In a new multiroom installation, artist Andrea Chung confronts the legacy and trauma of slavery from the perspective of an Afrofuturist utopia. For this work, Chung activates the possibility of a new world, a “Black Atlantis” called Drexciya, to subvert the horrors of the transatlantic slave trade. Drexciya is an underwater world populated by the […]

For her evocation of a sanctuary space, In bloom at the end of the world, Angela U. Drakeford calls forth stillness and rest. With books, comfortable seating, bird song recordings, and an abundance of plants that fill the gallery, Drakeford prioritizes an atmosphere that allows for processing grief of all kinds—including loss of memories, cultural traditions, and […]

An elegy to the late Native American poet Diane Burns, Sky Hopinka’s I’ll Remember You as You Were, Not as What You’ll Become is a meditation on mortality, reincarnation, and the forms the transcendent spirit takes while descending upon landscapes of life and death The film continues Hopinka’s exploration of the ways his indigenous homeland, […]

In the mid-1980s, retired repairman Vollis Simpson (1919–2013) began using his collection of old farm equipment to construct monumental whirligigs in the fields around his Lucama, North Carolina, home. The site became a tourist attraction, enticing visitors to his rural property. In 2010, the nearby town of Wilson announced a plan to work with Simpson […]