Chloe King’s vividly layered, monumental compositions project a surreal vision of contemporary existence. For their Boren Banner—the artist’s first museum presentation in Seattle—King extends their ongoing inquiry into the politics of the dance floor, exploring Queer nightlife as a site of both refuge and risk. Drawing on the dilapidated, improvised, and occasionally illicit spaces that shape “the scene,” their work considers how the dance floor becomes a stage for radical joy and collective reinvention, where bodies move, histories revise, and new worlds take shape under the pulse of the strobe.