Berry Campbell is pleased to present Louisa Chase: The Eighties, on view April 23 through May 30, 2026. Marking the artist’s first exhibition with the gallery since announcing representation of her estate, this exhibition features paintings and works on paper from the mid-1970s to the mid-1980s, a pivotal and emotionally expressive period of Chase’s practice. This […]

Berry Campbell is pleased to present Lilian Thomas Burwell: The Journey, the gallery’s third exhibition of Lilian Thomas Burwell (b. 1927). On view from February 12 through March 14, 2026, The Journey examines the evolution of Burwell’s practice, highlighting her evolution from two-dimensional painting into three-dimensional sculpture. The Journey brings together paintings, wall sculptures, and […]

Berry Campbell is pleased to announce its first exhibition of Ibram Lassaw (1913-2003), one of the foremost American abstract sculptors of the twentieth century. Lassaw merged technique and form in his process-based “action sculpture”—considered both a counterpart to and an inventive variation on Abstract Expressionist “action painting.” An early advocate of “truth to materials,” he […]

Berry Campbell is pleased to announce Lynne Drexler: A Painted Aria. On view from October 9 through November 15, 2025, the exhibition celebrates one of the most impassioned periods in Drexler’s career, when her lifelong devotion to music became inseparable from her art.  During the mid-1970s, Drexler visited the Metropolitan Opera as often as three […]

Berry Campbell is pleased to announce a landmark retrospective of paintings and works on paper by Mercedes Matter (1913-2001). A painter, educator, and a key figure in Abstract Expressionism, Matter is best known for founding the New York Studio School in 1964, following the publication of her influential essay, “What’s Wrong with U.S. Art Schools?” […]