No Idle Hands gives museum visitors a chance to view the art and artifacts that reflect daily life in America's early history. The exhibition features highlights from WAM's newly acquired collection of more than 450 works of American folk art, including some of the best furniture, samplers, hunting decoys and lures, and corner store paraphernalia […]

The term salon style derives from the exhibition of the French Royal Academy of Painting and Sculpture, which began in 1667 in Paris. In order to display work by all the Academy's students, the paintings were hung as close as possible from floor to ceiling. In the nineteenth century, this salon-style hanging became increasingly popular […]

Charles Russell was one of the great painters of the American West. With little formal training but much firsthand experience of his subject, he captured the western landscape in all of its wild and nostalgic moments. In 1880, when he was only 16, Russell went to Montana for the first time to work on a […]

Completely reimagined, the museum presents a compelling arrangement of the distinguished and growing glass art collection. For the new display, the museum consulted with the Seattle-based independent curator and craft scholar Vicki Halper. Notably, Halper curated Wichita Art Museum's popular 2014 summer exhibition Australian Glass Art, American Links for the Museum of Glass in Tacoma, […]

Wichita Art Museum's unique collection of Pre-Columbian art and artifacts was collected by Haig Kurdian between 1954-1959 during expeditions into Mexico and Costa Rica. The collection is mostly pottery, a few pieces of metal, carved shells, and precious stones. In Mesoamerican culture, pottery was appreciated as an artistic medium--a way people could express emotions and […]