Every photograph is a reminder that the act of framing is never neutral. In Camille Trautman’s first solo museum exhibition in their hometown, the Seattle-born Duwamish artist uses photography and video to challenge colonial narratives and counter Indigenous erasure. The exhibition presents selections from their ongoing series The North American LCD—spectral self-portraits staged in varied natural landscapes. Rooted in Trautman’s process of coming out as transgender, the images show the artist’s body partially obscured by large LCD screens. The series examines how both landscape photography and digital media can shape or distort cultural identity, often by promoting or denying visibility.