Exhibition
- Events
- Exhibition
Isaac Julien: Lessons of the Hour — Frederick Douglass
Smithsonian American Art Museum 750 9th St. N.W., Washington, DC, United StatesSir Isaac Julien’s moving image installation Lessons of the Hour (2019) interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist, writer, orator, and philosopher Frederick Douglass. Through critical research, fictional reconstruction, and a marriage of poetic image and sound, Julien asserts Douglass’ enduring lessons of justice, abolition, and freedom that […]
Tuan Andrew Nguyen: The Island
Smithsonian American Art Museum 750 9th St. N.W., Washington, DC, United StatesArtist Tuan Andrew Nguyen creates multimedia installations that blend fact, memory, myth, and mysticism and use lush imagery to draw out these entanglements. By digging deep into archives and collaborating with communities, his projects weave together many voices to reveal other truths about — and strategies of repair from — colonial violence. In this Washington, DC debut, his video work […]
Robert Earl Paige: Give the Drummer Some!
Smart Museum of Art 5550 S. Greenwood Avenue, Chicago, IL, United StatesFor the Smart’s 50th anniversary, South Side artist Robert Earl Paige creates a multi-part pattern-based installation and sprawling public art project that invites communities into a collective experience of space.
Recent Acquisitions | Frye Art Museum
Frye Art Museum 704 Terry Ave, Seattle, WA, United StatesRecent Acquisitions presents newly acquired artworks by artists with deep connections to the Pacific Northwest. Some artists were born here, others are transplants—all have meaningfully shaped our artistic community. Reflecting the artistic production in our region, the gathered artworks defy genre conventions, often pushing the boundaries of their mediums. Ellen Lesperance (born 1971, lives and works […]
Boren Banner Series: Natalie Krick
Frye Art Museum 704 Terry Ave, Seattle, WA, United StatesIn her new suite of collages, Natalie Krick deconstructs pictures of Marilyn Monroe from Bert Stern’s book The Complete Last Sitting, complicating the voyeuristic viewing imposed on its iconic subject.