Jeffrey Gibson asks us to co-envision a future and to move toward it. Ceaselessly prioritizing collective imagination as a tool toward manifestation and realization, the artist has stated, “Don’t accept the circumstances you are in; acknowledge that you are in them and then find a future.”

This major exhibition is devoted to one of today’s foremost artists, whose vibrant interdisciplinary practice combines sculpture and painting, beadwork and video, words and images, incorporating rawhide, tipi poles, sterling silver, wool blankets, jingles, fringe, and sinew—materials that refer to American Indian cultures toward the adornment of quotidian objects such as punching bags, flags, banners, and illuminated signs. Gibson, who is of Mississippi Choctaw and Cherokee heritage, combines aspects of Indigenous art and culture with modernist traditions, navigating and disrupting the expectations placed upon Native artists working within the contemporary art world. At the root of his enterprise lies a core value—objects, and people alike, carry the potential for radical transformation.

Exclusively curated from the collections of Jordan D. Schnitzer and His Family Foundation, They Teach Love presents a sweeping survey of over 35 objects across a span of fifteen years. Beginning with examples of the artist’s earliest engagements with printmaking, our exhibition proceeds to include photography, painting, and sculpture, as well as recent forms that express his foray into performance, installation, and video, as well as contemporary adornment in fashion. The latter direction is reflective of intertribal powwows as well as the dance clubs where Gibson found safe spaces as a teenager.

The exhibition’s centerpiece is an expansive and immersive work titled To Name An Other which is comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery, in 2019, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-based projects and performances to activate the communities he works within. This idea is especially appropriate when considering Jeffrey Gibson’s work, as he pushes to create affinity—collaboration is at the heart of his recent social practice. Working and learning together may aid to decolonize our minds and institutions, revealing a future we wish to inhabit.