Join us for a close look at a painted plaster version of Jean-Baptiste Carpeaux’s 1868 sculpture Why Born Enslaved!, which is on display for the first time in the exhibition The Solomon Collection: From Dürer to Degas and Beyond (May 24–August 17, 2025). Conservator Susan Costello and exhibition curator Marina Kliger will discuss the bust’s conservation treatment […]

The Solomon Collection: Dürer to Degas and Beyond celebrates a significant recent bequest to the Harvard Art Museums from passionate collectors Arthur K. and Mariot F. Solomon. The exhibition spotlights over 135 works, including paintings, sculptures, drawings, and prints by some of the most significant artists from the Renaissance to the 20th century, and offers visitors […]

European prints became a key source of inspiration for artists at the courts of Akbar (r. 1556–1605) and Jahangir (r. 1605–27) in northern India. Mughal painters adopted this foreign vocabulary but made it their own by incorporating local style and techniques and by adding iconographic elements that would be meaningful to a pluralistic audience. The […]

In East Asian art, nearly every aspect of an artwork’s design is encoded with meaning. Join associate curator Yan Yang for a talk about a new installation in the East Asian art gallery that investigates images—often drawn from the natural world and from literature—that convey rich information through allusion and wordplay. The installation includes paintings, […]

Join us for an in-depth, hour-long tour of our special exhibition Edvard Munch: Technically Speaking (March 7–July 27, 2025), led by an exhibition curator. A dynamic collaboration between curatorial and conservation experts at the Harvard Art Museums, Edvard Munch: Technically Speaking offers rare insight into the Norwegian artist’s innovative techniques and the recurring themes across his paintings, woodcuts, lithographs, […]