“The Persistence of Nasty”
Pictor Gallery 547 West 27th Street, Suite 204, New York, NY, United StatesPictor Gallery and Plays for us present " The Persistence of Nasty" on Thursday February 17th. The performance will feature Yvette Heyliger's "Bridge to Baraka," Christine Toy Johnson's "Expression of Regret," & Alice Eve Cohen's "Mrs. Satan & The Nasty Woman." We welcome back Kathryn Markey and Dee Peletier and the Plays For Us Troupe […]
Art in Focus: Luo Biwu, Parts, 2015, silkscreen print
Bellarmine Hall 200 Barlow Road, Fairfield, CTOur Art in Focus series offers the opportunity for a close look at a single work of art. Join us in the Walsh Gallery at 11 a.m. on February 17 for some close looking and conversation about Luo Biwu’s screenprint Parts, on view as a part of SEEING IS BELIEVING: Crossings and Transpositions, Part II! […]
Photo Safari: Exploring Tampa’s Riverfront
Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200, Tampa, FL, United StatesAbout this event Join FMoPA for a two-hour photo safari as we explore Tampa’s riverfront with our cameras. Professional photographer Amy Pezzicara will guide you through hands-on photographic challenges, on-the-spot critiques, and techniques. In this hands-on photo safari, we’ll explore the photographic techniques you can use to capture the essence of a place. Bring your […]
Romare Bearden: Overlapping Meanings
ZoomSession 3: LIVE from the EFA Robert Blackburn Studio in NYC! A Virtual Printmaking Demonstration HUMA is partnering with the EFA Robert Blackburn Studio for a virtual demonstration that explores Bearden’s printmaking process. The Studio will also explain the history of Blackburn and Bearden’s collaboration. Admission is free. Advance registration is required. https://hofstra.zoom.us/j/93638744364?pwd=cnFTQzVkUlB3NEQzb25neWVJYkx4QT09
Discovering Your Creative Photographic Path Remote Learning
Florida Museum of Photographic Arts 400 N Ashley Dr Cube 200, Tampa, FL, United StatesRemote learning These Zoom sessions will fully reflect the same content as with the on-ground workshops offered by the FMoPA institute. Most beginning photographers tend to randomly capture images of everything they see and experience, resulting in confusing portfolios of single photographs and a lack of strong intellectual and aesthetical bodies of work. This intensive […]