The George Adams Gallery is pleased to announce its representation of the Estate of Joanna

Beall Westermann. Our first exhibition of her work will be held from February 23rd to

April 6th in the back gallery. The gallery will host a reception on February 23 from 6-8

pm.

Beall Westermann’s artistic style was a fusion of various influences, notably modernism,

expressionism, and surrealism. She exhibited a masterful command of color and

composition, often blending multiple scenes and elements within a single plane. While

surrealism permeated much of her work, her paintings and drawings remained firmly

grounded in reality rather than delving into a purely dreamlike realm. Over time, her

artistic expression evolved toward greater abstraction, culminating in works of profound

simplicity and depth.

Born in Chicago in 1935 and raised in Connecticut, Joanna Beall Westermann was deeply

immersed in the world of art from an early age, as the daughter of the renowned graphic

designer and painter Lester Beall Sr. Her education took her to Yale University, where she

studied under Josef Albers, and to Mexico, where she apprenticed with Diego Rivera,

before completing her Bachelor of Fine Arts degree at the School of the Art Institute of

Chicago in 1958. It was in Chicago that she met her husband, H.C. Westermann, a sculptor

and printmaker, with whom she shared a symbiotic artistic relationship, exchanging ideas

and techniques.

Beall Westermann’s work was featured in numerous institutional presentations, including

exhibitions at the Wadsworth Atheneum, Hartford, Connecticut, 1973; Whitney Museum

of American Art, New York, 1973; The School of the Art Institute, Chicago, 1976; UCLA

University Galleries, Los Angeles; Denver Art Museum, Colorado; Oakland Museum,

California; and the Herbert F. Johnson Museum of Art, Cornell University. Beall

Westermann showed extensively throughout her career including exhibitions at Allan

Frumkin Gallery, Chicago, 1960 and 1961; Rolf Nelson Gallery, Los Angeles, 1968 and

1971; The Great Building Crack Up Gallery, New York, 1973; James Corcoran Gallery, Los

Angeles, 1974, 1977 and 1985; and Xavier Fourcade Gallery, New York, 1980. Her work

is held in the collections of the Smart Museum of Art, the University of Chicago and the

Copley Foundation, New York. Beall Westermann passed away in 1997 in Connecticut.