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DTSTART;TZID=America/New_York:20260129T110000
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SUMMARY:Richard Hambleton: Momentum
DESCRIPTION:Woodward Gallery opens the new year with Richard Hambleton: Momentum\, an exhibition of works spanning 1982 – 2007. This selection brings together key bodies of work\, including Beautiful Paintings\, Shadowman\, and Burning Merit\, to trace movement as a persistent and driving force throughout Hambleton’s practice. Hambleton achieved the impossible: capturing the illusion of motion on canvas. Gesture\, layering\, and atmosphere generate an almost kinetic energy that invites viewers to experience the animated textures depicted in Hambleton’s paintings. Through his various styles of painting\, Hambleton’s work embodies movement as energized momentum. \n  \nRichard Hambleton approached painting as an act of immediacy and intention. Working in spontaneous bursts\, he translated emotional and physical states directly onto the surface. His practice was deeply participatory\, shaped by a belief that art functions as both a psychological and sociological encounter. Materials were mixed intuitively\, varnishes\, pigments\, and unconventional substances layered in ways that reveal the artist’s inner state. Nothing in Hambleton’s work is static; everything is in motion. \n  \nThe Beautiful Paintings\, including Priscilla (2006) and Magdalena (2007)\, evoke the qualities of dawn and dusk. Incorporating silver leaf\, these dramatic seascape works function as immersive experiences. Once presented in David Rockefeller’s art gallery at Rockefeller State Park Preserve\, these works underscore Hambleton’s capacity to channel stillness\, depth\, and quiet momentum\, an encounter that lingers well beyond the first viewing. \n  \nIn Malibu (1986)\, a stark black monolith\, an ancient symbol of life and transcendence\, is intended to be an entry point to heaven. Acting simultaneously as barrier and passage\, this foreboding rectangle shields the viewer from the sun’s intensity while also offering entry into it. In this and related works\, Hambleton’s use of vertical black lines functions as collapsed shadows\, a modern element he sometimes added\, both an echo of Hambleton’s iconic figures and a conceptual homage to Abstract Expressionist Barnett Newman. \n  \nAnother significant body of work in the exhibition centers on horse-and-rider imagery. Drawing from cigarette advertising\, most notably the Marlboro Man\, Hambleton critiqued American hypermasculinity and the commodification of identity. Instead of a cool-looking cowboy\, Hambleton painted the Marlboro Man as a shadowy silhouette\, symbolizing the dangers of smoking. Reappropriating the ads\, Richard sometimes embedded actual tobacco into the paint\, confronting seduction and toxicity simultaneously. \n  \nThe Burning Merit series critiques vintage Merit cigarette advertisements\, replacing the fantasized image of a ship full of happy smokers\, with a dark parody of this same ship on fire from a stray lit cigarette. Through the explosive imagery of a burning ship\, momentum is harnessed. Romanticization of cigarette addiction and the catastrophic effects of smoking culture collide. \n  \nFreiburg (1982)\, a striking Shadowman painting\, depicts an exploding white figure suspended in motion. Like the broader Shadowman series\, originally conceived as urban interventions\, this work captures sudden presence\, psychological tension\, and the shock of encounter. The figure feels alive\, erupting into the viewer’s space with urgency and force. \n  \nTogether\, the Beautiful Paintings\, Shadowman\, and Burning Merit works reveal Hambleton’s engagement with nature and the human psyche. Momentum emerges not only as physical movement\, but as something accumulated\, lived\, and carried forward\, an enduring force that defines Hambleton’s legacy. Richard Hambleton’s art carries the viewer beyond the canvas\, where their momentum continues to unfold long after the encounter ends. \n  \nRichard Hambleton: Momentum is on view at Woodward Gallery’s 132A Eldridge Street location from late January throughout March 2026\, also available on our website\, and as a Viewing Room on Artsy.net. We welcome you to join us in person or online this winter. \n 
URL:https://artinamericaguide.com/event/richard-hambleton-momentum/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20251103
DTEND;VALUE=DATE:20260108
DTSTAMP:20260425T073303
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SUMMARY:To Grandmother's House We Go-- The Art of Travel
DESCRIPTION:To Grandmother’s House We Go – The Art of Travel\n\n\nAn Artsy Online Exclusive Exhibition Celebrating the Journey Through Art\nFeaturing works by Jose Aurelio Baez\, Robert Indiana\, Margaret Morrison\, Kenji Nakayama\, Drew Roth\, Swoon and Andy Warhol. \n[New York City\, NY] – Woodward Gallery presents To Grandmother’s House We Go – The Art of Travel\, a vibrant and evocative online group exhibition that explores the romance\, nostalgia\, and spirit of travel through the distinct lenses of six contemporary and modern artists. Featuring original paintings and prints by Margaret Morrison\, Drew Roth\, Robert Indiana\, Jose Aurelio Baez\, Kenji Nakayama\, and Swoon\, the exhibition celebrates modes of transportation—trains\, cars\, subways\, and imagined escapes—as metaphors for movement\, memory\, and personal journey. \nFrom Robert Indiana’s iconic graphic symbols to Drew Roth’s primitive-expressionist dreamscapes\, each artist offers a unique interpretation of what it means to be in motion—physically\, emotionally\, and creatively. Margaret Morrison brings surreal vision to travel imagery rooted in personal and cultural nostalgia. Jose Aurelio Baez’s layered urban iconography speaks to the cultural dislocation and hybrid journeys of modern life\, while Kenji Nakayama’s meticulous stencil and sign work evoke the American roadside\, echoing themes of migration\, labor\, and discovery. \nSwoon’s Red Riding Hood transports viewers to a realm where fairy tale and urban reality intersect. Her intricately cut portrait evokes both vulnerability and strength\, capturing the layered experience of women navigating spaces that are at once mythic\, dangerous\, and empowering. \nThis exhibition invites viewers to consider the aesthetics and meanings of travel—not only as a destination-driven act\, but as an emotional and symbolic experience. Whether a literal ride to a grandparent’s home or a conceptual passage through time\, To Grandmother’s House We Go draws together six distinct voices in a dynamic exploration of how we move through the world—and how those movements shape who we are. \nAbout the Artists:\n•   Robert Indiana: A leading figure in American Pop Art\, known for his bold text-based prints and sculptures\, including the iconic LOVE.\n•   Margaret Morrison: Celebrated for her lush\, imaginative still lifes and narratives that merge childhood memory with fantasy. This body of work emerges from her Zen of Driving series\, where time behind the wheel becomes a space for reflection.\n•   Drew Roth: A Cleveland-born\, SoHo-based painter whose tribal-infused expressionist works capture inner vision and motion.\n•   Jose Aurelio Baez: A Dominican-American artist whose multi-layered compositions explore migration\, identity\, and cultural hybridity.\n•   Kenji Nakayama: Japanese-born\, Boston-based painter and sign artist known for hyper-detailed hand-cut stencils and Americana motifs.\n•   Swoon: Internationally acclaimed for her socially engaged street art\, cut-paper portraits\, and feminist narratives that fuse myth\, community\, and activism. \n\n\n.
URL:https://artinamericaguide.com/event/to-grandmothers-house-we-go-the-art-of-travel/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Art Fair
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DTSTART;VALUE=DATE:20250913
DTEND;VALUE=DATE:20251102
DTSTAMP:20260425T073303
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SUMMARY:Re: View
DESCRIPTION:Woodward Gallery Presents: “Re: View” \nGroup Exhibition  \nSeptember – October 2025 \nFeaturing:\n Rine Boyer • Thomas Buildmore • Sybil Gibson • Richard Hambleton\n Sarah Hauser • Alex Katz • Bill Martin • Frank Foster Post\n Skewville • Stikman • Swoon • Andy Warhol \n  \nThis Fall\, Woodward Gallery is pleased to present Re: View\, a group exhibition examining how the meaning of artwork evolves\, and how the very act of looking can transform what we see. \nOn view at the Gallery’s Lower East Side location\, Re: View brings together a multigenerational roster of artists whose works\, when experienced today\, resonate with renewed significance. \nFrom the raw immediacy of street art to the formal clarity of studio painting\, the exhibition spans both historic and contemporary practices. Together\, these works invite reflection on how artistic meaning shifts as cultural context changes—what once felt familiar may now appear urgent\, unsettling\, or newly relevant. \nRe: View will be on view September through October 2025 at Woodward Gallery\, 132A Eldridge Street\, New York City. The exhibition is accessible 24/7 in our street-level windows\, by appointment\, on our website\, and on Artsy.net (https://www.artsy.net/viewing-room/woodward-gallery-re-view?utm_content=viewing-room-gallery-share). \n 
URL:https://artinamericaguide.com/event/re-view/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20250525T080000
DTEND;TZID=America/New_York:20250731T170000
DTSTAMP:20260425T073303
CREATED:20250623T200120Z
LAST-MODIFIED:20250623T200120Z
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SUMMARY:Spring Salon
DESCRIPTION:New York City\, May – July 2025 — As the city blossoms into spring\, Woodward Gallery invites you to \nexperience the season’s renewal through its Spring Salon Group Exhibition\, a lively and evocative \ncelebration of modern and contemporary art. \nBrimming with energy and inspiration\, this curated collection brings together an extraordinary range of \nartistic voices\, from iconic pioneers to trailblazing contemporaries. Featured artists include: Jean-Michel \nBasquiat\, Susan Breen\, Cosbe\, David FeBland\, Sabina Forbes II\, Richard Hambleton\, Keith Haring\, Jasper \nJohns\, Franz Kline\, Sol LeWitt\, Mark Mastroianni\, Joan Mitchell/ Walasse Ting\, Moody\, Margaret \nMorrison\, Roycer\, Stikman. \nLike the season\, Spring Salon is a study in contrast and harmony\, where bold graffiti meets lyrical \nabstraction\, and still lifes bloom alongside avant-garde expression. The salon format offers a bridge \nbetween artworks and eras\, offering a fresh perspective on the blossoming language of art. \n“We wanted to create an exhibition that celebrates the spirit of the salon—curated yet eclectic\, \nhistorical yet current\,” says John Woodward\, Woodward Gallery’s Director. \n“The Spring Salon is an homage to the power of art to speak across time\, style\, and sensibility- a season of change.” This exhibition runs from May to July 2025 at Woodward Gallery\, located at 132A Eldridge Street\, NYC\, \navailable 24/7\, in our street-level windows\, by appointment\, on our website\, and Artsy.net.
URL:https://artinamericaguide.com/event/spring-salon/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240910
DTEND;VALUE=DATE:20241104
DTSTAMP:20260425T073303
CREATED:20240912T151135Z
LAST-MODIFIED:20240912T151135Z
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SUMMARY:JAMIE HEWLETT: Tarot
DESCRIPTION:This Fall\, Woodward Gallery proudly presents an online exhibition featuring Jamie Hewlett’s first- \nedition TAROT series\, from his acclaimed “The Suggestionists” collection. Known for his playful \nand provocative approach\, Hewlett injects a dose of sly absurdity into the mystical and arcane \nworld of tarot. \nJamie Hewlett\, renowned for his groundbreaking work across comics\, visual arts\, and music\, \nfirst gained acclaim with the iconic comic book series\, Tank Girl. His innovative spirit further \nmanifested in his collaboration with Damon Albarn on the virtual band\, Gorillaz\, where Hewlett \ncrafted the distinct personas and universe of the band. In recognition of his pioneering work\, \nhe was named “Designer of the Year” by the Design Museum in 2006. Hewlett’s debut solo \nexhibition at London’s Saatchi Gallery in 2015\, which later traveled to New York City’s Woodward \nGallery in 2016\, established him as a significant force in contemporary art. \nIn this series\, Hewlett draws inspiration from the esoteric and vividly surreal world of tarotica\, \nbuilding upon Alejandro Jodorowsky’s reinterpretation of the Tarot de Marseille—a deck \nJodorowsky regards as the quintessential Tarot. Hewlett’s 22 oversized tarot cards marry \nJodorowsky’s psycho-shamanic vision with Hewlett’s own irreverent and audacious style. \nThe series features Hewlett’s signature characters in unexpected roles; for example\, in “La Roue \nDe Fortune”\, whimsical creatures traverse the card\, while “L’Amoureux” captures the poignant \nemotional complexity of its subject. In a playful twist\, a trademark monkey takes the place of the \ntraditional dog in “Le Mat.” \nHewlett’s success lies in his seamless integration of comic book art\, animation\, and music \nvisuals\, creating culturally resonant and influential works. His ability to bridge diverse artistic \ndisciplines continues to shape and inspire contemporary art and pop culture. \nPlease join us this Fall for an exploration of Jamie Hewlett’s imaginative and boundary-pushing \nTAROT series\, exclusively online at Woodward Gallery\, and the virtual ARTSY.net Viewing Room.
URL:https://artinamericaguide.com/event/jamie-hewlett-tarot/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230915
DTEND;VALUE=DATE:20231112
DTSTAMP:20260425T073303
CREATED:20231011T133826Z
LAST-MODIFIED:20231011T133826Z
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SUMMARY:Famous Faces
DESCRIPTION:Undoubtedly\, Autumn is the best time to reflect upon the past. As we look back this Fall season\, Woodward Gallery’s latest exhibition\, Famous Faces\, features the portraits of iconic individuals who influenced American culture. On display are the memorable countenances of Marilyn Monroe\, Jean-Michel Basquiat\, Dick Tracy\, Richard Hambleton\, Albert Einstein\, Georgia O’Keeffe\, and Pablo Picasso\, which honor the unmatched creativity of both the subjects of each work of art and the talented artists who depict them. Prior to the modern\, instantaneous era of social media\, these figures impacted the world by challenging the unsolvable questions of their times and pioneering their individual fields of work for the better. \nHuman connection is often made through eye contact. Andy Warhol’s extraordinary portrait of Pablo Picasso is featured in this exhibition\, for all to engage with. Find yourself face-to-face with these fabulous portraits at the Woodward Gallery windows\, from September to October 2023\, or online\, through our virtual exhibition room on Artsy and our official gallery website\, WoodwardGallery.net.
URL:https://artinamericaguide.com/event/famous-faces/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230701
DTEND;VALUE=DATE:20230901
DTSTAMP:20260425T073303
CREATED:20230626T170653Z
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SUMMARY:Summer Garden
DESCRIPTION:Summer is finally here— and Eldridge Street is abloom! Planted by twelve Artists\, a Summer Garden is beautifully cultivated with flowers and vegetables in Manhattan’s urban ecosystem. The magnificence of Jose Aurelio Baez’s floral mural on our Project Space extends to Woodward Gallery’s interior with a variety of still life paintings\, colorful collages and intricate works on paper. Each artist’s interpretation of life and nature seeds our garden with diversity. Michael Alan\, Jose Aurelio Baez\, Susan Breen\, Deborah Claxton\, Michael De Feo\, BK Foxx\, Richard Hambleton\, Margaret Morrison\, Lady Pink\, Jaggu Prasad\, JM Rizzi\, and Swoon flourish together in this exhibition\, offering a fresh vitality to the neighborhood. \nCome view our Summer Garden\, this July and August\, on Eldridge Street\, on our website\, by appointment\, and on Artsy.net. Jose Aurelio Baez’s vibrant Eldridge Garden mural is located on Woodward Gallery’s Project Space and Summer Garden is featured in Woodward Gallery\, all on Eldridge Street between Broome and Delancey\, NYC.
URL:https://artinamericaguide.com/event/summer-garden/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230321
DTEND;VALUE=DATE:20230529
DTSTAMP:20260425T073303
CREATED:20230320T145938Z
LAST-MODIFIED:20230320T145938Z
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SUMMARY:GROUP SEVEN
DESCRIPTION:Woodward Gallery presents GROUP SEVEN\, an exhibition focusing on seven artists and their varied techniques of painting. Though AI and NFT art production has captured quite a bit of public speculation\, we are taking a closer look at more traditional\, yet compelling techniques for making tangible art. Specifically\, Woodward Gallery’s current exhibition\, GROUP SEVEN\, features the painted work of Jose Aurelio Baez\, Deborah Claxton\, Cosbe\, RH DOAZ\, Mark Mastroianni\, Daniel Rosenbaum\, and Francesco Tumbiolo and their varied methods. \nTogether\, these artists modernize the traditional artistic mediums of painting with exciting\, contemporary twists. Jose Aurelio Baez collages advertisements and wallpaper to create urban-styled paintings. Deborah Claxton’s hand-cuts numerous bits of tiny pieces of paper under a magnifying glass to construct her almost photographic image. Cosbe harnesses his raw emotions onto found objects to create striking works of art. RH DOAZ is a known street\, public\, and mural Artist who contemplates humanity and the natural world in his work. Similarly\, Mark Mastroianni has mastered Casein paint to achieve a smooth surface with natu- ral shapes and patterns found in stone\, granite\, and ice. Abstract painter Daniel Rosenbaum imagines an unnatural environment conjuring a new reality. Francesco Tumbiolo paints ambiguous gestural figures in primary colors\, inviting the viewer to participate. Each Artist in GROUP SEVEN presents their own style of painting technique in contrast to the absurd notion that tangible art has lost its relevancy. \n\n\n\n\nGROUP SEVEN is on view in Woodward Gallery’s street-level windows from March to May 2023. Please plan to visit in person 24/7 from our street level exhibition windows\, and by private appointment.  It is available with a full color catalogue on our website and also online on Artsy.net.
URL:https://artinamericaguide.com/event/group-seven/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20230117
DTEND;VALUE=DATE:20230301
DTSTAMP:20260425T073303
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SUMMARY:Gregory Corn\, Alex Racine: Gravity & Grace
DESCRIPTION:Happy New Year! Woodward Gallery springs into 2023 with a two-person\, dynamic\, three-dimensional exhibition by Sculptors\, Gregory Corn and Alex Racine. The human condition is modeled in\nmetal\, ceramic\, and gravity. Corn’s three “dancers” spin in juxtaposition to their heavy medium and weightlessness. Racine’s expressive hands offer graceful gestures and cultural commentary. \nAlex Racine’s ceramic sculptures employ the power of words and palmistry. The human palm has lines in it that represent language\, so the artist naturally thought to sculpt words. The openings in his elegant hands encourage the viewer to also explore the inside\, consider how hands articulate\, and how we may interpret character from the lines and configurations of the palm of a person’s hand. Walkie-Talkie and Basic Instinct are after the human body. The fingers become a blend of leg and arm anatomy. The crossed fingers in Basic Instinct conjure the iconic cultural moment in the 1992 film of the same title. \nFor Racine\, his Dog is reminiscent of youthful shadow puppets. Conversely\, God is the mischievous\, fun relationship with the shadow puppet and his play on its letters. Love is the hand gesture for sign language. Kindness is two hands joined creating one heart— especially relevant at this time when more kindness is needed. Incorporating a sixth finger as an optical illusion\, Racine nods to early Warhol drawings\, saying\, “When I close my eyes\, I feel like I have a 6th finger. I like that the sculpture becomes something and does something…it is like a third eye.” \nGregory Corn’s sculptures utilize metal\, stone\, and wire to harness the delicate balance between highly- dense materials and gravity. Tall\, sturdy\, steel structures are held together\, masterfully\, by smaller pieces. Heavy objects dangle from wires and gently sway. When knocked on\, each piece also “sings” differently\, as Corn describes. Corn’s three sister pieces\, Yellow Dancer\, Orange Dancer\, and Red Dancer exemplify human behavior\, symbolizing the complex inner mechanisms of bodies\, minds\, and spirits. Like real dancers\, each of the three sculptures are physically sound —strong— and yet\, incredibly graceful. The fourth piece\, Marionette\, resembles a puppet. A heavy mountain-shaped stone is held off the ground by a complex array of cable wires\, latches\, and steel bars. Large\, red-detailed\, rectangular beams act like bones for the larger sculpture. This balance\, Gregory Corn explains\, represents humanity\, as\, in his own words: “The weight we carry holds us together.” \nFrom January throughout February 2023\, this exhibition is presented at Woodward Gallery in our street- level windows 24/7\, by private appointment\, and as an online exhibition and Viewing Room on Artsy.net.
URL:https://artinamericaguide.com/event/gregory-corn-alex-racine-gravity-grace/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20221110
DTEND;VALUE=DATE:20230101
DTSTAMP:20260425T073303
CREATED:20221111T202315Z
LAST-MODIFIED:20221111T202315Z
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SUMMARY:Winter Mix
DESCRIPTION:The holidays are here! As dry\, autumn leaves grace the New York City pavement and daylight grows dim\, the seasons change. Woodward Gallery’s current group exhibition\, Winter Mix\, explores this seasonal transition in the form of artistic expression. Gallery Director\, John Woodward\, curates work from Artists Robert Indiana\, Susan Breen\, Knox Martin\, Terence Netter\, Keith Haring\, LA2\, Rupert Jasen Smith\, and Kenji Nakayama. This selection tells the classic\, yet exciting\, tale of the natural transformation from Fall to Winter. \nAs the days become shorter and more frigid in climate\, emotional warmth is expressed\, artistically. These artists utilize primary colors (red\, yellow\, blue)\, sharp or curving shapes\, and recognizable images\, such as Robert Indiana’s “LOVE\,” Keith Haring’s dancing figure\, and Susan Breen’s icy snowflake. Themes such as love\, passion\, religion\, and celebration unite these diverse works of art\, illustrating what “mixes” together to form the season. Through Winter darkness\, these Artists offer illumination. \nThis exhibition is presented at Woodward Gallery in our street-level windows 24/7\, by private appointment\, and as an online exhibition on our website (WoodwardGallery.net)\, Artsy.net\, and Widewalls.ch. Happy holidays!
URL:https://artinamericaguide.com/event/winter-mix/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20221110
DTEND;VALUE=DATE:20230101
DTSTAMP:20260425T073303
CREATED:20221111T202315Z
LAST-MODIFIED:20221111T202315Z
UID:100400-1668038400-1672531199@artinamericaguide.com
SUMMARY:Winter Mix
DESCRIPTION:The holidays are here! As dry\, autumn leaves grace the New York City pavement and daylight grows dim\, the seasons change. Woodward Gallery’s current group exhibition\, Winter Mix\, explores this seasonal transition in the form of artistic expression. Gallery Director\, John Woodward\, curates work from Artists Robert Indiana\, Susan Breen\, Knox Martin\, Terence Netter\, Keith Haring\, LA2\, Rupert Jasen Smith\, and Kenji Nakayama. This selection tells the classic\, yet exciting\, tale of the natural transformation from Fall to Winter. \nAs the days become shorter and more frigid in climate\, emotional warmth is expressed\, artistically. These artists utilize primary colors (red\, yellow\, blue)\, sharp or curving shapes\, and recognizable images\, such as Robert Indiana’s “LOVE\,” Keith Haring’s dancing figure\, and Susan Breen’s icy snowflake. Themes such as love\, passion\, religion\, and celebration unite these diverse works of art\, illustrating what “mixes” together to form the season. Through Winter darkness\, these Artists offer illumination. \nThis exhibition is presented at Woodward Gallery in our street-level windows 24/7\, by private appointment\, and as an online exhibition on our website (WoodwardGallery.net)\, Artsy.net\, and Widewalls.ch. Happy holidays!
URL:https://artinamericaguide.com/event/winter-mix-2/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220915
DTEND;VALUE=DATE:20221101
DTSTAMP:20260425T073303
CREATED:20220912T145934Z
LAST-MODIFIED:20220918T160447Z
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SUMMARY:Matt Siren Thriller
DESCRIPTION:Matt Siren\nThriller\nSeptember – October 2022\nat Woodward Gallery\, NYC \nFor well over a decade\, Matt Siren brought piercing\, high-contrast artwork from the streets of New York City to the walls of Woodward Gallery. This Fall\, the Artist’s first solo exhibition at Woodward Gallery\, Matt Siren: Thriller\, explores his artistic evolution. Matt Siren’s collection of characters is widely-recognized and respected from the American East and West Coasts to European cities\, such as London and Paris. By fusing thick-lined graphic content\, sharp comic book illustrations\, and playful storytelling into his art\, Matt Siren’s work thrills. This exhibition highlights the Artist’s most iconic characters\, who stir up imagination\, and seduce. Vintage screenprints on metal signs and current hand-painted wood-block assemblages are featured together in a two-part exhibition at Woodward Gallery. Prepare for a wild ride of past\, present\, and future storytelling —unique to Matt Siren— transcending street and fine art. \nSince 2008\, the beautiful face of Matt Siren’s Ghost Girl has appeared on urban walls\, became a set of vinyl toy collectibles\, decorated reality television beach homes\, was discussed on CBS News\, was worn by the fashion world\, and was even transformed into a 7.6-acre corn maze. This hard-edge\, female icon with dark hair pulled to the side by a flower\, harkens back to Matt Siren’s youthful love of gaming— particularly\, his nostalgia for the arcade game\, Ms. Pac-Man. Ghost Girl stares directly at her voyeur’s eyes\, hypnotizing the viewer to follow her. The powerful silhouette of Ghost Girl is set in a variety of colors as a representation of diversity and feminism; she could represent anyone\, no matter their background\, size\, sexual orientation\, race\, or ethnicity. Her universal image has become Matt Siren’s signature symbol. All women are intended to be represented in Ghost Girl’s robust and striking spirit. \nMatt Siren’s Death Face is one face of a character called a Quintesson from the 1980s cartoon\, The Transformers. The fictional robo-alien race of Quintesson have 5 faces. As fans of The Transformers franchise know\, the specific season where the Quintesson characters appear is filled with dark psychological undertones. Their graphic design style and deep meaning inspires Siren’s own creative twist on these characters. \nSiren’s vintage Pin-ups represent the Artist’s respect for the female form and its vigor. Through his deep appreciation for women\, their physical strength\, and ability to be resilient in the face of pain and conflict\, Matt Siren’s Pin-ups are not intended to objectify women through the problematic lens of the male gaze\, but rather\, to alter it to focus on feminist power through sexuality. The erotic Burlesque in the Living Room series teases the viewer to engage with mock advertisements. Specifically\, Siren inverts the commercial dialogue so the female characters may utilize their femininity to regain control of the male gaze that fails to define them. \nMetaphorically and symbolically\, Matt Siren’s Skull represents a wartime spirit of going into battle with a vengeance. The Skull represents a sense of condemnation and a warning of impending death. However\, death\, as a metaphor\, can also signify the end of an era— or a new beginning. Matt Siren’s Skulls are presented\, not as figures of existential doom\, but rather\, as comical or ironic manifestations of serious caution. \nPulling from our archives\, Ghost Girl and Burlesque in the Living Room limited edition prints will be made available at Woodward Gallery\, on a first-come-first-serve basis\, for the duration of the exhibition. Woodward Gallery invites all to the exciting realm of Matt Siren: Thriller. A full-color\, digital catalog is available on our website (WoodwardGallery.net). This exhibition is presented at Woodward Gallery in our street-level windows 24/7\, by private appointment\, and as an online exhibition and Viewing Room on Artsy.net. Come one\, come all!
URL:https://artinamericaguide.com/event/matt-siren-thriller/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220702
DTEND;VALUE=DATE:20220901
DTSTAMP:20260425T073303
CREATED:20220715T132952Z
LAST-MODIFIED:20220715T132952Z
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SUMMARY:Sabina Forbes II- Heat Wave
DESCRIPTION:It is about to heat up in New York City this summer at Woodward Gallery! Hot\, vibrant colors sizzle urban cityscapes in artist Sabina Forbes II’s premier solo exhibition entitled\, HEAT WAVE. Forbes ignites her canvases with patterns\, textures\, and brilliant fluorescent hues as she imagines the urban skyline brought to life by the hard-working hands that build the towers and by the people dwelling within their concrete walls. Her dynamic style of neon painting is a pulsating\, sweltering celebration of color\, channeling the collective spirit which vibrates around us and emanates from all creations. Ultimately\, this electric body of work evokes the endurance of hope\, even when the world seems hellish. \n  \nVisual heat emanates from Forbes’ reconceived landmarks made of textural two-dimensional fluorescent paint on canvas. Blocks\, bricks\, and even shapes that resemble roads all come together to highlight the unavoidable unification of people in a busy urban community. Although a metropolis may feel alienating\, Forbes’ precise brush strokes and lined layers of paint invite the exploration of communal\, urban stability. These inspired architectural structures simmer with their own light and joyful energy. \n  \n\n\n\n\n“The best is yet to come” was a sentiment that Forbes’s grandfather\, Malcolm Forbes\, often expressed throughout her childhood and one which became an inspirational force behind her art. Each of Forbes’ paintings is a manner of portraiture whether from the singularity of the individual form\, an element of nature\, or the perceived sterile neutrality of a building punctuating a city skyline. Walking around the city to explore this vitality\, Forbes taps into the overall human spirit through flaming color\, intricate patterns\, and dynamic textures animating her notable building structures. \n  \nWatch the heat index climb this July and August and witness Forbes’ refreshing\, original works from the Woodward Gallery street-level exhibition windows at 132A Eldridge Street\, NYC\, in the digital catalog on WoodwardGallery.net  and also presented on Artsy.net.
URL:https://artinamericaguide.com/event/sabina-forbes-ii-heat-wave/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220127T080000
DTEND;TZID=America/Halifax:20220318T170000
DTSTAMP:20260425T073303
CREATED:20220127T171658Z
LAST-MODIFIED:20220127T171743Z
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SUMMARY:New in 22
DESCRIPTION:Happy New Year! Woodward Gallery welcomes 2022 with fresh\, never-before-seen works of art by artists: Jose Baez\, Susan Breen\, Cosbe\, RH DOAZ\, Tommy Flynn\, Sabina Forbes II\, Val Kilmer\, Moody\, Margaret Morrison\, Alex Racine\, JM Rizzi\, Daniel Rosenbaum\, Matt Siren\, and DM Weeks. Despite being isolated once again in 2021\, these artists were busy creating on canvas\, metal\, wood\, acrylic\, and more. The year\, 2022\, in the Chinese zodiac\, is represented by the Tiger\, a symbol of strength\, power\, and bravery; a sentiment fully realized by this body of work. \nWoodward Gallery’s exhibition\, New in 22 features bursts of bright colors\, fuller compositions\, and a leap of courage for each artist. This dynamic group exhibition depicts the roaring emotional pressure that current political\, social\, and environmental factors force upon each artist. After over two years of painful sacrifice\, various expressive mediums\, such as painting\, sculpture\, jewelry\, and photography\, speak to the core of each artist in this current moment. A blend of Abstract\, Figurative and Street art\, large and small paintings\, as well as bright and dark colors all unite to face change and celebrate the challenge of carrying on. Pounce on this opportunity to visit Woodward Gallery from January to March 2022 for a fierce exhibition of artistic might. \nPlease visit New in 22  in person at Woodward Gallery’s street level exhibition windows 24/7; online on WoodwardGallery.net\, on Artsy.net\, and the virtual Artsy Viewing Room. A full color digital catalogue\, published to coincide with this exhibition\, is available for free online.
URL:https://artinamericaguide.com/event/new-in-22/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210910
DTEND;VALUE=DATE:20211001
DTSTAMP:20260425T073303
CREATED:20210908T201411Z
LAST-MODIFIED:20210908T201411Z
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SUMMARY:Observing 9/11: Breen\, Bridges & Corn
DESCRIPTION:On this 20th Anniversary\, Woodward Gallery observes 9/11 with an exhibition of prescient works of art created just prior to the horrific attack that took nearly 3000 lives\, devastated families\, and changed the American collective psyche forever. \nGregory Corn’s sculptural Sacrifice is a metal assemblage reminiscent of the twin towers. Susan Breen’s Convergence depicts robed figures witnessing ominous clouds on a horizon. Marilyn Bridges’ aerial photograph captures the Twin Towers (WTC and Central Park looking South) before their destruction. These artists appear to have been tuned into some pending devastation and documented their visions in advance of the tragic events. \nIn the immediate aftermath of 9/11\, Woodward Gallery organized an exhibition reflecting on the lives lost\, and a decade later collaborated with Dr. Sean Ahearn\, the City of New York and the Center for the Advanced Research of Spatial Information (CARSI) of Hunter College- CUNY\, for the exhibition “Charting Ground Zero”. This show provided an extensive aerial and ground overview of the World Trade Center site before and after September 11th\, along with the site’s evolution over the first decade. It used the latest scientific advances in mapping technology and cartographic representation to document the transformation of the site. The mapping and spatial analysis technologies played a crucial role in helping the city assess damage\, monitor the progress of recovery\, and safely deploy personnel and equipment in the disaster zone. The full exhibition was donated to the 9/11 National Memorial Museum at Ground Zero. \nLearn more and see the original television WPIX News feature: \nhttps://woodwardgallery.net/news/charting-ground-zero-before-and-after-exhibition-on-wpix-morning-news/ https://woodwardgallery.net/exhibitions/charting-ground-zero-ten-years-after \nThose we lost will remain always in our hearts. \nPlease take part in our current Observing 9/11: Breen\, Bridges & Corn Exhibition by viewing in person at Woodward Gallery’s street level exhibition windows 24/7\, or online on WoodwardGallery.net and Artsy.net.
URL:https://artinamericaguide.com/event/observing-9-11-breen-bridges-corn/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210516T003000
DTEND;TZID=America/Halifax:20210725T170000
DTSTAMP:20260425T073303
CREATED:20210608T133628Z
LAST-MODIFIED:20210608T133628Z
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SUMMARY:Moody Direct Current
DESCRIPTION:In the shocking era of the 1980s\, the streets were where art was made. There\, on the blank\, concrete canvases of New York City\, street artist\, Moody\, developed his technique. Moody perfected his style alongside other street artists\, back in a time when there were no legal spaces to show off their work\, forcing many to operate in secrecy. After connecting with other street artists and\, subsequently\, earning their respect\, Moody refined a successful studio practice\, where he continues to create work today. This summer\, Woodward Gallery presents Moody’s paintings in the all-new solo exhibition\, Direct Current. This body of work\, stems from his knowledge of electricity and circuitry\, charging the outlet for human connectivity.
URL:https://artinamericaguide.com/event/moody-direct-current/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201005
DTEND;VALUE=DATE:20201231
DTSTAMP:20260425T073303
CREATED:20201006T201610Z
LAST-MODIFIED:20201006T201610Z
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SUMMARY:Margaret Morrison Home
DESCRIPTION:Tuscany is Margaret Morrison’s second home. Nearly every summer\, she roams through the antique markets of Arezzo\, Cortona\, and Lucca looking for inspiration and finds tables laden with sumptuous offerings of silver\, crystal and collectables which dazzle the eye.  In addition to the gentrified\, high end antiques\, there are tables piled high with cast off trinkets and broken lamps that fascinate Morrison with their accidental beauty. Upon returning to Athens\, Georgia\, Morrison began painting in her elegant\, in-town studio with high ceilings and state-of-the-art lighting. \nHowever\, once the pandemic hit\, Morrison started working from home\, leading her to rediscover her old home studio\, the studio that she had abandoned eleven years earlier. She describes how her old space was “haunted by the ghosts of previous paintings.”   And like the attic full of dusty draped furniture from a Hollywood movie\, she brought her home studio back to life. Morrison says\, “It felt safe and familiar and healing. I felt at home…. at home painting the antique markets of my other home\, all the while thinking of my lovely Italian friends who were passing through their own dark time.” \nThis season\, please join us at Woodward Gallery for Margaret Morrison’s latest exhibition\, Home. The glistening images Margaret Morrison has brought together for Home draw from a mixture of her past and present works of art. This latest show at Woodward Gallery\, conjures her love of everything from Barbie dolls to sweets to silver. Visitors are invited to get lost in the immense detail of Morrison’s exquisite paintings\, not just once but multiple times\, since one viewing is simply not enough to fully discover their treasures. \nConcurrently\, Margaret Morrison has two Museum exhibitions underway. The first exhibition\, A La Carte\, featuring her sweet themed larger than life food paintings\, is now on view at The Abroms-Engel Institute for the Visual Arts in Birmingham\, Alabama from September 8\, 2020 to December 12\, 2020. The second exhibition\, Margaret Morrison Paintings\, consisting of sterling silver and pristine porcelain objects painted on large scale canvases\, can be seen at The Georgia Museum of Art in Athens\, Georgia\, from August 31st\, 2020 to January 17th\, 2021. \nSafely visit Margaret Morrison: Home from the street level windows at Woodward Gallery\, New York from October to December 2020\, on our website\, through our Artsy.net Viewing Room\, and by private appointment.
URL:https://artinamericaguide.com/event/margaret-morrison-home/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition,Virtual Events + Viewing Rooms
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200715
DTEND;VALUE=DATE:20200913
DTSTAMP:20260425T073303
CREATED:20200804T203204Z
LAST-MODIFIED:20200804T203204Z
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SUMMARY:Brad Robson | DELI Paintings
DESCRIPTION:Woodward Gallery is pleased to present Brad Robson’s original paintings of food this Summer season. \nThese days as we wait on longer check-out lines\, we focus on our selection at the local deli or grocery store. Brad Robson emphasizes our essential food items in this series.  His magnified paintings of meat\, fish\, veggies and fruit represent the nourishment we seek especially now for our minds\, bodies and souls. Robson’s confident application of paint to canvas has an immediacy\, reinvigorating the traditional still life genre. His surreal deli imagery is easily identifiable\, yet Robson’s choice of bright colors and loose forms also hint at abstract or action painting. \nRobson lives and works in Sydney\, Australia. He is a self-taught fine artist who had a career in Graphic Design and Advertising. Robson became a teacher on Album Sleeve Designs for a college in Sydney while continuously pursing his painting career. His studio paintings and street art murals have been featured in cities around the world. Robson’s large-scale cityscape canvases were exhibited at the historic Four Seasons Restaurant in NYC.
URL:https://artinamericaguide.com/event/brad-robson-deli-paintings/
LOCATION:Woodward Gallery\, 132A Eldridge Street\, New York City\, NY\, 10002\, United States
CATEGORIES:Exhibition
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