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X-WR-CALDESC:Events for Art in America Guide
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DTSTART;TZID=America/Halifax:20220715T093000
DTEND;TZID=America/Halifax:20221231T163000
DTSTAMP:20260507T062304
CREATED:20210823T142327Z
LAST-MODIFIED:20210916T194455Z
UID:85493-1657877400-1672504200@artinamericaguide.com
SUMMARY:Chrome Dreams and Infinite Reflections: Forty Years of Photorealism
DESCRIPTION:Photorealist paintings and prints are based on photographs\, but they are not simply demonstrations of virtuosic painting skills. Instead\, they are evocative of the times in which they were created. \nFeaturing works by Richard Estes\, Robert Cottingham\, Audrey Flack\, Chuck Close\, and Janet Fish\, Chrome Dreams will highlight the glittering cityscapes\, shiny storefront windows\, and sleek automobiles of the 1960s and 70s. Visitors to the exhibition will also be transported by music and films from the era\, which will create a nostalgic look at America’s post-war boom.
URL:https://artinamericaguide.com/event/chrome-dreams-and-infinite-reflections-forty-years-of-photorealism/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220222T093000
DTEND;TZID=America/Halifax:20221231T163000
DTSTAMP:20260507T062304
CREATED:20210819T145416Z
LAST-MODIFIED:20210916T194455Z
UID:85468-1645522200-1672504200@artinamericaguide.com
SUMMARY:Still I Rise: The Black Experience at Reynolda
DESCRIPTION:“Into a daybreak that’s wondrously clear / I rise.” Maya Angelou’s poem “Still I Rise\,” published in 1978\, was an assertion of dignity and resilience in the face of oppression. In the 1980s\, Angelou used Reynolda as her stage sharing words of humanity\, survival\, and triumph. But before her\, numerous Black lives impacted and intersected with the story of Reynolda. Still I Rise: The Black Experience at Reynolda examines the lives of the Black women and men who helped shape Reynolda as it evolved from a Jim Crow era working estate into a museum for American art. \nFrom 1912 through the 1950s\, during one of the most repressive climates for Black people in North Carolina history\, Black men and women navigated Reynolda’s segregated spaces—farming the land\, constructing buildings\, and working as domestic staff within Reynolda’s walls. During this era\, segregation\, the exploitation of Black labor\, and laws that regulated Black behavior affected the lives of all individuals in the Reynolda story\, whether at Reynolda or at the R.J. Reynolds Tobacco Company. While the struggle for equality did not end with the Civil Rights Act of 1964\, the story of Reynolda pivoted to one of a public cultural institution. When it opened its doors in 1967\, Reynolda’s intersection with Black lives shifted as the young\, fledgling museum provided a venue for Black artists to celebrate their art. Artists such as Jacob Lawrence\, Romare Bearden\, and Maya Angelou transformed the historic setting into a stage for their art and teachings. Through art\, letters\, photographs\, and audiovisual recordings\, Still I Rise: The Black Experience at Reynolda examines Reyolda’s complicated past in a space designed for reflection and healing.
URL:https://artinamericaguide.com/event/still-i-rise-the-black-experience-at-reynolda/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220205T093000
DTEND;TZID=America/Halifax:20220508T163000
DTSTAMP:20260507T062304
CREATED:20210823T142327Z
LAST-MODIFIED:20210823T142327Z
UID:85496-1644053400-1652027400@artinamericaguide.com
SUMMARY:Black Is Beautiful: The Photography of Kwame Brathwaite
DESCRIPTION:Throughout the 1960s\, Kwame Brathwaite used his photography to popularize the transformative idea that “Black is Beautiful.” This exhibition—the first dedicated to Brathwaite’s remarkable career—tells the story of a central figure of the second-wave Harlem Renaissance. In addition to his work in photography\, Brathwaite founded two key organizations: the African Jazz-Art Society and Studios (AJASS)\, a collective of artists\, playwrights\, designers\, and dancers\, and the Grandassa Models—the subject of much of this exhibition’s contents—a modeling agency for Black women\, founded to challenge white beauty standards. \nExhibition organized by Aperture Foundation\, New York and Kwame S. Brathwaite. The exhibition Black Is Beautiful: The Photography of Kwame Brathwaite and the accompanying Aperture publication\, are made possible\, in part\, with generous support from the National Endowment for the Arts and the Photographic Arts Council Los Angeles. \nImage: Kwame Brathwaite\, Sikolo Brathwaite wearing a headpiece designed by Carolee Prince\, African Jazz-Art Society & Studios (AJASS)\, Harlem\, ca. 1968; from Kwame Brathwaite: Black Is Beautiful (Aperture\, 2019). Courtesy the artist and Philip Martin Gallery\, Los Angeles.
URL:https://artinamericaguide.com/event/black-is-beautiful-the-photography-of-kwame-brathwaite/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210914T093000
DTEND;TZID=America/Halifax:20220306T163000
DTSTAMP:20260507T062304
CREATED:20210819T143750Z
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UID:85460-1631611800-1646584200@artinamericaguide.com
SUMMARY:The O'Keeffe Circle: Artist as Gallerist and Collector
DESCRIPTION:The experimental paintings and drawings of Georgia O’Keeffe found their greatest early advocate in Alfred Stieglitz\, the gallerist and photographer whom she married in 1924. Through Stieglitz\, O’Keeffe was introduced to critics\, collectors\, and a collegial community of avant-garde painters with whom she showed her newest works. In time\, several artists came to trust her to hang their shows at the galleries with the same careful\, unerring eye that she brought to her own annual installation. In effect\, O’Keeffe functioned as co-curator with the oracular Stieglitz\, often moderating his enthusiasms with a dispassionate exactness.\n\nQuoting extensively from her letters\, this small\, two-room exhibition will explore O’Keeffe as a gallerist in New York and as a collector in her New York apartments and residences in New Mexico. She was highly judicious in selecting the art that shared her home\, claiming that “My home is simple\, but I aim to make it simpler!”\n\nThe recent promised gift\, O’Keeffe’s Cedar Tree with Lavender Hills\, 1937\, will be joined by works by Isamu Noguchi\, Alexander Calder\, John Marin\, Marsden Hartley\, Charles Demuth\, Arthur Dove\, and others.\n\nReynolda House is grateful for the support of The Robert and Constance Emken Fund of the Winston-Salem Foundation\n\nIMAGE: Arthur Dove\, Dancing (1934)\, oil on canvas\, gift of Barbara B. Millhouse\, Reynolda House Museum of American Art
URL:https://artinamericaguide.com/event/the-okeeffe-circle-artist-as-gallerist-and-collector/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/Halifax:20210721T093000
DTEND;TZID=America/Halifax:20211212T163000
DTSTAMP:20260507T062304
CREATED:20210819T145349Z
LAST-MODIFIED:20210831T203610Z
UID:85466-1626859800-1639326600@artinamericaguide.com
SUMMARY:The Voyage of Life: Art\, Allegory\, and Community Response
DESCRIPTION:In this exhibition\, three centuries of American art illuminate the chapters of every individual life. Each of us “plays in his or her time many parts\,” attaining awareness as children\, striking out as individuals\, embracing or avoiding change during adulthood\, and learning new ways of being in old age. \nWorks by artists including Lee Krasner\, Alice Neel\, Robert Colescott\, Keith Haring\, Andy Warhol\, Romare Bearden\, and Grant Wood reveal critical moments in the voyage of life\, with its heydays\, rough patches\, and new starts.
URL:https://artinamericaguide.com/event/the-voyage-of-life-art-allegory-and-community-response/
LOCATION:Reynolda House Museum of American Art\, 2250 Reynolda Road\, Winston-Salem\, NC\, 27106\, United States
CATEGORIES:Exhibition
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