BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art in America Guide - ECPv6.7.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://artinamericaguide.com
X-WR-CALDESC:Events for Art in America Guide
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
TZID:America/Halifax
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20190310T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20191103T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20200308T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20201101T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20210314T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20211107T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20220313T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20221106T050000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240906
DTEND;VALUE=DATE:20240909
DTSTAMP:20260513T185104
CREATED:20240902T171528Z
LAST-MODIFIED:20240902T171528Z
UID:109790-1725580800-1725839999@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at The Armory Show\, Booth 312
DESCRIPTION:VIP Preview (Invitation Only): Thursday\, September 5\nFriday\, September 6\, 11AM–7PM\nSaturday\, September 7\, 11AM–7PM\nSunday\, September 8\, 11AM–6PM
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-the-armory-show-booth-312/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2024/08/BBC.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230907T000000
DTEND;TZID=America/New_York:20230910T000000
DTSTAMP:20260513T185104
CREATED:20230907T201515Z
LAST-MODIFIED:20230908T164251Z
UID:105163-1694044800-1694304000@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at The Armory Show - Booth 313
DESCRIPTION:For our fifteenth consecutive year\, Michael Rosenfeld Gallery returns to The Armory Show 2023 with a presentation of major twentieth and twenty-first century artworks that reflect the gallery’s core commitment to expand the canon of American art. Our booth will be anchored with important masterworks by Benny Andrews\, Milton Avery\, Hannelore Baron\, Richmond Barthé\, Mary Bauermeister\, William Baziotes\, Romare Bearden\, Harry Bertoia\, John Biggers\, Paul Cadmus\, Robert Colescott\, Harold Cousins\, Beauford Delaney\, Claire Falkenstein\, Jared French\, Sam Gilliam\, Michael Goldberg\, Adolph Gottlieb\, Nancy Grossman\, Charles Howard\, Blanche Lazzell\, Norman Lewis\, Conrad Marca-Relli\, Alfonso Ossorio \, Agnes Pelton\, Irene Rice Pereira\, Anne Ryan\, Esphyr Slobodkina\, Lenore Tawney\, Pavel Tchelitchew\, Alma Thomas\, Bob Thompson\, Helen Torr\, Jack Tworkov\, Charmion von Wiegand\, Stuart Walker\, William T. Williams\, and Hale Woodruff.
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-the-armory-show-booth-313/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2023/09/Benny-Andrews-1930-2006-Howardena-1978-oil-and-graphite-on-canvas-with-painted-fabric-collage.jpg
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221027T110000
DTEND;TZID=America/Halifax:20221030T180000
DTSTAMP:20260513T185104
CREATED:20221021T145253Z
LAST-MODIFIED:20221021T145253Z
UID:99974-1666868400-1667152800@artinamericaguide.com
SUMMARY:Tandem Press at the 2022 IFPDA Fine Art Print Fair
DESCRIPTION:For our 2022 IFPDA Print Fair presentation\, Tandem Press will debut new prints by Derrick Adams\, Lesley Dill\, and Cameron Martin. We will also exhibit recent prints by Jeffrey Gibson\, Suzanne Caporael\, Manabu Ikeda\, and Alison Saar that have not been shown at the fair previously. \nDerrick Adams’s new prints\, a continuation of his Style Variation series\, explore Black identity and empowerment achieved through acts of styling. They celebrate rituals of self-expression that do not need to be contextualized to have value\, and they champion what Adams calls one’s individual “fantastic-ness.” \nIn Suzanne Caporael’s most recent print “Origins of the Elements\,” which was inspired by the Periodic Table of the Elements\, she carefully mixed colors to represent cosmic events that are the sources of elements in the universe. \nLesley Dill’s work is profoundly spiritual and explores the relationship between text and images. Her new prints relate to her recent body of work that studies several daring and courageous American abolitionists and religious figures from the 18th-20th centuries\, including Dred Scott\, Sojourner Truth\, and Heavenly Mother Ann Lee. \nA Mississippi Choctaw/Cherokee artist\, Jeffrey Gibson uses recognizable Native American materials such as beads\, fringe\, and elk hide in his artwork. His colorful\, graphic\, and often text-inclusive works create powerful statements that reorient the place and status of Native American art within contemporary culture. \nManabu Ikeda weaves elements of civilization and nature into fantastic narratives which emanate a sense of pure curiosity and abundant imagination. Ikeda’s new intaglio print “The Legendary Mountain” reimagines a Japanese fable of tragedy\, hope\, and mystery. \nIn Cameron Martin’s current work\, the act of representation takes precedence over the representation itself. The non-objective images read as screens\, containers for information\, or illusions of animated space that include shapes and forms reminiscent of recognizable signs or symbols. \nAlison Saar’s personal identity and experience with racism and sexism fuels the narratives she tells through her sculptures\, drawings\, and prints. Saar\, a biracial woman with a lighter complexion\, continues her exploration of hair and the various rituals\, expectations\, and connotations that revolve around it in her new editions.
URL:https://artinamericaguide.com/event/tandem-press-at-the-2022-ifpda-fine-art-print-fair/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/10/IMG_5365-scaled.jpg
ORGANIZER;CN="IFPDA Fine Art Print Fair":MAILTO:info@ifpda.org
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220908
DTEND;VALUE=DATE:20220912
DTSTAMP:20260513T185104
CREATED:20220907T153259Z
LAST-MODIFIED:20220910T165644Z
UID:98124-1662595200-1662940799@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at The Armory Show 2022
DESCRIPTION:Michael Rosenfeld Gallery is pleased to be participating in The Armory Show 2022 with a group exhibition encapsulating the gallery’s exciting and diverse program. Featuring an interdisciplinary selection of works dating from the interwar period through the present\, our presentation offers a showcase of artists and movements central to the history of American art in the 20th and 21st centuries. The focus of the presentation is a wall-sized masterpiece by gallery artist William T. Williams (b.1942)\, Sister Puss (1968)\, which correlates to the artist’s solo exhibition at the gallery’s 19th Street space\, William T. Williams: Tension to the Edge (September 8–November 5\, 2022). Additional highlights include standout works by Benny Andrews (1930–2006)\, Robert Colescott (1925–2009)\, Joseph Cornell (1903–1972)\, and Agnes Pelton (1881–1961). \nWilliams’ Sister Puss (titled after a family member’s nickname that references the fairytale character Puss in Boots) belongs to a body of work that constitutes the genesis of the artist’s “diamond-in-a-box” motif\, which became a formal and thematic continuum in his oeuvre. Williams has referred to this form as a “stabilizing force” that structures the chaos he sought to convey within these works as a reflection of the tumultuous conditions of the era. Such works embody “place as a specific type of poetry\,” in Williams’ words\, offering a composite of experiences and memories both personal and collective. \nWilliams’ historic painting will be complemented by a range of masterworks by artists consistently featured in gallery programming\, including a standout collage painting from the same period by Benny Andrews. Liberty #6 (Study for Trash) (1971) is one of several finished paintings the artist referred to as a “study” for his monumental\, multi-panel work Trash\, also executed in 1971 and now in the collection of The Studio Museum in Harlem. Trash is the second work in Andrews’ Bicentennial Series (1969–1976)\, a cycle of six monumental paintings that convey\, as the artist stated\, “a Black artist’s expression of …his dreams\, experiences\, and hopes along with the despair\, anger\, and depression [felt in response] to so many other Americans’ actions.” \nCarrying the torch of 20th-century figurative expressionism with a clear political message is Robert Colescott’s 1994 painting\, Shakespeare’s Africans (Suicide\, Tragedy). Working in a distinct style characterized by cartoonish figuration\, gestural brushwork\, and dissonant color\, Colescott’s satirical paintings contain razor-sharp critiques of American life and the Western cultural canon\, often addressing the intertwined themes of race\, sex\, and class. Here the artist skewers the racism embedded in the Bard’s portrayal of Black figures through two of his best-known characters of African descent\, Othello and Cleopatra\, both of whom are fated to die by suicide in his plays. \nA theatrical reimagining of a major artifact of European culture is also the basis for another highlight of the presentation\, Joseph Cornell’s box construction Flemish Princess (c.1950). The diorama is exemplary of the artist’s surrealist assemblages\, which juxtapose an array of symbolically loaded objects in arrangements that reflect his myriad interests\, from astronomy and space exploration to ballet and opera. In Flemish Princess\, Cornell positions printed reproductions of a Renaissance painting\, Early Netherlandish painter Jean Hey’s portrait Suzanne de Bourbon (c.1492–93)\, behind wooden spheres resembling a child’s toy; the contents of the box are drenched in sepia tones\, heightening the sense of nostalgia for past ages\, both personal (i.e.\, childhood) and historical. \nFinally\, rounding out the gallery’s presentation is a rare example of Transcendental Painting Group artist Agnes Pelton’s abstract landscapes; these metaphysical compositions express the spiritual life of the natural world through the artist’s signature language of rhythmic forms\, brilliant colors\, and radiant light. Untitled (c.1942) was inspired by the stark yet elegant vista of the California desert (where Pelton lived and worked for nearly thirty years)\, particularly the purple form in the left half of the composition\, which resembles a seed pod of the Japanese magnolia tree. Though not strictly religious\, the artist practiced meditation and was deeply inspired by Agni Yoga\, Buddhism\, Theosophy\, and the theories of Carl Jung\, absorbing their teachings into her visionary painting practice. \nThe works discussed above are merely a sampling from the expansive checklist of works available at Booth 317. Here follows a complete list of the artists included in the gallery’s presentation: \nCharles Alston\, Benny Andrews\, Robert Arneson\, Hannelore Baron\, Richmond Barthé\, Mary Bauermeister\, William Baziotes\, Romare Bearden\, Harry Bertoia\, John Biggers\, Giorgio Cavallon\, Ed Clark\, Robert Colescott\, Joseph Cornell\, Harold Cousins\, Beauford Delaney\, Claire Falkenstein\, John Ferren\, Albert E. Gallatin\, Sam Gilliam\, Michael Goldberg\, Adolph Gottlieb\, Nancy Grossman\, William H. Johnson\, Raymond Jonson\, Lee Krasner\, Yayoi Kusama\, Jacob Lawrence\, Norman Lewis\, Conrad Marca-Relli\, George L.K. Morris\, Louise Nevelson\, Alfonso Ossorio\, Agnes Pelton\, Faith Ringgold\, Charles G. Shaw\, Dorothea Tanning\, Alma Thomas\, Bob Thompson\, Mark Tobey\, Jack Tworkov\, Esteban Vicente\, Charmion von Wiegand\, Stuart Walker\, Charles White\, William T. Williams\, and Hale Woodruff.
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-the-armory-show-2022/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2022/09/The-Armory-Show-2022-Installation-View-1.jpg
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210909
DTEND;VALUE=DATE:20210913
DTSTAMP:20260513T185104
CREATED:20210902T205955Z
LAST-MODIFIED:20210902T205955Z
UID:86501-1631145600-1631491199@artinamericaguide.com
SUMMARY:Michael Rosenfeld Gallery at The Armory Show 2021
DESCRIPTION:Visit Michael Rosenfeld Gallery in Booth 317 and Platform \nInspired by the ancient Greek symbol of the phoenix—a bird reborn out of the ashes of its decayed predecessor—Michael Rosenfeld Gallery’s Armory Show exhibition will focus on rebirth and transformation\, presenting a selection of museum-quality works by artists central to the gallery’s program. Our booth presentation will feature paintings\, sculpture and works on paper evoking themes of hope and transcendence. Constituting the gallery’s first in-person exhibition beyond its own walls since the pandemic began\, the selection will span nearly a century of American art\, including both abstract and figurative compositions thematically unified by explorations of natural\, spiritual and personal reawakening. \nMichael Rosenfeld Gallery will also be included in The Armory Show’s Platform presentation\, a specially curated section of the fair reserved for large-scale or site-specific works. Titled Can you hear the fault lines breathing? and curated by Claudia Schmuckli\, Platform will include eight works speaking to the possibilities for unifying divided institutions through empathy. On view from Michael Rosenfeld Gallery will be the monumentally scaled Benny Andrews mural titled Circle (Bicentennial Series) (1973). Comprising twelve adjacent canvases and measuring  overall 120″ x 288″ / 304.8 x 731.5 cm\, the painting’s composition symbolizes the Black experience in the United States through the portrayal of an individual’s trauma born of America’s racist past and present. Surreal in style and rich in interpretive possibility\, Circle is an enduring testament to the country’s ongoing struggle toward collective reconciliation and racial justice.
URL:https://artinamericaguide.com/event/michael-rosenfeld-gallery-at-the-armory-show-2021/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair,Event
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2021/09/ANDREW0223-image.jpg
ORGANIZER;CN="Michael Rosenfeld Gallery":MAILTO:info@michaelrosenfeld.com
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20191024T120000
DTEND;TZID=America/Halifax:20191027T170000
DTSTAMP:20260513T185104
CREATED:20190930T210748Z
LAST-MODIFIED:20191003T200832Z
UID:60431-1571918400-1572195600@artinamericaguide.com
SUMMARY:Ruiz-Healy Art at IFPDA Fine Art Print Fair 2019
DESCRIPTION:Ruiz-Healy Art at the IFDA Fine Art  Print Fair \nFair hours: \nTHURSDAY 10/24\n12-7pm: Open to the public \nFRIDAY 10/25\n12-7pm: Open to the public \nSATURDAY 10/26\n12-8pm: Open to the public \nSUNDAY 10/27\n12 – 5pm: Open to the public
URL:https://artinamericaguide.com/event/ruiz-healy-art-at-ifpda-fine-art-print-fair-2019/
LOCATION:The Armory Show at the Javits Center\, 11th Avenue at 35th Street\, New York\, NY\, NY\, 10001\, United States
CATEGORIES:Art Fair
ATTACH;FMTTYPE=image/jpeg:https://artinamericaguide.com/wp-content/uploads/2019/09/Shipton-Ethel_Arrows_2019.jpg
ORGANIZER;CN="IFPDA Fine Art Print Fair":MAILTO:info@ifpda.org
GEO:40.7564465;-74.0015064
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Armory Show at the Javits Center 11th Avenue at 35th Street New York NY NY 10001 United States;X-APPLE-RADIUS=500;X-TITLE=11th Avenue at 35th Street:geo:-74.0015064,40.7564465
END:VEVENT
END:VCALENDAR