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DTSTART;TZID=America/Halifax:20210916T100000
DTEND;TZID=America/Halifax:20211016T180000
DTSTAMP:20260409T194639
CREATED:20210924T211536Z
LAST-MODIFIED:20210924T211536Z
UID:88421-1631786400-1634407200@artinamericaguide.com
SUMMARY:Paul Graham | The Seasons
DESCRIPTION:Pace Gallery is pleased to present an exhibition of two bodies of work by Paul Graham as part of the artist’s first West coast show since his 2015 solo exhibition at Pier 24\, San Francisco. The series on view in the exhibition—The Seasons and Sightless—were first presented in Pace’s New York gallery in a show that was abbreviated by the pandemic. Graham’s images will be on view from September 16 through October 16\, 2021 at the gallery’s Palo Alto space. \nImage:\nPaul Graham\, Sightless (Woman in Black Jacket Half in Shade)\, 2005 © Paul Graham
URL:https://artinamericaguide.com/event/paul-graham-the-seasons/
LOCATION:Pace Gallery Palo Alto\, 229 Hamilton Avenue\, Palo Alto\, CA\, 94301\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190621
DTEND;VALUE=DATE:20190805
DTSTAMP:20260409T194639
CREATED:20190529T140942Z
LAST-MODIFIED:20190529T140942Z
UID:54530-1561075200-1564963199@artinamericaguide.com
SUMMARY:Liu Jianhua
DESCRIPTION:Pace is pleased to present an exhibition of sculptures by Liu Jianhua. The exhibition will focus on Liu’s mastery of porcelain\, a medium he has been ceaselessly pushing the boundaries of since 1977\, when he began working as an apprentice in the Jingdezhen Pottery and Porcelain Sculpture Factory\, the oldest established center of ceramic production in China. Significant recent series in the artist’s oeuvre will be on display\, including Trace (2011); Square (2014)\, which was featured in the 2017 Venice Biennale Viva Arte Viva; and Blank Paper (2009-16). The artist’s first solo exhibition with Pace Gallery in the U.S.\, Liu Jianhua will be on view from June 21 to August 4\, 2019 at Pace Gallery at 229 Hamilton Ave\, Palo Alto. An opening reception for the artist will be held on Thursday\, June 20 from 4–7 pm. \nThe series of works included in this exhibition underscore the artist’s increasingly philosophical approach toward form and abstraction that has characterized his practice over the last decade. Full distillations of form resulted in the Blank Paperseries\, thin sheets of white porcelain hung on the wall. Uncannily realistic in their mimicry of pristine sheets of paper\, the works demand more than a perfunctory glance to see they are made of porcelain. However\, in the process of discovering the sculptures’ true medium\, assessments and assumptions are reevaluated and the viewer is able to reconsider the form of objects free from preconceptions of their function. Though the works allow for revelations\, they offer the viewer no grand narratives\, rather inviting people to make their own impressions. \nOther highlights of the exhibition include Trace\, a series of wall-bound black porcelain ink drops\, which are inspired by wo lou hen\, a calligraphy stroke that can be translated to “traces from a leaking roof.” The sculptures play off of both wo lou hen’s figurative inspiration and calligraphic origins by returning the brushstrokes back to their architectural context\, while transforming the walls of the gallery into immense sheets of paper at the artist’s disposal. This transformation is made complete by the lustrous black porcelain Liu expertly employs—in his hands the material appears viscous and weighty\, threatening to drip down the walls. Traceultimately led to the final series on view\, Square\, an installation comprised of gold-glazed porcelain pools resting on top of steel sheets\, which was most recently shown in Viva Arte Viva at the 57th Venice Biennale (2017). Liu further flexes his unsurpassed dexterity with porcelain by seemingly turning fragile material into delicate liquid pools of precious metal. Though the works are undeniably sumptuous\, they present a clean cogent aesthetic with a strong eye for form and material that has defined Liu Jianhua’s recent work.
URL:https://artinamericaguide.com/event/liu-jianhua/
LOCATION:Pace Gallery Palo Alto\, 229 Hamilton Avenue\, Palo Alto\, CA\, 94301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Pace Gallery Palo Alto":MAILTO:ReceptionPA@pacegallery.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190411
DTEND;VALUE=DATE:20190527
DTSTAMP:20260409T194639
CREATED:20190402T163044Z
LAST-MODIFIED:20190402T163044Z
UID:50521-1554940800-1558915199@artinamericaguide.com
SUMMARY:Irving Penn
DESCRIPTION:In 1967 armed with a Rolleiflex\, Irving Penn came to San Francisco. He rented a building in Sausalito that allowed him to photograph under plenty of northern light\, with beams strong enough to bear the weight of the Hell’s Angels’ motorcycles. This studio—like countless studios Penn used over the course of his career—became a neutral space where the photographer and subject could focus on the task at hand to capture individual expression. Photographing them in his signature smooth pared-down style\, Irving Penn brought equal consideration and expertise into his work with young hippie couples\, motorcyclists\, and radical nude dancers as he did with celebrated actors\, artists\, and luminaries of his time. Decades later\, Pace Gallery is honored to bring the work of Irving Penn to the San Francisco Bay Area. \nImage: Irving Penn\, Hell’s Angels\, San Francisco\, 1967. Platinum palladium print mounted to aluminum\, image\, 18 5/8 x 22 1/2 inches paper\, 22 x 24 7/8 inches mount\, 22 x 26 inches.
URL:https://artinamericaguide.com/event/irving-penn/
LOCATION:Pace Gallery Palo Alto\, 229 Hamilton Avenue\, Palo Alto\, CA\, 94301\, United States
CATEGORIES:Exhibition
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ORGANIZER;CN="Pace Gallery Palo Alto":MAILTO:ReceptionPA@pacegallery.com
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