun\, was surrounded by white birch\, and one found oneself whimsically conjuring the Lenape spirits amongst them in the early morning mist. (The ‘Schawan’ in Shawangunk is Lenape for ‘There is smoky air.’) \nPat Passlof was an absorbing personality; a well read\, thoughtful\, industrious\, and critically exacting woman. But she also seemed to me a bit ‘witchy.’ Back in the 1950’s she befriended a family of Gypsies that had moved overnight into the storefront of her building on 10th street. She regarded fortune-telling as no more than a parlor game\, yet paradoxically later became a serious adherent of astrology. Almost anyone coming into her orbit was likely to have his or her chart done\, an irresistible all-purpose icebreaker. (She could also read palms.) Once I asked Milton Resnick — her more famous painter-husband — whether he\, himself\, believed in these occult practices. He thought about it for a few seconds before replying\, “Well\, I believe in Pat.” Occultism is only now gradually becoming an acknowledged influence in early modernism in art\, music and other arts\, and the sybil — the female seer — is an ‘office’ extending back to antiquity\, present on all continents. At the very core of art practice is the transformation of base materials into spiritualized incarnate entities\, in part by means of thought. That has always been true. And that of course shares generalized roots with magical practice. \nYet\, one must understand that fortune-telling is not transformative. It seeks to read signs of a future that in some limited sense has already occurred. Nevertheless\, it always begins with a ‘throw\,’ something entirely random. It might be a literal throw of stones\, sticks or intestines\, the spooking of a flock of birds\, the pick of a card\, the albumen in a cracked egg\, the crack in the scapula of an ox\, the line in a palm\, or the date\, time and place of one’s birth\, that catalyzes the reading. And when conceiving a painting\, Pat\, Milton and others of their counterparts (including myself) prefer a flying start\, employing similarly sudden and haphazard means. Opening up a canvas is not unlike a break shot in pool\, spreading the table so as to open up myriad possibilities. \nWhat seemed entirely separate\, merely a social lubricant\, now can be reevaluated on a more elevated aesthetic plane\, as Pat — and the memory of Pat — recedes into the sands of time. \n— Geoffrey Dorfman
URL:https://artinamericaguide.com/event/pat-passlof-fifty-years-on-paper-opening-reception/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/11/PP.669.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191125T183000
DTEND;TZID=America/Halifax:20191125T193000
DTSTAMP:20260504T112145
CREATED:20191118T174204Z
LAST-MODIFIED:20191118T174204Z
UID:61765-1574706600-1574710200@artinamericaguide.com
SUMMARY:Hermine Ford: Toward the Beginning\, Gallery Talk
DESCRIPTION:Join us for a Gallery Talk with exhibiting artist Hermine Ford\, in conversation with Stephanie Buhmann & Nora Griffin\, to discuss Ford’s exhibition “Toward the Beginning\,” on view at the New York Studio School through December 1\, 2019.
URL:https://artinamericaguide.com/event/hermine-ford-toward-the-beginning-gallery-talk/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/11/Hermine-Ford-Gallery-Talk.jpg
ORGANIZER;CN="new york studio school":MAILTO:rrickert@nyss.org
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191005T160000
DTEND;TZID=America/New_York:20191005T170000
DTSTAMP:20260504T112145
CREATED:20190925T134036Z
LAST-MODIFIED:20190925T134036Z
UID:59983-1570291200-1570294800@artinamericaguide.com
SUMMARY:Bruce Gagnier Gallery Talk: In Conversation with Celia Gerard & Steven Harvey
DESCRIPTION:Join us for a Gallery Talk to accompany Bruce Gagnier’s exhibition Stance on view at the New York Studio School through October 13. Gagnier will be joined by Artist Celia Gerard and Gallerist Steven Harvey for a conversation about the work. The talk begins at 4pm on Saturday\, October 5\, in the NYSS Gallery and Clay Room.
URL:https://artinamericaguide.com/event/bruce-gagnier-gallery-talk-in-conversation-with-celia-gerard-steven-harvey/
LOCATION:New York Studio School of Drawing\, Painting & Sculpture\, 8 West 8th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/09/Bruce-Gagnier-Gallery-Talk_Oct.5.jpg
GEO:40.7329524;-73.998005
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=New York Studio School of Drawing Painting & Sculpture 8 West 8th Street New York NY 10011 United States;X-APPLE-RADIUS=500;X-TITLE=8 West 8th Street:geo:-73.998005,40.7329524
END:VEVENT
END:VCALENDAR