Kelly Akashi is known for her materially hybrid works that are compelling both formally and conceptually. Originally trained in analog photography, the artist is drawn to fluid, impressionable materials and old-world craft techniques, such as glass blowing and casting, candle making, bronze and silicone casting, and rope making. Encompassing a selection of artworks made over […]

A Point Stretched: Views on Time presents artworks that stretch, warp, and compact the viewer’s sense of time. By highlighting works that endeavor to conceive of time in unusual, mutable, and unfixed ways, the exhibition challenges the histories we tell and the expectations we hold for the future. From Chitra Ganesh’s work blending truth and fantasy […]

The artworks of Sky Hopinka, a member of the Ho-Chunk Nation and a descendant of the Pechanga Band of Luiseño Indians, traverse the legacies of colonial oppression and Native resistance through meditations on the continuities between past and present. A new film by Hopinka was commissioned as part of Visualizing Abolition, an art initiative of the Institute […]

Sadie Barnette’s multimedia practice explores her own family history as it mirrors a collective history of repression and resistance in the United States. In a new commission for the ongoing Visualizing Abolition collaboration with the Institute of the Arts and Sciences at University of California, Santa Cruz, Barnette proposes an alternate history of Black America, […]

Originally trained in analog photography, Kelly Akashi (born 1983, Los Angeles) is drawn to materials like glass, wax, and bronze for their alchemical potential to change states. The artist blows and sculpts these fluid materials into forms bearing the literal imprint of her body’s breath and touch. She regularly makes unique life casts of her […]